Floor plan

Artist galleriesCharles Loring Elliott's contemporaries

Charles Loring Elliott's contemporaries

Artist: Charles Loring Elliott, Sitter: Samuel Putnam Avery, Current owner: National Portrait Gallery, Smithsonian Institution
ROOKWOOD POTTERY
STUDY OF LANDSCAPE, DELAWARE RIVER
STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
The Departure of the Crusaders, by Victor Nehlig, 1863
The Curious One, by Antoine Pierre Mongin, 1823
Impressionist painting of seated man, girl with brown, black hues.
A work made of color woodblock print, oban triptych.

The works in this room are listed below.

Works in this room

A few works by Charles Loring Elliott, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Artist: Charles Loring Elliott, Sitter: Samuel Putnam Avery, Current owner: National Portrait Gallery, Smithsonian Institution
    Samuel Putnam AveryCharles Loring Elliott, 1863Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. STUDY OF LANDSCAPE, DELAWARE RIVER
    Study of landscape, Delaware RiverWilliam Stanley Haseltine, ca. 1855Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
    Study of seascape. Porcupine Islands, Bar Harbor, MEWilliam Stanley Haseltine, 1859Courtesy of Cooper Hewitt, Smithsonian Design Museum

Their contemporaries

  1. The Departure of the Crusaders, by Victor Nehlig, 1863
    The Departure of the CrusadersVictor Nehlig, 1863Courtesy of the Smithsonian American Art Museum
  2. The Curious One, by Antoine Pierre Mongin, 1823
    The Curious OneAntoine Pierre Mongin, 1823Courtesy of the Cleveland Museum of Art
  3. Impressionist painting of seated man, girl with brown, black hues.
    Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)Edgar Degas, 1875–76Courtesy of the Art Institute of Chicago
  4. A work made of color woodblock print, oban triptych.
    Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago