Floor plan

Artist galleriesCaravaggio's contemporaries

Caravaggio's contemporaries

The Musicians, by Caravaggio, 1597
The Crucifixion of Saint Andrew, by Caravaggio, 1606–7
Samson Captured by the Philistines, by Guercino (Giovanni Francesco Barbieri), 1619
A work made of oil on canvas.

The works in this room are listed below.

Works in this room

A few works by Caravaggio, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. The Musicians, by Caravaggio, 1597
    The MusiciansCaravaggio, 1597Courtesy of The Metropolitan Museum of Art
  2. The Crucifixion of Saint Andrew, by Caravaggio, 1606–7
    The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art

Their contemporaries

  1. Samson Captured by the Philistines, by Guercino (Giovanni Francesco Barbieri), 1619
    Samson Captured by the PhilistinesGuercino (Giovanni Francesco Barbieri), 1619Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago

Their contemporaries, second

  1. The Vocation of Saint Aloysius (Luigi) Gonzaga, by Guercino (Giovanni Francesco Barbieri), ca. 1650
    The Vocation of Saint Aloysius (Luigi) GonzagaGuercino (Giovanni Francesco Barbieri), ca. 1650Courtesy of The Metropolitan Museum of Art
  2. A work made of etching in black on cream laid paper.
    Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago

Their contemporaries, third

  1. Lodovico Widmann, by Tiberio Tinelli, probably 1637
    Lodovico WidmannTiberio Tinelli, probably 1637Courtesy National Gallery of Art, Washington
  2. Martyrdom of Saint Andrew, by Guido Reni, 1600s
    Martyrdom of Saint AndrewGuido Reni, 1600sCourtesy of the Cleveland Museum of Art