Floor plan

Artist galleriesCorneille de Lyon's contemporaries

Corneille de Lyon's contemporaries

Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544
This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.
The image shows an etching of a rural landscape with trees obscuring the horizon. In the distance, there is a cart on a winding path with a person walking beside it. Closer to the viewer, there is a person with a child under a tree, accompanied by a small dog. The artwork features fine and detailed brushwork with cross-hatching for texture and shadows. The color scheme is monochromatic in muted browns, emphasizing details and creating a peaceful scene under soft light filtered through the trees. The trees form a canopy framing the serene setting.
Samson and the Lion, from "The Story of Samson", ca. 1560–80
Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543
Bacchanal, by Nicolas Poussin, ca. 1635–36

The works in this room are listed below.

Works in this room

A few works by Corneille de Lyon, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544
    Portrait of Cosimo de' Medici in full armor, his left hand resting on a staffNiccolò della Casa, 1544Courtesy of The Metropolitan Museum of Art
  2. This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.
    Portrait of a ManCorneille de Lyon, c. 1536/1540Courtesy National Gallery of Art, Washington
  3. The image shows an etching of a rural landscape with trees obscuring the horizon. In the distance, there is a cart on a winding path with a person walking beside it. Closer to the viewer, there is a person with a child under a tree, accompanied by a small dog. The artwork features fine and detailed brushwork with cross-hatching for texture and shadows. The color scheme is monochromatic in muted browns, emphasizing details and creating a peaceful scene under soft light filtered through the trees. The trees form a canopy framing the serene setting.
    Edge of a Wood with Peasants Going to MarketJean MorinCourtesy National Gallery of Art, Washington

Section 1, south wall

  1. Samson and the Lion, from "The Story of Samson", ca. 1560–80
    Samson and the Lion, from "The Story of Samson"Unrecorded French maker, ca. 1560–80Courtesy of The Metropolitan Museum of Art
  2. Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543
    Amya Petitioning Faustus for the Custody of Saint MamasJean Cousin the Elder, ca. 1543Courtesy of The Metropolitan Museum of Art
  3. Bacchanal, by Nicolas Poussin, ca. 1635–36
    BacchanalNicolas Poussin, ca. 1635–36Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The image depicts a landscape viewed from a slightly elevated angle. On the left side, there is a large tree with a twisted trunk and dense foliage. A winding path can be seen with a figure walking with a dog. In the distance, a river winds through the land, and there are rolling hills and trees in the background. The color scheme is sepia-toned.
    Hilly Landscape with Travelers on FootJean MorinCourtesy National Gallery of Art, Washington
  2. The Raising of Lazarus, by Jacques Bellange, ca. 1606–8
    The Raising of LazarusJacques Bellange, ca. 1606–8Courtesy of The Metropolitan Museum of Art