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It is now at the Art Institute of Chicago.",{"_118":372,"_373":374},"A work made of oil on panel.",{"_292":369,"_294":370,"_296":371},"https://img.ochreeditions.com/m/369.jpg?dl=1","/art/crucifixion-aic-242449","/galleries/style/spanish-golden-age/crucifixion-aic-242449",{"_288":289,"_290":291},{"_223":359,"_125":360,"_282":361},{"_273":356,"_275":357,"_277":358,"_278":341},59.053688632186926,78,44.053688632186926,{"_284":223,"_123":367,"_154":368,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"era/17-spain","17th-century Spain","style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-maria-josefa-sanchez","María Josefa Sánchez's contemporaries","https://img.ochreeditions.com/a/369/480.jpg","https://img.ochreeditions.com/a/369/960.jpg","https://img.ochreeditions.com/a/369/1920.jpg","This small cross was made and signed by a woman artist, María Josefa Sánchez. Sánchez was active from 1639 to 1649, probably in Castile, but little else is known about her. Women rarely worked as professional artists in 17th-century Spain; those few who did usually trained in the workshops of their fathers.","source","Text from the Art Institute of Chicago.",{"_308":388,"_310":389},{"_308":386,"_310":387},{"_308":384,"_310":385},{"_308":382,"_310":383},{"_308":380,"_310":381},"#492e20",0.0469,"#635443",0.051,"#27130c",0.0535,"#8d8575",0.0615,"#b2b2b2",0.7871,"María Josefa Sánchez","maria-josefa-sanchez",1649,"portrait-of-the-jester-calabazas-cma-141549","Portrait of the Jester Calabazas",{"_42":448,"_220":449,"_322":450,"_324":325,"_326":451,"_328":452,"_330":453,"_331":454,"_332":-5,"_140":101},"c. 1631–32","oil on canvas","Framed: 199.3 x 133.1 x 12.7 cm (78 7/16 x 52 3/8 x 5 in.); Unframed: 175 x 106 cm (68 7/8 x 41 3/4 in.)",106,175,0.6144117647058823,[433,434,435,436,437],{"_219":429,"_220":430,"_42":431,"_301":432},"Courtesy of the Cleveland Museum of Art","1965.15","Diego Velázquez painted this in about 1631–32, aged about 32. 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While the Spanish court prized and doted upon people with disabilities such as Calabazas, Velázquez transformed their depiction in portraiture.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":446,"_310":447},{"_308":444,"_310":445},{"_308":442,"_310":443},{"_308":440,"_310":441},{"_308":438,"_310":439},"#2b251d",0.1486,"#141312",0.1526,"#4d4031",0.2059,"#3e3325",0.2324,"#60523f",0.2605,"Diego Velázquez","diego-velazquez","Spanish, 1599–1660",1599,1660,"Seville","Madrid","the-holy-family-with-mary-magdalen-cma-108541","The Holy Family with Mary Magdalen",{"_42":503,"_220":504,"_322":505,"_324":325,"_326":506,"_328":507,"_330":508,"_331":509,"_332":510,"_140":91},"c. 1590–95","Framed: 160 x 131 x 7.5 cm (63 x 51 9/16 x 2 15/16 in.); Unframed: 130 x 100 cm (51 3/16 x 39 3/8 in.)",100,130,0.7605882352941177,[488,489,490,491,492],{"_219":429,"_220":430,"_42":431,"_301":432},"1926.247","El Greco painted this in about 1590–95, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":487,"_373":428},"The Holy Family with Mary Magdalen, by El Greco, c. 1590–95",{"_292":484,"_294":485,"_296":486},"https://img.ochreeditions.com/m/515.jpg?dl=1","/art/the-holy-family-with-mary-magdalen-cma-108541","/galleries/style/spanish-golden-age/the-holy-family-with-mary-magdalen-cma-108541",{"_288":289,"_290":291},{"_223":479,"_125":480,"_282":481},{"_273":476,"_275":477,"_277":478,"_278":461},113.87647058823529,145,98.87647058823529,{"_284":223,"_123":482,"_154":483,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":93},"artist/el-greco","More by El Greco","https://img.ochreeditions.com/a/515/480.jpg","https://img.ochreeditions.com/a/515/960.jpg","https://img.ochreeditions.com/a/515/1920.jpg","The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting all show El Greco’s interest in conveying the intense spirituality of these figures rather than their concrete reality. Above all, the painting addresses Mary’s role as mediator between Christ and the viewer.",{"_308":501,"_310":502},{"_308":499,"_310":500},{"_308":497,"_310":498},{"_308":495,"_310":496},{"_308":493,"_310":494},"#ac8a5f",0.0723,"#b4a893",0.1478,"#4d362a",0.152,"#676d64",0.2972,"#282e2d",0.3307,"El Greco","el-greco","Spanish, 1541–1614",1541,1614,"Iráklion (Candia)","Toledo","El Greco, “the Greek”, was born in Crete and trained in the Byzantine icon tradition before studying Venetian painting and working in Rome.","saint-jerome-as-scholar-met-459088","Saint Jerome as Scholar",{"_42":503,"_220":504,"_322":505,"_324":325,"_326":506,"_328":507,"_330":508,"_331":509,"_332":510,"_140":91},"ca. 1610","Paintings","42 1/2 x 35 1/16 in. (108 x 89 cm)",89,108,0.8247172859450727,[547,548,549,550,551],{"_219":543,"_220":544,"_42":545,"_301":546},"Courtesy of The Metropolitan Museum of Art","1975.1.146","El Greco painted this in about 1610, aged about 59. It is now at The Met in New York.","Saint Jerome, the fourth-century scholar who translated the Bible into Latin, sits with his long white beard flowing over the scarlet robes of a cardinal, one hand on the pages of a book.","Saint Jerome as Scholar, by El Greco, ca. 1610",{"_292":540,"_294":541,"_296":542},"https://img.ochreeditions.com/m/1259.jpg?dl=1","/art/saint-jerome-as-scholar-met-459088","/galleries/style/spanish-golden-age/saint-jerome-as-scholar-met-459088",{"_288":289,"_290":291},{"_223":537,"_125":538,"_282":539},{"_273":534,"_275":535,"_277":536,"_278":518},104.06946688206784,123,89.06946688206784,{"_284":223,"_123":482,"_154":483,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/1259/480.jpg","https://img.ochreeditions.com/a/1259/960.jpg","https://img.ochreeditions.com/a/1259/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},{"_308":554,"_310":555},{"_308":552,"_310":553},"#685542",0.0808,"#b19e8c",0.1135,"#883b39",0.1327,"#431010",0.1533,"#0b0a07",0.5197,"job-aic-87515","Job",{"_42":325,"_220":607,"_322":-5,"_324":-5,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1618–c. 1630","120.3 × 95 cm (47 3/8 × 37 3/8 in.); Framed: 139.7 × 114.3 × 8.3 cm (55 × 45 × 3 1/4 in.)",120,0.7931253978357734,[592,593,594,595,596],{"_219":298,"_220":299,"_42":300,"_301":302},"1936.355","Spanish painted this in about 1618–c. 1630. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_292":589,"_294":590,"_296":591},"https://img.ochreeditions.com/m/238.jpg?dl=1","/art/job-aic-87515","/galleries/style/spanish-golden-age/job-aic-87515",{"_288":289,"_290":291},{"_223":584,"_125":585,"_282":586},{"_273":581,"_275":582,"_277":583,"_278":567},110.17504774029281,135,95.17504774029281,{"_284":223,"_123":587,"_154":588,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"artist/contemporaries-of-spanish","Spanish's contemporaries","https://img.ochreeditions.com/a/238/480.jpg","https://img.ochreeditions.com/a/238/960.jpg","https://img.ochreeditions.com/a/238/1920.jpg",{"_308":605,"_310":606},{"_308":603,"_310":604},{"_308":601,"_310":602},{"_308":599,"_310":600},{"_308":597,"_310":598},"#d0bea6",0.0251,"#a66e37",0.0643,"#6e4a25",0.1063,"#3b2714",0.1339,"#1f1006",0.6704,"spanish","the-madonna-of-the-rosary-nga-91441","The Madonna of the Rosary",{"_42":667,"_220":668,"_322":669,"_324":325,"_326":670,"_328":671,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1674","drawing","Drawing","pen and brown ink on laid paper","overall: 32.3 x 24 cm (12 11/16 x 9 7/16 in.)",24,32.3,0.74365234375,[652,653,654,655,656],{"_219":648,"_220":649,"_42":650,"_301":651},"Courtesy National Gallery of Art, Washington","1995.8.2","Vicente Salvador Gómez drew this in 1674, aged 37. It is now at the National Gallery of Art in Washington, DC.","The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.",{"_292":645,"_294":646,"_296":647},"https://img.ochreeditions.com/m/1625.jpg?dl=1","/art/the-madonna-of-the-rosary-nga-91441","/galleries/style/spanish-golden-age/the-madonna-of-the-rosary-nga-91441",{"_288":643,"_290":644},{"_223":635,"_125":636,"_282":637},{"_273":632,"_275":633,"_277":634,"_278":617},48.019970703125,56.3,24.019970703124997,{"_284":223,"_123":641,"_154":642,"_140":89},{"_284":125,"_123":638,"_154":639,"_140":640},{"_284":282,"_123":362,"_154":363,"_140":75},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-vicente-salvador-gomez","Vicente Salvador Gómez's contemporaries","white","snow","https://img.ochreeditions.com/a/1625/480.jpg","https://img.ochreeditions.com/a/1625/960.jpg","https://img.ochreeditions.com/a/1625/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":665,"_310":666},{"_308":663,"_310":664},{"_308":661,"_310":662},{"_308":659,"_310":660},{"_308":657,"_310":658},"#a2866a",0.0519,"#b69a7e",0.1423,"#c7ac90",0.2025,"#dec6ad",0.251,"#d4baa0",0.3523,"Vicente Salvador Gómez","vicente-salvador-gomez","Spanish, 1637 - c. 1680",1637,1680,"the-young-virgin-met-437971","The Young Virgin",{"_42":719,"_220":720,"_322":721,"_324":325,"_326":722,"_328":723,"_330":724,"_331":454,"_332":725,"_140":97},"ca. 1632–33","46 x 37 in. (116.8 x 94 cm)",94,116.8,0.81575,[704,705,706,707,708],{"_219":543,"_220":544,"_42":545,"_301":546},"27.137","Francisco de Zurbarán painted this in about 1632–33, aged about 34. It is now at The Met in New York.","The Virgin Mary, imagined as a young girl in the Temple, pauses from her needlework, lost in prayer, with her sewing at her side and lilies, a symbol of purity, nearby. Zurbarán and his contemporaries in Seville painted the subject for private devotion, drawing on legends of Mary’s childhood rather than the Gospels.","The Young Virgin, by Francisco de Zurbarán, ca. 1632–33",{"_292":701,"_294":702,"_296":703},"https://img.ochreeditions.com/m/1177.jpg?dl=1","/art/the-young-virgin-met-437971","/galleries/style/spanish-golden-age/the-young-virgin-met-437971",{"_288":289,"_290":291},{"_223":696,"_125":697,"_282":698},{"_273":693,"_275":694,"_277":695,"_278":678},110.27959999999999,131.8,95.27959999999999,{"_284":223,"_123":699,"_154":700,"_140":97},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"artist/francisco-de-zurbaran","More by Francisco de Zurbarán","https://img.ochreeditions.com/a/1177/480.jpg","https://img.ochreeditions.com/a/1177/960.jpg","https://img.ochreeditions.com/a/1177/1920.jpg",{"_308":717,"_310":718},{"_308":715,"_310":716},{"_308":713,"_310":714},{"_308":711,"_310":712},{"_308":709,"_310":710},"#8b7768",0.0995,"#644a3f",0.1037,"#3e3227",0.2115,"#030202",0.2209,"#28201a",0.3644,"Francisco de Zurbarán","francisco-de-zurbaran","Spanish, 1598–1664",1598,1664,"Fuente de Cantos","Zurbarán worked chiefly in Seville, where religious orders commissioned him to paint cycles for their monasteries. His saints and monks, set against dark grounds and modelled with strong, sculptural light, combine austerity with close attention to the textures of cloth and wood.","christ-and-the-virgin-in-the-house-at-nazareth-cma-136217","Christ and the Virgin in the House at Nazareth",{"_42":719,"_220":720,"_322":721,"_324":325,"_326":722,"_328":723,"_330":724,"_331":454,"_332":725,"_140":97},"c. 1640","Framed: 201 x 256 x 10 cm (79 1/8 x 100 13/16 x 3 15/16 in.); Unframed: 165 x 218.2 cm (64 15/16 x 85 7/8 in.)",218.2,165,1.3470681458003169,[757,758,759,760,761],{"_219":429,"_220":430,"_42":431,"_301":432},"1960.117","Francisco de Zurbarán painted this in about 1640, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":756,"_373":428},"Christ and the Virgin in the House at Nazareth, by Francisco de Zurbarán, c. 1640",{"_292":753,"_294":754,"_296":755},"https://img.ochreeditions.com/m/637.jpg?dl=1","/art/christ-and-the-virgin-in-the-house-at-nazareth-cma-136217","/galleries/style/spanish-golden-age/christ-and-the-virgin-in-the-house-at-nazareth-cma-136217",{"_288":289,"_290":291},{"_223":750,"_125":751,"_282":752},{"_273":747,"_275":748,"_277":731,"_278":749},233.2,176.98141176470588,161.98141176470588,{"_284":223,"_123":699,"_154":700,"_140":97},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"https://img.ochreeditions.com/a/637/480.jpg","https://img.ochreeditions.com/a/637/960.jpg","https://img.ochreeditions.com/a/637/1920.jpg","Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation because they were easily understood by a broad public.",{"_308":770,"_310":771},{"_308":768,"_310":769},{"_308":766,"_310":767},{"_308":764,"_310":765},{"_308":762,"_310":763},"#bcad9d",0.0492,"#5a646b",0.1044,"#884f3a",0.1463,"#493429",0.263,"#282523",0.4371,"the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455","The Holy Family with Saints Anne and Catherine of Alexandria",{"_42":818,"_220":819,"_322":820,"_324":325,"_326":821,"_328":822,"_330":823,"_331":824,"_332":-5,"_140":101},"1648","82 1/2 x 60 3/4 in. (209.6 x 154.3 cm)",154.3,209.6,0.7423428264373992,[803,804,805,806,807],{"_219":543,"_220":544,"_42":545,"_301":546},"34.73","Jusepe de Ribera (called Lo Spagnoletto) painted this in 1648, aged 57. It is now at The Met in New York.","The Holy Family with Saints Anne and Catherine of Alexandria, by Jusepe de Ribera (called Lo Spagnoletto), 1648",{"_292":800,"_294":801,"_296":802},"https://img.ochreeditions.com/m/1147.jpg?dl=1","/art/the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455","/galleries/style/spanish-golden-age/the-holy-family-with-saints-anne-and-catherine-of-alexandria-met-437455",{"_288":289,"_290":291},{"_223":795,"_125":796,"_282":797},{"_273":792,"_275":793,"_277":794,"_278":778},170.59505642127888,224.6,155.59505642127888,{"_284":223,"_123":798,"_154":799,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"artist/contemporaries-of-jusepe-de-ribera-called-lo-spagnoletto","Jusepe de Ribera (called Lo Spagnoletto)'s contemporaries","https://img.ochreeditions.com/a/1147/480.jpg","https://img.ochreeditions.com/a/1147/960.jpg","https://img.ochreeditions.com/a/1147/1920.jpg",{"_308":816,"_310":817},{"_308":814,"_310":815},{"_308":812,"_310":813},{"_308":810,"_310":811},{"_308":808,"_310":809},"#7a5022",0.0848,"#aaa098",0.1137,"#2f446f",0.132,"#472e1f",0.2417,"#201d1b",0.4278,"Jusepe de Ribera (called Lo Spagnoletto)","jusepe-de-ribera-called-lo-spagnoletto","Spanish, 1591–1652",1591,1652,"Játiva","Naples","view-of-toledo-met-436575","View of Toledo",{"_42":503,"_220":504,"_322":505,"_324":325,"_326":506,"_328":507,"_330":508,"_331":509,"_332":510,"_140":91},"ca. 1599–1600","47 3/4 x 42 3/4 in. (121.3 x 108.6 cm)",108.6,121.3,0.8886629384850026,[855,856,857,858,859],{"_219":543,"_220":544,"_42":545,"_301":546},"29.100.6","El Greco painted this in about 1599–1600, aged about 58. It is now at The Met in New York.","Storm clouds churn over Toledo, the city where El Greco lived from 1577 until his death, and the green hills seem lit by an unearthly glow.","View of Toledo, by El Greco, ca. 1599–1600",{"_292":852,"_294":853,"_296":854},"https://img.ochreeditions.com/m/1098.jpg?dl=1","/art/view-of-toledo-met-436575","/galleries/style/spanish-golden-age/view-of-toledo-met-436575",{"_288":289,"_290":291},{"_223":849,"_125":850,"_282":851},{"_273":846,"_275":847,"_277":848,"_278":831},122.7948144382308,136.3,107.7948144382308,{"_284":223,"_123":482,"_154":483,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/1098/480.jpg","https://img.ochreeditions.com/a/1098/960.jpg","https://img.ochreeditions.com/a/1098/1920.jpg",{"_308":868,"_310":869},{"_308":866,"_310":867},{"_308":864,"_310":865},{"_308":862,"_310":863},{"_308":860,"_310":861},"#5b6d6d",0.122,"#485035",0.1491,"#282d2b",0.2144,"#323929",0.2429,"#384849",0.2716,"juan-de-pareja-ca-1608-1670-met-437869","Juan de Pareja (ca. 1608–1670)",{"_42":448,"_220":449,"_322":450,"_324":325,"_326":451,"_328":452,"_330":453,"_331":454,"_332":-5,"_140":101},"1650","32 x 27 1/2 in. (81.3 x 69.9 cm)",69.9,81.3,0.8636592741935484,[899,900,901,902,903],{"_219":543,"_220":544,"_42":545,"_301":546},"1971.86","Diego Velázquez painted this in 1650, aged 51. It is now at The Met in New York.","Juan de Pareja (ca. 1608–1670), by Diego Velázquez, 1650",{"_292":896,"_294":897,"_296":898},"https://img.ochreeditions.com/m/1171.jpg?dl=1","/art/juan-de-pareja-ca-1608-1670-met-437869","/galleries/style/spanish-golden-age/juan-de-pareja-ca-1608-1670-met-437869",{"_288":289,"_290":291},{"_223":893,"_125":894,"_282":895},{"_273":890,"_275":891,"_277":892,"_278":876},85.21549899193548,96.3,70.21549899193548,{"_284":223,"_123":422,"_154":423,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"https://img.ochreeditions.com/a/1171/480.jpg","https://img.ochreeditions.com/a/1171/960.jpg","https://img.ochreeditions.com/a/1171/1920.jpg",{"_308":912,"_310":913},{"_308":910,"_310":911},{"_308":908,"_310":909},{"_308":906,"_310":907},{"_308":904,"_310":905},"#654733",0.0247,"#89826a",0.0284,"#393225",0.2341,"#241f17",0.3227,"#14110c",0.3901,"the-immaculate-conception-si-chndm-1938-88-7056","The Immaculate Conception",{"_42":818,"_220":819,"_322":820,"_324":325,"_326":821,"_328":822,"_330":823,"_331":824,"_332":-5,"_140":101},"ca. 1640","Pen and brown ink, brush and brown wash, red chalk on white laid paper","24.2 x 13.1 cm (9 1/2 x 5 3/16 in.)",13.1,24.2,0.627287853577371,[952,953,954,955,956],{"_219":949,"_220":950,"_42":951,"_301":546},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7056","Jusepe de Ribera (called Lo Spagnoletto) drew this in about 1640, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":947,"_373":948},"THE IMMACULATE CONCEPTION",{"_292":944,"_294":945,"_296":946},"https://img.ochreeditions.com/m/1736.jpg?dl=1","/art/the-immaculate-conception-si-chndm-1938-88-7056","/galleries/style/spanish-golden-age/the-immaculate-conception-si-chndm-1938-88-7056",{"_288":643,"_290":644},{"_223":941,"_125":942,"_282":943},{"_273":937,"_275":938,"_277":939,"_278":940},39.68219633943428,49,15.682196339434276,25,{"_284":223,"_123":798,"_154":799,"_140":89},{"_284":125,"_123":638,"_154":639,"_140":640},{"_284":282,"_123":362,"_154":363,"_140":75},"https://img.ochreeditions.com/a/1736/480.jpg","https://img.ochreeditions.com/a/1736/960.jpg","https://img.ochreeditions.com/a/1736/1920.jpg","Drawing of the Virgin Mary at center right looking up, surrounded by flying winged putti.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_308":965,"_310":966},{"_308":963,"_310":964},{"_308":961,"_310":962},{"_308":959,"_310":960},{"_308":957,"_310":958},"#c9ae8d",0.0574,"#c1b298",0.0875,"#eddec1",0.1758,"#d5c2a8",0.3168,"#decdb8",0.3625,"christ-carrying-the-cross-met-459087","Christ Carrying the Cross",{"_42":503,"_220":504,"_322":505,"_324":325,"_326":506,"_328":507,"_330":508,"_331":509,"_332":510,"_140":91},"ca. 1577–87","41 5/16 x 31 1/8 in. (105 x 79 cm)",79,105,0.7231362467866324,[996,997,998,999,1000],{"_219":543,"_220":544,"_42":545,"_301":546},"1975.1.145","El Greco painted this in about 1577–87, aged about 33. It is now at The Met in New York.","Christ embraces the cross against an empty sky, his eyes raised heavenward and his long, slender fingers resting lightly on the wood. El Greco strips away the crowd and the road to Calvary found in most depictions of the subject, leaving a single half-length figure for private meditation.","Christ Carrying the Cross, by El Greco, ca. 1577–87",{"_292":993,"_294":994,"_296":995},"https://img.ochreeditions.com/m/1258.jpg?dl=1","/art/christ-carrying-the-cross-met-459087","/galleries/style/spanish-golden-age/christ-carrying-the-cross-met-459087",{"_288":289,"_290":291},{"_223":990,"_125":991,"_282":992},{"_273":988,"_275":567,"_277":989,"_278":973},90.92930591259639,75.92930591259639,{"_284":223,"_123":482,"_154":483,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":93},"https://img.ochreeditions.com/a/1258/480.jpg","https://img.ochreeditions.com/a/1258/960.jpg","https://img.ochreeditions.com/a/1258/1920.jpg",{"_308":1009,"_310":1010},{"_308":1007,"_310":1008},{"_308":1005,"_310":1006},{"_308":1003,"_310":1004},{"_308":1001,"_310":1002},"#4a2325",0.0571,"#84634d",0.0645,"#3d3c33",0.2622,"#0e191b",0.2772,"#25211b",0.339,"madonna-nursing-the-christ-child-cma-144216","Madonna Nursing the Christ Child",{"_42":1059,"_220":1060,"_322":1061,"_324":325,"_326":1062,"_328":1063,"_330":453,"_331":453,"_332":1064,"_140":99},"c. 1670–72","pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink","Sheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)",15.4,21.4,0.7258823529411764,[1044,1045,1046,1047,1048],{"_219":429,"_220":430,"_42":431,"_301":432},"1968.66","Bartolomé Esteban Murillo drew this in about 1670–72, aged about 48. It is now at the Cleveland Museum of Art.",{"_118":1043,"_373":428},"Madonna Nursing the Christ Child, by Bartolomé Esteban Murillo, c. 1670–72",{"_292":1040,"_294":1041,"_296":1042},"https://img.ochreeditions.com/m/671.jpg?dl=1","/art/madonna-nursing-the-christ-child-cma-144216","/galleries/style/spanish-golden-age/madonna-nursing-the-christ-child-cma-144216",{"_288":643,"_290":644},{"_223":1035,"_125":1036,"_282":1037},{"_273":1033,"_275":938,"_277":1034,"_278":940},42.147058823529406,18.14705882352941,{"_284":223,"_123":1038,"_154":1039,"_140":99},{"_284":125,"_123":638,"_154":639,"_140":640},{"_284":282,"_123":362,"_154":363,"_140":75},"artist/bartolome-esteban-murillo","More by Bartolomé Esteban Murillo","https://img.ochreeditions.com/a/671/480.jpg","https://img.ochreeditions.com/a/671/960.jpg","https://img.ochreeditions.com/a/671/1920.jpg","One of the finest of the rare drawings by Murillo, this sheet is a study for Virgin and Child , commissioned for the family chapel of the Marques de Santiago in Madrid and now at the Metropolitan Museum of Art, New York.",{"_308":1057,"_310":1058},{"_308":1055,"_310":1056},{"_308":1053,"_310":1054},{"_308":1051,"_310":1052},{"_308":1049,"_310":1050},"#7d5d3b",0.0851,"#a28157",0.1639,"#d8ccb2",0.2118,"#c6b291",0.241,"#bc9e72",0.2982,"Bartolomé Esteban Murillo","bartolome-esteban-murillo","Spanish, 1617–1682",1617,1682,"Murillo spent nearly all his life in Seville, where he became the city’s leading painter after Zurbarán.","virgin-and-child-met-437175","Virgin and Child",{"_42":1059,"_220":1060,"_322":1061,"_324":325,"_326":1062,"_328":1063,"_330":453,"_331":453,"_332":1064,"_140":99},"1670s","65 1/4 x 43 in. (165.7 x 109.2 cm)",109.2,165.7,0.7065,[1094,1095,1096,1097,1098],{"_219":543,"_220":544,"_42":545,"_301":546},"43.13","Bartolomé Esteban Murillo painted this in the 1670s, aged about 53. It is now at The Met in New York.","Virgin and Child, by Bartolomé Esteban Murillo, 1670s",{"_292":1091,"_294":1092,"_296":1093},"https://img.ochreeditions.com/m/1132.jpg?dl=1","/art/virgin-and-child-met-437175","/galleries/style/spanish-golden-age/virgin-and-child-met-437175",{"_288":289,"_290":291},{"_223":1088,"_125":1089,"_282":1090},{"_273":1085,"_275":1086,"_277":1087,"_278":1071},132.06705,180.7,117.06705,{"_284":223,"_123":1038,"_154":1039,"_140":99},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":362,"_154":363,"_140":75},"https://img.ochreeditions.com/a/1132/480.jpg","https://img.ochreeditions.com/a/1132/960.jpg","https://img.ochreeditions.com/a/1132/1920.jpg",{"_308":1107,"_310":1108},{"_308":1105,"_310":1106},{"_308":1103,"_310":1104},{"_308":1101,"_310":1102},{"_308":1099,"_310":1100},"#a68e6b",0.0455,"#68533b",0.0583,"#482216",0.1382,"#352e22",0.3681,"#1b140f",0.3899,{"_1110":-5,"_1111":1112,"_1113":1114,"_1115":8,"_1116":1117,"_1118":8},"user","csrf","369ae275ef5d976197f67aafe2c12ec3ce4932f0","cartCount",0,"dropLive","legal",[1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130],"uploadsEnabled",{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},{"_220":1147,"_20":1148},{"_220":1145,"_20":1146},{"_220":1143,"_20":1144},{"_220":1141,"_20":1142},{"_220":1139,"_20":1140},{"_220":1137,"_20":1138},{"_220":1135,"_20":1136},{"_220":1133,"_20":1134},{"_220":1131,"_20":1132},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]