Floor plan

Time and place18th-century Japan

18th-century Japan

The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
A Girl Writing a Letter, by Suzuki Harunobu, 18th century
Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
“Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
A work made of color woodblock print; hosoban.
Fuji from Ushibori, Province of Hitachi, by Katsushika Hokusai, 1760–1849

The works in this room are listed below.

Works in this room

Works made in Japan in the 18th century.

Section 1, north wall

  1. The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
    The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince KorehitoTōshūsai Sharaku, 1794–75Courtesy of The Metropolitan Museum of Art
  2. A Girl Writing a Letter, by Suzuki Harunobu, 18th century
    A Girl Writing a LetterSuzuki Harunobu, 18th centuryCourtesy of The Metropolitan Museum of Art
  3. Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
    Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; hosoban.
    Actor Ichikawa Monnosuke II in an Unidentified RoleKatsukawa Shunkо̄, About 1785Courtesy of the Art Institute of Chicago
  3. Fuji from Ushibori, Province of Hitachi, by Katsushika Hokusai, 1760–1849
    Fuji from Ushibori, Province of HitachiKatsushika Hokusai, 1760–1849Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga", by Tōshūsai Sharaku, 1794
    Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; chūban.
    Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; oban triptych.
    Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago
  2. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  3. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
  2. Net Fishing at Night on the Sumida River, by Kitagawa Utamaro, c. 1800
    Net Fishing at Night on the Sumida RiverKitagawa Utamaro, c. 1800Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of color woodblock prints; oban triptych.
    A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago
  2. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art