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Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_296":375,"_298":376,"_300":377},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/watercolour-19/ballet-at-the-paris-opera-aic-61603",{"_292":293,"_294":295},{"_226":364,"_125":365,"_286":366},{"_277":361,"_279":362,"_281":345,"_282":363},94,59.050107372942016,35.050107372942016,{"_288":226,"_123":373,"_154":374,"_140":75},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"era/19-france","19th-century France",237,"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_312":391,"_314":392},{"_312":389,"_314":390},{"_312":387,"_314":388},{"_312":385,"_314":386},{"_312":383,"_314":384},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917","French",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","flower-clouds-aic-76395","Flower Clouds",{"_42":453,"_223":454,"_326":455,"_328":396,"_330":456,"_332":457,"_334":458,"_335":399,"_336":459,"_140":91},"c. 1903","post-impressionism","Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard","44.5 × 54.2 cm (17 9/16 × 21 3/8 in.)",54,44,1.205244946275724,[438,439,440,441,442],{"_222":302,"_223":303,"_42":304,"_305":306},"1990.165","Odilon Redon painted this in about 1903, aged about 58. It is now at the Art Institute of Chicago.","Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage.","Pastel drawing of two figures in a sailboat, bright multi-colored clouds.",{"_296":435,"_298":436,"_300":437},"https://img.ochreeditions.com/m/194.jpg?dl=1","/art/flower-clouds-aic-76395","/galleries/style/watercolour-19/flower-clouds-aic-76395",{"_292":293,"_294":295},{"_226":427,"_125":428,"_286":429},{"_277":424,"_279":425,"_281":408,"_282":426},78,68.80417044424297,44.80417044424297,{"_288":226,"_123":433,"_154":434,"_140":91},{"_288":125,"_123":430,"_154":431,"_140":432},{"_288":286,"_123":367,"_154":368,"_140":369},"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/194/480.jpg","https://img.ochreeditions.com/a/194/960.jpg","https://img.ochreeditions.com/a/194/1920.jpg",{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},"#9e6248",0.0843,"#42404b",0.1763,"#675853",0.199,"#866352",0.2447,"#857771",0.2957,"Odilon Redon","odilon-redon","French, 1840–1916",1840,1916,"Bordeaux","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":516,"_223":517,"_326":518,"_328":519,"_330":397,"_332":520,"_334":521,"_335":522,"_336":523,"_140":232},"c. 1893","united-states","american-gilded-age","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[501,502,503,504,505],{"_222":302,"_223":303,"_42":304,"_305":306},"1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_296":498,"_298":499,"_300":500},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/watercolour-19/green-and-blue-the-dancer-aic-111164",{"_292":293,"_294":295},{"_226":487,"_125":488,"_286":489},{"_277":484,"_279":485,"_281":486,"_282":469},42.19389356541589,51,18.19389356541589,{"_288":226,"_123":496,"_154":497,"_140":232},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg",{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","weeping-tree-aic-52733","Weeping Tree",{"_42":576,"_223":577,"_326":578,"_328":579,"_330":580,"_332":581,"_334":582,"_335":583,"_336":584,"_140":77},"1889","netherlands","Reed pen and black-brown ink, with black chalk on off-white wove paper","49.3 × 61.3 cm (19 7/16 × 24 3/16 in.)",61,49,1.250909090909091,[561,562,563,564,565],{"_222":302,"_223":303,"_42":304,"_305":306},"1945.31","Vincent van Gogh painted this in 1889, aged 36. It is now at the Art Institute of Chicago.","A weeping tree droops towards the ground in this drawing made with a reed pen in dense, varied marks of black-brown ink, with touches of black chalk.","A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.",{"_296":558,"_298":559,"_300":560},"https://img.ochreeditions.com/m/165.jpg?dl=1","/art/weeping-tree-aic-52733","/galleries/style/watercolour-19/weeping-tree-aic-52733",{"_292":293,"_294":295},{"_226":550,"_125":551,"_286":552},{"_277":547,"_279":548,"_281":531,"_282":549},85,72.76453488372093,48.76453488372093,{"_288":226,"_123":556,"_154":557,"_140":77},{"_288":125,"_123":430,"_154":431,"_140":432},{"_288":286,"_123":553,"_154":554,"_140":555},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/165/480.jpg","https://img.ochreeditions.com/a/165/960.jpg","https://img.ochreeditions.com/a/165/1920.jpg",{"_312":574,"_314":575},{"_312":572,"_314":573},{"_312":570,"_314":571},{"_312":568,"_314":569},{"_312":566,"_314":567},"#d8c7ad",0.1275,"#a1937f",0.1293,"#474139",0.2224,"#7c7262",0.2433,"#625a4d",0.2775,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","wild-roses-and-irises-met-11376","Wild Roses and Irises",{"_42":642,"_223":643,"_326":644,"_328":519,"_330":645,"_332":646,"_334":626,"_335":647,"_336":-5,"_140":101},"1887","realism","Watercolor","Gouache and watercolor on white wove paper","14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)",26.5,36.8,0.746031746031746,[627,628,629,630,631],{"_222":623,"_223":624,"_42":625,"_305":626},"Courtesy of The Metropolitan Museum of Art","50.113.3","John La Farge painted this in 1887, aged 52. It is now at The Met in New York.","Wild Roses and Irises, by John La Farge, 1887",{"_296":620,"_298":621,"_300":622},"https://img.ochreeditions.com/m/843.jpg?dl=1","/art/wild-roses-and-irises-met-11376","/galleries/style/watercolour-19/wild-roses-and-irises-met-11376",{"_292":293,"_294":295},{"_226":612,"_125":613,"_286":614},{"_277":609,"_279":610,"_281":611,"_282":594},51.453968253968256,60.8,27.453968253968252,{"_288":226,"_123":618,"_154":619,"_140":89},{"_288":125,"_123":615,"_154":616,"_140":617},{"_288":286,"_123":490,"_154":491,"_140":492},"style/realism","More Realism",41,"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/843/480.jpg","https://img.ochreeditions.com/a/843/960.jpg","https://img.ochreeditions.com/a/843/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":640,"_314":641},{"_312":638,"_314":639},{"_312":636,"_314":637},{"_312":634,"_314":635},{"_312":632,"_314":633},"#596484",0.0531,"#a89c8d",0.1038,"#f2eade",0.2269,"#5d6a4b",0.2874,"#4e554c",0.3288,"John La Farge","john-la-farge","American, 1835–1910",1835,1910,"Providence, Rhode Island","garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":694,"_223":695,"_326":696,"_328":519,"_330":397,"_332":697,"_334":698,"_335":699,"_336":-5,"_140":101},"ca. 1867","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[679,680,681,682,683],{"_222":623,"_223":624,"_42":625,"_305":626},"2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_296":676,"_298":677,"_300":678},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/watercolour-19/garden-view-brooklyn-met-853646",{"_292":293,"_294":295},{"_226":671,"_125":672,"_286":673},{"_277":668,"_279":532,"_281":669,"_282":670},40.425,16.425,25,{"_288":226,"_123":674,"_154":675,"_140":89},{"_288":125,"_123":615,"_154":616,"_140":617},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg",{"_312":692,"_314":693},{"_312":690,"_314":691},{"_312":688,"_314":689},{"_312":686,"_314":687},{"_312":684,"_314":685},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1923,"Salem, Massachusetts","Canaan, Connecticut","view-of-south-street-from-maiden-lane-new-york-city-met-10141","View of South Street, from Maiden Lane, New York City",{"_42":750,"_223":751,"_326":752,"_328":519,"_330":753,"_332":754,"_334":522,"_335":626,"_336":-5,"_140":103},"ca. 1827","romanticism","Watercolor on off-white wove paper","9 5/8 x 13 5/8 in. (24.4 x 34.6 cm)",34.6,24.4,1.427875608842263,[736,737,738,739,740],{"_222":623,"_223":624,"_42":625,"_305":626},"54.90.130","William James Bennett painted this in about 1827, aged about 37. It is now at The Met in New York.","View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827",{"_296":733,"_298":734,"_300":735},"https://img.ochreeditions.com/m/803.jpg?dl=1","/art/view-of-south-street-from-maiden-lane-new-york-city-met-10141","/galleries/style/watercolour-19/view-of-south-street-from-maiden-lane-new-york-city-met-10141",{"_292":293,"_294":295},{"_226":725,"_125":726,"_286":727},{"_277":722,"_279":723,"_281":707,"_282":724},58.6,48.23180267646287,24.23180267646287,{"_288":226,"_123":731,"_154":732,"_140":89},{"_288":125,"_123":728,"_154":729,"_140":730},{"_288":286,"_123":490,"_154":491,"_140":492},"style/romanticism","More Romanticism",32,"artist/contemporaries-of-william-james-bennett","William James Bennett's contemporaries","https://img.ochreeditions.com/a/803/480.jpg","https://img.ochreeditions.com/a/803/960.jpg","https://img.ochreeditions.com/a/803/1920.jpg",{"_312":748,"_314":749},{"_312":746,"_314":747},{"_312":744,"_314":745},{"_312":742,"_314":743},{"_312":741,"_314":569},"#a9a68e","#705336",0.1626,"#926e45",0.2113,"#ddc49b",0.2322,"#b78b59",0.2646,"William James Bennett","william-james-bennett","American, 1787–1844",1787,1844,"three-gossips-aic-110985","Three Gossips",{"_42":803,"_223":804,"_326":805,"_328":396,"_330":331,"_332":806,"_334":807,"_335":808,"_336":809,"_140":95},"1865/1867","Black crayon and charcoal, on ivory laid paper","23.3 × 29 cm (9 3/16 × 11 7/16 in.)",29,23,1.2401538257525526,[788,789,790,791,792],{"_222":302,"_223":303,"_42":304,"_305":306},"1988.141.25","Honoré Daumier painted this in 1865/1867, aged about 47. It is now at the Art Institute of Chicago.","A work made of black crayon and charcoal, on ivory laid paper.",{"_296":785,"_298":786,"_300":787},"https://img.ochreeditions.com/m/276.jpg?dl=1","/art/three-gossips-aic-110985","/galleries/style/watercolour-19/three-gossips-aic-110985",{"_292":293,"_294":295},{"_226":778,"_125":779,"_286":780},{"_277":372,"_279":776,"_281":761,"_282":777},47.38419589392643,23.384195893926435,{"_288":226,"_123":783,"_154":784,"_140":95},{"_288":125,"_123":781,"_154":782,"_140":547},{"_288":286,"_123":367,"_154":368,"_140":369},"style/watercolour","More watercolours","artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/276/480.jpg","https://img.ochreeditions.com/a/276/960.jpg","https://img.ochreeditions.com/a/276/1920.jpg",{"_312":801,"_314":802},{"_312":799,"_314":800},{"_312":797,"_314":798},{"_312":795,"_314":796},{"_312":793,"_314":794},"#f3e0d1",0.0671,"#c6b09d",0.1121,"#e5cab0",0.1152,"#d7bfab",0.2197,"#e5ccb6",0.4859,"Honoré Daumier","honore-daumier","French, 1808–1879",1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":857,"_223":858,"_326":859,"_328":519,"_330":860,"_332":861,"_334":-5,"_335":-5,"_336":-5,"_140":103},"n.d.","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",34,0.6854395604395604,[842,843,844,845,846],{"_222":302,"_223":303,"_42":304,"_305":306},"1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_296":839,"_298":840,"_300":841},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/watercolour-19/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_292":293,"_294":295},{"_226":834,"_125":835,"_286":836},{"_277":830,"_279":831,"_281":832,"_282":833},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_288":226,"_123":837,"_154":838,"_140":89},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg",{"_312":855,"_314":856},{"_312":853,"_314":854},{"_312":851,"_314":852},{"_312":849,"_314":850},{"_312":847,"_314":848},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,1909,"avenue-of-pollard-birches-and-poplars-aic-202382","Avenue of Pollard Birches and Poplars",{"_42":576,"_223":577,"_326":578,"_328":579,"_330":580,"_332":581,"_334":582,"_335":583,"_336":584,"_140":77},"March 1884","Reed pen and iron-gall ink on tan laid paper","19.2 × 26.5 cm (7 9/16 × 10 7/16 in.)",26,1.3788085493406093,[892,893,894,895,896],{"_222":302,"_223":303,"_42":304,"_305":306},"2022.74","Vincent van Gogh painted this (March 1884), aged 31. It is now at the Art Institute of Chicago.","A row of pollarded birches and poplars lines a country road near the village of Nuenen in the southern Netherlands, where Van Gogh lived with his parents from late 1883.","A work made of reed pen and iron-gall ink on tan laid paper.",{"_296":889,"_298":890,"_300":891},"https://img.ochreeditions.com/m/350.jpg?dl=1","/art/avenue-of-pollard-birches-and-poplars-aic-202382","/galleries/style/watercolour-19/avenue-of-pollard-birches-and-poplars-aic-202382",{"_292":293,"_294":295},{"_226":886,"_125":887,"_286":888},{"_277":883,"_279":884,"_281":868,"_282":885},50,42.85686015831135,18.856860158311346,{"_288":226,"_123":556,"_154":557,"_140":77},{"_288":125,"_123":430,"_154":431,"_140":432},{"_288":286,"_123":553,"_154":554,"_140":555},"https://img.ochreeditions.com/a/350/480.jpg","https://img.ochreeditions.com/a/350/960.jpg","https://img.ochreeditions.com/a/350/1920.jpg",{"_312":905,"_314":906},{"_312":903,"_314":904},{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},"#ad7e5a",0.1138,"#886349",0.1294,"#6c4c3b",0.2191,"#48372f",0.2228,"#584034",0.3149,"nocturne-met-11380","Nocturne",{"_42":642,"_223":643,"_326":644,"_328":519,"_330":645,"_332":646,"_334":626,"_335":647,"_336":-5,"_140":101},"ca. 1885","Watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper","8 1/4 x 7 in. (21 x 17.8 cm)",17.8,0.8305495689655172,[935,936,937,938,939],{"_222":623,"_223":624,"_42":625,"_305":626},"37.104","John La Farge painted this in about 1885, aged about 47. It is now at The Met in New York.","Nocturne, by John La Farge, ca. 1885",{"_296":932,"_298":933,"_300":934},"https://img.ochreeditions.com/m/844.jpg?dl=1","/art/nocturne-met-11380","/galleries/style/watercolour-19/nocturne-met-11380",{"_292":293,"_294":295},{"_226":929,"_125":930,"_286":931},{"_277":927,"_279":532,"_281":928,"_282":670},44.763739224137936,20.763739224137932,{"_288":226,"_123":618,"_154":619,"_140":89},{"_288":125,"_123":615,"_154":616,"_140":617},{"_288":286,"_123":490,"_154":491,"_140":492},"https://img.ochreeditions.com/a/844/480.jpg","https://img.ochreeditions.com/a/844/960.jpg","https://img.ochreeditions.com/a/844/1920.jpg",{"_312":948,"_314":949},{"_312":946,"_314":947},{"_312":944,"_314":945},{"_312":942,"_314":943},{"_312":940,"_314":941},"#385465",0.0769,"#405d85",0.1008,"#909ba7",0.1542,"#5f7d9b",0.1993,"#eadece",0.4688,"landscape-with-river-gorge-aic-272570","Landscape with River Gorge",{"_42":995,"_223":996,"_326":997,"_328":396,"_330":998,"_332":999,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1860/69","Watercolor and opaque watercolor on cream wove paper","15.6 × 24.5 cm (6 1/8 × 9 5/8 in.)",24,1.5509778775248477,[980,981,982,983,984],{"_222":302,"_223":303,"_42":304,"_305":306},"2024.157","George Sand painted this in 1860/69, aged about 56. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream wove paper.",{"_296":977,"_298":978,"_300":979},"https://img.ochreeditions.com/m/441.jpg?dl=1","/art/landscape-with-river-gorge-aic-272570","/galleries/style/watercolour-19/landscape-with-river-gorge-aic-272570",{"_292":293,"_294":295},{"_226":972,"_125":973,"_286":974},{"_277":532,"_279":970,"_281":670,"_282":971},40.11886304909561,16.11886304909561,{"_288":226,"_123":975,"_154":976,"_140":89},{"_288":125,"_123":781,"_154":782,"_140":547},{"_288":286,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-george-sand","George Sand's contemporaries","https://img.ochreeditions.com/a/441/480.jpg","https://img.ochreeditions.com/a/441/960.jpg","https://img.ochreeditions.com/a/441/1920.jpg",{"_312":993,"_314":994},{"_312":991,"_314":992},{"_312":989,"_314":990},{"_312":987,"_314":988},{"_312":985,"_314":986},"#8a7663",0.1452,"#9c9380",0.146,"#74715c",0.1723,"#63594a",0.1947,"#c9c5c0",0.3418,"George Sand","george-sand","French, 1804–1876",1804,1876,"corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":516,"_223":517,"_326":518,"_328":519,"_330":397,"_332":520,"_334":521,"_335":522,"_336":523,"_140":232},"1880","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[1029,1030,1031,1032,1033],{"_222":302,"_223":303,"_42":304,"_305":306},"2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_296":1026,"_298":1027,"_300":1028},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/watercolour-19/corte-del-paradiso-aic-158382",{"_292":293,"_294":295},{"_226":1023,"_125":1024,"_286":1025},{"_277":1021,"_279":408,"_281":1022,"_282":1006},38.863998230871296,14.863998230871296,{"_288":226,"_123":496,"_154":497,"_140":232},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg",{"_312":1042,"_314":1043},{"_312":1040,"_314":1041},{"_312":1038,"_314":1039},{"_312":1036,"_314":1037},{"_312":1034,"_314":1035},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"a-byzantine-well-head-aic-261214","A Byzantine Well-head",{"_42":1088,"_223":1089,"_326":1090,"_328":329,"_330":1091,"_332":1092,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1852","Graphite on ivory wove paper","26 × 20.5 cm (10 1/4 × 8 1/8 in.)",0.8049345692475464,[1073,1074,1075,1076,1077],{"_222":302,"_223":303,"_42":304,"_305":306},"2021.319","Frederic Leighton, 1st Baron Leighton of Stretton painted this in 1852, aged 22. It is now at the Art Institute of Chicago.","A work made of graphite on ivory wove paper.",{"_296":1070,"_298":1071,"_300":1072},"https://img.ochreeditions.com/m/405.jpg?dl=1","/art/a-byzantine-well-head-aic-261214","/galleries/style/watercolour-19/a-byzantine-well-head-aic-261214",{"_292":293,"_294":295},{"_226":1065,"_125":1066,"_286":1067},{"_277":1063,"_279":883,"_281":1064,"_282":868},44.92829880043621,20.928298800436206,{"_288":226,"_123":1068,"_154":1069,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":138},"artist/contemporaries-of-frederic-leighton-1st-baron-leighton-of-stretton","Frederic Leighton, 1st Baron Leighton of Stretton's contemporaries","https://img.ochreeditions.com/a/405/480.jpg","https://img.ochreeditions.com/a/405/960.jpg","https://img.ochreeditions.com/a/405/1920.jpg",{"_312":1086,"_314":1087},{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},{"_312":1080,"_314":1081},{"_312":1078,"_314":1079},"#f7e2cb",0.0511,"#ecdbcc",0.0526,"#cab9a9",0.1602,"#d7c4b3",0.2359,"#e7d1bc",0.5002,"Frederic Leighton, 1st Baron Leighton of Stretton","frederic-leighton-1st-baron-leighton-of-stretton","English, 1830–1896",1830,1896,"the-yellow-room-met-760942","The Yellow Room",{"_42":516,"_223":517,"_326":518,"_328":519,"_330":397,"_332":520,"_334":521,"_335":522,"_336":523,"_140":232},"ca. 1883–84","Watercolor and gouache on paperboard","9 3/4 × 7 in. (24.8 × 17.8 cm)",24.8,0.71425,[1122,1123,1124,1125,1126],{"_222":623,"_223":624,"_42":625,"_305":626},"2017.664","James McNeill Whistler painted this in about 1883–84, aged about 44. It is now at The Met in New York.","A woman appears in a small interior washed with warm yellow, near a fireplace, in this watercolour and gouache of the early 1880s. Yellow was a favourite colour of Whistler’s for interiors, and in 1883 he decorated a London exhibition of his own etchings entirely in yellow and white.","The Yellow Room, by James McNeill Whistler, ca. 1883–84",{"_296":1119,"_298":1120,"_300":1121},"https://img.ochreeditions.com/m/1285.jpg?dl=1","/art/the-yellow-room-met-760942","/galleries/style/watercolour-19/the-yellow-room-met-760942",{"_292":293,"_294":295},{"_226":1116,"_125":1117,"_286":1118},{"_277":1114,"_279":532,"_281":1115,"_282":670},41.85625,17.856250000000003,{"_288":226,"_123":496,"_154":497,"_140":232},{"_288":125,"_123":615,"_154":616,"_140":617},{"_288":286,"_123":490,"_154":491,"_140":492},"https://img.ochreeditions.com/a/1285/480.jpg","https://img.ochreeditions.com/a/1285/960.jpg","https://img.ochreeditions.com/a/1285/1920.jpg",{"_312":1135,"_314":1136},{"_312":1133,"_314":1134},{"_312":1131,"_314":1132},{"_312":1129,"_314":1130},{"_312":1127,"_314":1128},"#897b74",0.0875,"#574a3c",0.1132,"#c0a36e",0.1878,"#927951",0.2667,"#5b5a5a",0.3448,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","100b25c39583f349a249c95110e17448aed24261","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
