Floor plan

Artist galleriesRichard Hatfield's contemporaries

Richard Hatfield's contemporaries

Lear and Cordelia, by Richard Hatfield, 1845
A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
A work made of oil on panel.
A work made of oil on panel.
Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
A work made of graphite on ivory wove paper.

The works in this room are listed below.

Works in this room

A few works by Richard Hatfield, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Lear and Cordelia, by Richard Hatfield, 1845
    Lear and CordeliaRichard Hatfield, 1845Courtesy of the Smithsonian American Art Museum
  2. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago
  3. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. A work made of oil on panel.
    The Sand Pits, Hampstead HeathJohn Linnell, 1834Courtesy of the Art Institute of Chicago

Their contemporaries

  1. A work made of oil on panel.
    The Shadow of DeathWilliam Holman Hunt, 1873-74Courtesy of the Art Institute of Chicago
  2. Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
    Beata BeatrixDante Gabriel Rossetti, 1871–72Courtesy of the Art Institute of Chicago
  3. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  4. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago