Floor plan

Time and placeNow at Art Institute of Chicago

Now at Art Institute of Chicago

A work made of etching, aquatint, drypoint and burin on ivory laid paper.
A work made of color woodblock print; shikishiban, surimono.
A work made of pen and brown ink, with traces of black chalk, on cream laid paper.
A work made of color woodblock print.
Painting of Judith, naked, holding sword, with head of Holophernes.
A work made of ink and colors on paper, hanging scroll.
A work made of ink on paper.
A work made of hanging scroll; ink and colors on paper.

The works in this room are listed below.

Works in this room

Works that hang today at Art Institute of Chicago, in Chicago. Where a work is now, not where it was made.

First room, north wall

  1. A work made of etching, aquatint, drypoint and burin on ivory laid paper.
    Pedro Romero killing the halted bull, plate 30 from The Art of BullfightingFrancisco Goya, 1814/16, published 1816Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink, with traces of black chalk, on cream laid paper.
    Head of MedusaGodfried Maes, 1680Courtesy of the Art Institute of Chicago
  4. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago

First room, south wall

  1. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  2. A work made of ink and colors on paper, hanging scroll.
    LandscapeOguri Sotan, 15th centuryCourtesy of the Art Institute of Chicago
  3. A work made of ink on paper.
    Akbar Offering Timur's Crown to Shah JahanIslamic, Mughal period (1526–1857), ca. 1650–1700Courtesy of the Art Institute of Chicago
  4. A work made of hanging scroll; ink and colors on paper.
    Beauty Turning Her HeadHishikawa Moronobu, c. 1685-94Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of color woodblock print.
    Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; chuban.
    Delaying the announcement of dawnSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  3. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago
  4. A work made of conté crayon on gray-blue wove paper.
    Landscape with HaystacksConstant Troyon, n.d.Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  2. A work made of transfer lithograph in black on gray china paper.
    At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau)Édouard Manet, 1875Courtesy of the Art Institute of Chicago
  3. A work made of red and black chalk on gray wove paper.
    Two Studies of a Right HandThomas Lawrence, July 26, 1800Courtesy of the Art Institute of Chicago
  4. Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
    Beata BeatrixDante Gabriel Rossetti, 1871–72Courtesy of the Art Institute of Chicago