Floor plan

Artist galleriesUnrecorded makers

Unrecorded makers

Portrait of Shun'oku Myōha, ca. 1383
Mountain Market, Clear with Rising Mist, early 1500s
A work made of ink and color on hemp cloth.
A work made of hanging scroll; ink, colors, and cut gold on silk.
A work made of ink and color on hemp cloth.
Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
Welcoming Descent of Jizō, 1200s

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name.

First room, north wall

  1. Portrait of Shun'oku Myōha, ca. 1383
    Portrait of Shun'oku MyōhaUnrecorded Japanese maker, ca. 1383Courtesy of The Metropolitan Museum of Art
  2. Mountain Market, Clear with Rising Mist, early 1500s
    Mountain Market, Clear with Rising MistUnrecorded Korean maker, early 1500sCourtesy of the Cleveland Museum of Art
  3. A work made of ink and color on hemp cloth.
    Korean Buddhist PaintingUnrecorded Korean maker, late 19th-early 20th centuryCourtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of hanging scroll; ink, colors, and cut gold on silk.
    The Bodhisattva Seishi, from the triptych Approach of the Amida TrinityUnrecorded Japanese maker, Kamakura Period, mid–13th centuryCourtesy of the Art Institute of Chicago
  2. A work made of ink and color on hemp cloth.
    Korean paintingUnrecorded Korean maker, late 19th-early 20th centuryCourtesy of the Art Institute of Chicago
  3. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art
  4. Welcoming Descent of Jizō, 1200s
    Welcoming Descent of JizōUnrecorded Japanese maker, 1200sCourtesy of the Cleveland Museum of Art

Second room, south wall

  1. Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560
    Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  2. The Square of Saint Mark's, Venice, c. 1770/1800
    The Square of Saint Mark's, VeniceUnrecorded maker, c. 1770/1800Courtesy National Gallery of Art, Washington
  3. A Lady Playing the Tanpura, ca. 1735
    A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
  4. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. This painting shows a seated elderly woman from the waist up. She faces us with a neutral expression. She has a fair complexion with visible wrinkles, rosy cheeks, and pink lips. Her hair is mostly covered by a white lace cap and a black headscarf. She wears a patterned reddish-brown garment with lace around the collar and sleeves, and her hands rest on a brown fur muff. The background is a dark gray-brown color with visible brushstrokes.
    Old Woman with a MuffUnrecorded French maker, second half 18th centuryCourtesy National Gallery of Art, Washington
  3. The painting depicts three adults and a child. The central adult, a woman, holds the child securely to her chest. The woman has pale skin and a white cloth covering her head, and she is wearing a dark cloak over a red robe. The child has curly light brown hair and is unclothed, looking towards the left. A bald man with a white beard, wearing a red garment and holding a key is on the left. On the right, another woman wears a white headscarf and a dark garment, holding a red cross. The background is dark, highlighting the people and their attire. All four of them have thin halos around their heads.
    Madonna and Child with SaintsUnrecorded maker, c. 1490/1500Courtesy National Gallery of Art, Washington

Third room, north wall

  1. Krishna Lifting Mount Govardhan, c. 1780–90
    Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art
  2. Jonathan Bentham, c. 1725
    Jonathan BenthamUnrecorded American maker, c. 1725Courtesy National Gallery of Art, Washington