Floor plan

Style galleriesAmerican folk and design

American folk and design

The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
The image shows a large hat with a broad brim, decorated with a ribbon and floral or lace-like embellishments. The color palette consists of shades of gray and soft purples. The hat is centered in the frame, with its brim curving to the left and the decorative elements extending to the sides.
The image displays a detailed pencil sketch of a curved architectural structure in the center of a light beige canvas. The sketch is in grayscale, with a simple color palette. The object occupies a small portion of the canvas, surrounded by negative space.
This is a drawing of a tool with intricate patterns. The tool appears elongated with a pronged end, and features symmetrical geometric designs etched along the handle. The drawing also includes a side profile showing its slender form.
The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
This is a painting of a colorful floral design with text. The artwork features stylized flowers in shades of red, green, and yellow scattered across the page. In the center, there is calligraphic text in varying boldness and fonts, likely in German. Two symmetrical bird-like figures with human faces and crowns are above the text. The piece combines imagery with artistic lettering in a style reminiscent of traditional Pennsylvania German fraktur. The artwork is bordered by a thin line, suggesting it's part of a larger artifact or document.

The works in this room are listed below.

Works in this room

The everyday art of early America, recorded in watercolour by the Index of American Design.

Section 1, north wall

  1. The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
    Candle MoldVincent P. Rosel, c. 1936Courtesy National Gallery of Art, Washington
  2. The image shows a large hat with a broad brim, decorated with a ribbon and floral or lace-like embellishments. The color palette consists of shades of gray and soft purples. The hat is centered in the frame, with its brim curving to the left and the decorative elements extending to the sides.
    BonnetRosalia Lane, 1935/1942Courtesy National Gallery of Art, Washington
  3. The image displays a detailed pencil sketch of a curved architectural structure in the center of a light beige canvas. The sketch is in grayscale, with a simple color palette. The object occupies a small portion of the canvas, surrounded by negative space.
    Knee BuckleEdna Crenshaw Rex, c. 1937Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. This is a drawing of a tool with intricate patterns. The tool appears elongated with a pronged end, and features symmetrical geometric designs etched along the handle. The drawing also includes a side profile showing its slender form.
    ForkAnthony Zuccarello, c. 1936Courtesy National Gallery of Art, Washington
  2. The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
    Snipe DecoyLawrence Flynn, 1941Courtesy National Gallery of Art, Washington
  3. This is a painting of a colorful floral design with text. The artwork features stylized flowers in shades of red, green, and yellow scattered across the page. In the center, there is calligraphic text in varying boldness and fonts, likely in German. Two symmetrical bird-like figures with human faces and crowns are above the text. The piece combines imagery with artistic lettering in a style reminiscent of traditional Pennsylvania German fraktur. The artwork is bordered by a thin line, suggesting it's part of a larger artifact or document.
    Pa. German Birth CertificateAlbert Levone, c. 1940Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a painting of an intricate and colorful illuminated manuscript page. The full-description includes a richly decorated page featuring elaborate calligraphy and floral motifs. The left side showcases swirling ornamental patterns with vibrant colors - blues, reds, and golds - interwoven with blooming flowers and a small figure with wings. In the lower portion, there is a depiction of small buildings. The right side contains text in different styles, with the top section written in large decorative letters and the lower section in a more detailed script. The overall design is bordered with floral elements and intertwining vines. This is in the style of illuminated manuscripts found in historical European documents and books.
    FrakturAlbert Levone, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image shows a large, intricately designed vase with a bulbous base and flared top at the center. The vase is decorated with painted scenes of a town or village. The color scheme includes shades of blue, green, brown, and touches of yellow and red. Surrounding the vase are two smaller detailed sections showing close-ups of the painted scenes on it. The main vase image is enclosed within a boxed outline on the page.
    Fire Lighter VaseFrancis Law Durand, 1935/1942Courtesy National Gallery of Art, Washington
  3. The image displays a full-body illustration of a person standing upright. They have a delicate and round face with rosy cheeks and small, pink lips. Their eyes are large and expressive, and they have light-colored hair peeking out from under a bonnet. The person's attire consists of a long, dark skirt and a light-colored shawl draped over their shoulders. They wear a hooded cloak tied with a bow at the neck, and hold a small bag in their left hand. The background is plain with a light-colored texture. The artwork is a painted illustration with visible fine lines and shading to enhance details of the clothing and facial features.
    Quaker DollBertha Semple, 1935/1942Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  2. The image shows a wooden drop-leaf table with four turned legs and two drawers. The table's surface includes two side panels that can be raised or lowered. The color palette is warm brown tones. The table is centered in the image, with both leaves partially visible.
    Shaker TableAlfred H. Smith, c. 1938Courtesy National Gallery of Art, Washington
  3. The image depicts a detailed illustration of a dress with exaggerated puff sleeves and ruffles towards the bottom. It is created using a dotted pattern with red accents around the edges and seams. The color palette consists of mostly muted tones with touches of red. The dress is positioned in the upper right quadrant of the image, while a smaller, less detailed sketch of the same dress without colors is located in the lower left quadrant.
    Child's DressRay Price, c. 1937Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The image shows an antique double kerosene lamp with ornate glass chimneys set atop a horizontal cylindrical base with a central vertical support ending in a circular handle. The base and lamp parts have a bronze-like color with a textured appearance, and the glass chimneys are primarily clear but show hints of colorful reflections. Positioned centrally in the image, the lamp stands upright with the two chimneys equally spaced on either side of the vertical support, which is topped by a circular loop handle, while the signature "J. Cannella" is visible towards the lower right side of the image.
    Reading LampJoseph Cannella, 1941Courtesy National Gallery of Art, Washington
  2. This is a drawing of a decorative vase design. The central focus of the image is a detailed drawing of a vase with a bulbous body and a flared top, placed on an intricately designed tall stand. The stand features elaborate ornate patterns, giving it an almost floral appearance with its swirling details and golden hue. The vase itself has subtle decorative elements engraved or painted around its surface. Surrounding the primary image are additional sketches showcasing different parts and views of the vase, such as its profile, the pattern, and cross-sectional diagrams. These supplementary sketches provide further insight into the structural and decorative design aspects of the vase. The careful attention to scale and detail suggests this is a design blueprint for a piece of decorative art.
    Metal Base LampHenry Meyers, c. 1936Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. The image shows a person standing upright. They have a round face with simple facial features, wearing a hat with a red flower and dark ribbon. Their outfit includes a belted dress or coat, pleated texture, a cape, and arm coverings. The person is holding a matching umbrella in their right hand. The background is plain and light tan.
    Corn Husk DollMina Lowry, c. 1936Courtesy National Gallery of Art, Washington
  2. This is a drawing of decorative motifs. The image shows three distinct designs with ornate, swirling patterns. The uppermost design is in gold color. Two additional designs are sketched below in a lighter tone, likely pencil. The use of line and form emphasizes intricate looping patterns that suggest inspiration from natural forms such as vines or waves. The composition is against a plain background, drawing attention to the details and shapes of the motifs, presenting a sense of simplicity and artistry.
    Gold BroochIsidore Steinberg, c. 1940Courtesy National Gallery of Art, Washington