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(105 x 79 cm)","width_cm",79,"height_cm",105,"aspect",0.7231362467866324,"palette",[307,308,309,310,311],"museum",{"_222":302,"_223":303,"_42":304,"_305":306},"credit","Courtesy of The Metropolitan Museum of Art","accession","1975.1.145","licence","CC0","story","El Greco painted this in about 1577–87, aged about 33. It is now at The Met in New York.","note","Christ embraces the cross against an empty sky, his eyes raised heavenward and his long, slender fingers resting lightly on the wood. 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It is now at the National Gallery of Art in Washington, DC.","The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.",{"_296":380,"_298":381,"_300":382},"https://img.ochreeditions.com/m/1625.jpg?dl=1","/art/the-madonna-of-the-rosary-nga-91441","/galleries/style/spanish-golden-age/the-madonna-of-the-rosary-nga-91441",{"_292":378,"_294":379},{"_226":368,"_125":369,"_286":370},{"_277":365,"_279":366,"_281":367,"_283":350},48.019970703125,56.3,24.019970703124997,{"_288":226,"_123":376,"_154":377,"_140":89},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":371,"_154":372,"_140":75},"era/17-spain","17th-century Spain","style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-vicente-salvador-gomez","Vicente Salvador Gómez's contemporaries","white","snow","https://img.ochreeditions.com/a/1625/480.jpg","https://img.ochreeditions.com/a/1625/960.jpg","https://img.ochreeditions.com/a/1625/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":400,"_314":401},{"_312":398,"_314":399},{"_312":396,"_314":397},{"_312":394,"_314":395},{"_312":392,"_314":393},"#a2866a",0.0519,"#b69a7e",0.1423,"#c7ac90",0.2025,"#dec6ad",0.251,"#d4baa0",0.3523,"Vicente Salvador Gómez","vicente-salvador-gomez","Spanish, 1637 - c. 1680",1637,1680,"saint-ildefonso-nga-90","Saint Ildefonso",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":91},"c. 1603/1614","Painting","oil on canvas","overall: 112 x 65.8 cm (44 1/8 x 25 7/8 in.) framed: 135.4 x 89.9 x 6.7 cm (53 5/16 x 35 3/8 x 2 5/8 in.)",65.8,112,0.580810546875,[442,443,444,445,446],{"_222":383,"_223":384,"_42":385,"_305":386},"1937.1.83","El Greco painted this in about 1603/1614, aged about 62. It is now at the National Gallery of Art in Washington, DC.","Saint Ildefonso, the seventh-century archbishop of Toledo, pauses in his writing, pen in hand and fingers spread over an open book, to look up towards a small statue of the Virgin and Child.","A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting. The man and desk take up most of the composition, which has an arched top. The man’s shoulders and body are angled to our right, and he looks off in that direction in profile. His balding head is rimmed with white hair curving over the large ear we can see, and he has a trimmed white and gray beard and mustache. His prominent nose is pointed, and his lips are closed. Light glints off the robe he wears so it shimmers in shades of topaz, aquamarine, and midnight blue. Voluminous white sleeves emerge under the mantle and are edged with narrow lace cuffs. His left hand, to our right, rests on an open book, which is propped against one or two other tomes. Near the edge of the table, two quills stand in the corners of a lidded inkwell, and a round, silver blotter, shaped like an upside-down chalice, and a lidded silver box sit nearby. The man’s chair has a tall post next to his shoulder to our left with a teardrop-shaped, gold finial. A second post, near his wrist, is lower and topped with a gold orb. The chair is draped in the same deep, raspberry-pink of the square table at which he sits. The tablecloth is edged with a wide band of gold along the bottom, and filigree-like gold decorations line the seams or folds at the corners. Brushstrokes are visible in many areas, especially in the colorfully charged blue and pink fabric. Beyond the man, to our right, a statuette of a person wearing a long, white robe over a white dress holds a baby. The clothing is edged with gold, and she wears a sphere-like gold crown. The baby also wears white and holds up one hand. The statuette stands on a platform supported by S-shaped corbels, and could have a projecting, squared awning over the top. This area is more loosely painted so some details are difficult to make out. In the background to our left, a wooden door stands open next to a dark space just behind the man’s head, so his profile is picked out against the shadow. The floor beneath is earth brown.",{"_296":439,"_298":440,"_300":441},"https://img.ochreeditions.com/m/1303.jpg?dl=1","/art/saint-ildefonso-nga-90","/galleries/style/spanish-golden-age/saint-ildefonso-nga-90",{"_292":293,"_294":295},{"_226":433,"_125":434,"_286":435},{"_277":430,"_279":431,"_281":432,"_283":415},80.05078125,127,65.05078125,{"_288":226,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"style/painting-17","More paintings of the 17th century",168,"https://img.ochreeditions.com/a/1303/480.jpg","https://img.ochreeditions.com/a/1303/960.jpg","https://img.ochreeditions.com/a/1303/1920.jpg",{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},"#9b8e77",0.0963,"#6c3236",0.1246,"#765833",0.1681,"#483425",0.2762,"#241c16",0.3348,"juan-de-pareja-ca-1608-1670-met-437869","Juan de Pareja (ca. 1608–1670)",{"_42":503,"_223":504,"_326":505,"_328":329,"_330":506,"_332":507,"_334":508,"_336":509,"_338":-5,"_140":101},"1650","32 x 27 1/2 in. (81.3 x 69.9 cm)",69.9,81.3,0.8636592741935484,[488,489,490,491,492],{"_222":302,"_223":303,"_42":304,"_305":306},"1971.86","Diego Velázquez painted this in 1650, aged 51. It is now at The Met in New York.","Juan de Pareja (ca. 1608–1670), by Diego Velázquez, 1650",{"_296":485,"_298":486,"_300":487},"https://img.ochreeditions.com/m/1171.jpg?dl=1","/art/juan-de-pareja-ca-1608-1670-met-437869","/galleries/style/spanish-golden-age/juan-de-pareja-ca-1608-1670-met-437869",{"_292":293,"_294":295},{"_226":480,"_125":481,"_286":482},{"_277":477,"_279":478,"_281":479,"_283":463},85.21549899193548,96.3,70.21549899193548,{"_288":226,"_123":483,"_154":484,"_140":89},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/contemporaries-of-diego-velazquez","Diego Velázquez's contemporaries","https://img.ochreeditions.com/a/1171/480.jpg","https://img.ochreeditions.com/a/1171/960.jpg","https://img.ochreeditions.com/a/1171/1920.jpg",{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},{"_312":495,"_314":496},{"_312":493,"_314":494},"#654733",0.0247,"#89826a",0.0284,"#393225",0.2341,"#241f17",0.3227,"#14110c",0.3901,"Diego Velázquez","diego-velazquez","Spanish, 1599–1660",1599,1660,"Seville","Madrid","the-holy-family-with-mary-magdalen-cma-108541","The Holy Family with Mary Magdalen",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":91},"c. 1590–95","Framed: 160 x 131 x 7.5 cm (63 x 51 9/16 x 2 15/16 in.); Unframed: 130 x 100 cm (51 3/16 x 39 3/8 in.)",100,130,0.7605882352941177,[548,549,550,551,552],{"_222":544,"_223":545,"_42":546,"_305":547},"Courtesy of the Cleveland Museum of Art","1926.247","El Greco painted this in about 1590–95, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":541,"_542":543},"The Holy Family with Mary Magdalen, by El Greco, c. 1590–95",{"_296":538,"_298":539,"_300":540},"https://img.ochreeditions.com/m/515.jpg?dl=1","/art/the-holy-family-with-mary-magdalen-cma-108541","/galleries/style/spanish-golden-age/the-holy-family-with-mary-magdalen-cma-108541",{"_292":293,"_294":295},{"_226":535,"_125":536,"_286":537},{"_277":532,"_279":533,"_281":534,"_283":516},113.87647058823529,145,98.87647058823529,{"_288":226,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/515/480.jpg","https://img.ochreeditions.com/a/515/960.jpg","https://img.ochreeditions.com/a/515/1920.jpg","The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting all show El Greco’s interest in conveying the intense spirituality of these figures rather than their concrete reality. Above all, the painting addresses Mary’s role as mediator between Christ and the viewer.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},{"_312":553,"_314":554},"#ac8a5f",0.0723,"#b4a893",0.1478,"#4d362a",0.152,"#676d64",0.2972,"#282e2d",0.3307,"the-crucifixion-aic-80084","The Crucifixion",{"_42":616,"_223":617,"_326":618,"_328":329,"_330":619,"_332":620,"_334":621,"_336":509,"_338":622,"_140":97},"1627","290.3 × 165.5 cm (114 5/16 × 65 3/16 in.); Framed: 339.1 × 212.1 × 14 cm (133 3/8 × 83 1/2 × 5 1/2 in.)",165,290,0.5668401750857683,[601,602,603,604,605],{"_222":597,"_223":598,"_42":599,"_305":600},"Courtesy of the Art Institute of Chicago","1954.15","Francisco de Zurbarán painted this in 1627, aged 29. It is now at the Art Institute of Chicago.","Christ hangs on a rough wooden cross against a deep black background, his body brilliantly lit and modelled so firmly that it seems carved rather than painted, the white loincloth falling in crisp, sculptural folds.","A work made of oil on canvas.",{"_296":594,"_298":595,"_300":596},"https://img.ochreeditions.com/m/209.jpg?dl=1","/art/the-crucifixion-aic-80084","/galleries/style/spanish-golden-age/the-crucifixion-aic-80084",{"_292":293,"_294":295},{"_226":589,"_125":590,"_286":591},{"_277":585,"_279":586,"_281":587,"_283":588},151.0416420205844,255,136.0416420205844,240,{"_288":226,"_123":592,"_154":593,"_140":97},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/francisco-de-zurbaran","More by Francisco de Zurbarán","https://img.ochreeditions.com/a/209/480.jpg","https://img.ochreeditions.com/a/209/960.jpg","https://img.ochreeditions.com/a/209/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":614,"_314":615},{"_312":612,"_314":613},{"_312":610,"_314":611},{"_312":608,"_314":609},{"_312":606,"_314":607},"#746149",0.0373,"#534535",0.0516,"#201913",0.0577,"#342a1e",0.0603,"#0f0908",0.7931,"Francisco de Zurbarán","francisco-de-zurbaran","Spanish, 1598–1664",1598,1664,"Fuente de Cantos","Zurbarán worked chiefly in Seville, where religious orders commissioned him to paint cycles for their monasteries. His saints and monks, set against dark grounds and modelled with strong, sculptural light, combine austerity with close attention to the textures of cloth and wood.","the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455","The Holy Family with Saints Anne and Catherine of Alexandria",{"_42":669,"_223":670,"_326":671,"_328":329,"_330":672,"_332":673,"_334":674,"_336":675,"_338":-5,"_140":101},"1648","82 1/2 x 60 3/4 in. (209.6 x 154.3 cm)",154.3,209.6,0.7423428264373992,[654,655,656,657,658],{"_222":302,"_223":303,"_42":304,"_305":306},"34.73","Jusepe de Ribera (called Lo Spagnoletto) painted this in 1648, aged 57. It is now at The Met in New York.","The Holy Family with Saints Anne and Catherine of Alexandria, by Jusepe de Ribera (called Lo Spagnoletto), 1648",{"_296":651,"_298":652,"_300":653},"https://img.ochreeditions.com/m/1147.jpg?dl=1","/art/the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455","/galleries/style/spanish-golden-age/the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455",{"_292":293,"_294":295},{"_226":646,"_125":647,"_286":648},{"_277":643,"_279":644,"_281":645,"_283":629},170.59505642127888,224.6,155.59505642127888,{"_288":226,"_123":649,"_154":650,"_140":89},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/contemporaries-of-jusepe-de-ribera-called-lo-spagnoletto","Jusepe de Ribera (called Lo Spagnoletto)'s contemporaries","https://img.ochreeditions.com/a/1147/480.jpg","https://img.ochreeditions.com/a/1147/960.jpg","https://img.ochreeditions.com/a/1147/1920.jpg",{"_312":667,"_314":668},{"_312":665,"_314":666},{"_312":663,"_314":664},{"_312":661,"_314":662},{"_312":659,"_314":660},"#7a5022",0.0848,"#aaa098",0.1137,"#2f446f",0.132,"#472e1f",0.2417,"#201d1b",0.4278,"Jusepe de Ribera (called Lo Spagnoletto)","jusepe-de-ribera-called-lo-spagnoletto","Spanish, 1591–1652",1591,1652,"Játiva","Naples","saint-jerome-as-scholar-met-459088","Saint Jerome as Scholar",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":91},"ca. 1610","42 1/2 x 35 1/16 in. (108 x 89 cm)",89,108,0.8247172859450727,[706,707,708,709,710],{"_222":302,"_223":303,"_42":304,"_305":306},"1975.1.146","El Greco painted this in about 1610, aged about 59. It is now at The Met in New York.","Saint Jerome, the fourth-century scholar who translated the Bible into Latin, sits with his long white beard flowing over the scarlet robes of a cardinal, one hand on the pages of a book.","Saint Jerome as Scholar, by El Greco, ca. 1610",{"_296":703,"_298":704,"_300":705},"https://img.ochreeditions.com/m/1259.jpg?dl=1","/art/saint-jerome-as-scholar-met-459088","/galleries/style/spanish-golden-age/saint-jerome-as-scholar-met-459088",{"_292":293,"_294":295},{"_226":700,"_125":701,"_286":702},{"_277":697,"_279":698,"_281":699,"_283":682},104.06946688206784,123,89.06946688206784,{"_288":226,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/1259/480.jpg","https://img.ochreeditions.com/a/1259/960.jpg","https://img.ochreeditions.com/a/1259/1920.jpg",{"_312":719,"_314":720},{"_312":717,"_314":718},{"_312":715,"_314":716},{"_312":713,"_314":714},{"_312":711,"_314":712},"#685542",0.0808,"#b19e8c",0.1135,"#883b39",0.1327,"#431010",0.1533,"#0b0a07",0.5197,"christ-and-the-virgin-in-the-house-at-nazareth-cma-136217","Christ and the Virgin in the House at Nazareth",{"_42":616,"_223":617,"_326":618,"_328":329,"_330":619,"_332":620,"_334":621,"_336":509,"_338":622,"_140":97},"c. 1640","Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)",218.2,1.3470681458003169,[751,752,753,754,755],{"_222":544,"_223":545,"_42":546,"_305":547},"1960.117","Francisco de Zurbarán painted this in about 1640, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":750,"_542":543},"Christ and the Virgin in the House at Nazareth, by Francisco de Zurbarán, c. 1640",{"_296":747,"_298":748,"_300":749},"https://img.ochreeditions.com/m/637.jpg?dl=1","/art/christ-and-the-virgin-in-the-house-at-nazareth-cma-136217","/galleries/style/spanish-golden-age/christ-and-the-virgin-in-the-house-at-nazareth-cma-136217",{"_292":293,"_294":295},{"_226":744,"_125":745,"_286":746},{"_277":741,"_279":742,"_281":726,"_283":743},233.2,176.98141176470588,161.98141176470588,{"_288":226,"_123":592,"_154":593,"_140":97},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"https://img.ochreeditions.com/a/637/480.jpg","https://img.ochreeditions.com/a/637/960.jpg","https://img.ochreeditions.com/a/637/1920.jpg","Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public.",{"_312":764,"_314":765},{"_312":762,"_314":763},{"_312":760,"_314":761},{"_312":758,"_314":759},{"_312":756,"_314":757},"#bcad9d",0.0492,"#5a646b",0.1044,"#884f3a",0.1463,"#493429",0.263,"#282523",0.4371,"ecce-agnus-dei-aic-11392","Ecce Agnus Dei",{"_42":810,"_223":811,"_326":812,"_328":329,"_330":813,"_332":814,"_334":508,"_336":508,"_338":815,"_140":99},"c. 1655","270.2 × 184.5 cm (106 3/8 × 72 5/8 in.); Framed: 317 × 232 cm (124 13/16 × 91 3/8 in.)",184,270,0.6793861468270427,[795,796,797,798,799],{"_222":597,"_223":598,"_42":599,"_305":600},"1960.2","Bartolomé Esteban Murillo painted this in about 1655, aged about 33. It is now at the Art Institute of Chicago.",{"_296":792,"_298":793,"_300":794},"https://img.ochreeditions.com/m/20.jpg?dl=1","/art/ecce-agnus-dei-aic-11392","/galleries/style/spanish-golden-age/ecce-agnus-dei-aic-11392",{"_292":293,"_294":295},{"_226":787,"_125":788,"_286":789},{"_277":785,"_279":586,"_281":786,"_283":588},178.05267523849025,163.05267523849025,{"_288":226,"_123":790,"_154":791,"_140":99},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/bartolome-esteban-murillo","More by Bartolomé Esteban Murillo","https://img.ochreeditions.com/a/20/480.jpg","https://img.ochreeditions.com/a/20/960.jpg","https://img.ochreeditions.com/a/20/1920.jpg",{"_312":808,"_314":809},{"_312":806,"_314":807},{"_312":804,"_314":805},{"_312":802,"_314":803},{"_312":800,"_314":801},"#732917",0.0494,"#816750",0.1051,"#4d3b29",0.1744,"#322016",0.3068,"#8f8c81",0.3643,"Bartolomé Esteban Murillo","bartolome-esteban-murillo","Spanish, 1617–1682",1617,1682,"Murillo spent nearly all his life in Seville, where he became the city’s leading painter after Zurbarán.","the-young-virgin-met-437971","The Young Virgin",{"_42":616,"_223":617,"_326":618,"_328":329,"_330":619,"_332":620,"_334":621,"_336":509,"_338":622,"_140":97},"ca. 1632–33","46 x 37 in. (116.8 x 94 cm)",94,116.8,0.81575,[846,847,848,849,850],{"_222":302,"_223":303,"_42":304,"_305":306},"27.137","Francisco de Zurbarán painted this in about 1632–33, aged about 34. It is now at The Met in New York.","The Virgin Mary, imagined as a young girl in the Temple, pauses from her needlework, lost in prayer, with her sewing at her side and lilies, a symbol of purity, nearby. Zurbarán and his contemporaries in Seville painted the subject for private devotion, drawing on legends of Mary’s childhood rather than the Gospels.","The Young Virgin, by Francisco de Zurbarán, ca. 1632–33",{"_296":843,"_298":844,"_300":845},"https://img.ochreeditions.com/m/1177.jpg?dl=1","/art/the-young-virgin-met-437971","/galleries/style/spanish-golden-age/the-young-virgin-met-437971",{"_292":293,"_294":295},{"_226":840,"_125":841,"_286":842},{"_277":837,"_279":838,"_281":839,"_283":822},110.27959999999999,131.8,95.27959999999999,{"_288":226,"_123":592,"_154":593,"_140":97},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"https://img.ochreeditions.com/a/1177/480.jpg","https://img.ochreeditions.com/a/1177/960.jpg","https://img.ochreeditions.com/a/1177/1920.jpg",{"_312":859,"_314":860},{"_312":857,"_314":858},{"_312":855,"_314":856},{"_312":853,"_314":854},{"_312":851,"_314":852},"#8b7768",0.0995,"#644a3f",0.1037,"#3e3227",0.2115,"#030202",0.2209,"#28201a",0.3644,"virgin-and-child-met-437175","Virgin and Child",{"_42":810,"_223":811,"_326":812,"_328":329,"_330":813,"_332":814,"_334":508,"_336":508,"_338":815,"_140":99},"1670s","65 1/4 x 43 in. (165.7 x 109.2 cm)",109.2,165.7,0.7065,[890,891,892,893,894],{"_222":302,"_223":303,"_42":304,"_305":306},"43.13","Bartolomé Esteban Murillo painted this in the 1670s, aged about 53. It is now at The Met in New York.","Virgin and Child, by Bartolomé Esteban Murillo, 1670s",{"_296":887,"_298":888,"_300":889},"https://img.ochreeditions.com/m/1132.jpg?dl=1","/art/virgin-and-child-met-437175","/galleries/style/spanish-golden-age/virgin-and-child-met-437175",{"_292":293,"_294":295},{"_226":884,"_125":885,"_286":886},{"_277":881,"_279":882,"_281":883,"_283":867},132.06705,180.7,117.06705,{"_288":226,"_123":790,"_154":791,"_140":99},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"https://img.ochreeditions.com/a/1132/480.jpg","https://img.ochreeditions.com/a/1132/960.jpg","https://img.ochreeditions.com/a/1132/1920.jpg",{"_312":903,"_314":904},{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},"#a68e6b",0.0455,"#68533b",0.0583,"#482216",0.1382,"#352e22",0.3681,"#1b140f",0.3899,"portrait-of-the-jester-calabazas-cma-141549","Portrait of the Jester Calabazas",{"_42":503,"_223":504,"_326":505,"_328":329,"_330":506,"_332":507,"_334":508,"_336":509,"_338":-5,"_140":101},"c. 1631–32","Framed: 199.3 x 133.1 x 12.7 cm (78 7/16 x 52 3/8 x 5 in.); Unframed: 175 x 106 cm (68 7/8 x 41 3/4 in.)",106,175,0.6144117647058823,[936,937,938,939,940],{"_222":544,"_223":545,"_42":546,"_305":547},"1965.15","Diego Velázquez painted this in about 1631–32, aged about 32. It is now at the Cleveland Museum of Art.",{"_118":935,"_542":543},"Portrait of the Jester Calabazas, by Diego Velázquez, c. 1631–32",{"_296":932,"_298":933,"_300":934},"https://img.ochreeditions.com/m/657.jpg?dl=1","/art/portrait-of-the-jester-calabazas-cma-141549","/galleries/style/spanish-golden-age/portrait-of-the-jester-calabazas-cma-141549",{"_292":293,"_294":295},{"_226":929,"_125":930,"_286":931},{"_277":926,"_279":927,"_281":928,"_283":911},122.5220588235294,190,107.5220588235294,{"_288":226,"_123":483,"_154":484,"_140":89},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"https://img.ochreeditions.com/a/657/480.jpg","https://img.ochreeditions.com/a/657/960.jpg","https://img.ochreeditions.com/a/657/1920.jpg","Calabazas, a jester in the court of King Philip IV of Spain, had physical and mental disabilities, a state that the artist emphasizes, rather than tries to hide. While the Spanish court prized and doted upon people with disabilities such as Calabazas, Velázquez transformed their depiction in portraiture.",{"_312":949,"_314":950},{"_312":947,"_314":948},{"_312":945,"_314":946},{"_312":943,"_314":944},{"_312":941,"_314":942},"#2b251d",0.1486,"#141312",0.1526,"#4d4031",0.2059,"#3e3325",0.2324,"#60523f",0.2605,"job-aic-87515","Job",{"_42":329,"_223":994,"_326":-5,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1618–c. 1630","120.3 × 95 cm (47 3/8 × 37 3/8 in.); Framed: 139.7 × 114.3 × 8.3 cm (55 × 45 × 3 1/4 in.)",0.7931253978357734,[979,980,981,982,983],{"_222":597,"_223":598,"_42":599,"_305":600},"1936.355","Spanish painted this in about 1618–c. 1630. It is now at the Art Institute of Chicago.",{"_296":976,"_298":977,"_300":978},"https://img.ochreeditions.com/m/238.jpg?dl=1","/art/job-aic-87515","/galleries/style/spanish-golden-age/job-aic-87515",{"_292":293,"_294":295},{"_226":971,"_125":972,"_286":973},{"_277":968,"_279":969,"_281":970,"_283":280},110.17504774029281,135,95.17504774029281,{"_288":226,"_123":974,"_154":975,"_140":89},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/contemporaries-of-spanish","Spanish's contemporaries","https://img.ochreeditions.com/a/238/480.jpg","https://img.ochreeditions.com/a/238/960.jpg","https://img.ochreeditions.com/a/238/1920.jpg",{"_312":992,"_314":993},{"_312":990,"_314":991},{"_312":988,"_314":989},{"_312":986,"_314":987},{"_312":984,"_314":985},"#d0bea6",0.0251,"#a66e37",0.0643,"#6e4a25",0.1063,"#3b2714",0.1339,"#1f1006",0.6704,"spanish","view-of-toledo-met-436575","View of Toledo",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":91},"ca. 1599–1600","47 3/4 x 42 3/4 in. (121.3 x 108.6 cm)",108.6,121.3,0.8886629384850026,[1025,1026,1027,1028,1029],{"_222":302,"_223":303,"_42":304,"_305":306},"29.100.6","El Greco painted this in about 1599–1600, aged about 58. It is now at The Met in New York.","Storm clouds churn over Toledo, the city where El Greco lived from 1577 until his death, and the green hills seem lit by an unearthly glow.","View of Toledo, by El Greco, ca. 1599–1600",{"_296":1022,"_298":1023,"_300":1024},"https://img.ochreeditions.com/m/1098.jpg?dl=1","/art/view-of-toledo-met-436575","/galleries/style/spanish-golden-age/view-of-toledo-met-436575",{"_292":293,"_294":295},{"_226":1019,"_125":1020,"_286":1021},{"_277":1016,"_279":1017,"_281":1018,"_283":1001},122.7948144382308,136.3,107.7948144382308,{"_288":226,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/1098/480.jpg","https://img.ochreeditions.com/a/1098/960.jpg","https://img.ochreeditions.com/a/1098/1920.jpg",{"_312":1038,"_314":1039},{"_312":1036,"_314":1037},{"_312":1034,"_314":1035},{"_312":1032,"_314":1033},{"_312":1030,"_314":1031},"#5b6d6d",0.122,"#485035",0.1491,"#282d2b",0.2144,"#323929",0.2429,"#384849",0.2716,"crucifixion-aic-242449","Crucifixion",{"_42":1090,"_223":1091,"_326":329,"_328":329,"_330":-5,"_332":1092,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1646","Oil on panel","63 × 39 cm (24 13/16 × 15 3/8 in.)",39,63,0.699264898923602,[1075,1076,1077,1078,1079],{"_222":597,"_223":598,"_42":599,"_305":600},"2018.52","María Josefa Sánchez painted this in 1646. It is now at the Art Institute of Chicago.",{"_118":1073,"_542":1074},"A work made of oil on panel.",{"_296":1070,"_298":1071,"_300":1072},"https://img.ochreeditions.com/m/369.jpg?dl=1","/art/crucifixion-aic-242449","/galleries/style/spanish-golden-age/crucifixion-aic-242449",{"_292":293,"_294":295},{"_226":1065,"_125":1066,"_286":1067},{"_277":1062,"_279":1063,"_281":1064,"_283":1047},59.053688632186926,78,44.053688632186926,{"_288":226,"_123":1068,"_154":1069,"_140":89},{"_288":125,"_123":436,"_154":437,"_140":438},{"_288":286,"_123":371,"_154":372,"_140":75},"artist/contemporaries-of-maria-josefa-sanchez","María Josefa Sánchez's contemporaries","https://img.ochreeditions.com/a/369/480.jpg","https://img.ochreeditions.com/a/369/960.jpg","https://img.ochreeditions.com/a/369/1920.jpg","This small cross was made and signed by a woman artist, María Josefa Sánchez. Sánchez was active from 1639 to 1649, probably in Castile, but little else is known about her. Women rarely worked as professional artists in 17th-century Spain; those few who did usually trained in the workshops of their fathers.","Text from the Art Institute of Chicago.",{"_312":1088,"_314":1089},{"_312":1086,"_314":1087},{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},{"_312":1080,"_314":1081},"#492e20",0.0469,"#635443",0.051,"#27130c",0.0535,"#8d8575",0.0615,"#b2b2b2",0.7871,"María Josefa Sánchez","maria-josefa-sanchez",1649,{"_1094":-5,"_1095":1096,"_1097":1098,"_1099":8,"_1100":1101,"_1102":8},"user","csrf","672ef46063629197b5e1676a35f671a4df9e7608","cartCount",0,"dropLive","legal",[1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114],"uploadsEnabled",{"_223":1137,"_20":1138},{"_223":1135,"_20":1136},{"_223":1133,"_20":1134},{"_223":1131,"_20":1132},{"_223":1129,"_20":1130},{"_223":1127,"_20":1128},{"_223":1125,"_20":1126},{"_223":1123,"_20":1124},{"_223":1121,"_20":1122},{"_223":1119,"_20":1120},{"_223":1117,"_20":1118},{"_223":1115,"_20":1116},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]