Floor plan

East wing: The Nineteenth CenturyRomanticism and Realism

Romanticism and Realism

Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
A VILLAGE SQUARE
Roses in a Vase, 1880/1900
Autumn Oaks, by George Inness, ca. 1878
The New Bonnet, by Francis William Edmonds, 1858
George Washington, by Charles Peale Polk, ca. 1790

The works in this room are listed below.

Works in this room

Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.

Section 1, north wall

  1. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art
  2. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art
  3. View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
    View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art
  4. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. Roses in a Vase, 1880/1900
    Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington
  2. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  3. The New Bonnet, by Francis William Edmonds, 1858
    The New BonnetFrancis William Edmonds, 1858Courtesy of The Metropolitan Museum of Art
  4. George Washington, by Charles Peale Polk, ca. 1790
    George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Louis Eilshemius
    Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  3. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago
  4. Musidora, by Thomas Sully, 1813–35
    MusidoraThomas Sully, 1813–35Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. At the Seaside, by William Merritt Chase, ca. 1892
    At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art
  2. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art
  3. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington