Floor plan

Style galleriesVictorian art

Victorian art

The Love Song, by Sir Edward Burne-Jones, 1868–77
A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
Lady Lilith, by Dante Gabriel Rossetti, 1867
Loggia of the Ducal Palace, Venice, by John Ruskin, 1849–50
Sabrina, by Samuel Palmer, 1856
A work made of brown and black chalks on cream wove paper.
Egypt and Nubia, Volume III, No. 26, Cairo, Looking West, by Louis Haghe, 1848

The works in this room are listed below.

Works in this room

Narrative painting, watercolour and illustration in Britain under Queen Victoria.

Section 1, north wall

  1. The Love Song, by Sir Edward Burne-Jones, 1868–77
    The Love SongSir Edward Burne-Jones, 1868–77Courtesy of The Metropolitan Museum of Art
  2. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago
  3. Lady Lilith, by Dante Gabriel Rossetti, 1867
    Lady LilithDante Gabriel Rossetti, 1867Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Loggia of the Ducal Palace, Venice, by John Ruskin, 1849–50
    Loggia of the Ducal Palace, VeniceJohn Ruskin, 1849–50Courtesy of The Metropolitan Museum of Art
  2. Sabrina, by Samuel Palmer, 1856
    SabrinaSamuel Palmer, 1856Courtesy of The Metropolitan Museum of Art
  3. A work made of brown and black chalks on cream wove paper.
    Study for FestivalSir John Edward Poynter, c. 1875Courtesy of the Art Institute of Chicago
  4. Egypt and Nubia, Volume III, No. 26, Cairo, Looking West, by Louis Haghe, 1848
    Egypt and Nubia, Volume III, No. 26, Cairo, Looking WestLouis Haghe, 1848Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of oil on panel.
    The Shadow of DeathWilliam Holman Hunt, 1873-74Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The FestivalSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago
  3. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Noah: The Eve of the Deluge, by John Linnell, 1848
    Noah: The Eve of the DelugeJohn Linnell, 1848Courtesy of the Cleveland Museum of Art
  2. Lear and Cordelia, by Richard Hatfield, 1845
    Lear and CordeliaRichard Hatfield, 1845Courtesy of the Smithsonian American Art Museum
  3. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of oil on canvas.
    The Golden AgeSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago
  2. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Serene red-haired woman, framed with allegorical symbols of red bird, sundial.
    Beata BeatrixDante Gabriel Rossetti, 1871–72Courtesy of the Art Institute of Chicago