Floor plan

Style galleriesAmerican folk and design

American folk and design

This is a drawing of a decorative mirror. It presents a detailed design of an ornate mirror with two views: a front view and a sectional view. The mirror frame is embellished with elaborate motifs, including scrolls and floral elements. The sectional view shows the mirror's depth and structural details, indicating attention to construction. Measurements are included in inches, with title and notes providing context on the mirror's location and purpose as part of interior furnishings.
The image shows five metallic objects arranged in a vertical column. These include three L-shaped brackets and two circular rings, in muted gray and rust-brown shades with a metallic sheen. The objects are positioned against a light, neutral background.
The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.
The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature "ROSE CAMPBELL GERKE" is visible in the lower right corner of the image.
The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.

The works in this room are listed below.

Works in this room

The everyday art of early America, recorded in watercolour by the Index of American Design.

Section 1, north wall

  1. This is a drawing of a decorative mirror. It presents a detailed design of an ornate mirror with two views: a front view and a sectional view. The mirror frame is embellished with elaborate motifs, including scrolls and floral elements. The sectional view shows the mirror's depth and structural details, indicating attention to construction. Measurements are included in inches, with title and notes providing context on the mirror's location and purpose as part of interior furnishings.
    MirrorB. Holst-Grubbe, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image shows five metallic objects arranged in a vertical column. These include three L-shaped brackets and two circular rings, in muted gray and rust-brown shades with a metallic sheen. The objects are positioned against a light, neutral background.
    Color Notes on IronGerald Transpota, 1935/1942Courtesy National Gallery of Art, Washington
  3. The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.
    Quaker DollJacob Gielens, 1935/1942Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington
  2. The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature "ROSE CAMPBELL GERKE" is visible in the lower right corner of the image.
    FenceRose Campbell-Gerke, c. 1940Courtesy National Gallery of Art, Washington
  3. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a drawing of a tool with intricate patterns. The tool appears elongated with a pronged end, and features symmetrical geometric designs etched along the handle. The drawing also includes a side profile showing its slender form.
    ForkAnthony Zuccarello, c. 1936Courtesy National Gallery of Art, Washington
  2. The image shows a decorative curved object with intricate patterns. There is a large green peacock motif in the center, surrounded by floral and geometric patterns. The color palette includes soft pinks, greens, and blue accents outlining the curve of the object. The object is placed on a plain light background.
    BandboxNicholas Acampora, 1937Courtesy National Gallery of Art, Washington
  3. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  2. The image shows a large, copper-colored pitcher with a hammered texture and a curving handle on the right side. The color palette consists of muted, warm tones of copper and brown against a pale beige background. The pitcher is centrally placed in the image, with its handle positioned on the right side.
    Copper CruetEdward Jewett, 1937Courtesy National Gallery of Art, Washington
  3. The image shows a dress with a pink and white vertical striped pattern. The color palette is predominantly soft pinks and whites with subtle shading for light and shadow effects on the fabric. The dress is positioned at the center of the image, with sleeves extending slightly outward to the sides.
    Child's DressLucien Verbeke, c. 1937Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The image shows a wooden chair with a rush seat. It features ornate details on the backrest. The color palette includes dark wood tones, pale greenish detailing, and a warm yellowish hue for the seat. The chair is centrally positioned in the image, viewed from the front, with no other objects around it.
    Ladderback ChairGerald Bernhardt, c. 1936Courtesy National Gallery of Art, Washington
  2. This is a painting of an intricate and colorful illuminated manuscript page. The full-description includes a richly decorated page featuring elaborate calligraphy and floral motifs. The left side showcases swirling ornamental patterns with vibrant colors - blues, reds, and golds - interwoven with blooming flowers and a small figure with wings. In the lower portion, there is a depiction of small buildings. The right side contains text in different styles, with the top section written in large decorative letters and the lower section in a more detailed script. The overall design is bordered with floral elements and intertwining vines. This is in the style of illuminated manuscripts found in historical European documents and books.
    FrakturAlbert Levone, 1935/1942Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington
  2. This is a drawing of a dress design. The illustration features a dress with a square neckline, adorned with embroidery around the bust area. The dress has a high waistline with a gathered skirt. The lower part of the dress also features floral embroidery patterns. The design emphasizes fine lines and delicate patterns.
    Baptismal DressEvelyn Bailey, c. 1936Courtesy National Gallery of Art, Washington