Floor plan

Time and placeThe 20th century

The 20th century

The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.
This is an image of a bonnet and its details. The drawing showcases a bonnet with intricate design and texture. The bonnet is viewed from the side, revealing its woven structure with patterns representing fabric pleats or folds. It has a long ribbon hanging from the back, depicted with flowing lines. There are also two smaller sketches showing the bonnet from the back, emphasizing its shape and construction. The background is plain.
The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
The image shows a translucent pitcher in soft, pale green with swirling, striped patterns and a curved handle. It is placed in the center of the frame, with a neutral off-white background. The spout faces slightly to the left and the handle curves from the right side.
The image shows a large fan with intricate feather-like segments adorned with yellow patterns and a bird depiction. The color palette is grey with hints of yellow, brown, and metallic sheen on the ribs. The fan is positioned upright with the handle at the bottom center, and the feathers extend outward in a semi-circular shape.

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.
    NudeRoger de La Fresnaye, 1910Courtesy National Gallery of Art, Washington
  2. This is an image of a bonnet and its details. The drawing showcases a bonnet with intricate design and texture. The bonnet is viewed from the side, revealing its woven structure with patterns representing fabric pleats or folds. It has a long ribbon hanging from the back, depicted with flowing lines. There are also two smaller sketches showing the bonnet from the back, emphasizing its shape and construction. The background is plain.
    BonnetBessie Forman, c. 1936Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.
    Fence - Sea Horse DesignPearl Torell, c. 1939Courtesy National Gallery of Art, Washington
  2. The image shows a translucent pitcher in soft, pale green with swirling, striped patterns and a curved handle. It is placed in the center of the frame, with a neutral off-white background. The spout faces slightly to the left and the handle curves from the right side.
    Glass PitcherBeverly Chichester, c. 1937Courtesy National Gallery of Art, Washington
  3. The image shows a large fan with intricate feather-like segments adorned with yellow patterns and a bird depiction. The color palette is grey with hints of yellow, brown, and metallic sheen on the ribs. The fan is positioned upright with the handle at the bottom center, and the feathers extend outward in a semi-circular shape.
    Feather FanTulita Westfall, c. 1937Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. The image displays wavy lines and shapes with a mix of colors, creating an abstract composition. Curved lines are intertwined, resembling braided patterns or woven fabric textures. On the left, there is a large, organic shape bordered by red, green, and beige. The right side showcases a rhythmic pattern resembling a braided rug, with strands of red, blue, and brown. The overall composition resembles a textured textile piece.
    Shaker Woolen RugGeorge V. Vezolles, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
    Candle MoldVincent P. Rosel, c. 1936Courtesy National Gallery of Art, Washington
  3. The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.
    ArmchairAgnes Karlin, c. 1936Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. This is a drawing of a wooden window shutter in a light-colored wall. The detailed study shows the craftsmanship of the shutter, with a focus on texture, form, wood grain, and panels. The aged and weathered texture suggests exposure to the elements. The shutter is secured with a metal latch in the center. The wall is subtly shaded to imply depth and setting, with slight distress marks adding to the aged ambiance of the scene.
    Sacristy Door at Mission San Juan BautistaEthel Dougan, 1938Courtesy National Gallery of Art, Washington
  2. The image shows a wooden side table with a smooth surface and four tapered legs, as well as a decorative drawer front. The table has a rich brown color with gold accents and black inlay details. It is positioned towards the center of the image. On the left, there are design patterns in an oval shape and a thin line drawing. The background is off-white. There are handwritten numbers and letters at the bottom right corner of the image.
    Card TableFlorence Choate, c. 1953Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. A Rose, by Thomas Anshutz, 1907
    A RoseThomas Anshutz, 1907Courtesy of The Metropolitan Museum of Art
  2. The image depicts a detailed illustration of a dress with exaggerated puff sleeves and ruffles towards the bottom. It is created using a dotted pattern with red accents around the edges and seams. The color palette consists of mostly muted tones with touches of red. The dress is positioned in the upper right quadrant of the image, while a smaller, less detailed sketch of the same dress without colors is located in the lower left quadrant.
    Child's DressRay Price, c. 1937Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.
    Water LiliesClaude Monet, 1906Courtesy of the Art Institute of Chicago
  2. This is a painting of an intricate and colorful illuminated manuscript page. The full-description includes a richly decorated page featuring elaborate calligraphy and floral motifs. The left side showcases swirling ornamental patterns with vibrant colors - blues, reds, and golds - interwoven with blooming flowers and a small figure with wings. In the lower portion, there is a depiction of small buildings. The right side contains text in different styles, with the top section written in large decorative letters and the lower section in a more detailed script. The overall design is bordered with floral elements and intertwining vines. This is in the style of illuminated manuscripts found in historical European documents and books.
    FrakturAlbert Levone, 1935/1942Courtesy National Gallery of Art, Washington

Section 4, south wall

  1. This is a drawing of a decorative vase design. The central focus of the image is a detailed drawing of a vase with a bulbous body and a flared top, placed on an intricately designed tall stand. The stand features elaborate ornate patterns, giving it an almost floral appearance with its swirling details and golden hue. The vase itself has subtle decorative elements engraved or painted around its surface. Surrounding the primary image are additional sketches showcasing different parts and views of the vase, such as its profile, the pattern, and cross-sectional diagrams. These supplementary sketches provide further insight into the structural and decorative design aspects of the vase. The careful attention to scale and detail suggests this is a design blueprint for a piece of decorative art.
    Metal Base LampHenry Meyers, c. 1936Courtesy National Gallery of Art, Washington
  2. The image shows a tall, intricately designed purple candlestick against a light beige background. The overall color palette is dominated by shades of purple. The candlestick is centrally positioned and stands upright with detailed patterns visible.
    VaseJanet Riza, c. 1937Courtesy National Gallery of Art, Washington