Floor plan

Artist galleriesDomingo Ortiz's contemporaries

Domingo Ortiz's contemporaries

Portrait of Sor Juana de Nuestra Señora de Guadalupe, by Domingo Ortiz, 1797
Our Lady of Valvanera, ca. 1770–80
The Virgin of Guadalupe with the Four Apparitions, by Nicolás Enríquez, 1773
Nun’s Badge with the Virgin of the Immaculate Conception, by Nicolás Rodríguez Juárez, ca. 1710
The painting depicts many large and small ships on blue-green water. Gondolas in shades of gold, black, red, and blue drift across the water, small people on them pushing long poles through the water. There are also large sailboats and long boats with several rowers. They create a colorful mix. On the left, a large brown building with columns is visible. Some of the boats pull up to it, and many people in colorful clothing are visible on the shore. Behind the water are more large buildings in shades of brown, cream, and tan, with even more people visible on the streets below them. There is a large tower in the center of the painting, and several blue domes are visible in the distance. The sky is light blue, with white and gray clouds drifting across it.

The works in this room are listed below.

Works in this room

A few works by Domingo Ortiz, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Portrait of Sor Juana de Nuestra Señora de Guadalupe, by Domingo Ortiz, 1797
    Portrait of Sor Juana de Nuestra Señora de GuadalupeDomingo Ortiz, 1797Courtesy of The Metropolitan Museum of Art
  2. Our Lady of Valvanera, ca. 1770–80
    Our Lady of ValvaneraUnrecorded Latin American maker, ca. 1770–80Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. The Virgin of Guadalupe with the Four Apparitions, by Nicolás Enríquez, 1773
    The Virgin of Guadalupe with the Four ApparitionsNicolás Enríquez, 1773Courtesy of The Metropolitan Museum of Art
  2. Nun’s Badge with the Virgin of the Immaculate Conception, by Nicolás Rodríguez Juárez, ca. 1710
    Nun’s Badge with the Virgin of the Immaculate ConceptionNicolás Rodríguez Juárez, ca. 1710Courtesy of The Metropolitan Museum of Art
  3. The painting depicts many large and small ships on blue-green water. Gondolas in shades of gold, black, red, and blue drift across the water, small people on them pushing long poles through the water. There are also large sailboats and long boats with several rowers. They create a colorful mix. On the left, a large brown building with columns is visible. Some of the boats pull up to it, and many people in colorful clothing are visible on the shore. Behind the water are more large buildings in shades of brown, cream, and tan, with even more people visible on the streets below them. There is a large tower in the center of the painting, and several blue domes are visible in the distance. The sky is light blue, with white and gray clouds drifting across it.
    Procession of Gondolas in the Bacino di San Marco, VeniceAntonio Joli, 1742 or afterCourtesy National Gallery of Art, Washington

Their contemporaries, second

  1. A Girl Writing a Letter, by Suzuki Harunobu, 18th century
    A Girl Writing a LetterSuzuki Harunobu, 18th centuryCourtesy of The Metropolitan Museum of Art
  2. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
  3. The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), by Giovanni Battista Piranesi, ca. 1749–50
    The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesi, ca. 1749–50Courtesy of The Metropolitan Museum of Art