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The prestige of the project attracted craftspeople from across the Islamic world, which likely contributed to its innovative design.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},"#594c41",0.099,"#d1cbbe",0.1892,"#86725e",0.2104,"#c3b09b",0.2479,"#a48c74",0.2535,"Louis Haghe","louis-haghe","British, 1806–1885",1806,1885,"the-shadow-of-death-aic-260424","The Shadow of Death",{"_42":515,"_220":516,"_323":517,"_325":326,"_327":518,"_329":519,"_331":-5,"_333":-5,"_335":520,"_140":103},"1873-74","painting","Painting","Oil on panel","104.5 × 82 cm (41 × 32 1/4 in.); Framed: 137.2 × 115.9 × 9.6 cm (54 × 45 5/8 × 3 3/4 in.)",82,104,0.7817462497939447,[500,501,502,503,504],{"_219":496,"_220":497,"_42":498,"_302":499},"Courtesy of the Art Institute of Chicago","2021.54","William Holman Hunt painted this in 1873-74, aged about 46. It is now at the Art Institute of Chicago.","In the carpenter’s workshop at Nazareth, the young Jesus straightens from his work and stretches his arms, and the evening light throws his shadow onto the wall behind him in the shape of a crucifixion. His mother Mary, kneeling at a chest that holds the gifts of the Magi, turns and sees it.","A work made of oil on panel.",{"_293":493,"_295":494,"_297":495},"https://img.ochreeditions.com/m/401.jpg?dl=1","/art/the-shadow-of-death-aic-260424","/galleries/style/victorian-art/the-shadow-of-death-aic-260424",{"_289":491,"_291":492},{"_223":483,"_125":484,"_283":485},{"_274":480,"_276":481,"_278":482,"_280":464},96.30160997857024,119,81.30160997857024,{"_285":223,"_123":489,"_154":490,"_140":89},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":165,"_154":164,"_140":167},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-william-holman-hunt","William Holman Hunt's contemporaries","natural","ivory","https://img.ochreeditions.com/a/401/480.jpg","https://img.ochreeditions.com/a/401/960.jpg","https://img.ochreeditions.com/a/401/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":513,"_311":514},{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},"#3c4a49",0.0747,"#7f674f",0.1856,"#be8e61",0.1938,"#985f3a",0.2728,"#623e2a",0.2731,"William Holman Hunt","william-holman-hunt","English, 1827–1910",1827,1910,"Holman Hunt founded the Pre-Raphaelite Brotherhood in 1848 with John Everett Millais and Dante Gabriel Rossetti, and remained the most faithful to its aims of truth to nature and serious moral purpose.","a-byzantine-well-head-aic-261214","A Byzantine Well-head",{"_42":571,"_220":572,"_323":573,"_325":326,"_327":574,"_329":575,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1852","watercolour","Drawing and Watercolor","Graphite on ivory wove paper","26 × 20.5 cm (10 1/4 × 8 1/8 in.)",26,0.8049345692475464,[556,557,558,559,560],{"_219":496,"_220":497,"_42":498,"_302":499},"2021.319","Frederic Leighton, 1st Baron Leighton of Stretton painted this in 1852, aged 22. It is now at the Art Institute of Chicago.","A work made of graphite on ivory wove paper.",{"_293":553,"_295":554,"_297":555},"https://img.ochreeditions.com/m/405.jpg?dl=1","/art/a-byzantine-well-head-aic-261214","/galleries/style/victorian-art/a-byzantine-well-head-aic-261214",{"_289":290,"_291":292},{"_223":546,"_125":547,"_283":548},{"_274":543,"_276":544,"_278":545,"_280":529},44.92829880043621,50,20.928298800436206,{"_285":223,"_123":551,"_154":552,"_140":89},{"_285":125,"_123":549,"_154":550,"_140":167},{"_285":283,"_123":165,"_154":164,"_140":167},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-frederic-leighton-1st-baron-leighton-of-stretton","Frederic Leighton, 1st Baron Leighton of Stretton's contemporaries","https://img.ochreeditions.com/a/405/480.jpg","https://img.ochreeditions.com/a/405/960.jpg","https://img.ochreeditions.com/a/405/1920.jpg",{"_309":569,"_311":570},{"_309":567,"_311":568},{"_309":565,"_311":566},{"_309":563,"_311":564},{"_309":561,"_311":562},"#f7e2cb",0.0511,"#ecdbcc",0.0526,"#cab9a9",0.1602,"#d7c4b3",0.2359,"#e7d1bc",0.5002,"Frederic Leighton, 1st Baron Leighton of Stretton","frederic-leighton-1st-baron-leighton-of-stretton","English, 1830–1896",1830,1896,"george-james-drummond-s-room-at-oxford-1853-si-chndm-2007-27-53","George James Drummond's Room at Oxford, 1853",{"_42":631,"_220":632,"_323":633,"_325":326,"_327":634,"_329":635,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1853","Drawing","Brush and watercolor, gouache, graphite on white wove paper","Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.)",50.2,39.7,1.4077897700610043,[616,617,618,619,620],{"_219":613,"_220":614,"_42":615,"_302":303},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","2007-27-53","George Pyne painted this in 1853, aged 53. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":611,"_429":612},"GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853",{"_293":608,"_295":609,"_297":610},"https://img.ochreeditions.com/m/1759.jpg?dl=1","/art/george-james-drummond-s-room-at-oxford-1853-si-chndm-2007-27-53","/galleries/style/victorian-art/george-james-drummond-s-room-at-oxford-1853-si-chndm-2007-27-53",{"_289":290,"_291":292},{"_223":603,"_125":604,"_283":605},{"_274":600,"_276":601,"_278":583,"_280":602},74.2,59.65873333333334,35.65873333333334,{"_285":223,"_123":606,"_154":607,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-george-pyne","George Pyne's contemporaries","https://img.ochreeditions.com/a/1759/480.jpg","https://img.ochreeditions.com/a/1759/960.jpg","https://img.ochreeditions.com/a/1759/1920.jpg","This view is one of two by the artist depicting an undergraduate's room (probably in Christ Church) at Oxford College. The room features a green patterned carpet; printed slipcovered seating furniture and matching curtains; a large table covered with a green tablecloth; and framed watercolors lining the walls.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":629,"_311":630},{"_309":627,"_311":628},{"_309":625,"_311":626},{"_309":623,"_311":624},{"_309":621,"_311":622},"#caad81",0.1031,"#9c9785",0.1191,"#807360",0.1507,"#c7bfad",0.2028,"#dfdacb",0.4243,"George Pyne","george-pyne","English, 1800–1884",1800,1884,"lane-scene-at-night-aic-273331","Lane Scene at Night",{"_42":683,"_220":684,"_323":685,"_325":326,"_327":686,"_329":687,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1872","Oil on paperboard","55 × 43.5 cm (21 11/16 × 17 3/16 in.)",43,55,0.7462282398452611,[668,669,670,671,672],{"_219":496,"_220":497,"_42":498,"_302":499},"2024.123","John Atkinson Grimshaw painted this in 1872, aged 36. It is now at the Art Institute of Chicago.","A work made of oil on paperboard.",{"_293":665,"_295":666,"_297":667},"https://img.ochreeditions.com/m/443.jpg?dl=1","/art/lane-scene-at-night-aic-273331","/galleries/style/victorian-art/lane-scene-at-night-aic-273331",{"_289":290,"_291":292},{"_223":660,"_125":661,"_283":662},{"_274":657,"_276":658,"_278":659,"_280":643},65.04255319148936,79,41.04255319148936,{"_285":223,"_123":663,"_154":664,"_140":89},{"_285":125,"_123":549,"_154":550,"_140":167},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-atkinson-grimshaw","John Atkinson Grimshaw's contemporaries","https://img.ochreeditions.com/a/443/480.jpg","https://img.ochreeditions.com/a/443/960.jpg","https://img.ochreeditions.com/a/443/1920.jpg",{"_309":681,"_311":682},{"_309":679,"_311":680},{"_309":677,"_311":678},{"_309":675,"_311":676},{"_309":673,"_311":674},"#636e5a",0.0947,"#505446",0.1559,"#2f2e28",0.1563,"#1c1816",0.1758,"#3f413a",0.4173,"John Atkinson Grimshaw","john-atkinson-grimshaw","English, 1836–1893",1836,1893,"the-lake-of-zug-met-337499","The Lake of Zug",{"_42":736,"_220":737,"_323":738,"_325":326,"_327":739,"_329":740,"_331":332,"_333":332,"_335":741,"_140":97},"1843","Watercolor and bodycolor (gouache) with reductive techniques over graphite","11 3/4 × 18 3/8 in. (29.8 × 46.6 cm) Framed: 21 × 27 in. (53.3 × 68.6 cm)",46.6,29.8,1.5354788677782085,[721,722,723,724,725],{"_219":299,"_220":300,"_42":301,"_302":303},"59.120","Joseph Mallord William Turner painted this in 1843, aged 68. It is now at The Met in New York.","The Lake of Zug in central Switzerland lies beneath mountains that dissolve into luminous haze, with a few small boats on the water. Turner made this watercolour in 1843 as one of a group of late Swiss views based on sketches from his summer tours and offered to collectors through his agent.","The Lake of Zug, by Joseph Mallord William Turner, 1843",{"_293":718,"_295":719,"_297":720},"https://img.ochreeditions.com/m/1025.jpg?dl=1","/art/the-lake-of-zug-met-337499","/galleries/style/victorian-art/the-lake-of-zug-met-337499",{"_289":290,"_291":292},{"_223":713,"_125":714,"_283":715},{"_274":710,"_276":711,"_278":694,"_280":712},70.6,54.348838383838384,30.348838383838388,{"_285":223,"_123":716,"_154":717,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/1025/480.jpg","https://img.ochreeditions.com/a/1025/960.jpg","https://img.ochreeditions.com/a/1025/1920.jpg",{"_309":734,"_311":735},{"_309":732,"_311":733},{"_309":730,"_311":731},{"_309":728,"_311":729},{"_309":726,"_311":727},"#7e7462",0.1328,"#b59163",0.1741,"#aeafa3",0.1927,"#547181",0.2355,"#e0cda8",0.2649,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","noah-the-eve-of-the-deluge-cma-146416","Noah: The Eve of the Deluge",{"_42":791,"_220":792,"_323":793,"_325":326,"_327":794,"_329":330,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1848","oil on canvas","Framed: 168.5 x 242.5 x 9.5 cm (66 5/16 x 95 1/2 x 3 3/4 in.); Unframed: 146 x 221 cm (57 1/2 x 87 in.)",221,146,1.5198927134555207,[776,777,778,779,780],{"_219":431,"_220":432,"_42":433,"_302":434},"1972.119","John Linnell painted this in 1848, aged 56. It is now at the Cleveland Museum of Art.",{"_118":775,"_429":430},"Noah: The Eve of the Deluge, by John Linnell, 1848",{"_293":772,"_295":773,"_297":774},"https://img.ochreeditions.com/m/679.jpg?dl=1","/art/noah-the-eve-of-the-deluge-cma-146416","/galleries/style/victorian-art/noah-the-eve-of-the-deluge-cma-146416",{"_289":491,"_291":492},{"_223":767,"_125":768,"_283":769},{"_274":764,"_276":765,"_278":748,"_280":766},236,160.405,145.405,{"_285":223,"_123":770,"_154":771,"_140":89},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/679/480.jpg","https://img.ochreeditions.com/a/679/960.jpg","https://img.ochreeditions.com/a/679/1920.jpg","This painting powerfully illustrates changes in taste over time. Before it was even completed, the painting was purchased for the considerable sum of £1,000 by a newly wealthy industrialist who admired John Linnell’s modern approach to religious subjects.",{"_309":789,"_311":790},{"_309":787,"_311":788},{"_309":785,"_311":786},{"_309":783,"_311":784},{"_309":781,"_311":782},"#c19d80",0.0495,"#805f4c",0.1432,"#4f3324",0.1633,"#4e443d",0.2102,"#302420",0.4338,"John Linnell","john-linnell","English, 1792–1882",1792,"the-festival-aic-160032","The Festival",{"_42":842,"_220":843,"_323":844,"_325":326,"_327":686,"_329":845,"_331":-5,"_333":-5,"_335":846,"_140":99},"1875","Oil on canvas","137.2 × 53.4 cm (54 × 21 in.); Framed: 162.2 × 78.7 cm (63 7/8 × 31 in.)",53,137,0.37361268403171005,[827,828,829,830,831],{"_219":496,"_220":497,"_42":498,"_302":499},"2002.380","Sir John Edward Poynter painted this in 1875, aged 39. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":824,"_295":825,"_297":826},"https://img.ochreeditions.com/m/344.jpg?dl=1","/art/the-festival-aic-160032","/galleries/style/victorian-art/the-festival-aic-160032",{"_289":491,"_291":492},{"_223":819,"_125":820,"_283":821},{"_274":816,"_276":817,"_278":818,"_280":802},66.18493771234428,152,51.18493771234428,{"_285":223,"_123":822,"_154":823,"_140":99},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/sir-john-edward-poynter","More by Sir John Edward Poynter","https://img.ochreeditions.com/a/344/480.jpg","https://img.ochreeditions.com/a/344/960.jpg","https://img.ochreeditions.com/a/344/1920.jpg",{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},{"_309":834,"_311":835},{"_309":832,"_311":833},"#60231d",0.11,"#bfa88c",0.1699,"#332320",0.2057,"#644a37",0.2487,"#94775e",0.2657,"Sir John Edward Poynter","sir-john-edward-poynter","English, 1836–1919",1919,"Poynter studied in Rome and in Paris under Charles Gleyre, and made his name with large classical and biblical scenes such as Israel in Egypt.","egypt-and-nubia-volume-iii-no-26-cairo-looking-west-cma-169924","Egypt and Nubia, Volume III, No. 26, Cairo, Looking West",{"_42":450,"_220":451,"_323":452,"_325":386,"_327":453,"_329":454,"_331":-5,"_333":-5,"_335":-5,"_140":101},"Sheet: 43 x 60.2 cm (16 15/16 x 23 11/16 in.); Image: 34 x 52.8 cm (13 3/8 x 20 13/16 in.)",60.2,1.468048359240069,[876,877,878,879,880],{"_219":431,"_220":432,"_42":433,"_302":434},"2012.164","Louis Haghe made this in 1848, aged 42. It is now at the Cleveland Museum of Art.",{"_118":875,"_429":430},"Egypt and Nubia, Volume III, No. 26, Cairo, Looking West, by Louis Haghe, 1848",{"_293":872,"_295":873,"_297":874},"https://img.ochreeditions.com/m/777.jpg?dl=1","/art/egypt-and-nubia-volume-iii-no-26-cairo-looking-west-cma-169924","/galleries/style/victorian-art/egypt-and-nubia-volume-iii-no-26-cairo-looking-west-cma-169924",{"_289":290,"_291":292},{"_223":869,"_125":870,"_283":871},{"_274":866,"_276":867,"_278":851,"_280":868},84.2,65.00682352941178,41.00682352941177,{"_285":223,"_123":423,"_154":424,"_140":89},{"_285":125,"_123":420,"_154":421,"_140":422},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/777/480.jpg","https://img.ochreeditions.com/a/777/960.jpg","https://img.ochreeditions.com/a/777/1920.jpg","This printed leaf depicts a panoramic scene of Cairo around the 1800s, viewed from the west. David Roberts was among the earliest British artists to travel to the Middle East in 1838–39, a trip that resulted in more than 250 drawings depicting Egypt and the Holy Land.",{"_309":888,"_311":889},{"_309":887,"_311":680},{"_309":885,"_311":886},{"_309":883,"_311":884},{"_309":881,"_311":882},"#6d604e",0.0575,"#c0b09a",0.1048,"#8d7f69",0.1527,"#a99579","#cac4b8",0.5092,"room-leading-to-the-chapel-knowle-kent-aic-39246","Room Leading to the Chapel, Knowle, Kent",{"_42":937,"_220":938,"_323":939,"_325":326,"_327":940,"_329":941,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1869","Watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper","33.6 × 48.7 cm (13 1/4 × 19 3/16 in.)",48,33,1.4535382416011438,[922,923,924,925,926],{"_219":496,"_220":497,"_42":498,"_302":499},"1940.914","Joseph Nash painted this in 1869, aged 61. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.",{"_293":919,"_295":920,"_297":921},"https://img.ochreeditions.com/m/140.jpg?dl=1","/art/room-leading-to-the-chapel-knowle-kent-aic-39246","/galleries/style/victorian-art/room-leading-to-the-chapel-knowle-kent-aic-39246",{"_289":290,"_291":292},{"_223":914,"_125":915,"_283":916},{"_274":911,"_276":912,"_278":896,"_280":913},72,57.02286697811655,33.02286697811655,{"_285":223,"_123":917,"_154":918,"_140":89},{"_285":125,"_123":549,"_154":550,"_140":167},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/140/480.jpg","https://img.ochreeditions.com/a/140/960.jpg","https://img.ochreeditions.com/a/140/1920.jpg",{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},"#92422d",0.0085,"#9a8c79",0.1669,"#725334",0.2521,"#4f4139",0.2653,"#a47b44",0.3072,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"lear-and-cordelia-si-saam-1967-54-29","Lear and Cordelia",{"_42":990,"_220":991,"_323":992,"_325":326,"_327":993,"_329":994,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1845","Graphic Arts-Print","engraving","no measurements",0.8123333333333334,[975,976,977,978,979],{"_219":613,"_220":614,"_42":615,"_302":974},"Courtesy of the Smithsonian American Art Museum","1967.54.29","Richard Hatfield made this in 1845, aged 36. It is now at the Smithsonian American Art Museum in Washington, DC.","Lear and Cordelia, by Richard Hatfield, 1845",{"_293":971,"_295":972,"_297":973},"https://img.ochreeditions.com/m/1932.jpg?dl=1","/art/lear-and-cordelia-si-saam-1967-54-29","/galleries/style/victorian-art/lear-and-cordelia-si-saam-1967-54-29",{"_289":290,"_291":292},{"_223":966,"_125":967,"_283":968},{"_274":963,"_276":964,"_278":965,"_280":199},72.74000000000001,84,48.74,{"_285":223,"_123":969,"_154":970,"_140":89},{"_285":125,"_123":420,"_154":421,"_140":422},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-richard-hatfield","Richard Hatfield's contemporaries","https://img.ochreeditions.com/a/1932/480.jpg","https://img.ochreeditions.com/a/1932/960.jpg","https://img.ochreeditions.com/a/1932/1920.jpg","Washington, DC",{"_309":988,"_311":989},{"_309":986,"_311":987},{"_309":984,"_311":985},{"_309":982,"_311":983},{"_309":980,"_311":981},"#9d8b6e",0.0529,"#75664c",0.0962,"#16130b",0.2458,"#322b1c",0.2527,"#4e422f",0.3524,"Richard Hatfield","richard-hatfield","English, born London, England 1809-died London, England 1867",1809,1867,"study-for-festival-aic-210100","Study for Festival",{"_42":842,"_220":843,"_323":844,"_325":326,"_327":686,"_329":845,"_331":-5,"_333":-5,"_335":846,"_140":99},"c. 1875","Brown and black chalks on cream wove paper","35.5 × 25.2 cm (14 × 9 15/16 in.)",25,35,0.7168659995118379,[1025,1026,1027,1028,1029],{"_219":496,"_220":497,"_42":498,"_302":499},"2011.95","Sir John Edward Poynter painted this in about 1875, aged about 34. It is now at the Art Institute of Chicago.","A work made of brown and black chalks on cream wove paper.",{"_293":1022,"_295":1023,"_297":1024},"https://img.ochreeditions.com/m/354.jpg?dl=1","/art/study-for-festival-aic-210100","/galleries/style/victorian-art/study-for-festival-aic-210100",{"_289":290,"_291":292},{"_223":1019,"_125":1020,"_283":1021},{"_274":1016,"_276":1017,"_278":1018,"_280":1002},49.09030998291433,59,25.090309982914327,{"_285":223,"_123":822,"_154":823,"_140":99},{"_285":125,"_123":549,"_154":550,"_140":167},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/354/480.jpg","https://img.ochreeditions.com/a/354/960.jpg","https://img.ochreeditions.com/a/354/1920.jpg",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},{"_309":1030,"_311":1031},"#b6a58b",0.0163,"#ede7dd",0.052,"#cfbfa6",0.1175,"#dbcdb6",0.2996,"#e1d6c2",0.5146,"sabrina-met-747611","Sabrina",{"_42":1087,"_220":1088,"_323":1089,"_325":386,"_327":1090,"_329":1091,"_331":332,"_333":1092,"_335":-5,"_140":103},"1856","Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic","Sheet: 21 15/16 × 30 1/8 in. (55.7 × 76.5 cm)",76.5,55.7,1.3869625520110958,[1072,1073,1074,1075,1076],{"_219":299,"_220":300,"_42":301,"_302":303},"2017.252","Samuel Palmer painted this in 1856, aged 51. It is now at The Met in New York.","Sabrina, by Samuel Palmer, 1856",{"_293":1069,"_295":1070,"_297":1071},"https://img.ochreeditions.com/m/1284.jpg?dl=1","/art/sabrina-met-747611","/galleries/style/victorian-art/sabrina-met-747611",{"_289":290,"_291":292},{"_223":1064,"_125":1065,"_283":1066},{"_274":1061,"_276":1062,"_278":1046,"_280":1063},100.5,79.1565,55.1565,{"_285":223,"_123":1067,"_154":1068,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-samuel-palmer","Samuel Palmer's contemporaries","https://img.ochreeditions.com/a/1284/480.jpg","https://img.ochreeditions.com/a/1284/960.jpg","https://img.ochreeditions.com/a/1284/1920.jpg",{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},"#c39975",0.1263,"#654c3d",0.1549,"#9e7050",0.1712,"#806049",0.2344,"#ceae97",0.3132,"Samuel Palmer","samuel-palmer","British, 1805–1881",1805,1881,"Redhill, Surrey","beata-beatrix-aic-16551","Beata Beatrix",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_140":101},"1871–72","87.5 × 69.3 cm (34 7/16 × 27 1/4 in.); Predella: 26.5 × 69.2 cm (10 7/16 × 27 1/4 in.); Framed: 156.2 × 102.9 cm (61 1/2 × 40 1/2 in.)",69,87,0.6832900669490367,[1125,1126,1127,1128,1129],{"_219":496,"_220":497,"_42":498,"_302":499},"1925.722","Dante Gabriel Rossetti painted this in 1871–72, aged about 43. It is now at the Art Institute of Chicago.",{"_118":1123,"_429":1124},"Serene red-haired woman, framed with allegorical symbols of red bird, sundial.",{"_293":1120,"_295":1121,"_297":1122},"https://img.ochreeditions.com/m/60.jpg?dl=1","/art/beata-beatrix-aic-16551","/galleries/style/victorian-art/beata-beatrix-aic-16551",{"_289":491,"_291":492},{"_223":1117,"_125":1118,"_283":1119},{"_274":1114,"_276":1115,"_278":1116,"_280":1099},74.4462358245662,102,59.446235824566195,{"_285":223,"_123":169,"_154":168,"_140":89},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/60/480.jpg","https://img.ochreeditions.com/a/60/960.jpg","https://img.ochreeditions.com/a/60/1920.jpg","Dante Gabriel Rossetti was a founder of the Pre-Raphaelite Brotherhood, a circle of Victorian artists united in their regard for medieval aesthetics.","Text from the Art Institute of Chicago.",{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},"#bbbabb",0.1488,"#613c1d",0.1658,"#3a2e1a",0.2031,"#826235",0.2035,"#b08a48",0.2788,{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","a72a3f452adaca2b42450db357e8fe698e15d2ac","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
