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It is now at the Cleveland Museum of Art.",{"_118":438,"_376":377},"Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748",{"_293":435,"_295":436,"_297":437},"https://img.ochreeditions.com/m/792.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518",{"_289":290,"_291":292},{"_223":430,"_125":431,"_284":432},{"_275":427,"_277":428,"_279":411,"_281":429},92.9,67.56911764705883,43.56911764705883,{"_286":223,"_123":433,"_154":434,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-nolli","More by Giovanni Battista Nolli","https://img.ochreeditions.com/a/792/480.jpg","https://img.ochreeditions.com/a/792/960.jpg","https://img.ochreeditions.com/a/792/1920.jpg","The monumental Pianta Grande di Roma, or Large Plan of Rome, which measures about 5 x 7 feet when its twelve plates are assembled, is a landmark in both cartography and printmaking.",{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},"#8c847b",0.0979,"#a0978c",0.1528,"#cac0b4",0.1536,"#afa69a",0.2584,"#bcb3a6",0.3373,"Giovanni Battista Nolli","giovanni-battista-nolli","Italian, 1701–1756",1701,1756,"Nolli was an architect and surveyor from the region around Como who worked in Rome. He spent more than a decade surveying the city for the great map published in 1748, the Pianta Grande di Roma, engraved on twelve plates.","study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany)",{"_42":397,"_220":398,"_323":399,"_325":326,"_327":400,"_329":401,"_331":402,"_333":403,"_335":404,"_140":85},"1739","Framed: 67.5 x 45.5 x 6 cm (26 9/16 x 17 15/16 x 2 3/8 in.); Unframed: 51.7 x 31.7 cm (20 3/8 x 12 1/2 in.)",31.7,51.7,0.5805882352941176,[491,492,493,494,495],{"_219":378,"_220":379,"_42":380,"_302":381},"1946.277","Giovanni Battista Tiepolo painted this in 1739, aged 43. It is now at the Cleveland Museum of Art.",{"_118":490,"_376":377},"Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany), by Giovanni Battista Tiepolo, 1739",{"_293":487,"_295":488,"_297":489},"https://img.ochreeditions.com/m/576.jpg?dl=1","/art/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","/galleries/style/rococo/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796",{"_289":370,"_291":371},{"_223":484,"_125":485,"_284":486},{"_275":481,"_277":482,"_279":483,"_281":466},45.01641176470588,66.7,30.016411764705882,{"_286":223,"_123":368,"_154":369,"_140":85},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/576/480.jpg","https://img.ochreeditions.com/a/576/960.jpg","https://img.ochreeditions.com/a/576/1920.jpg","In 1739 a pair of monumental altarpieces by two Venetian painters (Giovanni Battista Tiepolo and Giambattista Pittoni) were installed in a church in southern Germany, part of a carefully orchestrated decorative program that included architecture, painting, sculpture, and decorative stuccowork.",{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},"#a28663",0.128,"#2e261d",0.1617,"#77563b",0.2234,"#543e2b",0.2373,"#716e64",0.2496,"the-sacrifice-of-isaac-cma-129802","The Sacrifice of Isaac",{"_42":553,"_220":554,"_323":555,"_325":326,"_327":556,"_329":557,"_331":402,"_333":402,"_335":558,"_140":97},"Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",75.5,56.5,1.3545816733067728,[538,539,540,541,542],{"_219":378,"_220":379,"_42":380,"_302":381},"1952.235.1","Francesco Guardi painted this in the 1750s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":537,"_376":377},"The Sacrifice of Isaac, by Francesco Guardi, 1750s",{"_293":534,"_295":535,"_297":536},"https://img.ochreeditions.com/m/596.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-129802","/galleries/style/rococo/the-sacrifice-of-isaac-cma-129802",{"_289":370,"_291":371},{"_223":529,"_125":530,"_284":531},{"_275":526,"_277":527,"_279":510,"_281":528},90.5,70.73676470588236,55.73676470588236,{"_286":223,"_123":532,"_154":533,"_140":97},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/francesco-guardi","More by Francesco Guardi","https://img.ochreeditions.com/a/596/480.jpg","https://img.ochreeditions.com/a/596/960.jpg","https://img.ochreeditions.com/a/596/1920.jpg","This series of paintings primarily tells the Hebrew Bible (Christian Old Testament) story of Abraham and Isaac, and each of the canvases depicts the interaction of humans and angels.",{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},{"_309":545,"_311":546},{"_309":543,"_311":544},"#b5a17f",0.1067,"#7c6750",0.1187,"#4d392c",0.2427,"#2e2720",0.247,"#868e83",0.2849,"Francesco Guardi","francesco-guardi","Italian, 1712–1793",1712,1793,"Guardi worked for years in the family studio in Venice led by his elder brother Gianantonio, producing altarpieces and figure paintings, and became chiefly a painter of city views, especially after his brother’s death in 1760.","christ-and-the-woman-taken-in-adultery-cma-97146","Christ and the Woman Taken in Adultery",{"_42":607,"_220":608,"_323":609,"_325":326,"_327":610,"_329":611,"_331":-5,"_333":-5,"_335":-5,"_140":103},"mid-1700s","Framed: 54.6 x 64.8 x 8.9 cm (21 1/2 x 25 1/2 x 3 1/2 in.); Unframed: 34.6 x 43.5 cm (13 5/8 x 17 1/8 in.)",43.5,34.6,1.261127596439169,[592,593,594,595,596],{"_219":378,"_220":379,"_42":380,"_302":381},"1916.785","Sebastiano Ricci painted this in the mid-1700s, aged about 66. It is now at the Cleveland Museum of Art.",{"_118":591,"_376":377},"Christ and the Woman Taken in Adultery, by Sebastiano Ricci, mid-1700s",{"_293":588,"_295":589,"_297":590},"https://img.ochreeditions.com/m/474.jpg?dl=1","/art/christ-and-the-woman-taken-in-adultery-cma-97146","/galleries/style/rococo/christ-and-the-woman-taken-in-adultery-cma-97146",{"_289":370,"_291":371},{"_223":583,"_125":584,"_284":585},{"_275":580,"_277":581,"_279":564,"_281":582},58.5,49.49294117647059,34.49294117647059,{"_286":223,"_123":586,"_154":587,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-ricci","Sebastiano Ricci's contemporaries","https://img.ochreeditions.com/a/474/480.jpg","https://img.ochreeditions.com/a/474/960.jpg","https://img.ochreeditions.com/a/474/1920.jpg","The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned.",{"_309":605,"_311":606},{"_309":603,"_311":604},{"_309":601,"_311":602},{"_309":599,"_311":600},{"_309":597,"_311":598},"#643f2d",0.0668,"#655f45",0.0695,"#3f4238",0.1728,"#423225",0.2561,"#2f2c23",0.4348,"Sebastiano Ricci","sebastiano-ricci","Italian, 1659–1734",1659,1734,"view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of Rome",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"1769, published 1800–07","Etching on ivory laid paper","48.2 × 70.5 cm (19 × 27 13/16 in.)",70,48,1.456324248777079,[642,643,644,645,646],{"_219":299,"_220":300,"_42":301,"_302":303},"1927.4814","Giovanni Battista Piranesi made this in 1769, published 1800–07, aged 49. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_293":639,"_295":640,"_297":641},"https://img.ochreeditions.com/m/156.jpg?dl=1","/art/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","/galleries/style/rococo/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151",{"_289":290,"_291":292},{"_223":636,"_125":637,"_284":638},{"_275":633,"_277":634,"_279":618,"_281":635},94,72.06621880998081,48.06621880998081,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/156/480.jpg","https://img.ochreeditions.com/a/156/960.jpg","https://img.ochreeditions.com/a/156/1920.jpg",{"_309":655,"_311":656},{"_309":653,"_311":654},{"_309":651,"_311":652},{"_309":649,"_311":650},{"_309":647,"_311":648},"#524a3c",0.13,"#736958",0.1935,"#958978",0.2031,"#dcd1be",0.2045,"#bbae9b",0.2689,"the-old-shepherd-aic-55557","The Old Shepherd",{"_42":703,"_220":704,"_323":705,"_325":326,"_327":706,"_329":707,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1722","Chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper","Image: 17 × 11.3 cm (6 3/4 × 4 1/2 in.); Sheet: 17.3 × 11.6 cm (6 13/16 × 4 5/8 in.)",17,0.6735376645801856,[688,689,690,691,692],{"_219":299,"_220":300,"_42":301,"_302":303},"1946.359","Conte Antonio Maria Zanetti, the Elder made this in 1722, aged 42. It is now at the Art Institute of Chicago.","A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.",{"_293":685,"_295":686,"_297":687},"https://img.ochreeditions.com/m/168.jpg?dl=1","/art/the-old-shepherd-aic-55557","/galleries/style/rococo/the-old-shepherd-aic-55557",{"_289":290,"_291":292},{"_223":680,"_125":681,"_284":682},{"_275":677,"_277":168,"_279":678,"_281":679},40.83844161450464,16.83844161450464,25,{"_286":223,"_123":683,"_154":684,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-conte-antonio-maria-zanetti-the-elder","Conte Antonio Maria Zanetti, the Elder's contemporaries","https://img.ochreeditions.com/a/168/480.jpg","https://img.ochreeditions.com/a/168/960.jpg","https://img.ochreeditions.com/a/168/1920.jpg",{"_309":701,"_311":702},{"_309":699,"_311":700},{"_309":697,"_311":698},{"_309":695,"_311":696},{"_309":693,"_311":694},"#5b767f",0.0763,"#808e8c",0.1639,"#bcae9d",0.1693,"#9f9f96",0.2336,"#ddbea6",0.3569,"Conte Antonio Maria Zanetti, the Elder","conte-antonio-maria-zanetti-the-elder","Italian, 1680–1767",1680,1767,"the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)",{"_42":553,"_220":554,"_323":555,"_325":326,"_327":556,"_329":557,"_331":402,"_333":402,"_335":558,"_140":97},1.3508144616607072,[733,734,735,736,737],{"_219":378,"_220":379,"_42":380,"_302":381},"1952.235",{"_118":732,"_376":377},"The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series), by Francesco Guardi, 1750s",{"_293":729,"_295":730,"_297":731},"https://img.ochreeditions.com/m/595.jpg?dl=1","/art/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","/galleries/style/rococo/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801",{"_289":370,"_291":371},{"_223":726,"_125":727,"_284":728},{"_275":526,"_277":724,"_279":510,"_281":725},70.89220588235294,55.89220588235294,{"_286":223,"_123":532,"_154":533,"_140":97},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/595/480.jpg","https://img.ochreeditions.com/a/595/960.jpg","https://img.ochreeditions.com/a/595/1920.jpg","This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham and, in one particularly dramatic canvas, an angel intercepts Abraham before he sacrifices his own son.",{"_309":746,"_311":747},{"_309":744,"_311":745},{"_309":742,"_311":743},{"_309":740,"_311":741},{"_309":738,"_311":739},"#ad9778",0.0858,"#526066",0.0921,"#888a7f",0.134,"#6a5443",0.1975,"#372e27",0.4906,"the-triumph-of-truth-over-envy-aic-273410","The Triumph of Truth over Envy",{"_42":798,"_220":799,"_323":800,"_325":801,"_327":802,"_329":803,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1781","germany","Etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper","Sheet: 30.1 × 22.9 cm (11 7/8 × 9 1/16 in.)",22,30,0.7930864197530865,[783,784,785,786,787],{"_219":299,"_220":300,"_42":301,"_302":303},"2024.155","Maria Katharina Prestel made this in 1781, aged 34. It is now at the Art Institute of Chicago.","A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.",{"_293":780,"_295":781,"_297":782},"https://img.ochreeditions.com/m/450.jpg?dl=1","/art/the-triumph-of-truth-over-envy-aic-273410","/galleries/style/rococo/the-triumph-of-truth-over-envy-aic-273410",{"_289":290,"_291":292},{"_223":773,"_125":774,"_284":775},{"_275":770,"_277":771,"_279":772,"_281":756},47.7925925925926,54,23.792592592592595,{"_286":223,"_123":778,"_154":779,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":776,"_154":777,"_140":85},"era/18-germany","18th-century Germany","artist/contemporaries-of-maria-katharina-prestel","Maria Katharina Prestel's contemporaries","https://img.ochreeditions.com/a/450/480.jpg","https://img.ochreeditions.com/a/450/960.jpg","https://img.ochreeditions.com/a/450/1920.jpg",{"_309":796,"_311":797},{"_309":794,"_311":795},{"_309":792,"_311":793},{"_309":790,"_311":791},{"_309":788,"_311":789},"#d6c5b4",0.0352,"#d8b997",0.1425,"#7b553a",0.2004,"#a3744a",0.2178,"#ead3ba",0.4041,"Maria Katharina Prestel","maria-katharina-prestel","German, 1747–1794","German",1747,1794,"a-young-woman-buying-a-pink-from-a-young-man-cma-117766","A Young Woman Buying a Pink from a Young Man",{"_42":858,"_220":859,"_323":860,"_325":326,"_327":861,"_329":862,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1740","drawing","Drawing","black crayon (wetted and rubbed) heightened with white chalk on faded blue paper","Sheet: 42.7 x 54.9 cm (16 13/16 x 21 5/8 in.)",54.9,42.7,1.2740885416666667,[843,844,845,846,847],{"_219":378,"_220":379,"_42":380,"_302":381},"1938.387","Giovanni Battista Piazzetta drew this in about 1740, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":842,"_376":377},"A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740",{"_293":839,"_295":840,"_297":841},"https://img.ochreeditions.com/m/535.jpg?dl=1","/art/a-young-woman-buying-a-pink-from-a-young-man-cma-117766","/galleries/style/rococo/a-young-woman-buying-a-pink-from-a-young-man-cma-117766",{"_289":290,"_291":292},{"_223":831,"_125":832,"_284":833},{"_275":828,"_277":829,"_279":812,"_281":830},78.9,67.08962698007153,43.089626980071536,{"_286":223,"_123":837,"_154":838,"_140":89},{"_286":125,"_123":834,"_154":835,"_140":836},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/535/480.jpg","https://img.ochreeditions.com/a/535/960.jpg","https://img.ochreeditions.com/a/535/1920.jpg","Giovanni Battista Piazzetta was celebrated for his finished drawings of saints, portraits, and teste di carattere (character heads). Cleveland’s sheet belongs to the latter genre, which describes portraits embellished with props to suggest a character type or types.",{"_309":856,"_311":857},{"_309":854,"_311":855},{"_309":852,"_311":853},{"_309":850,"_311":851},{"_309":848,"_311":849},"#3a3d3c",0.1291,"#5d5c57",0.1744,"#182125",0.1913,"#968e84",0.2434,"#7c776f",0.2618,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"three-angels-appearing-to-abraham-aic-33084","Three Angels Appearing to Abraham",{"_42":397,"_220":398,"_323":399,"_325":326,"_327":400,"_329":401,"_331":402,"_333":403,"_335":404,"_140":85},"c. 1726","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper","43.1 × 28.5 cm (17 × 11 1/4 in.)",28,43,0.6691008018327605,[898,899,900,901,902],{"_219":299,"_220":300,"_42":301,"_302":303},"1970.41","Giovanni Battista Tiepolo painted this in about 1726, aged about 27. It is now at the Art Institute of Chicago.","Three angels appear to Abraham at Mamre to announce that his aged wife Sarah will bear a son, as told in Genesis.","A work made of pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper.",{"_293":895,"_295":896,"_297":897},"https://img.ochreeditions.com/m/129.jpg?dl=1","/art/three-angels-appearing-to-abraham-aic-33084","/galleries/style/rococo/three-angels-appearing-to-abraham-aic-33084",{"_289":290,"_291":292},{"_223":890,"_125":891,"_284":892},{"_275":887,"_277":888,"_279":889,"_281":872},52.771334478808704,67,28.771334478808704,{"_286":223,"_123":368,"_154":369,"_140":85},{"_286":125,"_123":893,"_154":894,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/129/480.jpg","https://img.ochreeditions.com/a/129/960.jpg","https://img.ochreeditions.com/a/129/1920.jpg",{"_309":911,"_311":912},{"_309":909,"_311":910},{"_309":907,"_311":908},{"_309":905,"_311":906},{"_309":903,"_311":904},"#806d59",0.056,"#9d8973",0.145,"#b4a088",0.2093,"#c8b49b",0.2478,"#decab0",0.3419,"view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of Rome",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"1770","Etching on heavy ivory laid paper","Image: 36.6 × 64.9 cm (14 7/16 × 25 9/16 in.); Plate: 37.3 × 65.6 cm (14 11/16 × 25 7/8 in.); Sheet: 56 × 72.4 cm (22 1/16 × 28 9/16 in.)",64,36,1.2820436211532715,[945,946,947,948,949],{"_219":299,"_220":300,"_42":301,"_302":303},"1927.4799","Giovanni Battista Piranesi made this in 1770, aged 50. It is now at the Art Institute of Chicago.","The towering walls of a great enclosure at Hadrian’s Villa near Tivoli, known in Piranesi’s day as the Praetorian Fort or the Poecile, stand in ruins.","A work made of etching on heavy ivory laid paper.",{"_293":942,"_295":943,"_297":944},"https://img.ochreeditions.com/m/155.jpg?dl=1","/art/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","/galleries/style/rococo/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121",{"_289":290,"_291":292},{"_223":939,"_125":940,"_284":941},{"_275":935,"_277":936,"_279":937,"_281":938},78.34913525657181,66.39257881699973,54.34913525657181,42.39257881699974,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/155/480.jpg","https://img.ochreeditions.com/a/155/960.jpg","https://img.ochreeditions.com/a/155/1920.jpg",{"_309":958,"_311":959},{"_309":956,"_311":957},{"_309":954,"_311":955},{"_309":952,"_311":953},{"_309":950,"_311":951},"#756a5c",0.1031,"#51483c",0.1116,"#a09487",0.1553,"#c6bcab",0.1881,"#e9e2d5",0.4419,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_42":454,"_220":455,"_323":456,"_325":326,"_327":457,"_329":458,"_331":-5,"_333":-5,"_335":459,"_140":99},"Sheet: 43 x 69.4 cm (16 15/16 x 27 5/16 in.)",69.4,1.6045304388862671,[985,986,987,988,989],{"_219":378,"_220":379,"_42":380,"_302":381},"2020.276.1",{"_118":438,"_376":377},{"_293":982,"_295":983,"_297":984},"https://img.ochreeditions.com/m/790.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_289":290,"_291":292},{"_223":979,"_125":980,"_284":981},{"_275":976,"_277":977,"_279":963,"_281":978},93.4,67.25252941176471,43.25252941176471,{"_286":223,"_123":433,"_154":434,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":195},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/790/480.jpg","https://img.ochreeditions.com/a/790/960.jpg","https://img.ochreeditions.com/a/790/1920.jpg",{"_309":997,"_311":998},{"_309":995,"_311":996},{"_309":993,"_311":994},{"_309":991,"_311":992},{"_309":990,"_311":789},"#6a645d","#8b8379",0.0953,"#a1988d",0.2617,"#c1b6aa",0.2973,"#b1a79b",0.3105,"antiochus-yearning-for-stratonice-aic-53064","Antiochus Yearning for Stratonice",{"_42":1045,"_220":1046,"_323":1047,"_325":326,"_327":1048,"_329":1049,"_331":-5,"_333":-5,"_335":-5,"_140":103},"Oil on canvas","98.2 × 136 cm (38 9/16 × 53 9/16 in.); Framed: 129.6 × 169 × 9.6 cm (51 × 66 1/2 × 3 3/4 in.)",136,98,1.3988315759475634,[1030,1031,1032,1033,1034],{"_219":299,"_220":300,"_42":301,"_302":303},"1978.424","Stefano Pozzi painted this in about 1740, aged about 36. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":1027,"_295":1028,"_297":1029},"https://img.ochreeditions.com/m/166.jpg?dl=1","/art/antiochus-yearning-for-stratonice-aic-53064","/galleries/style/rococo/antiochus-yearning-for-stratonice-aic-53064",{"_289":370,"_291":371},{"_223":1022,"_125":1023,"_284":1024},{"_275":1019,"_277":1020,"_279":1004,"_281":1021},151,112.2239991850871,97.2239991850871,{"_286":223,"_123":1025,"_154":1026,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stefano-pozzi","Stefano Pozzi's contemporaries","https://img.ochreeditions.com/a/166/480.jpg","https://img.ochreeditions.com/a/166/960.jpg","https://img.ochreeditions.com/a/166/1920.jpg",{"_309":1043,"_311":1044},{"_309":1041,"_311":1042},{"_309":1039,"_311":1040},{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},"#9d8766",0.0438,"#7b4220",0.0674,"#615139",0.1149,"#422c18",0.3132,"#291f14",0.4607,"Stefano Pozzi","stefano-pozzi","Italian, 1699–1768",1699,1768,"tobias-and-the-angel-cma-129803","Tobias and the Angel",{"_42":553,"_220":554,"_323":555,"_325":326,"_327":556,"_329":557,"_331":402,"_333":402,"_335":558,"_140":97},"Framed: 70.5 x 90.5 x 6.5 cm (27 3/4 x 35 5/8 x 2 9/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",1.3486711622372074,[1076,1077,1078,1079,1080],{"_219":378,"_220":379,"_42":380,"_302":381},"1952.235.2",{"_118":1075,"_376":377},"Tobias and the Angel, by Francesco Guardi, 1750s",{"_293":1072,"_295":1073,"_297":1074},"https://img.ochreeditions.com/m/597.jpg?dl=1","/art/tobias-and-the-angel-cma-129803","/galleries/style/rococo/tobias-and-the-angel-cma-129803",{"_289":370,"_291":371},{"_223":1069,"_125":1070,"_284":1071},{"_275":526,"_277":1067,"_279":510,"_281":1068},70.98102941176471,55.98102941176471,{"_286":223,"_123":532,"_154":533,"_140":97},{"_286":125,"_123":366,"_154":367,"_140":189},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/597/480.jpg","https://img.ochreeditions.com/a/597/960.jpg","https://img.ochreeditions.com/a/597/1920.jpg","This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham. However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible.",{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},"#a69271",0.0396,"#7a6a50",0.0509,"#4a483b",0.1057,"#36322a",0.3062,"#2a2620",0.4976,{"_1092":-5,"_1093":1094,"_1095":1096,"_1097":8,"_1098":1099,"_1100":8},"user","csrf","f734dbd2577a0a4f07f150de5ce221df3e642282","cartCount",0,"dropLive","legal",[1101,1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112],"uploadsEnabled",{"_220":1135,"_20":1136},{"_220":1133,"_20":1134},{"_220":1131,"_20":1132},{"_220":1129,"_20":1130},{"_220":1127,"_20":1128},{"_220":1125,"_20":1126},{"_220":1123,"_20":1124},{"_220":1121,"_20":1122},{"_220":1119,"_20":1120},{"_220":1117,"_20":1118},{"_220":1115,"_20":1116},{"_220":1113,"_20":1114},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]