Floor plan

Artist galleriesDante Gabriel Rossetti's contemporaries

Dante Gabriel Rossetti's contemporaries

Lear and Cordelia, by Richard Hatfield, 1845
Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
Lady Lilith, by Dante Gabriel Rossetti, 1867
A work made of brown and black chalks on cream wove paper.
A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
A work made of oil on canvas.
A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
A work made of oil on paperboard.

The works in this room are listed below.

Works in this room

A few works by Dante Gabriel Rossetti, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. Lear and Cordelia, by Richard Hatfield, 1845
    Lear and CordeliaRichard Hatfield, 1845Courtesy of the Smithsonian American Art Museum
  2. Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
    Beata BeatrixDante Gabriel Rossetti, 1871–72Courtesy of the Art Institute of Chicago
  3. Lady Lilith, by Dante Gabriel Rossetti, 1867
    Lady LilithDante Gabriel Rossetti, 1867Courtesy of The Metropolitan Museum of Art
  4. A work made of brown and black chalks on cream wove paper.
    Study for FestivalSir John Edward Poynter, c. 1875Courtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The FestivalSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago
  3. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  4. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago