Floor plan

Style galleriesRealism

Realism

Wild Roses and Irises, by John La Farge, 1887
Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883
Thomas Anshutz
Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
The Music Lesson, by John George Brown, 1870
Autumn Oaks, by George Inness, ca. 1878

The works in this room are listed below.

Works in this room

Ordinary people and working lives, painted as they were, from the 1840s on.

First room, north wall

  1. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art
  2. Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883
    Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art
  3. Thomas Anshutz
    Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

First room, south wall

  1. Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
    Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art
  2. The Music Lesson, by John George Brown, 1870
    The Music LessonJohn George Brown, 1870Courtesy of The Metropolitan Museum of Art
  3. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art
  2. The New Bonnet, by Francis William Edmonds, 1858
    The New BonnetFrancis William Edmonds, 1858Courtesy of The Metropolitan Museum of Art
  3. The Pleiades, by Elihu Vedder, 1885
    The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art
  4. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, north wall

  1. Watercolor
    Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84
    Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art
  3. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
    Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art
  2. Washington Crossing the Delaware, by Emanuel Leutze, 1851
    Washington Crossing the DelawareEmanuel Leutze, 1851Courtesy of The Metropolitan Museum of Art
  3. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution