Floor plan

Style galleriesRealism

Realism

The Veteran in a New Field, by Winslow Homer, 1865
Approaching Thunder Storm, by Martin Johnson Heade, 1859
The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
John Quincy Adams Ward, by Henry Augustus Loop, 1863

The works in this room are listed below.

Works in this room

Ordinary people and working lives, painted as they were, from the 1840s on.

First room, north wall

  1. The Veteran in a New Field, by Winslow Homer, 1865
    The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art
  2. Approaching Thunder Storm, by Martin Johnson Heade, 1859
    Approaching Thunder StormMartin Johnson Heade, 1859Courtesy of The Metropolitan Museum of Art
  3. The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866
    The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-RoomSeymour Joseph Guy, 1866Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  2. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art
  3. John Quincy Adams Ward, by Henry Augustus Loop, 1863
    John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871
    The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art
  2. Thomas Anshutz
    Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  3. Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
    Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  2. Watercolor
    Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
  3. The Belated Party on Mansfield Mountain, by Jerome B. Thompson, 1858
    The Belated Party on Mansfield MountainJerome B. Thompson, 1858Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Nocturne, by John La Farge, ca. 1885
    NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art
  2. Roses in a Vase, 1880/1900
    Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington

Third room, south wall

  1. The Music Lesson, by John George Brown, 1870
    The Music LessonJohn George Brown, 1870Courtesy of The Metropolitan Museum of Art
  2. Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
    Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art