Floor plan

Artist galleriesGiulio Cesare Procaccini's contemporaries

Giulio Cesare Procaccini's contemporaries

A work made of etching in black on tan laid paper.
A work made of etching in black on cream laid paper.
Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
Charity, by Guido Reni, ca. 1630
Large painting of woman, in gold and pink dress, placing severed head on platter.
The Dead Christ with Angels, by Leandro Bassano, c. 1580

The works in this room are listed below.

Works in this room

A few works by Giulio Cesare Procaccini, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on cream laid paper.
    Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago
  3. Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600
    Saint John the Baptist Bearing WitnessAnnibale Carracci, ca. 1600Courtesy of The Metropolitan Museum of Art
  4. Charity, by Guido Reni, ca. 1630
    CharityGuido Reni, ca. 1630Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. Large painting of woman, in gold and pink dress, placing severed head on platter.
    Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago
  2. The Dead Christ with Angels, by Leandro Bassano, c. 1580
    The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art

Their contemporaries, second

  1. The Musicians, by Caravaggio, 1597
    The MusiciansCaravaggio, 1597Courtesy of The Metropolitan Museum of Art
  2. The Vocation of Saint Aloysius (Luigi) Gonzaga, by Guercino (Giovanni Francesco Barbieri), ca. 1650
    The Vocation of Saint Aloysius (Luigi) GonzagaGuercino (Giovanni Francesco Barbieri), ca. 1650Courtesy of The Metropolitan Museum of Art