Floor plan

Time and placeThe 20th century

The 20th century

The image shows a wooden drop-leaf table with four turned legs and two drawers. The table's surface includes two side panels that can be raised or lowered. The color palette is warm brown tones. The table is centered in the image, with both leaves partially visible.
The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.
The image shows two foot stools. One is a round stool with four legs and the other is a small two-step wooden staircase. The color palette includes shades of brown and tan against a light beige background. The round stool is positioned to the left, and the step-stool is to the right. Both are labeled with the words "Foot Stools" below them.
The sculpture is a depiction of a horse's head crafted from a dark material that appears to be metal. The horse's ears are perked up, and its mane is depicted with smooth, curving lines trailing down the back of the neck. The sculpture includes a ring that extends from the horse's mouth. Positioned on a simple cylindrical pedestal, the sculpture's material and design suggest a robust and timeless feel. The details of the horse's expression and mane are rendered with a smooth finish.
The image shows a large rectangular wooden box with decorative panels, a metal handle on the side, and a keyhole on the front panel.
The Fan Tree, by Ernest Haskell, ca. 1915

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The image shows a wooden drop-leaf table with four turned legs and two drawers. The table's surface includes two side panels that can be raised or lowered. The color palette is warm brown tones. The table is centered in the image, with both leaves partially visible.
    Shaker TableAlfred H. Smith, c. 1938Courtesy National Gallery of Art, Washington
  2. The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.
    NudeRoger de La Fresnaye, 1910Courtesy National Gallery of Art, Washington
  3. The image shows two foot stools. One is a round stool with four legs and the other is a small two-step wooden staircase. The color palette includes shades of brown and tan against a light beige background. The round stool is positioned to the left, and the step-stool is to the right. Both are labeled with the words "Foot Stools" below them.
    Shaker StoolsLawrence Foster, 1935/1942Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The sculpture is a depiction of a horse's head crafted from a dark material that appears to be metal. The horse's ears are perked up, and its mane is depicted with smooth, curving lines trailing down the back of the neck. The sculpture includes a ring that extends from the horse's mouth. Positioned on a simple cylindrical pedestal, the sculpture's material and design suggest a robust and timeless feel. The details of the horse's expression and mane are rendered with a smooth finish.
    Hitching PostAlbert Ryder, c. 1938Courtesy National Gallery of Art, Washington
  2. The image shows a large rectangular wooden box with decorative panels, a metal handle on the side, and a keyhole on the front panel.
    "Chest"Edith Towner, 1940Courtesy National Gallery of Art, Washington
  3. The Fan Tree, by Ernest Haskell, ca. 1915
    The Fan TreeErnest Haskell, ca. 1915Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.
    LowlandsTimothy Cole, 1918Courtesy National Gallery of Art, Washington
  2. The image depicts a person standing upright. The person has a round face with a small mouth and rosy cheeks, and their hair is styled smoothly with a middle part. They are wearing a long-sleeved dress with a checkered pattern in subdued colors, highlighted with blue bands around the sleeves and hem. The dress has a fitted bodice and a full skirt. Bare feet are visible under the dress. The background is plain and neutral, and there is a signature in the lower right corner.
    Doll - "Emily"Rex F. Bush, c. 1938Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. The sculpture depicts a young boy dressed in a bright red coat, blue shirt, and blue pants, with black shoes. He is wearing a black hat with a red rim and has curly hair. The boy is balanced on one foot atop a red ball, with one leg lifted behind him and one hand held high above his head. The sculpture is made of painted, cast metal with intricate designs and textures. The boy stands on an ornately decorated dark pedestal.
    Toy BankPearl Torell, c. 1939Courtesy National Gallery of Art, Washington
  2. Watercolor no. 31, Landscape with Clouds, by Allen Tucker, ca. 1930
    Watercolor no. 31, Landscape with CloudsAllen Tucker, ca. 1930Courtesy of the Smithsonian American Art Museum
  3. The image shows a large hat with a broad brim, decorated with a ribbon and floral or lace-like embellishments. The color palette consists of shades of gray and soft purples. The hat is centered in the frame, with its brim curving to the left and the decorative elements extending to the sides.
    BonnetRosalia Lane, 1935/1942Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. Cornwall, by Kerr Eby, 1927
    CornwallKerr Eby, 1927Courtesy of the Smithsonian American Art Museum
  2. Christ, by Kenyon Cox, 1905
    ChristKenyon Cox, 1905Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. This is a painting of a decorative quilt pattern. The image shows a grid of square sections with various colorful motifs including stars, flowers, a horse, a house, and a cup. The design features vibrant colors, symmetrical patterns, and a central section with the date "1859". The quilt border has leaf-like patterns creating a frame around the central grid. The style is folk art.
    Applique QuiltSuzanne Roy, 1938Courtesy National Gallery of Art, Washington
  2. Church, Rancho de Taos, by Selden Connor Gile, 1931
    Church, Rancho de TaosSelden Connor Gile, 1931Courtesy of the Smithsonian American Art Museum
  3. The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
    Snipe DecoyLawrence Flynn, 1941Courtesy National Gallery of Art, Washington