Floor plan

Time and placeThe 19th century

The 19th century

Repose, by John White Alexander, 1895
Landscape with Wheelbarrow, by Vincent van Gogh, 1883
Untitled (forest scene with bridge, cows in stream in foreground), by Edward Mitchell Bannister, 1897
Autumn Oaks, by George Inness, ca. 1878
Hanging scroll
Emma Van Name, by Joshua Johnson, ca. 1805
Checker Players, by Thomas Anshutz, ca. 1895

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Repose, by John White Alexander, 1895
    ReposeJohn White Alexander, 1895Courtesy of The Metropolitan Museum of Art
  2. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  3. Untitled (forest scene with bridge, cows in stream in foreground), by Edward Mitchell Bannister, 1897
    Untitled (forest scene with bridge, cows in stream in foreground)Edward Mitchell Bannister, 1897Courtesy of the Smithsonian American Art Museum

Section 1, south wall

  1. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  2. Hanging scroll
    Six Immortals of Poetry: Fun'ya no YasuhideKatsushika Hokusai, ca. 1806-1808Courtesy of the National Museum of Asian Art, Smithsonian Institution
  3. Emma Van Name, by Joshua Johnson, ca. 1805
    Emma Van NameJoshua Johnson, ca. 1805Courtesy of The Metropolitan Museum of Art
  4. Checker Players, by Thomas Anshutz, ca. 1895
    Checker PlayersThomas Anshutz, ca. 1895Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. The Pleiades, by Elihu Vedder, 1885
    The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    The Roll Call of the Last Victims of the TerrorCharles Louis-Lucien Muller, c. 1850Courtesy of the Art Institute of Chicago
  3. October in the Marshes, by John Frederick Kensett, 1872
    October in the MarshesJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Artist: Unidentified Artist, Sitter: Abigail Powers Fillmore, Current owner: National Portrait Gallery, Smithsonian Institution
    Abigail Powers FillmoreUnrecorded maker, c. 1840Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. Seated Female Nude (Self-Portrait?), by Paula Modersohn-Becker, c. 1899
    Seated Female Nude (Self-Portrait?)Paula Modersohn-Becker, c. 1899Courtesy of the Cleveland Museum of Art
  3. A work made of oil on paper, laid onto cardboard.
    A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago
  4. Francois Pierre Guillaume Guizot, by George Peter Alexander Healy, 1841
    Francois Pierre Guillaume GuizotGeorge Peter Alexander Healy, 1841Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting. A boulder about twice the width of the path is backlit where it sits just left of the lower center of the canvas. The path begins near the bottom right corner of the painting and curves back and to the right. The horse is white, and the rider wears dark brown pants and a hat, and a lighter brown shirt. Trees towering over the rider to either side of the curve nearly reach the top of the composition. The horizon comes less than a third of the way up the painting. Pearly white sky fills in the gap between the trees around the rider, and ivory-colored clouds frame an icy blue sky above. The scene is painted with textured and blended strokes, which gives the painting a soft look even though some of the brushstrokes are visible. The artist signed and dated the lower center of the canvas, though it is partially cut off: “COROT 1872.”
    The Forest of CoubronJean Baptiste Camille Corot, 1872Courtesy National Gallery of Art, Washington
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art