Floor plan

Artist galleriesCaspar David Friedrich's contemporaries

Caspar David Friedrich's contemporaries

Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
Two Men Contemplating the Moon, by Caspar David Friedrich, ca. 1825–30
Four women with musical instruments lounge in a massive garden courtyard.
A work made of oil on canvas.
A work made of etching on ivory wove paper.

The works in this room are listed below.

Works in this room

A few works by Caspar David Friedrich, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago
  2. Two Men Contemplating the Moon, by Caspar David Friedrich, ca. 1825–30
    Two Men Contemplating the MoonCaspar David Friedrich, ca. 1825–30Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. Four women with musical instruments lounge in a massive garden courtyard.
    The Interior of the Palm House on the Pfaueninsel Near PotsdamCarl Blechen, 1834Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Inside the ColosseumFranz Ludwig Catel, c. 1823Courtesy of the Art Institute of Chicago
  3. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago

Their contemporaries, second

  1. PSYCHE ASKS PROSERPINE TO PUT A LITTLE OF HER BEAUTY IN AN URN FOR VENUS
    Psyche Asks Proserpine to Put a Little of her Beauty in an Urn for VenusJohann August Nahl The Younger, ca. 1781Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The image shows a landscape with a wooden bridge crossing over a river in a valley. The scenery includes cliffs, trees, and flowing water below. The artwork features fine, detailed brushstrokes depicting the texture of the cliffs, foliage, and water. The color scheme is monochromatic with various shades of gray and sepia tones. Two figures are seen on the bridge, contributing to the sense of scale and activity in the serene setting.
    Im Höllenthal (In the Höllen Valley)Johann Christoph Erhard, 1818Courtesy National Gallery of Art, Washington
  3. A work made of oil on paper, laid onto cardboard.
    A Farmhouse in the Bavarian AlpsJohann Georg von Dillis, c. 1825Courtesy of the Art Institute of Chicago