Floor plan

Artist galleriesBasawan's contemporaries

Basawan's contemporaries

A work made of opaque watercolor and gold on paper.
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
"Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, by Chitarman, recto: dated 1627–28; verso: ca. 1530–50

The works in this room are listed below.

Works in this room

A few works by Basawan, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. A work made of opaque watercolor and gold on paper.
    The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the AkbarnamaBasawan, Mughal dynasty (1526-1857), c. 1590-1595Courtesy of the Art Institute of Chicago
  2. "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. "Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "Alexander Visits the Sage Plato in his Mountain Cave", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  2. "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, by Chitarman, recto: dated 1627–28; verso: ca. 1530–50
    "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan AlbumChitarman, recto: dated 1627–28; verso: ca. 1530–50Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, by Bihzad, c. 1560
    The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second NightBihzad, c. 1560Courtesy of the Cleveland Museum of Art
  2. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art

Their contemporaries, third

  1. "Shah Jahan on Horseback", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50
    "Shah Jahan on Horseback", Folio from the Shah Jahan AlbumPayag, verso: ca. 1630; recto: ca. 1530–50Courtesy of The Metropolitan Museum of Art
  2. "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art