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It is now at the Art Institute of Chicago.","Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage.","Pastel drawing of two figures in a sailboat, bright multi-colored clouds.",{"_298":381,"_300":382,"_302":383},"https://img.ochreeditions.com/m/194.jpg?dl=1","/art/flower-clouds-aic-76395","/galleries/style/watercolour-19/flower-clouds-aic-76395",{"_294":295,"_296":297},{"_227":370,"_125":371,"_288":372},{"_279":367,"_281":368,"_283":350,"_284":369},78,68.80417044424297,44.80417044424297,{"_290":227,"_123":379,"_154":380,"_140":91},{"_290":125,"_123":376,"_154":377,"_140":378},{"_290":288,"_123":373,"_154":374,"_140":375},"era/19-france","19th-century France",237,"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/194/480.jpg","https://img.ochreeditions.com/a/194/960.jpg","https://img.ochreeditions.com/a/194/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":401,"_316":402},{"_314":399,"_316":400},{"_314":397,"_316":398},{"_314":395,"_316":396},{"_314":393,"_316":394},"#9e6248",0.0843,"#42404b",0.1763,"#675853",0.199,"#866352",0.2447,"#857771",0.2957,"Odilon Redon","odilon-redon","French, 1840–1916","French",1840,"Bordeaux","Paris","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","horseman-recto-horse-and-rider-verso-aic-113436","Horseman (recto); Horse and Rider (verso)",{"_42":462,"_224":463,"_328":464,"_330":406,"_332":407,"_334":465,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1889","Gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper","21.7 × 17.4 cm (8 9/16 × 6 7/8 in.)",17,21,0.8049575994781474,[447,448,449,450,451],{"_223":384,"_224":385,"_42":386,"_307":387},"1949.580","Auguste Rodin painted this in 1889, aged 49. It is now at the Art Institute of Chicago.","A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.",{"_298":444,"_300":445,"_302":446},"https://img.ochreeditions.com/m/294.jpg?dl=1","/art/horseman-recto-horse-and-rider-verso-aic-113436","/galleries/style/watercolour-19/horseman-recto-horse-and-rider-verso-aic-113436",{"_294":295,"_296":297},{"_227":436,"_125":437,"_288":438},{"_279":432,"_281":433,"_283":434,"_284":435},44.12393998695369,49,20.123939986953683,25,{"_290":227,"_123":442,"_154":443,"_140":89},{"_290":125,"_123":439,"_154":440,"_140":441},{"_290":288,"_123":373,"_154":374,"_140":375},"style/watercolour","More watercolours",85,"artist/contemporaries-of-auguste-rodin","Auguste Rodin's contemporaries","https://img.ochreeditions.com/a/294/480.jpg","https://img.ochreeditions.com/a/294/960.jpg","https://img.ochreeditions.com/a/294/1920.jpg",{"_314":460,"_316":461},{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},"#e6e0d2",0.1373,"#c5bcb5",0.1538,"#807775",0.1785,"#a19c99",0.2506,"#5c534d",0.2798,"Auguste Rodin","auguste-rodin","French, 1840–1917",1917,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":516,"_224":517,"_328":518,"_330":331,"_332":519,"_334":520,"_336":521,"_338":522,"_339":523,"_140":233},"1880","american-gilded-age","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[501,502,503,504,505],{"_223":384,"_224":385,"_42":386,"_307":387},"2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_298":498,"_300":499,"_302":500},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/watercolour-19/corte-del-paradiso-aic-158382",{"_294":295,"_296":297},{"_227":490,"_125":491,"_288":492},{"_279":488,"_281":350,"_283":489,"_284":473},38.863998230871296,14.863998230871296,{"_290":227,"_123":496,"_154":497,"_140":233},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":166,"_154":165,"_140":168},"style/american-gilded-age","More American Gilded Age",67,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg",{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","study-for-festival-aic-210100","Study for Festival",{"_42":577,"_224":578,"_328":579,"_330":580,"_332":581,"_334":582,"_336":-5,"_338":-5,"_339":583,"_140":99},"c. 1875","britain","victorian-art","Brown and black chalks on cream wove paper","35.5 × 25.2 cm (14 × 9 15/16 in.)",35,0.7168659995118379,[562,563,564,565,566],{"_223":384,"_224":385,"_42":386,"_307":387},"2011.95","Sir John Edward Poynter painted this in about 1875, aged about 34. It is now at the Art Institute of Chicago.","A work made of brown and black chalks on cream wove paper.",{"_298":559,"_300":560,"_302":561},"https://img.ochreeditions.com/m/354.jpg?dl=1","/art/study-for-festival-aic-210100","/galleries/style/watercolour-19/study-for-festival-aic-210100",{"_294":295,"_296":297},{"_227":549,"_125":550,"_288":551},{"_279":546,"_281":547,"_283":548,"_284":532},49.09030998291433,59,25.090309982914327,{"_290":227,"_123":557,"_154":558,"_140":99},{"_290":125,"_123":554,"_154":555,"_140":556},{"_290":288,"_123":552,"_154":553,"_140":138},"era/19-britain","19th-century Britain","style/victorian-art","More Victorian art",20,"artist/sir-john-edward-poynter","More by Sir John Edward Poynter","https://img.ochreeditions.com/a/354/480.jpg","https://img.ochreeditions.com/a/354/960.jpg","https://img.ochreeditions.com/a/354/1920.jpg",{"_314":575,"_316":576},{"_314":573,"_316":574},{"_314":571,"_316":572},{"_314":569,"_316":570},{"_314":567,"_316":568},"#b6a58b",0.0163,"#ede7dd",0.052,"#cfbfa6",0.1175,"#dbcdb6",0.2996,"#e1d6c2",0.5146,"Sir John Edward Poynter","sir-john-edward-poynter","English, 1836–1919","English",1836,1919,"Poynter studied in Rome and in Paris under Charles Gleyre, and made his name with large classical and biblical scenes such as Israel in Egypt.","wild-roses-and-irises-met-11376","Wild Roses and Irises",{"_42":631,"_224":632,"_328":633,"_330":331,"_332":634,"_334":635,"_336":308,"_338":636,"_339":-5,"_140":101},"1887","Gouache and watercolor on white wove paper","14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)",26.5,36.8,0.746031746031746,[616,617,618,619,620],{"_223":304,"_224":305,"_42":306,"_307":308},"50.113.3","John La Farge painted this in 1887, aged 52. It is now at The Met in New York.","Wild Roses and Irises, by John La Farge, 1887",{"_298":613,"_300":614,"_302":615},"https://img.ochreeditions.com/m/843.jpg?dl=1","/art/wild-roses-and-irises-met-11376","/galleries/style/watercolour-19/wild-roses-and-irises-met-11376",{"_294":295,"_296":297},{"_227":608,"_125":609,"_288":610},{"_279":605,"_281":606,"_283":607,"_284":591},51.453968253968256,60.8,27.453968253968252,{"_290":227,"_123":611,"_154":612,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/843/480.jpg","https://img.ochreeditions.com/a/843/960.jpg","https://img.ochreeditions.com/a/843/1920.jpg",{"_314":629,"_316":630},{"_314":627,"_316":628},{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},"#596484",0.0531,"#a89c8d",0.1038,"#f2eade",0.2269,"#5d6a4b",0.2874,"#4e554c",0.3288,"John La Farge","john-la-farge","American, 1835–1910",1835,1910,"Providence, Rhode Island","seaside-aic-202100","Seaside",{"_42":684,"_224":685,"_328":686,"_330":406,"_332":687,"_334":688,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1866","Black and white chalk on blue wove paper","31.3 × 59.4 cm (12 3/8 × 23 7/16 in.)",31,2.7325866293314665,[669,670,671,672,673],{"_223":384,"_224":385,"_42":386,"_307":387},"2019.207","Charles François Eustache painted this in 1866, aged 46. It is now at the Art Institute of Chicago.","A work made of black and white chalk on blue wove paper.",{"_298":666,"_300":667,"_302":668},"https://img.ochreeditions.com/m/349.jpg?dl=1","/art/seaside-aic-202100","/galleries/style/watercolour-19/seaside-aic-202100",{"_294":295,"_296":297},{"_227":661,"_125":662,"_288":663},{"_279":657,"_281":658,"_283":659,"_284":660},94.69583400064853,49.87139717431188,70.69583400064853,25.87139717431188,{"_290":227,"_123":664,"_154":665,"_140":89},{"_290":125,"_123":439,"_154":440,"_140":441},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-charles-francois-eustache","Charles François Eustache's contemporaries","https://img.ochreeditions.com/a/349/480.jpg","https://img.ochreeditions.com/a/349/960.jpg","https://img.ochreeditions.com/a/349/1920.jpg",{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},"#6c6c66",0.038,"#8e8d87",0.0842,"#a4a39d",0.2446,"#c8c4bb",0.3145,"#bab8b1",0.3187,"Charles François Eustache","charles-francois-eustache","French, 1820–1870",1820,1870,"at-the-circus-trained-pony-and-baboon-aic-51386","At the Circus: Trained Pony and Baboon",{"_42":736,"_224":737,"_328":738,"_330":406,"_332":739,"_334":740,"_336":741,"_338":742,"_339":743,"_140":89},"1899","Pastel and graphite on cream wove paper","43.9 × 26.7 cm (17 5/16 × 10 9/16 in.)",26,43,0.6179939463521553,[721,722,723,724,725],{"_223":384,"_224":385,"_42":386,"_307":387},"1944.581","Henri de Toulouse-Lautrec painted this in 1899, aged 35. It is now at the Art Institute of Chicago.","A trained pony and a baboon perform in the ring, drawn in pastel and graphite entirely from memory.","A work made of pastel and graphite on cream wove paper.",{"_298":718,"_300":719,"_302":720},"https://img.ochreeditions.com/m/161.jpg?dl=1","/art/at-the-circus-trained-pony-and-baboon-aic-51386","/galleries/style/watercolour-19/at-the-circus-trained-pony-and-baboon-aic-51386",{"_294":295,"_296":297},{"_227":713,"_125":714,"_288":715},{"_279":711,"_281":495,"_283":712,"_284":696},50.57373969314268,26.573739693142677,{"_290":227,"_123":716,"_154":717,"_140":89},{"_290":125,"_123":376,"_154":377,"_140":378},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/henri-de-toulouse-lautrec","More by Henri de Toulouse-Lautrec","https://img.ochreeditions.com/a/161/480.jpg","https://img.ochreeditions.com/a/161/960.jpg","https://img.ochreeditions.com/a/161/1920.jpg",{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},"#b9a86f",0.0184,"#827a6a",0.0258,"#b0a89b",0.1418,"#ccbeaa",0.191,"#dcceb8",0.623,"Henri de Toulouse-Lautrec","henri-de-toulouse-lautrec","French, 1864–1901",1864,1901,"Albi","Saint-André-du-Bois","Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art.","landscape-with-rocks-aic-265371","Landscape with Rocks",{"_42":788,"_224":789,"_328":790,"_330":406,"_332":791,"_334":792,"_336":-5,"_338":-5,"_339":-5,"_140":101},"c. 1868/76","Transparent and opaque watercolor on cream wove paper","11.8 × 15.4 cm (4 11/16 × 6 1/8 in.)",1.2938744832769635,[773,774,775,776,777],{"_223":384,"_224":385,"_42":386,"_307":387},"2022.332","George Sand painted this in about 1868/76, aged about 66. It is now at the Art Institute of Chicago.","A work made of transparent and opaque watercolor on cream wove paper.",{"_298":770,"_300":771,"_302":772},"https://img.ochreeditions.com/m/422.jpg?dl=1","/art/landscape-with-rocks-aic-265371","/galleries/style/watercolour-19/landscape-with-rocks-aic-265371",{"_294":295,"_296":297},{"_227":765,"_125":766,"_288":767},{"_279":433,"_281":763,"_283":435,"_284":764},43.32181237293058,19.321812372930584,{"_290":227,"_123":768,"_154":769,"_140":89},{"_290":125,"_123":439,"_154":440,"_140":441},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-george-sand","George Sand's contemporaries","https://img.ochreeditions.com/a/422/480.jpg","https://img.ochreeditions.com/a/422/960.jpg","https://img.ochreeditions.com/a/422/1920.jpg",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#888458",0.0826,"#a39783",0.0982,"#758065",0.1524,"#736252",0.2188,"#daccc0",0.448,"George Sand","george-sand","French, 1804–1876",1804,1876,"study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":516,"_224":517,"_328":518,"_330":331,"_332":519,"_334":520,"_336":521,"_338":522,"_339":523,"_140":233},"c. 1879","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",0.7061027837259101,[820,821,822,823,824],{"_223":384,"_224":385,"_42":386,"_307":387},"1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_298":817,"_300":818,"_302":819},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/watercolour-19/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_294":295,"_296":297},{"_227":814,"_125":815,"_288":816},{"_279":812,"_281":433,"_283":813,"_284":435},41.65256959314775,17.652569593147753,{"_290":227,"_123":496,"_154":497,"_140":233},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg",{"_314":833,"_316":834},{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},{"_314":825,"_316":826},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"landscape-with-river-gorge-aic-272570","Landscape with River Gorge",{"_42":788,"_224":789,"_328":790,"_330":406,"_332":791,"_334":792,"_336":-5,"_338":-5,"_339":-5,"_140":101},"1860/69","Watercolor and opaque watercolor on cream wove paper","15.6 × 24.5 cm (6 1/8 × 9 5/8 in.)",24,1.5509778775248477,[863,864,865,866,867],{"_223":384,"_224":385,"_42":386,"_307":387},"2024.157","George Sand painted this in 1860/69, aged about 56. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream wove paper.",{"_298":860,"_300":861,"_302":862},"https://img.ochreeditions.com/m/441.jpg?dl=1","/art/landscape-with-river-gorge-aic-272570","/galleries/style/watercolour-19/landscape-with-river-gorge-aic-272570",{"_294":295,"_296":297},{"_227":857,"_125":858,"_288":859},{"_279":433,"_281":855,"_283":435,"_284":856},40.11886304909561,16.11886304909561,{"_290":227,"_123":768,"_154":769,"_140":89},{"_290":125,"_123":439,"_154":440,"_140":441},{"_290":288,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/441/480.jpg","https://img.ochreeditions.com/a/441/960.jpg","https://img.ochreeditions.com/a/441/1920.jpg",{"_314":876,"_316":877},{"_314":874,"_316":875},{"_314":872,"_316":873},{"_314":870,"_316":871},{"_314":868,"_316":869},"#8a7663",0.1452,"#9c9380",0.146,"#74715c",0.1723,"#63594a",0.1947,"#c9c5c0",0.3418,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":929,"_224":930,"_328":931,"_330":580,"_332":932,"_334":933,"_336":-5,"_338":-5,"_339":-5,"_140":101},"n.d.","georgian-britain","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[914,915,916,917,918],{"_223":384,"_224":385,"_42":386,"_307":387},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_298":911,"_300":912,"_302":913},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/watercolour-19/the-hall-levens-westmoreland-aic-39249",{"_294":295,"_296":297},{"_227":903,"_125":904,"_288":905},{"_279":900,"_281":901,"_283":885,"_284":902},70,56.1976386036961,32.1976386036961,{"_290":227,"_123":909,"_154":910,"_140":89},{"_290":125,"_123":906,"_154":907,"_140":908},{"_290":288,"_123":552,"_154":553,"_140":138},"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_314":927,"_316":928},{"_314":925,"_316":926},{"_314":923,"_316":924},{"_314":921,"_316":922},{"_314":919,"_316":920},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"inspiration-aic-104463","Inspiration",{"_42":981,"_224":982,"_328":983,"_330":406,"_332":984,"_334":985,"_336":409,"_338":409,"_339":-5,"_140":101},"c. 1893","Watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board","29.9 × 23 cm (11 13/16 × 9 1/16 in.)",23,29,0.7379294336118849,[966,967,968,969,970],{"_223":384,"_224":385,"_42":386,"_307":387},"1985.596","Gustave Moreau painted this in about 1893, aged about 57. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.",{"_298":963,"_300":964,"_302":965},"https://img.ochreeditions.com/m/264.jpg?dl=1","/art/inspiration-aic-104463","/galleries/style/watercolour-19/inspiration-aic-104463",{"_294":295,"_296":297},{"_227":958,"_125":959,"_288":960},{"_279":955,"_281":956,"_283":957,"_284":941},45.39995357474466,53,21.39995357474466,{"_290":227,"_123":961,"_154":962,"_140":89},{"_290":125,"_123":439,"_154":440,"_140":441},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-gustave-moreau","Gustave Moreau's contemporaries","https://img.ochreeditions.com/a/264/480.jpg","https://img.ochreeditions.com/a/264/960.jpg","https://img.ochreeditions.com/a/264/1920.jpg",{"_314":979,"_316":980},{"_314":977,"_316":978},{"_314":975,"_316":976},{"_314":973,"_316":974},{"_314":971,"_316":972},"#897660",0.135,"#8a8791",0.1499,"#3c3839",0.2028,"#5d574b",0.242,"#c0b5a6",0.2703,"Gustave Moreau","gustave-moreau","French, 1826–1898",1826,1898,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":1037,"_224":1038,"_328":1039,"_330":406,"_332":1040,"_334":1041,"_336":1042,"_338":409,"_339":1043,"_140":95},"1816","neoclassicism","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,0.7685862865947611,[1022,1023,1024,1025,1026],{"_223":384,"_224":385,"_42":386,"_307":387},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_298":1019,"_300":1020,"_302":1021},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/watercolour-19/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_294":295,"_296":297},{"_227":1011,"_125":1012,"_288":1013},{"_279":1008,"_281":1009,"_283":1010,"_284":547},69.3465909090909,83,45.34659090909091,{"_290":227,"_123":1017,"_154":1018,"_140":95},{"_290":125,"_123":1014,"_154":1015,"_140":1016},{"_290":288,"_123":373,"_154":374,"_140":375},"style/neoclassicism","More Neoclassicism",109,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},{"_314":1029,"_316":1030},{"_314":1027,"_316":1028},"#493c33",0.0813,"#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383","Bather With Outstretched Arms (recto); Study of a Tree (verso)",{"_42":1089,"_224":1090,"_328":1091,"_330":406,"_332":1092,"_334":1093,"_336":1094,"_338":1094,"_339":1095,"_140":79},"1874/77","Graphite on cream laid paper (pieced)","17.9 × 11.1 cm (7 1/16 × 4 3/8 in.)",0.661707713464183,[1074,1075,1076,1077,1078],{"_223":384,"_224":385,"_42":386,"_307":387},"2019.840","Paul Cézanne painted this in 1874/77, aged about 35. It is now at the Art Institute of Chicago.","A nude bather stands with arms flung wide, sketched in graphite in the mid-1870s, a figure related to the bathers that Cézanne returned to throughout his career. He rarely worked from the nude model, relying instead on memory, earlier drawings and the study of art, and the figure has an awkward, expressive energy.","A work made of graphite on cream laid paper (pieced).",{"_298":1071,"_300":1072,"_302":1073},"https://img.ochreeditions.com/m/351.jpg?dl=1","/art/bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383","/galleries/style/watercolour-19/bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383",{"_294":295,"_296":297},{"_227":1066,"_125":1067,"_288":1068},{"_279":1064,"_281":433,"_283":1065,"_284":435},40.54269283660457,16.542692836604576,{"_290":227,"_123":1069,"_154":1070,"_140":79},{"_290":125,"_123":376,"_154":377,"_140":378},{"_290":288,"_123":373,"_154":374,"_140":375},"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/351/480.jpg","https://img.ochreeditions.com/a/351/960.jpg","https://img.ochreeditions.com/a/351/1920.jpg",{"_314":1087,"_316":1088},{"_314":1085,"_316":1086},{"_314":1083,"_316":1084},{"_314":1081,"_316":1082},{"_314":1079,"_316":1080},"#e3caac",0.0804,"#847567",0.0911,"#9d8a77",0.1868,"#c5aa8e",0.3118,"#b39c83",0.3299,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":1037,"_224":1038,"_328":1039,"_330":406,"_332":1040,"_334":1041,"_336":1042,"_338":409,"_339":1043,"_140":95},"c. 1832","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",1.4684287812041117,[1124,1125,1126,1127,1128],{"_223":384,"_224":385,"_42":386,"_307":387},"1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_298":1121,"_300":1122,"_302":1123},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/watercolour-19/sketches-of-algerian-men-aic-110984",{"_294":295,"_296":297},{"_227":1118,"_125":1119,"_288":1120},{"_279":350,"_281":1116,"_283":473,"_284":1117},44.43,20.43,{"_290":227,"_123":1017,"_154":1018,"_140":95},{"_290":125,"_123":1014,"_154":1015,"_140":1016},{"_290":288,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg",{"_314":1136,"_316":1137},{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},{"_314":1131,"_316":1028},{"_314":1129,"_316":1130},"#9b845b",0.0213,"#e7ddbd","#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","bcc8fc3635d95a1daa7d7d4882cba979138f565c","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]