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(20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[446,447,448,449,450],{"_222":442,"_223":443,"_42":444,"_305":445},"Courtesy of The Metropolitan Museum of Art","2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_296":439,"_298":440,"_300":441},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/watercolour-19/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_292":293,"_294":295},{"_226":428,"_125":429,"_286":430},{"_277":424,"_279":425,"_281":426,"_282":427},38.8374529822676,49,14.8374529822676,25,{"_288":226,"_123":437,"_154":438,"_140":232},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":431,"_154":432,"_140":433},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","statue-of-the-madonna-in-the-mountains-aic-50276","Statue of the Madonna in the Mountains",{"_42":523,"_223":524,"_326":525,"_328":526,"_330":527,"_332":528,"_334":529,"_335":530,"_336":-5,"_140":101},"1804","germany","romanticism","Brush and black ink and gray wash, with graphite, on cream wove paper","24.4 × 38.2 cm (9 5/8 × 15 1/16 in.)",38,24,1.5459317585301837,[508,509,510,511,512],{"_222":302,"_223":303,"_42":304,"_305":306},"1976.22","Caspar David Friedrich painted this in 1804, aged 30. It is now at the Art Institute of Chicago.","Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.",{"_296":505,"_298":506,"_300":507},"https://img.ochreeditions.com/m/160.jpg?dl=1","/art/statue-of-the-madonna-in-the-mountains-aic-50276","/galleries/style/watercolour-19/statue-of-the-madonna-in-the-mountains-aic-50276",{"_292":293,"_294":295},{"_226":496,"_125":497,"_286":498},{"_277":493,"_279":494,"_281":478,"_282":495},62,48.58064516129032,24.580645161290324,{"_288":226,"_123":503,"_154":504,"_140":89},{"_288":125,"_123":501,"_154":502,"_140":247},{"_288":286,"_123":499,"_154":500,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism","artist/contemporaries-of-caspar-david-friedrich","Caspar David Friedrich's contemporaries","https://img.ochreeditions.com/a/160/480.jpg","https://img.ochreeditions.com/a/160/960.jpg","https://img.ochreeditions.com/a/160/1920.jpg",{"_312":521,"_314":522},{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},{"_312":513,"_314":514},"#7b7661",0.1217,"#abaa94",0.1291,"#d7d6bc",0.1362,"#544e3d",0.1551,"#efeed3",0.4579,"Caspar David Friedrich","caspar-david-friedrich","German, 1774–1840","German",1774,1840,"Greifswald","Dresden","landscape-with-rocks-aic-265371","Landscape with Rocks",{"_42":575,"_223":576,"_326":577,"_328":395,"_330":578,"_332":579,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1868/76","Transparent and opaque watercolor on cream wove paper","11.8 × 15.4 cm (4 11/16 × 6 1/8 in.)",1.2938744832769635,[560,561,562,563,564],{"_222":302,"_223":303,"_42":304,"_305":306},"2022.332","George Sand painted this in about 1868/76, aged about 66. It is now at the Art Institute of Chicago.","A work made of transparent and opaque watercolor on cream wove paper.",{"_296":557,"_298":558,"_300":559},"https://img.ochreeditions.com/m/422.jpg?dl=1","/art/landscape-with-rocks-aic-265371","/galleries/style/watercolour-19/landscape-with-rocks-aic-265371",{"_292":293,"_294":295},{"_226":552,"_125":553,"_286":554},{"_277":425,"_279":550,"_281":427,"_282":551},43.32181237293058,19.321812372930584,{"_288":226,"_123":555,"_154":556,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-george-sand","George Sand's contemporaries","https://img.ochreeditions.com/a/422/480.jpg","https://img.ochreeditions.com/a/422/960.jpg","https://img.ochreeditions.com/a/422/1920.jpg",{"_312":573,"_314":574},{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},{"_312":565,"_314":566},"#888458",0.0826,"#a39783",0.0982,"#758065",0.1524,"#736252",0.2188,"#daccc0",0.448,"George Sand","george-sand","French, 1804–1876",1804,1876,"sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","Sheet of Sketches: Cavalry Battles and Mounted Soldiers",{"_42":631,"_223":632,"_326":633,"_328":395,"_330":634,"_332":635,"_334":636,"_335":637,"_336":638,"_140":99},"1813/14","neoclassicism","Graphite, on tan wove paper, perimeter mounted on ivory laid paper","17.2 × 23 cm (6 13/16 × 9 1/16 in.)",23,17,1.2110445205479452,[616,617,618,619,620],{"_222":302,"_223":303,"_42":304,"_305":306},"1947.35.57R","Jean Louis André Théodore Géricault painted this in 1813/14, aged about 22. It is now at the Art Institute of Chicago.","Horses rear and gallop and riders clash across this sheet of rapid pencil sketches, made around 1813–14, when the young Théodore Géricault was absorbed by the drama of Napoleon’s cavalry.","A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.",{"_296":613,"_298":614,"_300":615},"https://img.ochreeditions.com/m/293.jpg?dl=1","/art/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","/galleries/style/watercolour-19/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385",{"_292":293,"_294":295},{"_226":605,"_125":606,"_286":607},{"_277":425,"_279":603,"_281":427,"_282":604},44.643336868151295,20.64333686815129,{"_288":226,"_123":611,"_154":612,"_140":99},{"_288":125,"_123":608,"_154":609,"_140":610},{"_288":286,"_123":366,"_154":367,"_140":368},"style/neoclassicism","More Neoclassicism",109,"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/293/480.jpg","https://img.ochreeditions.com/a/293/960.jpg","https://img.ochreeditions.com/a/293/1920.jpg",{"_312":629,"_314":630},{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},"#b0a490",0.0117,"#cbbda6",0.152,"#ddd6c4",0.2169,"#d6c9b1",0.247,"#e2ddd0",0.3724,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Paris","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","room-leading-to-the-chapel-knowle-kent-aic-39246","Room Leading to the Chapel, Knowle, Kent",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1869","victorian-art","Watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper","33.6 × 48.7 cm (13 1/4 × 19 3/16 in.)",48,33,1.4535382416011438,[673,674,675,676,677],{"_222":302,"_223":303,"_42":304,"_305":306},"1940.914","Joseph Nash painted this in 1869, aged 61. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.",{"_296":670,"_298":671,"_300":672},"https://img.ochreeditions.com/m/140.jpg?dl=1","/art/room-leading-to-the-chapel-knowle-kent-aic-39246","/galleries/style/watercolour-19/room-leading-to-the-chapel-knowle-kent-aic-39246",{"_292":293,"_294":295},{"_226":664,"_125":665,"_286":666},{"_277":661,"_279":662,"_281":646,"_282":663},72,57.02286697811655,33.02286697811655,{"_288":226,"_123":169,"_154":168,"_140":89},{"_288":125,"_123":667,"_154":668,"_140":669},{"_288":286,"_123":166,"_154":165,"_140":138},"style/victorian-art","More Victorian art",20,"https://img.ochreeditions.com/a/140/480.jpg","https://img.ochreeditions.com/a/140/960.jpg","https://img.ochreeditions.com/a/140/1920.jpg",{"_312":686,"_314":687},{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},"#92422d",0.0085,"#9a8c79",0.1669,"#725334",0.2521,"#4f4139",0.2653,"#a47b44",0.3072,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":739,"_223":740,"_326":741,"_328":395,"_330":465,"_332":742,"_334":637,"_335":637,"_336":743,"_140":75},"1877","impressionism","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",35,1.9971408148677627,[724,725,726,727,728],{"_222":302,"_223":303,"_42":304,"_305":306},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_296":721,"_298":722,"_300":723},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/watercolour-19/ballet-at-the-paris-opera-aic-61603",{"_292":293,"_294":295},{"_226":713,"_125":714,"_286":715},{"_277":710,"_279":711,"_281":278,"_282":712},94,59.050107372942016,35.050107372942016,{"_288":226,"_123":719,"_154":720,"_140":75},{"_288":125,"_123":716,"_154":717,"_140":718},{"_288":286,"_123":366,"_154":367,"_140":368},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_312":737,"_314":738},{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917",1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","the-dancing-lesson-met-10821","The Dancing Lesson",{"_42":792,"_223":793,"_326":794,"_328":464,"_330":795,"_332":796,"_334":797,"_335":797,"_336":798,"_140":87},"1878","Watercolor on off-white wove paper","18 1/16 x 22 9/16 in. (45.9 x 57.3 cm)",57.3,45.9,1.2442050277505714,[777,778,779,780,781],{"_222":442,"_223":443,"_42":444,"_305":445},"25.97.1","Thomas Eakins painted this in 1878, aged 34. It is now at The Met in New York.","In a plain interior, an elderly man sits watching as a young man plays the banjo and a small boy dances, his face set in concentration.","The Dancing Lesson, by Thomas Eakins, 1878",{"_296":774,"_298":775,"_300":776},"https://img.ochreeditions.com/m/822.jpg?dl=1","/art/the-dancing-lesson-met-10821","/galleries/style/watercolour-19/the-dancing-lesson-met-10821",{"_292":293,"_294":295},{"_226":769,"_125":770,"_286":771},{"_277":766,"_279":767,"_281":750,"_282":768},81.3,70.05350301758068,46.05350301758068,{"_288":226,"_123":772,"_154":773,"_140":87},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":431,"_154":432,"_140":433},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/822/480.jpg","https://img.ochreeditions.com/a/822/960.jpg","https://img.ochreeditions.com/a/822/1920.jpg",{"_312":790,"_314":791},{"_312":788,"_314":789},{"_312":786,"_314":787},{"_312":784,"_314":785},{"_312":782,"_314":783},"#8d603d",0.0539,"#4d3c30",0.1605,"#766148",0.2402,"#d5c3a9",0.2687,"#ab9474",0.2767,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","woman-with-a-cat-aic-116236","Woman with a Cat",{"_42":847,"_223":848,"_326":849,"_328":395,"_330":850,"_332":466,"_334":637,"_335":851,"_336":852,"_140":85},"c. 1900","post-impressionism","Transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper","46.5 × 61.5 cm (18 5/16 × 24 1/4 in.)",61,1.6554498902706656,[833,834,835,836,837],{"_222":302,"_223":303,"_42":304,"_305":306},"1991.217","Paul Gauguin painted this in about 1900, aged 52. It is now at the Art Institute of Chicago.","Gauguin developed this unusual technique in Tahiti around 1899: he inked a sheet, laid paper over it and drew on the back with pencil, so that the pressure transferred a soft, grainy line onto the underside, which became the finished image.","A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.",{"_296":830,"_298":831,"_300":832},"https://img.ochreeditions.com/m/296.jpg?dl=1","/art/woman-with-a-cat-aic-116236","/galleries/style/watercolour-19/woman-with-a-cat-aic-116236",{"_292":293,"_294":295},{"_226":823,"_125":824,"_286":825},{"_277":371,"_279":821,"_281":806,"_282":822},60.84798939460893,36.84798939460893,{"_288":226,"_123":828,"_154":829,"_140":85},{"_288":125,"_123":826,"_154":827,"_140":493},{"_288":286,"_123":366,"_154":367,"_140":368},"style/post-impressionism","More Post-Impressionism","artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/296/480.jpg","https://img.ochreeditions.com/a/296/960.jpg","https://img.ochreeditions.com/a/296/1920.jpg",{"_312":845,"_314":846},{"_312":843,"_314":844},{"_312":841,"_314":842},{"_312":839,"_314":840},{"_312":838,"_314":516},"#4d4231","#948369",0.141,"#6e5f47",0.1472,"#b3a694",0.1961,"#ccbfac",0.3866,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","study-for-festival-aic-210100","Study for Festival",{"_42":897,"_223":898,"_326":899,"_328":329,"_330":900,"_332":901,"_334":-5,"_335":-5,"_336":902,"_140":99},"c. 1875","Brown and black chalks on cream wove paper","35.5 × 25.2 cm (14 × 9 15/16 in.)",0.7168659995118379,[882,883,884,885,886],{"_222":302,"_223":303,"_42":304,"_305":306},"2011.95","Sir John Edward Poynter painted this in about 1875, aged about 34. It is now at the Art Institute of Chicago.","A work made of brown and black chalks on cream wove paper.",{"_296":879,"_298":880,"_300":881},"https://img.ochreeditions.com/m/354.jpg?dl=1","/art/study-for-festival-aic-210100","/galleries/style/watercolour-19/study-for-festival-aic-210100",{"_292":293,"_294":295},{"_226":874,"_125":875,"_286":876},{"_277":872,"_279":344,"_281":873,"_282":695},49.09030998291433,25.090309982914327,{"_288":226,"_123":877,"_154":878,"_140":99},{"_288":125,"_123":667,"_154":668,"_140":669},{"_288":286,"_123":166,"_154":165,"_140":138},"artist/sir-john-edward-poynter","More by Sir John Edward Poynter","https://img.ochreeditions.com/a/354/480.jpg","https://img.ochreeditions.com/a/354/960.jpg","https://img.ochreeditions.com/a/354/1920.jpg",{"_312":895,"_314":896},{"_312":893,"_314":894},{"_312":891,"_314":892},{"_312":889,"_314":890},{"_312":887,"_314":888},"#b6a58b",0.0163,"#ede7dd",0.052,"#cfbfa6",0.1175,"#dbcdb6",0.2996,"#e1d6c2",0.5146,"Sir John Edward Poynter","sir-john-edward-poynter","English, 1836–1919",1836,1919,"Poynter studied in Rome and in Paris under Charles Gleyre, and made his name with large classical and biblical scenes such as Israel in Egypt.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":461,"_223":462,"_326":463,"_328":464,"_330":465,"_332":466,"_334":467,"_335":468,"_336":469,"_140":232},"c. 1893","american-gilded-age","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[938,939,940,941,942],{"_222":302,"_223":303,"_42":304,"_305":306},"1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_296":935,"_298":936,"_300":937},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/watercolour-19/green-and-blue-the-dancer-aic-111164",{"_292":293,"_294":295},{"_226":929,"_125":930,"_286":931},{"_277":926,"_279":927,"_281":928,"_282":911},42.19389356541589,51,18.19389356541589,{"_288":226,"_123":437,"_154":438,"_140":232},{"_288":125,"_123":932,"_154":933,"_140":934},{"_288":286,"_123":431,"_154":432,"_140":433},"style/american-gilded-age","More American Gilded Age",67,"https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg",{"_312":951,"_314":952},{"_312":949,"_314":950},{"_312":947,"_314":948},{"_312":945,"_314":946},{"_312":943,"_314":944},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":1000,"_223":1001,"_326":1002,"_328":395,"_330":1003,"_332":1004,"_334":1005,"_335":637,"_336":1006,"_140":95},"c. 1832","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",30,1.4684287812041117,[985,986,987,988,989],{"_222":302,"_223":303,"_42":304,"_305":306},"1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":982,"_298":983,"_300":984},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/watercolour-19/sketches-of-algerian-men-aic-110984",{"_292":293,"_294":295},{"_226":977,"_125":978,"_286":979},{"_277":974,"_279":975,"_281":959,"_282":976},54,44.43,20.43,{"_288":226,"_123":980,"_154":981,"_140":95},{"_288":125,"_123":608,"_154":609,"_140":610},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg",{"_312":998,"_314":999},{"_312":996,"_314":997},{"_312":994,"_314":995},{"_312":992,"_314":993},{"_312":990,"_314":991},"#9b845b",0.0213,"#e7ddbd",0.0813,"#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","plums-met-11096","Plums",{"_42":1054,"_223":1055,"_326":1056,"_328":1057,"_330":1058,"_332":1059,"_334":468,"_335":1060,"_336":-5,"_140":103},"1870","Watercolor, graphite, and gouache on off-white Bristol board","7 1/8 x 12 in. (18.1 x 30.5 cm)",30.5,18.1,1.6952846975088969,[1039,1040,1041,1042,1043],{"_222":442,"_223":443,"_42":444,"_305":445},"82.9.1","John William Hill painted this in 1870, aged 58. It is now at The Met in New York.","Plums, by John William Hill, 1870",{"_296":1036,"_298":1037,"_300":1038},"https://img.ochreeditions.com/m/831.jpg?dl=1","/art/plums-met-11096","/galleries/style/watercolour-19/plums-met-11096",{"_292":293,"_294":295},{"_226":1031,"_125":1032,"_286":1033},{"_277":1028,"_279":1029,"_281":1013,"_282":1030},54.5,41.99107845709787,17.991078457097874,{"_288":226,"_123":1034,"_154":1035,"_140":89},{"_288":125,"_123":434,"_154":435,"_140":436},{"_288":286,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-john-william-hill","John William Hill's contemporaries","https://img.ochreeditions.com/a/831/480.jpg","https://img.ochreeditions.com/a/831/960.jpg","https://img.ochreeditions.com/a/831/1920.jpg",{"_312":1052,"_314":1053},{"_312":1050,"_314":1051},{"_312":1048,"_314":1049},{"_312":1046,"_314":1047},{"_312":1044,"_314":1045},"#7a6c7d",0.0633,"#6e7953",0.0892,"#a29c77",0.1065,"#906d45",0.2307,"#caa36f",0.5103,"John William Hill","john-william-hill","American, born England, 1812–1879","American, born England",1812,1879,"West Nyack, New York","avenue-of-pollard-birches-and-poplars-aic-202382","Avenue of Pollard Birches and Poplars",{"_42":1112,"_223":1113,"_326":1114,"_328":1115,"_330":1116,"_332":1117,"_334":1118,"_335":1119,"_336":1120,"_140":77},"March 1884","netherlands","Reed pen and iron-gall ink on tan laid paper","19.2 × 26.5 cm (7 9/16 × 10 7/16 in.)",26,1.3788085493406093,[1097,1098,1099,1100,1101],{"_222":302,"_223":303,"_42":304,"_305":306},"2022.74","Vincent van Gogh painted this (March 1884), aged 31. It is now at the Art Institute of Chicago.","A row of pollarded birches and poplars lines a country road near the village of Nuenen in the southern Netherlands, where Van Gogh lived with his parents from late 1883.","A work made of reed pen and iron-gall ink on tan laid paper.",{"_296":1094,"_298":1095,"_300":1096},"https://img.ochreeditions.com/m/350.jpg?dl=1","/art/avenue-of-pollard-birches-and-poplars-aic-202382","/galleries/style/watercolour-19/avenue-of-pollard-birches-and-poplars-aic-202382",{"_292":293,"_294":295},{"_226":1086,"_125":1087,"_286":1088},{"_277":1083,"_279":1084,"_281":1068,"_282":1085},50,42.85686015831135,18.856860158311346,{"_288":226,"_123":1092,"_154":1093,"_140":77},{"_288":125,"_123":826,"_154":827,"_140":493},{"_288":286,"_123":1089,"_154":1090,"_140":1091},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/350/480.jpg","https://img.ochreeditions.com/a/350/960.jpg","https://img.ochreeditions.com/a/350/1920.jpg",{"_312":1110,"_314":1111},{"_312":1108,"_314":1109},{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},"#ad7e5a",0.1138,"#886349",0.1294,"#6c4c3b",0.2191,"#48372f",0.2228,"#584034",0.3149,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","landscape-with-haystacks-aic-227622","Landscape with Haystacks",{"_42":1165,"_223":1166,"_326":1167,"_328":395,"_330":1168,"_332":1169,"_334":-5,"_335":-5,"_336":-5,"_140":103},"Conté crayon on gray-blue wove paper","26.5 × 39.4 cm (10 7/16 × 15 9/16 in.)",39,1.4848093083387202,[1150,1151,1152,1153,1154],{"_222":302,"_223":303,"_42":304,"_305":306},"2019.211","Constant Troyon painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of conté crayon on gray-blue wove paper.",{"_296":1147,"_298":1148,"_300":1149},"https://img.ochreeditions.com/m/365.jpg?dl=1","/art/landscape-with-haystacks-aic-227622","/galleries/style/watercolour-19/landscape-with-haystacks-aic-227622",{"_292":293,"_294":295},{"_226":1142,"_125":1143,"_286":1144},{"_277":291,"_279":1140,"_281":1126,"_282":1141},50.26599912929909,26.265999129299086,{"_288":226,"_123":1145,"_154":1146,"_140":89},{"_288":125,"_123":608,"_154":609,"_140":610},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-constant-troyon","Constant Troyon's contemporaries","https://img.ochreeditions.com/a/365/480.jpg","https://img.ochreeditions.com/a/365/960.jpg","https://img.ochreeditions.com/a/365/1920.jpg",{"_312":1163,"_314":1164},{"_312":1161,"_314":1162},{"_312":1159,"_314":1160},{"_312":1157,"_314":1158},{"_312":1155,"_314":1156},"#85796f",0.0134,"#a19489",0.0621,"#b6a99d",0.1446,"#c9baab",0.2115,"#d4c5b4",0.5684,"Constant Troyon","constant-troyon","French, 1810–1865",1810,1865,{"_1171":-5,"_1172":1173,"_1174":1175,"_1176":8,"_1177":1178,"_1179":8},"user","csrf","d2c0ee69184d4c03f9f8a2dc3961c6f26fa3cf7a","cartCount",0,"dropLive","legal",[1180,1181,1182,1183,1184,1185,1186,1187,1188,1189,1190,1191],"uploadsEnabled",{"_223":1214,"_20":1215},{"_223":1212,"_20":1213},{"_223":1210,"_20":1211},{"_223":1208,"_20":1209},{"_223":1206,"_20":1207},{"_223":1204,"_20":1205},{"_223":1202,"_20":1203},{"_223":1200,"_20":1201},{"_223":1198,"_20":1199},{"_223":1196,"_20":1197},{"_223":1194,"_20":1195},{"_223":1192,"_20":1193},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]