Floor plan

Time and placeSpain

Spain

A work made of oil on canvas.
Manuel Osorio Manrique de Zuñiga (1784–1792), by Francisco Goya, 1787–88
The Young Virgin, by Francisco de Zurbarán, ca. 1632–33
Condesa de Altamira and Her Daughter, María Agustina, by Francisco Goya, 1787–88
Beggars by a Door, by Mariano Fortuny, 1870
A work made of oil on canvas.

The works in this room are listed below.

Works in this room

Works made in Spain, from every century in the collection.

Section 1, north wall

  1. A work made of oil on canvas.
    Saint Romanus of Antioch and Saint BarulasFrancisco de Zurbarán, 1638Courtesy of the Art Institute of Chicago
  2. Manuel Osorio Manrique de Zuñiga (1784–1792), by Francisco Goya, 1787–88
    Manuel Osorio Manrique de Zuñiga (1784–1792)Francisco Goya, 1787–88Courtesy of The Metropolitan Museum of Art
  3. The Young Virgin, by Francisco de Zurbarán, ca. 1632–33
    The Young VirginFrancisco de Zurbarán, ca. 1632–33Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Condesa de Altamira and Her Daughter, María Agustina, by Francisco Goya, 1787–88
    Condesa de Altamira and Her Daughter, María AgustinaFrancisco Goya, 1787–88Courtesy of The Metropolitan Museum of Art
  2. Beggars by a Door, by Mariano Fortuny, 1870
    Beggars by a DoorMariano Fortuny, 1870Courtesy of the Cleveland Museum of Art
  3. A work made of oil on canvas.
    Ecce Agnus DeiBartolomé Esteban Murillo, c. 1655Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting. The man and desk take up most of the composition, which has an arched top. The man’s shoulders and body are angled to our right, and he looks off in that direction in profile. His balding head is rimmed with white hair curving over the large ear we can see, and he has a trimmed white and gray beard and mustache. His prominent nose is pointed, and his lips are closed. Light glints off the robe he wears so it shimmers in shades of topaz, aquamarine, and midnight blue. Voluminous white sleeves emerge under the mantle and are edged with narrow lace cuffs. His left hand, to our right, rests on an open book, which is propped against one or two other tomes. Near the edge of the table, two quills stand in the corners of a lidded inkwell, and a round, silver blotter, shaped like an upside-down chalice, and a lidded silver box sit nearby. The man’s chair has a tall post next to his shoulder to our left with a teardrop-shaped, gold finial. A second post, near his wrist, is lower and topped with a gold orb. The chair is draped in the same deep, raspberry-pink of the square table at which he sits. The tablecloth is edged with a wide band of gold along the bottom, and filigree-like gold decorations line the seams or folds at the corners. Brushstrokes are visible in many areas, especially in the colorfully charged blue and pink fabric. Beyond the man, to our right, a statuette of a person wearing a long, white robe over a white dress holds a baby. The clothing is edged with gold, and she wears a sphere-like gold crown. The baby also wears white and holds up one hand. The statuette stands on a platform supported by S-shaped corbels, and could have a projecting, squared awning over the top. This area is more loosely painted so some details are difficult to make out. In the background to our left, a wooden door stands open next to a dark space just behind the man’s head, so his profile is picked out against the shadow. The floor beneath is earth brown.
    Saint IldefonsoEl Greco, c. 1603/1614Courtesy National Gallery of Art, Washington
  2. Juan de Pareja (ca. 1608–1670), by Diego Velázquez, 1650
    Juan de Pareja (ca. 1608–1670)Diego Velázquez, 1650Courtesy of The Metropolitan Museum of Art
  3. STUDY OF A BOWING MAN (CHRISTOPHER COLUMBUS)
    Study of a Bowing Man (Christopher Columbus)Raimundo de MadrazoCourtesy of Cooper Hewitt, Smithsonian Design Museum
  4. St. George on white horse, piercing green, gold dragon
    Saint George and the DragonBernat Martorell, 1434–35Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. The Afternoon Meal (La Merienda), by Luis Meléndez, ca. 1772
    The Afternoon Meal (La Merienda)Luis Meléndez, ca. 1772Courtesy of The Metropolitan Museum of Art
  2. Christ Carrying the Cross, by El Greco, ca. 1577–87
    Christ Carrying the CrossEl Greco, ca. 1577–87Courtesy of The Metropolitan Museum of Art
  3. A work made of oil on panel.
    CrucifixionMaría Josefa Sánchez, 1646Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Portrait of Don Juan Antonio Cuervo, by Francisco Goya, 1819
    Portrait of Don Juan Antonio CuervoFrancisco Goya, 1819Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    Manuel GodoyAgustin Esteve y Marqués, 1800–8Courtesy of the Art Institute of Chicago
  3. The Holy Family with Saints Anne and Catherine of Alexandria, by Jusepe de Ribera (called Lo Spagnoletto), 1648
    The Holy Family with Saints Anne and Catherine of AlexandriaJusepe de Ribera (called Lo Spagnoletto), 1648Courtesy of The Metropolitan Museum of Art