Floor plan

Style galleriesRomanticism

Romanticism

George Washington, by Gilbert Stuart, begun 1795
A work made of oil on paper, laid onto cardboard.
A FRENCH RESTORATION BEDROOM
Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
Queen Victoria, by Thomas Sully, 1838
Peaceable Kingdom, by Edward Hicks, ca. 1830–32
George Washington, by Charles Peale Polk, ca. 1790

The works in this room are listed below.

Works in this room

Sublime landscapes, storms and feeling, from about 1780 to 1850.

Section 1, north wall

  1. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on paper, laid onto cardboard.
    A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago
  3. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art
  2. Peaceable Kingdom, by Edward Hicks, ca. 1830–32
    Peaceable KingdomEdward Hicks, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  3. George Washington, by Charles Peale Polk, ca. 1790
    George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The Falls of Niagara, by Edward Hicks, ca. 1825
    The Falls of NiagaraEdward Hicks, ca. 1825Courtesy of The Metropolitan Museum of Art
  2. The American Star (George Washington), by Frederick Kemmelmeyer, ca. 1803
    The American Star (George Washington)Frederick Kemmelmeyer, ca. 1803Courtesy of The Metropolitan Museum of Art
  3. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Four women with musical instruments lounge in a massive garden courtyard.
    The Interior of the Palm House on the Pfaueninsel Near PotsdamCarl Blechen, 1834Courtesy of the Art Institute of Chicago
  2. This painting shows a woman in a tan dress and a tan hat with red flowers, walking on a grassy shoreline, holding a dark purple umbrella. The woman is positioned in the center of the painting, and she faces the left, standing at the edge of the water, looking downward. She has light skin and dark hair put up under her hat. The horizon is high in the painting, where the blue-gray sky and water meet. Small ships are visible in the distance, floating on the horizon. On the right side of the painting, the yellow and green ground curves, sloping slightly downward to meet the water. The painting has loose, visible brushstrokes.
    Woman by the SeasideUnrecorded French maker, 19th centuryCourtesy National Gallery of Art, Washington
  3. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Mother and Son, by Thomas Sully, 1840
    Mother and SonThomas Sully, 1840Courtesy of The Metropolitan Museum of Art
  2. Musidora, by Thomas Sully, 1813–35
    MusidoraThomas Sully, 1813–35Courtesy of The Metropolitan Museum of Art
  3. Panoramic View of the Palace and Gardens of Versailles, by John Vanderlyn, 1818–19
    Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art