Romanticism and Realism








Works in this room
Storms, ruins and feeling from about 1780, then ordinary people and working lives painted as they were, from the 1840s on.
Section 1, north wall

At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art 
Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
Seventh Regiment on Review, Washington Square, New YorkOtto Boetticher, 1851Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art 
Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art 
MusidoraThomas Sully, 1813–35Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art 
Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art 
Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution 
Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Peaceable KingdomEdward Hicks, ca. 1830–32Courtesy of The Metropolitan Museum of Art 
Mother and SonThomas Sully, 1840Courtesy of The Metropolitan Museum of Art