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It is now at the Art Institute of Chicago.","Cézanne made this pencil drawing in 1897 after a sculpture of Hercules at rest, one of the many works of sculpture he studied in the Louvre and in plaster casts throughout his life. Copying sculpture let him concentrate on the turning planes and volumes of the body without the distractions of a living model.","A work made of graphite on ivory wove paper.",{"_298":499,"_300":500,"_302":501},"https://img.ochreeditions.com/m/332.jpg?dl=1","/art/hercules-resting-aic-150834","/galleries/style/watercolour-19/hercules-resting-aic-150834",{"_294":295,"_296":297},{"_229":491,"_125":492,"_288":493},{"_278":279,"_280":489,"_282":283,"_284":490},39.24165926677661,15.241659266776608,{"_290":229,"_123":497,"_154":498,"_140":79},{"_290":125,"_123":494,"_154":495,"_140":496},{"_290":288,"_123":165,"_154":164,"_140":167},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/332/480.jpg","https://img.ochreeditions.com/a/332/960.jpg","https://img.ochreeditions.com/a/332/1920.jpg",{"_314":515,"_316":516},{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},"#8e8985",0.0216,"#b5a69a",0.0345,"#cdb9a8",0.1086,"#e0cab7",0.1923,"#eed4bd",0.643,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","landscape-with-rocks-aic-265371","Landscape with Rocks",{"_42":326,"_226":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1868/76","Transparent and opaque watercolor on cream wove paper","11.8 × 15.4 cm (4 11/16 × 6 1/8 in.)",1.2938744832769635,[551,552,553,554,555],{"_225":304,"_226":305,"_42":306,"_307":308},"2022.332","George Sand painted this in about 1868/76, aged about 66. It is now at the Art Institute of Chicago.","A work made of transparent and opaque watercolor on cream wove paper.",{"_298":548,"_300":549,"_302":550},"https://img.ochreeditions.com/m/422.jpg?dl=1","/art/landscape-with-rocks-aic-265371","/galleries/style/watercolour-19/landscape-with-rocks-aic-265371",{"_294":295,"_296":297},{"_229":545,"_125":546,"_288":547},{"_278":279,"_280":543,"_282":283,"_284":544},43.32181237293058,19.321812372930584,{"_290":229,"_123":169,"_154":168,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/422/480.jpg","https://img.ochreeditions.com/a/422/960.jpg","https://img.ochreeditions.com/a/422/1920.jpg",{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},{"_314":556,"_316":557},"#888458",0.0826,"#a39783",0.0982,"#758065",0.1524,"#736252",0.2188,"#daccc0",0.448,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":618,"_226":619,"_328":620,"_330":331,"_332":621,"_334":622,"_336":466,"_337":466,"_338":623,"_140":75},"1877","impressionism","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[603,604,605,606,607],{"_225":304,"_226":305,"_42":306,"_307":308},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_298":600,"_300":601,"_302":602},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/watercolour-19/ballet-at-the-paris-opera-aic-61603",{"_294":295,"_296":297},{"_229":592,"_125":593,"_288":594},{"_278":589,"_280":590,"_282":573,"_284":591},94,59.050107372942016,35.050107372942016,{"_290":229,"_123":598,"_154":599,"_140":75},{"_290":125,"_123":595,"_154":596,"_140":597},{"_290":288,"_123":165,"_154":164,"_140":167},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_314":616,"_316":617},{"_314":614,"_316":615},{"_314":612,"_316":613},{"_314":610,"_316":611},{"_314":608,"_316":609},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":676,"_226":677,"_328":678,"_330":679,"_332":680,"_334":681,"_336":-5,"_337":-5,"_338":-5,"_140":103},"n.d.","american-gilded-age","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[661,662,663,664,665],{"_225":304,"_226":305,"_42":306,"_307":308},"1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_298":658,"_300":659,"_302":660},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/watercolour-19/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_294":295,"_296":297},{"_229":650,"_125":651,"_288":652},{"_278":646,"_280":647,"_282":648,"_284":649},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_290":229,"_123":656,"_154":657,"_140":89},{"_290":125,"_123":653,"_154":654,"_140":655},{"_290":288,"_123":370,"_154":371,"_140":372},"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg",{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},{"_314":668,"_316":669},{"_314":666,"_316":667},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909","American",1861,1909,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":734,"_226":735,"_328":736,"_330":737,"_332":738,"_334":739,"_336":-5,"_337":-5,"_338":-5,"_140":101},"britain","georgian-britain","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[719,720,721,722,723],{"_225":304,"_226":305,"_42":306,"_307":308},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_298":716,"_300":717,"_302":718},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/watercolour-19/the-hall-levens-westmoreland-aic-39249",{"_294":295,"_296":297},{"_229":706,"_125":707,"_288":708},{"_278":573,"_280":704,"_282":689,"_284":705},56.1976386036961,32.1976386036961,{"_290":229,"_123":714,"_154":715,"_140":89},{"_290":125,"_123":711,"_154":712,"_140":713},{"_290":288,"_123":709,"_154":710,"_140":138},"era/19-britain","19th-century Britain","style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},{"_314":724,"_316":725},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878","English",1808,1878,"a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842","A Shepherd (Study for “Il Voto”) (recto); Woman Holding a Baby (Study for “Il Voto”) (verso)",{"_42":790,"_226":791,"_328":792,"_330":793,"_332":794,"_334":795,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1883","italy","Pastel, with wet brush (recto), and pastel (verso) on brown wove paper","69.5 × 42.3 cm (27 3/8 × 16 11/16 in.)",42,69,0.6187284743553942,[775,776,777,778,779],{"_225":304,"_226":305,"_42":306,"_307":308},"2020.205","Francesco Paolo Michetti painted this in about 1883, aged about 29. It is now at the Art Institute of Chicago.","A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.",{"_298":772,"_300":773,"_302":774},"https://img.ochreeditions.com/m/394.jpg?dl=1","/art/a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842","/galleries/style/watercolour-19/a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842",{"_294":295,"_296":297},{"_229":765,"_125":766,"_288":767},{"_278":762,"_280":763,"_282":764,"_284":748},66.6922647305222,93,42.692264730522204,{"_290":229,"_123":770,"_154":771,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":768,"_154":769,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-francesco-paolo-michetti","Francesco Paolo Michetti's contemporaries","https://img.ochreeditions.com/a/394/480.jpg","https://img.ochreeditions.com/a/394/960.jpg","https://img.ochreeditions.com/a/394/1920.jpg",{"_314":788,"_316":789},{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},"#a07f66",0.1164,"#463d35",0.1316,"#6f5a46",0.1387,"#a09c96",0.2746,"#79746b",0.3387,"Francesco Paolo Michetti","francesco-paolo-michetti","Italian, 1851–1929","Italian",1851,1929,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":460,"_226":461,"_328":462,"_330":331,"_332":463,"_334":464,"_336":465,"_337":466,"_338":467,"_140":95},"1816","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,59,0.7685862865947611,[827,828,829,830,831],{"_225":304,"_226":305,"_42":306,"_307":308},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_298":824,"_300":825,"_302":826},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/watercolour-19/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_294":295,"_296":297},{"_229":821,"_125":822,"_288":823},{"_278":818,"_280":819,"_282":820,"_284":803},69.3465909090909,83,45.34659090909091,{"_290":229,"_123":440,"_154":441,"_140":95},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_314":839,"_316":840},{"_314":837,"_316":838},{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":832,"_316":453},"#493c33","#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":888,"_226":889,"_328":890,"_330":679,"_332":621,"_334":891,"_336":892,"_337":406,"_338":893,"_140":235},"1885","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[873,874,875,876,877],{"_225":381,"_226":382,"_42":383,"_307":384},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_298":870,"_300":871,"_302":872},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/watercolour-19/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_294":295,"_296":297},{"_229":865,"_125":866,"_288":867},{"_278":863,"_280":279,"_282":864,"_284":283},38.8374529822676,14.8374529822676,{"_290":229,"_123":868,"_154":869,"_140":235},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":370,"_154":371,"_140":372},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_314":886,"_316":887},{"_314":884,"_316":885},{"_314":882,"_316":883},{"_314":880,"_316":881},{"_314":878,"_316":879},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","avenue-of-pollard-birches-and-poplars-aic-202382","Avenue of Pollard Birches and Poplars",{"_42":945,"_226":946,"_328":947,"_330":948,"_332":949,"_334":950,"_336":951,"_337":952,"_338":953,"_140":77},"March 1884","netherlands","Reed pen and iron-gall ink on tan laid paper","19.2 × 26.5 cm (7 9/16 × 10 7/16 in.)",26,1.3788085493406093,[930,931,932,933,934],{"_225":304,"_226":305,"_42":306,"_307":308},"2022.74","Vincent van Gogh painted this (March 1884), aged 31. It is now at the Art Institute of Chicago.","A row of pollarded birches and poplars lines a country road near the village of Nuenen in the southern Netherlands, where Van Gogh lived with his parents from late 1883.","A work made of reed pen and iron-gall ink on tan laid paper.",{"_298":927,"_300":928,"_302":929},"https://img.ochreeditions.com/m/350.jpg?dl=1","/art/avenue-of-pollard-birches-and-poplars-aic-202382","/galleries/style/watercolour-19/avenue-of-pollard-birches-and-poplars-aic-202382",{"_294":295,"_296":297},{"_229":919,"_125":920,"_288":921},{"_278":916,"_280":917,"_282":901,"_284":918},50,42.85686015831135,18.856860158311346,{"_290":229,"_123":925,"_154":926,"_140":77},{"_290":125,"_123":494,"_154":495,"_140":496},{"_290":288,"_123":922,"_154":923,"_140":924},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/350/480.jpg","https://img.ochreeditions.com/a/350/960.jpg","https://img.ochreeditions.com/a/350/1920.jpg",{"_314":943,"_316":944},{"_314":941,"_316":942},{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},"#ad7e5a",0.1138,"#886349",0.1294,"#6c4c3b",0.2191,"#48372f",0.2228,"#584034",0.3149,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","flower-clouds-aic-76395","Flower Clouds",{"_42":1000,"_226":1001,"_328":1002,"_330":331,"_332":1003,"_334":1004,"_336":1005,"_337":466,"_338":1006,"_140":91},"c. 1903","Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard","44.5 × 54.2 cm (17 9/16 × 21 3/8 in.)",1.205244946275724,[985,986,987,988,989],{"_225":304,"_226":305,"_42":306,"_307":308},"1990.165","Odilon Redon painted this in about 1903, aged about 58. It is now at the Art Institute of Chicago.","Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage.","Pastel drawing of two figures in a sailboat, bright multi-colored clouds.",{"_298":982,"_300":983,"_302":984},"https://img.ochreeditions.com/m/194.jpg?dl=1","/art/flower-clouds-aic-76395","/galleries/style/watercolour-19/flower-clouds-aic-76395",{"_294":295,"_296":297},{"_229":977,"_125":978,"_288":979},{"_278":974,"_280":975,"_282":431,"_284":976},78,68.80417044424297,44.80417044424297,{"_290":229,"_123":980,"_154":981,"_140":91},{"_290":125,"_123":494,"_154":495,"_140":496},{"_290":288,"_123":165,"_154":164,"_140":167},"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/194/480.jpg","https://img.ochreeditions.com/a/194/960.jpg","https://img.ochreeditions.com/a/194/1920.jpg",{"_314":998,"_316":999},{"_314":996,"_316":997},{"_314":994,"_316":995},{"_314":992,"_316":993},{"_314":990,"_316":991},"#9e6248",0.0843,"#42404b",0.1763,"#675853",0.199,"#866352",0.2447,"#857771",0.2957,"Odilon Redon","odilon-redon","French, 1840–1916",1840,1916,"Bordeaux","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","statue-of-the-madonna-in-the-mountains-aic-50276","Statue of the Madonna in the Mountains",{"_42":1058,"_226":1059,"_328":1060,"_330":1061,"_332":1062,"_334":1003,"_336":1063,"_337":1064,"_338":-5,"_140":101},"1804","germany","romanticism","Brush and black ink and gray wash, with graphite, on cream wove paper","24.4 × 38.2 cm (9 5/8 × 15 1/16 in.)",38,1.5459317585301837,[1043,1044,1045,1046,1047],{"_225":304,"_226":305,"_42":306,"_307":308},"1976.22","Caspar David Friedrich painted this in 1804, aged 30. It is now at the Art Institute of Chicago.","Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.",{"_298":1040,"_300":1041,"_302":1042},"https://img.ochreeditions.com/m/160.jpg?dl=1","/art/statue-of-the-madonna-in-the-mountains-aic-50276","/galleries/style/watercolour-19/statue-of-the-madonna-in-the-mountains-aic-50276",{"_294":295,"_296":297},{"_229":1031,"_125":1032,"_288":1033},{"_278":496,"_280":1029,"_282":1015,"_284":1030},48.58064516129032,24.580645161290324,{"_290":229,"_123":1038,"_154":1039,"_140":89},{"_290":125,"_123":1036,"_154":1037,"_140":690},{"_290":288,"_123":1034,"_154":1035,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism","artist/contemporaries-of-caspar-david-friedrich","Caspar David Friedrich's contemporaries","https://img.ochreeditions.com/a/160/480.jpg","https://img.ochreeditions.com/a/160/960.jpg","https://img.ochreeditions.com/a/160/1920.jpg",{"_314":1056,"_316":1057},{"_314":1054,"_316":1055},{"_314":1052,"_316":1053},{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},"#7b7661",0.1217,"#abaa94",0.1291,"#d7d6bc",0.1362,"#544e3d",0.1551,"#efeed3",0.4579,"Caspar David Friedrich","caspar-david-friedrich","German, 1774–1840","German",1774,"Greifswald","Dresden","study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":888,"_226":889,"_328":890,"_330":679,"_332":621,"_334":891,"_336":892,"_337":406,"_338":893,"_140":235},"c. 1879","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[1093,1094,1095,1096,1097],{"_225":304,"_226":305,"_42":306,"_307":308},"1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_298":1090,"_300":1091,"_302":1092},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/watercolour-19/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_294":295,"_296":297},{"_229":1087,"_125":1088,"_288":1089},{"_278":1085,"_280":279,"_282":1086,"_284":283},41.65256959314775,17.652569593147753,{"_290":229,"_123":868,"_154":869,"_140":235},{"_290":125,"_123":653,"_154":654,"_140":655},{"_290":288,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg",{"_314":1106,"_316":1107},{"_314":1104,"_316":1105},{"_314":1102,"_316":1103},{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"inspiration-aic-104463","Inspiration",{"_42":1154,"_226":1155,"_328":1156,"_330":331,"_332":1157,"_334":1158,"_336":466,"_337":466,"_338":-5,"_140":101},"c. 1893","Watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board","29.9 × 23 cm (11 13/16 × 9 1/16 in.)",23,29,0.7379294336118849,[1139,1140,1141,1142,1143],{"_225":304,"_226":305,"_42":306,"_307":308},"1985.596","Gustave Moreau painted this in about 1893, aged about 57. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.",{"_298":1136,"_300":1137,"_302":1138},"https://img.ochreeditions.com/m/264.jpg?dl=1","/art/inspiration-aic-104463","/galleries/style/watercolour-19/inspiration-aic-104463",{"_294":295,"_296":297},{"_229":1131,"_125":1132,"_288":1133},{"_278":1129,"_280":597,"_282":1130,"_284":1115},45.39995357474466,21.39995357474466,{"_290":229,"_123":1134,"_154":1135,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-gustave-moreau","Gustave Moreau's contemporaries","https://img.ochreeditions.com/a/264/480.jpg","https://img.ochreeditions.com/a/264/960.jpg","https://img.ochreeditions.com/a/264/1920.jpg",{"_314":1152,"_316":1153},{"_314":1150,"_316":1151},{"_314":1148,"_316":1149},{"_314":1146,"_316":1147},{"_314":1144,"_316":1145},"#897660",0.135,"#8a8791",0.1499,"#3c3839",0.2028,"#5d574b",0.242,"#c0b5a6",0.2703,"Gustave Moreau","gustave-moreau","French, 1826–1898",1826,1898,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","9ad4eea7d873b52d1d592266839988d8476c644a","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_226":1203,"_20":1204},{"_226":1201,"_20":1202},{"_226":1199,"_20":1200},{"_226":1197,"_20":1198},{"_226":1195,"_20":1196},{"_226":1193,"_20":1194},{"_226":1191,"_20":1192},{"_226":1189,"_20":1190},{"_226":1187,"_20":1188},{"_226":1185,"_20":1186},{"_226":1183,"_20":1184},{"_226":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
