Floor plan

Time and placeThe 20th century

The 20th century

The Bride, by Gari Melchers, ca. 1907
The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
A wooden mallet is displayed on a beige background. The mallet has a rounded handle and a broad head, showcasing earthy brown tones with variations in the wood grain. Positioned centrally, the mallet stands upright in the image.
This is a painting of two deer under a tree. The larger deer has antlers and is resting next to a smaller deer. They are depicted with red and brown strokes. The background shows a patch of earth and grass in green and blue. Beside the deer is a tree with colorful leaves or a feather-like structure and a red trunk. A pink flower is near the tree's base. The background is neutral. This painting is in the style of Henri Rousseau.
The image shows a large, copper-colored pitcher with a hammered texture and a curving handle on the right side. The color palette consists of muted, warm tones of copper and brown against a pale beige background. The pitcher is centrally placed in the image, with its handle positioned on the right side.
Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934
Thomas Eakins

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The Bride, by Gari Melchers, ca. 1907
    The BrideGari Melchers, ca. 1907Courtesy of the Smithsonian American Art Museum
  2. The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
    Binnacle LampHerman O. Stroh, 1938Courtesy National Gallery of Art, Washington
  3. The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
    Fence - Sea Horse DesignPearl Torell, c. 1939Courtesy National Gallery of Art, Washington
  4. A wooden mallet is displayed on a beige background. The mallet has a rounded handle and a broad head, showcasing earthy brown tones with variations in the wood grain. Positioned centrally, the mallet stands upright in the image.
    Potato MasherClarence W. Dawson, c. 1940Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. This is a painting of two deer under a tree. The larger deer has antlers and is resting next to a smaller deer. They are depicted with red and brown strokes. The background shows a patch of earth and grass in green and blue. Beside the deer is a tree with colorful leaves or a feather-like structure and a red trunk. A pink flower is near the tree's base. The background is neutral. This painting is in the style of Henri Rousseau.
    Crewel EmbroideryHelen Dana, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image shows a large, copper-colored pitcher with a hammered texture and a curving handle on the right side. The color palette consists of muted, warm tones of copper and brown against a pale beige background. The pitcher is centrally placed in the image, with its handle positioned on the right side.
    Copper CruetEdward Jewett, 1937Courtesy National Gallery of Art, Washington
  3. Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934
    Study in Rhythm: Red and GoldJoseph Schillinger, ca. 1934Courtesy of the Smithsonian American Art Museum
  4. Thomas Eakins
    Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)Thomas Eakins, (c. 1903)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Section 2, south wall

  1. The image shows a dark metal object with two parts: a handle and a blade. The color palette consists of shades of dark brown on a light beige background. The handle is located at the top center, and the blade portion is positioned below it, both aligned vertically in the center of the frame.
    SpitEmile Cero, c. 1938Courtesy National Gallery of Art, Washington
  2. Water Lilies (Agapanthus), by Claude Monet, c. 1915–26
    Water Lilies (Agapanthus)Claude Monet, c. 1915–26Courtesy of the Cleveland Museum of Art
  3. Large painting, standing man blue turtleneck, sitting woman with white collar.
    Jacques and Berthe LipchitzAmedeo Modigliani, 1916Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903
    October (cover illustration for Harper's Magazine)William Clarke Rice, 1903Courtesy of the Smithsonian American Art Museum
  2. Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
    Landscape with Two PoplarsVasily Kandinsky, 1912Courtesy of the Art Institute of Chicago
  3. A Florida Park, by Joseph C. Claghorn, before 1935
    A Florida ParkJoseph C. Claghorn, before 1935Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution
    Theresa HelburnMarion H. Beckett, 1922Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting. Along the horizon, the buildings stretch from our right, almost fully across the canvas, and are painted with vertical brushstrokes in cool shades of blue. The sky behind the towers seems hazy with intermingling, pastel-colored clouds. The buildings are reflected in the river, which fills the bottom third of the painting. The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”
    The Houses of Parliament, SunsetClaude Monet, 1903Courtesy National Gallery of Art, Washington