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Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","seaside-aic-202100","Seaside",{"_42":447,"_224":448,"_328":449,"_330":331,"_332":450,"_334":451,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1866","Black and white chalk on blue wove paper","31.3 × 59.4 cm (12 3/8 × 23 7/16 in.)",59,31,2.7325866293314665,[432,433,434,435,436],{"_223":304,"_224":305,"_42":306,"_307":308},"2019.207","Charles François Eustache painted this in 1866, aged 46. It is now at the Art Institute of Chicago.","A work made of black and white chalk on blue wove paper.",{"_298":429,"_300":430,"_302":431},"https://img.ochreeditions.com/m/349.jpg?dl=1","/art/seaside-aic-202100","/galleries/style/watercolour-19/seaside-aic-202100",{"_294":295,"_296":297},{"_227":421,"_125":422,"_288":423},{"_279":417,"_281":418,"_283":419,"_285":420},94.69583400064853,49.87139717431188,70.69583400064853,25.87139717431188,{"_290":227,"_123":427,"_154":428,"_140":89},{"_290":125,"_123":424,"_154":425,"_140":426},{"_290":288,"_123":166,"_154":165,"_140":168},"style/watercolour","More watercolours",85,"artist/contemporaries-of-charles-francois-eustache","Charles François Eustache's contemporaries","https://img.ochreeditions.com/a/349/480.jpg","https://img.ochreeditions.com/a/349/960.jpg","https://img.ochreeditions.com/a/349/1920.jpg",{"_314":445,"_316":446},{"_314":443,"_316":444},{"_314":441,"_316":442},{"_314":439,"_316":440},{"_314":437,"_316":438},"#6c6c66",0.038,"#8e8d87",0.0842,"#a4a39d",0.2446,"#c8c4bb",0.3145,"#bab8b1",0.3187,"Charles François Eustache","charles-francois-eustache","French, 1820–1870",1820,1870,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":506,"_224":507,"_328":508,"_330":509,"_332":510,"_334":511,"_336":512,"_338":513,"_340":514,"_140":233},"1880","united-states","american-gilded-age","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[491,492,493,494,495],{"_223":304,"_224":305,"_42":306,"_307":308},"2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_298":488,"_300":489,"_302":490},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/watercolour-19/corte-del-paradiso-aic-158382",{"_294":295,"_296":297},{"_227":478,"_125":479,"_288":480},{"_279":475,"_281":476,"_283":477,"_285":460},38.863998230871296,54,14.863998230871296,{"_290":227,"_123":486,"_154":487,"_140":233},{"_290":125,"_123":484,"_154":485,"_140":282},{"_290":288,"_123":481,"_154":482,"_140":483},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age","artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg",{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},{"_314":498,"_316":499},{"_314":496,"_316":497},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","horseman-recto-horse-and-rider-verso-aic-113436","Horseman (recto); Horse and Rider (verso)",{"_42":561,"_224":562,"_328":563,"_330":331,"_332":564,"_334":565,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1889","Gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper","21.7 × 17.4 cm (8 9/16 × 6 7/8 in.)",17,21,0.8049575994781474,[546,547,548,549,550],{"_223":304,"_224":305,"_42":306,"_307":308},"1949.580","Auguste Rodin painted this in 1889, aged 49. It is now at the Art Institute of Chicago.","A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.",{"_298":543,"_300":544,"_302":545},"https://img.ochreeditions.com/m/294.jpg?dl=1","/art/horseman-recto-horse-and-rider-verso-aic-113436","/galleries/style/watercolour-19/horseman-recto-horse-and-rider-verso-aic-113436",{"_294":295,"_296":297},{"_227":538,"_125":539,"_288":540},{"_279":536,"_281":362,"_283":537,"_285":364},44.12393998695369,20.123939986953683,{"_290":227,"_123":541,"_154":542,"_140":89},{"_290":125,"_123":424,"_154":425,"_140":426},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-auguste-rodin","Auguste Rodin's contemporaries","https://img.ochreeditions.com/a/294/480.jpg","https://img.ochreeditions.com/a/294/960.jpg","https://img.ochreeditions.com/a/294/1920.jpg",{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},{"_314":553,"_316":554},{"_314":551,"_316":552},"#e6e0d2",0.1373,"#c5bcb5",0.1538,"#807775",0.1785,"#a19c99",0.2506,"#5c534d",0.2798,"Auguste Rodin","auguste-rodin","French, 1840–1917",1840,1917,"wild-roses-and-irises-met-11376","Wild Roses and Irises",{"_42":623,"_224":624,"_328":625,"_330":509,"_332":626,"_334":627,"_336":607,"_338":628,"_340":-5,"_140":101},"1887","realism","Watercolor","Gouache and watercolor on white wove paper","14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)",26.5,36.8,0.746031746031746,[608,609,610,611,612],{"_223":604,"_224":605,"_42":606,"_307":607},"Courtesy of The Metropolitan Museum of Art","50.113.3","John La Farge painted this in 1887, aged 52. It is now at The Met in New York.","Wild Roses and Irises, by John La Farge, 1887",{"_298":601,"_300":602,"_302":603},"https://img.ochreeditions.com/m/843.jpg?dl=1","/art/wild-roses-and-irises-met-11376","/galleries/style/watercolour-19/wild-roses-and-irises-met-11376",{"_294":295,"_296":297},{"_227":593,"_125":594,"_288":595},{"_279":590,"_281":591,"_283":592,"_285":575},51.453968253968256,60.8,27.453968253968252,{"_290":227,"_123":599,"_154":600,"_140":89},{"_290":125,"_123":596,"_154":597,"_140":598},{"_290":288,"_123":481,"_154":482,"_140":483},"style/realism","More Realism",41,"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/843/480.jpg","https://img.ochreeditions.com/a/843/960.jpg","https://img.ochreeditions.com/a/843/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},"#596484",0.0531,"#a89c8d",0.1038,"#f2eade",0.2269,"#5d6a4b",0.2874,"#4e554c",0.3288,"John La Farge","john-la-farge","American, 1835–1910",1835,1910,"Providence, Rhode Island","landscape-with-rocks-aic-265371","Landscape with Rocks",{"_42":673,"_224":674,"_328":675,"_330":331,"_332":676,"_334":677,"_336":-5,"_338":-5,"_340":-5,"_140":101},"c. 1868/76","Transparent and opaque watercolor on cream wove paper","11.8 × 15.4 cm (4 11/16 × 6 1/8 in.)",1.2938744832769635,[658,659,660,661,662],{"_223":304,"_224":305,"_42":306,"_307":308},"2022.332","George Sand painted this in about 1868/76, aged about 66. It is now at the Art Institute of Chicago.","A work made of transparent and opaque watercolor on cream wove paper.",{"_298":655,"_300":656,"_302":657},"https://img.ochreeditions.com/m/422.jpg?dl=1","/art/landscape-with-rocks-aic-265371","/galleries/style/watercolour-19/landscape-with-rocks-aic-265371",{"_294":295,"_296":297},{"_227":650,"_125":651,"_288":652},{"_279":362,"_281":648,"_283":364,"_285":649},43.32181237293058,19.321812372930584,{"_290":227,"_123":653,"_154":654,"_140":89},{"_290":125,"_123":424,"_154":425,"_140":426},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-sand","George Sand's contemporaries","https://img.ochreeditions.com/a/422/480.jpg","https://img.ochreeditions.com/a/422/960.jpg","https://img.ochreeditions.com/a/422/1920.jpg",{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},{"_314":663,"_316":664},"#888458",0.0826,"#a39783",0.0982,"#758065",0.1524,"#736252",0.2188,"#daccc0",0.448,"George Sand","george-sand","French, 1804–1876",1804,1876,"study-for-festival-aic-210100","Study for Festival",{"_42":730,"_224":731,"_328":732,"_330":733,"_332":734,"_334":735,"_336":-5,"_338":-5,"_340":736,"_140":99},"c. 1875","britain","victorian-art","Brown and black chalks on cream wove paper","35.5 × 25.2 cm (14 × 9 15/16 in.)",35,0.7168659995118379,[715,716,717,718,719],{"_223":304,"_224":305,"_42":306,"_307":308},"2011.95","Sir John Edward Poynter painted this in about 1875, aged about 34. It is now at the Art Institute of Chicago.","A work made of brown and black chalks on cream wove paper.",{"_298":712,"_300":713,"_302":714},"https://img.ochreeditions.com/m/354.jpg?dl=1","/art/study-for-festival-aic-210100","/galleries/style/watercolour-19/study-for-festival-aic-210100",{"_294":295,"_296":297},{"_227":702,"_125":703,"_288":704},{"_279":700,"_281":402,"_283":701,"_285":686},49.09030998291433,25.090309982914327,{"_290":227,"_123":710,"_154":711,"_140":99},{"_290":125,"_123":707,"_154":708,"_140":709},{"_290":288,"_123":705,"_154":706,"_140":138},"era/19-britain","19th-century Britain","style/victorian-art","More Victorian art",20,"artist/sir-john-edward-poynter","More by Sir John Edward Poynter","https://img.ochreeditions.com/a/354/480.jpg","https://img.ochreeditions.com/a/354/960.jpg","https://img.ochreeditions.com/a/354/1920.jpg",{"_314":728,"_316":729},{"_314":726,"_316":727},{"_314":724,"_316":725},{"_314":722,"_316":723},{"_314":720,"_316":721},"#b6a58b",0.0163,"#ede7dd",0.052,"#cfbfa6",0.1175,"#dbcdb6",0.2996,"#e1d6c2",0.5146,"Sir John Edward Poynter","sir-john-edward-poynter","English, 1836–1919","English",1836,1919,"Poynter studied in Rome and in Paris under Charles Gleyre, and made his name with large classical and biblical scenes such as Israel in Egypt.","variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":506,"_224":507,"_328":508,"_330":509,"_332":510,"_334":511,"_336":512,"_338":513,"_340":514,"_140":233},"1885","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[767,768,769,770,771],{"_223":604,"_224":605,"_42":606,"_307":607},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_298":764,"_300":765,"_302":766},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/watercolour-19/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_294":295,"_296":297},{"_227":761,"_125":762,"_288":763},{"_279":759,"_281":362,"_283":760,"_285":364},38.8374529822676,14.8374529822676,{"_290":227,"_123":486,"_154":487,"_140":233},{"_290":125,"_123":596,"_154":597,"_140":598},{"_290":288,"_123":481,"_154":482,"_140":483},"https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_314":780,"_316":781},{"_314":778,"_316":779},{"_314":776,"_316":777},{"_314":774,"_316":775},{"_314":772,"_316":773},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"room-leading-to-the-chapel-knowle-kent-aic-39246","Room Leading to the Chapel, Knowle, Kent",{"_42":829,"_224":830,"_328":831,"_330":733,"_332":832,"_334":833,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1869","Watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper","33.6 × 48.7 cm (13 1/4 × 19 3/16 in.)",48,33,1.4535382416011438,[814,815,816,817,818],{"_223":304,"_224":305,"_42":306,"_307":308},"1940.914","Joseph Nash painted this in 1869, aged 61. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.",{"_298":811,"_300":812,"_302":813},"https://img.ochreeditions.com/m/140.jpg?dl=1","/art/room-leading-to-the-chapel-knowle-kent-aic-39246","/galleries/style/watercolour-19/room-leading-to-the-chapel-knowle-kent-aic-39246",{"_294":295,"_296":297},{"_227":806,"_125":807,"_288":808},{"_279":803,"_281":804,"_283":788,"_285":805},72,57.02286697811655,33.02286697811655,{"_290":227,"_123":809,"_154":810,"_140":89},{"_290":125,"_123":707,"_154":708,"_140":709},{"_290":288,"_123":705,"_154":706,"_140":138},"artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/140/480.jpg","https://img.ochreeditions.com/a/140/960.jpg","https://img.ochreeditions.com/a/140/1920.jpg",{"_314":827,"_316":828},{"_314":825,"_316":826},{"_314":823,"_316":824},{"_314":821,"_316":822},{"_314":819,"_316":820},"#92422d",0.0085,"#9a8c79",0.1669,"#725334",0.2521,"#4f4139",0.2653,"#a47b44",0.3072,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","Sheet of Sketches: Cavalry Battles and Mounted Soldiers",{"_42":884,"_224":885,"_328":886,"_330":331,"_332":887,"_334":888,"_336":889,"_338":890,"_340":891,"_140":99},"1813/14","neoclassicism","Graphite, on tan wove paper, perimeter mounted on ivory laid paper","17.2 × 23 cm (6 13/16 × 9 1/16 in.)",23,1.2110445205479452,[869,870,871,872,873],{"_223":304,"_224":305,"_42":306,"_307":308},"1947.35.57R","Jean Louis André Théodore Géricault painted this in 1813/14, aged about 22. It is now at the Art Institute of Chicago.","Horses rear and gallop and riders clash across this sheet of rapid pencil sketches, made around 1813–14, when the young Théodore Géricault was absorbed by the drama of Napoleon’s cavalry.","A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.",{"_298":866,"_300":867,"_302":868},"https://img.ochreeditions.com/m/293.jpg?dl=1","/art/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","/galleries/style/watercolour-19/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385",{"_294":295,"_296":297},{"_227":858,"_125":859,"_288":860},{"_279":362,"_281":856,"_283":364,"_285":857},44.643336868151295,20.64333686815129,{"_290":227,"_123":864,"_154":865,"_140":99},{"_290":125,"_123":861,"_154":862,"_140":863},{"_290":288,"_123":166,"_154":165,"_140":168},"style/neoclassicism","More Neoclassicism",109,"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/293/480.jpg","https://img.ochreeditions.com/a/293/960.jpg","https://img.ochreeditions.com/a/293/1920.jpg",{"_314":882,"_316":883},{"_314":880,"_316":881},{"_314":878,"_316":879},{"_314":876,"_316":877},{"_314":874,"_316":875},"#b0a490",0.0117,"#cbbda6",0.152,"#ddd6c4",0.2169,"#d6c9b1",0.247,"#e2ddd0",0.3724,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Paris","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","view-of-south-street-from-maiden-lane-new-york-city-met-10141","View of South Street, from Maiden Lane, New York City",{"_42":943,"_224":944,"_328":945,"_330":509,"_332":946,"_334":947,"_336":513,"_338":607,"_340":-5,"_140":103},"ca. 1827","romanticism","Watercolor on off-white wove paper","9 5/8 x 13 5/8 in. (24.4 x 34.6 cm)",34.6,24.4,1.427875608842263,[928,929,930,931,932],{"_223":604,"_224":605,"_42":606,"_307":607},"54.90.130","William James Bennett painted this in about 1827, aged about 37. It is now at The Met in New York.","View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827",{"_298":925,"_300":926,"_302":927},"https://img.ochreeditions.com/m/803.jpg?dl=1","/art/view-of-south-street-from-maiden-lane-new-york-city-met-10141","/galleries/style/watercolour-19/view-of-south-street-from-maiden-lane-new-york-city-met-10141",{"_294":295,"_296":297},{"_227":917,"_125":918,"_288":919},{"_279":914,"_281":915,"_283":899,"_285":916},58.6,48.23180267646287,24.23180267646287,{"_290":227,"_123":923,"_154":924,"_140":89},{"_290":125,"_123":920,"_154":921,"_140":922},{"_290":288,"_123":481,"_154":482,"_140":483},"style/romanticism","More Romanticism",32,"artist/contemporaries-of-william-james-bennett","William James Bennett's contemporaries","https://img.ochreeditions.com/a/803/480.jpg","https://img.ochreeditions.com/a/803/960.jpg","https://img.ochreeditions.com/a/803/1920.jpg",{"_314":941,"_316":942},{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},"#a9a68e",0.1293,"#705336",0.1626,"#926e45",0.2113,"#ddc49b",0.2322,"#b78b59",0.2646,"William James Bennett","william-james-bennett","American, 1787–1844",1787,1844,"as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":996,"_224":997,"_328":998,"_330":509,"_332":999,"_334":1000,"_336":-5,"_338":-5,"_340":-5,"_140":103},"n.d.","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[981,982,983,984,985],{"_223":304,"_224":305,"_42":306,"_307":308},"1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_298":978,"_300":979,"_302":980},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/watercolour-19/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_294":295,"_296":297},{"_227":973,"_125":974,"_288":975},{"_279":969,"_281":970,"_283":971,"_285":972},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_290":227,"_123":976,"_154":977,"_140":89},{"_290":125,"_123":484,"_154":485,"_140":282},{"_290":288,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg",{"_314":994,"_316":995},{"_314":992,"_316":993},{"_314":990,"_316":991},{"_314":988,"_316":989},{"_314":986,"_316":987},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,1909,"a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842","A Shepherd (Study for “Il Voto”) (recto); Woman Holding a Baby (Study for “Il Voto”) (verso)",{"_42":1051,"_224":1052,"_328":1053,"_330":1054,"_332":1055,"_334":1056,"_336":-5,"_338":-5,"_340":-5,"_140":101},"c. 1883","italy","Pastel, with wet brush (recto), and pastel (verso) on brown wove paper","69.5 × 42.3 cm (27 3/8 × 16 11/16 in.)",42,69,0.6187284743553942,[1036,1037,1038,1039,1040],{"_223":304,"_224":305,"_42":306,"_307":308},"2020.205","Francesco Paolo Michetti painted this in about 1883, aged about 29. It is now at the Art Institute of Chicago.","A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.",{"_298":1033,"_300":1034,"_302":1035},"https://img.ochreeditions.com/m/394.jpg?dl=1","/art/a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842","/galleries/style/watercolour-19/a-shepherd-study-for-il-voto-recto-woman-holding-a-baby-stud-aic-257842",{"_294":295,"_296":297},{"_227":1026,"_125":1027,"_288":1028},{"_279":1023,"_281":1024,"_283":1025,"_285":1009},66.6922647305222,93,42.692264730522204,{"_290":227,"_123":1031,"_154":1032,"_140":89},{"_290":125,"_123":424,"_154":425,"_140":426},{"_290":288,"_123":1029,"_154":1030,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-francesco-paolo-michetti","Francesco Paolo Michetti's contemporaries","https://img.ochreeditions.com/a/394/480.jpg","https://img.ochreeditions.com/a/394/960.jpg","https://img.ochreeditions.com/a/394/1920.jpg",{"_314":1049,"_316":1050},{"_314":1047,"_316":1048},{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},{"_314":1041,"_316":1042},"#a07f66",0.1164,"#463d35",0.1316,"#6f5a46",0.1387,"#a09c96",0.2746,"#79746b",0.3387,"Francesco Paolo Michetti","francesco-paolo-michetti","Italian, 1851–1929","Italian",1851,1929,"landscape-with-river-gorge-aic-272570","Landscape with River Gorge",{"_42":673,"_224":674,"_328":675,"_330":331,"_332":676,"_334":677,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1860/69","Watercolor and opaque watercolor on cream wove paper","15.6 × 24.5 cm (6 1/8 × 9 5/8 in.)",24,1.5509778775248477,[1085,1086,1087,1088,1089],{"_223":304,"_224":305,"_42":306,"_307":308},"2024.157","George Sand painted this in 1860/69, aged about 56. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream wove paper.",{"_298":1082,"_300":1083,"_302":1084},"https://img.ochreeditions.com/m/441.jpg?dl=1","/art/landscape-with-river-gorge-aic-272570","/galleries/style/watercolour-19/landscape-with-river-gorge-aic-272570",{"_294":295,"_296":297},{"_227":1079,"_125":1080,"_288":1081},{"_279":362,"_281":1077,"_283":364,"_285":1078},40.11886304909561,16.11886304909561,{"_290":227,"_123":653,"_154":654,"_140":89},{"_290":125,"_123":424,"_154":425,"_140":426},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/441/480.jpg","https://img.ochreeditions.com/a/441/960.jpg","https://img.ochreeditions.com/a/441/1920.jpg",{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},"#8a7663",0.1452,"#9c9380",0.146,"#74715c",0.1723,"#63594a",0.1947,"#c9c5c0",0.3418,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":1151,"_224":1152,"_328":1153,"_330":331,"_332":510,"_334":565,"_336":890,"_338":890,"_340":1154,"_140":75},"1877","impressionism","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,1.9971408148677627,[1136,1137,1138,1139,1140],{"_223":304,"_224":305,"_42":306,"_307":308},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_298":1133,"_300":1134,"_302":1135},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/watercolour-19/ballet-at-the-paris-opera-aic-61603",{"_294":295,"_296":297},{"_227":1125,"_125":1126,"_288":1127},{"_279":1122,"_281":1123,"_283":1107,"_285":1124},94,59.050107372942016,35.050107372942016,{"_290":227,"_123":1131,"_154":1132,"_140":75},{"_290":125,"_123":1128,"_154":1129,"_140":1130},{"_290":288,"_123":166,"_154":165,"_140":168},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},{"_314":1141,"_316":1142},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.",{"_1156":-5,"_1157":1158,"_1159":1160,"_1161":8,"_1162":1163,"_1164":8},"user","csrf","934322ef4542131d8bed1ef730af947456846b1d","cartCount",0,"dropLive","legal",[1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176],"uploadsEnabled",{"_224":1199,"_20":1200},{"_224":1197,"_20":1198},{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]