Floor plan

Style galleriesPrints of the 18th century

Prints of the 18th century

A work made of color woodblock print; ōban.
Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.
Table and Writing Set, by Kubo Shunman, 19th century
Tea House Beside the Kamo River in Kyoto, by Nishimura Shigenaga (Japanese, 1697(?)-1756), 1740s
The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.

The works in this room are listed below.

Works in this room

Prints made in the 18th century, from every museum.

Section 1, north wall

  1. A work made of color woodblock print; ōban.
    Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.
    The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. Tea House Beside the Kamo River in Kyoto, by Nishimura Shigenaga (Japanese, 1697(?)-1756), 1740s
    Tea House Beside the Kamo River in KyotoNishimura Shigenaga (Japanese, 1697(?)-1756), 1740sCourtesy of the Cleveland Museum of Art
  3. The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.
    Phasianus VersicolorWilliam Home LizarsCourtesy National Gallery of Art, Washington

Section 2, south wall

  1. A work made of color woodblock print; chuban.
    The Dance of the Shrine Maidens Ohatsu and OnamiSuzuki Harunobu, c. 1769Courtesy of the Art Institute of Chicago
  2. A work made of etching, roulette, and mezzotint in black on cream laid paper.
    The Large Self-PortraitJean Etienne Liotard, 1778/81Courtesy of the Art Institute of Chicago
  3. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A Girl Writing a Letter, by Suzuki Harunobu, 18th century
    A Girl Writing a LetterSuzuki Harunobu, 18th centuryCourtesy of The Metropolitan Museum of Art
  2. Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
    Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of hand-colored woodblock print; toku-oban, urushi-e.
    Courtesan Reading a LetterIshikawa Toyonobu, c. 1745Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of etching on ivory laid paper.
    View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago
  2. Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748
    Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  2. A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
    The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago