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Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)","artist",{"_42":327,"_223":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":97},"unrecorded","date","1750s","century",18,"place","italy","movement","rococo","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)","width_cm",75.5,"height_cm",56.5,"aspect",1.3508144616607072,"palette",[310,311,312,313,314],"museum",{"_222":305,"_223":306,"_42":307,"_308":309},"credit","Courtesy of the Cleveland Museum of Art","accession","1952.235","licence","CC0","story","Francesco Guardi painted this in the 1750s, aged about 38. 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It is now at the Art Institute of Chicago.","The towering walls of a great enclosure at Hadrian’s Villa near Tivoli, known in Piranesi’s day as the Praetorian Fort or the Poecile, stand in ruins.","A work made of etching on heavy ivory laid paper.",{"_296":381,"_298":382,"_300":383},"https://img.ochreeditions.com/m/155.jpg?dl=1","/art/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","/galleries/style/rococo/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121",{"_292":379,"_294":380},{"_226":371,"_125":372,"_287":373},{"_278":367,"_280":368,"_282":369,"_283":370},78.34913525657181,66.39257881699973,54.34913525657181,42.39257881699974,{"_289":226,"_123":377,"_154":378,"_140":97},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","black","snow","https://img.ochreeditions.com/a/155/480.jpg","https://img.ochreeditions.com/a/155/960.jpg","https://img.ochreeditions.com/a/155/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},{"_315":395,"_317":396},{"_315":393,"_317":394},"#756a5c",0.1031,"#51483c",0.1116,"#a09487",0.1553,"#c6bcab",0.1881,"#e9e2d5",0.4419,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","The Lion Bas-Reliefs, plate 5 from Imaginary Prisons",{"_42":403,"_223":404,"_329":405,"_331":332,"_333":406,"_335":407,"_337":408,"_339":409,"_340":410,"_140":97},"1761","Etching and engraving on heavy ivory laid paper","Image: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Plate: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Sheet: 78.9 × 58.5 cm (31 1/8 × 23 1/16 in.)",41,56,0.7473263275365014,[442,443,444,445,446],{"_222":384,"_223":385,"_42":386,"_308":387},"1922.5595","Giovanni Battista Piranesi made this in 1761, aged 41. It is now at the Art Institute of Chicago.","Vast stairways, arches and bridges recede into the gloom of an imaginary prison, while in the foreground stand massive relief panels carved with lions.","A work made of etching and engraving on heavy ivory laid paper.",{"_296":439,"_298":440,"_300":441},"https://img.ochreeditions.com/m/12.jpg?dl=1","/art/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","/galleries/style/rococo/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353",{"_292":379,"_294":380},{"_226":436,"_125":437,"_287":438},{"_278":433,"_280":434,"_282":435,"_283":418},65.85027434204409,80,41.85027434204408,{"_289":226,"_123":377,"_154":378,"_140":97},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/12/480.jpg","https://img.ochreeditions.com/a/12/960.jpg","https://img.ochreeditions.com/a/12/1920.jpg",{"_315":455,"_317":456},{"_315":453,"_317":454},{"_315":451,"_317":452},{"_315":449,"_317":450},{"_315":447,"_317":448},"#786f64",0.125,"#5a534b",0.1276,"#988d80",0.1432,"#b7ada3",0.1549,"#f5e7d9",0.4493,"rinaldo-and-armida-in-her-garden-aic-16485","Rinaldo and Armida in Her Garden",{"_42":508,"_223":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":338,"_339":513,"_340":514,"_140":85},"c. 1742–45","Oil on canvas","186.7 × 259.4 cm (73 1/2 × 102 1/8 in.); Framed: 194.3 × 270.5 × 7.9 cm (76 1/2 × 106 1/2 × 3 1/8 in.)",259,186,1.4387932396145948,[493,494,495,496,497],{"_222":384,"_223":385,"_42":386,"_308":387},"1925.699","Giovanni Battista Tiepolo painted this in about 1742–45, aged about 46. It is now at the Art Institute of Chicago.",{"_118":491,"_303":492},"A work made of oil on canvas.",{"_296":488,"_298":489,"_300":490},"https://img.ochreeditions.com/m/53.jpg?dl=1","/art/rinaldo-and-armida-in-her-garden-aic-16485","/galleries/style/rococo/rinaldo-and-armida-in-her-garden-aic-16485",{"_292":293,"_294":295},{"_226":483,"_125":484,"_287":485},{"_278":479,"_280":480,"_282":481,"_283":482},255,181.80645515424305,240,166.80645515424305,{"_289":226,"_123":486,"_154":487,"_140":85},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/53/480.jpg","https://img.ochreeditions.com/a/53/960.jpg","https://img.ochreeditions.com/a/53/1920.jpg","This is the second of four large paintings in a sequence by Giovanni Battista Tiepolo depicting the crusader Rinaldo and the sorceress Armida. Here Armida has abducted Rinaldo and carried him away to her magical garden. She looks into a magic mirror while the knight sits enthralled, gazing into her eyes.","Text from the Art Institute of Chicago.",{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},{"_315":498,"_317":499},"#b27547",0.0621,"#a4a2a7",0.1871,"#323126",0.1914,"#64563f",0.2635,"#967e69",0.2959,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","sketch-for-a-ceiling-cma-97141","Sketch for a Ceiling",{"_42":508,"_223":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":338,"_339":513,"_340":514,"_140":85},"Framed: 51.5 x 43 x 6.5 cm (20 1/4 x 16 15/16 x 2 9/16 in.); Unframed: 41 x 34 cm (16 1/8 x 13 3/8 in.)",34,0.805,[543,544,545,546,547],{"_222":305,"_223":306,"_42":307,"_308":309},"1916.780","Giovanni Battista Tiepolo painted this in the 1750s, aged about 54. It is now at the Cleveland Museum of Art.",{"_118":542,"_303":304},"Sketch for a Ceiling, by Giovanni Battista Tiepolo, 1750s",{"_296":539,"_298":540,"_300":541},"https://img.ochreeditions.com/m/471.jpg?dl=1","/art/sketch-for-a-ceiling-cma-97141","/galleries/style/rococo/sketch-for-a-ceiling-cma-97141",{"_292":293,"_294":295},{"_226":536,"_125":537,"_287":538},{"_278":534,"_280":418,"_282":535,"_283":417},48.005,33.005,{"_289":226,"_123":486,"_154":487,"_140":85},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/471/480.jpg","https://img.ochreeditions.com/a/471/960.jpg","https://img.ochreeditions.com/a/471/1920.jpg","This small, quickly painted picture is typical of the sketches Tiepolo made as studies for larger compositions. When completed full-scale on a ceiling, works like these give the impression of a massive window, through which one can see angels or mythological beings floating among the clouds.",{"_315":556,"_317":557},{"_315":554,"_317":555},{"_315":552,"_317":553},{"_315":550,"_317":551},{"_315":548,"_317":549},"#7c3b29",0.1051,"#8b6a51",0.1222,"#928878",0.1608,"#514133",0.2135,"#9da6a1",0.3984,"view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of Rome",{"_42":403,"_223":404,"_329":405,"_331":332,"_333":406,"_335":407,"_337":408,"_339":409,"_340":410,"_140":97},"1769, published 1800–07","Etching on ivory laid paper","48.2 × 70.5 cm (19 × 27 13/16 in.)",70,48,1.456324248777079,[588,589,590,591,592],{"_222":384,"_223":385,"_42":386,"_308":387},"1927.4814","Giovanni Battista Piranesi made this in 1769, published 1800–07, aged 49. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_296":585,"_298":586,"_300":587},"https://img.ochreeditions.com/m/156.jpg?dl=1","/art/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151","/galleries/style/rococo/view-of-the-villa-of-his-eminence-cardinal-alessandro-albani-aic-48151",{"_292":379,"_294":380},{"_226":582,"_125":583,"_287":584},{"_278":579,"_280":580,"_282":564,"_283":581},94,72.06621880998081,48.06621880998081,{"_289":226,"_123":377,"_154":378,"_140":97},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/156/480.jpg","https://img.ochreeditions.com/a/156/960.jpg","https://img.ochreeditions.com/a/156/1920.jpg",{"_315":601,"_317":602},{"_315":599,"_317":600},{"_315":597,"_317":598},{"_315":595,"_317":596},{"_315":593,"_317":594},"#524a3c",0.13,"#736958",0.1935,"#958978",0.2031,"#dcd1be",0.2045,"#bbae9b",0.2689,"christ-and-the-woman-taken-in-adultery-cma-97146","Christ and the Woman Taken in Adultery",{"_42":651,"_223":652,"_329":653,"_331":332,"_333":654,"_335":655,"_337":-5,"_339":-5,"_340":-5,"_140":103},"mid-1700s","Framed: 54.6 x 64.8 x 8.9 cm (21 1/2 x 25 1/2 x 3 1/2 in.); Unframed: 34.6 x 43.5 cm (13 5/8 x 17 1/8 in.)",43.5,34.6,1.261127596439169,[636,637,638,639,640],{"_222":305,"_223":306,"_42":307,"_308":309},"1916.785","Sebastiano Ricci painted this in the mid-1700s, aged about 66. It is now at the Cleveland Museum of Art.",{"_118":635,"_303":304},"Christ and the Woman Taken in Adultery, by Sebastiano Ricci, mid-1700s",{"_296":632,"_298":633,"_300":634},"https://img.ochreeditions.com/m/474.jpg?dl=1","/art/christ-and-the-woman-taken-in-adultery-cma-97146","/galleries/style/rococo/christ-and-the-woman-taken-in-adultery-cma-97146",{"_292":293,"_294":295},{"_226":627,"_125":628,"_287":629},{"_278":624,"_280":625,"_282":608,"_283":626},58.5,49.49294117647059,34.49294117647059,{"_289":226,"_123":630,"_154":631,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-ricci","Sebastiano Ricci's contemporaries","https://img.ochreeditions.com/a/474/480.jpg","https://img.ochreeditions.com/a/474/960.jpg","https://img.ochreeditions.com/a/474/1920.jpg","The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned.",{"_315":649,"_317":650},{"_315":647,"_317":648},{"_315":645,"_317":646},{"_315":643,"_317":644},{"_315":641,"_317":642},"#643f2d",0.0668,"#655f45",0.0695,"#3f4238",0.1728,"#423225",0.2561,"#2f2c23",0.4348,"Sebastiano Ricci","sebastiano-ricci","Italian, 1659–1734",1659,1734,"a-young-woman-buying-a-pink-from-a-young-man-cma-117766","A Young Woman Buying a Pink from a Young Man",{"_42":710,"_223":711,"_329":712,"_331":332,"_333":713,"_335":714,"_337":-5,"_339":-5,"_340":-5,"_140":101},"c. 1740","drawing","Drawing","black crayon (wetted and rubbed) heightened with white chalk on faded blue paper","Sheet: 42.7 x 54.9 cm (16 13/16 x 21 5/8 in.)",54.9,42.7,1.2740885416666667,[695,696,697,698,699],{"_222":305,"_223":306,"_42":307,"_308":309},"1938.387","Giovanni Battista Piazzetta drew this in about 1740, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":694,"_303":304},"A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740",{"_296":691,"_298":692,"_300":693},"https://img.ochreeditions.com/m/535.jpg?dl=1","/art/a-young-woman-buying-a-pink-from-a-young-man-cma-117766","/galleries/style/rococo/a-young-woman-buying-a-pink-from-a-young-man-cma-117766",{"_292":379,"_294":380},{"_226":683,"_125":684,"_287":685},{"_278":680,"_280":681,"_282":664,"_283":682},78.9,67.08962698007153,43.089626980071536,{"_289":226,"_123":689,"_154":690,"_140":89},{"_289":125,"_123":686,"_154":687,"_140":688},{"_289":287,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/535/480.jpg","https://img.ochreeditions.com/a/535/960.jpg","https://img.ochreeditions.com/a/535/1920.jpg","Giovanni Battista Piazzetta was celebrated for his finished drawings of saints, portraits, and teste di carattere (character heads). Cleveland’s sheet belongs to the latter genre, which describes portraits embellished with props to suggest a character type or types.",{"_315":708,"_317":709},{"_315":706,"_317":707},{"_315":704,"_317":705},{"_315":702,"_317":703},{"_315":700,"_317":701},"#3a3d3c",0.1291,"#5d5c57",0.1744,"#182125",0.1913,"#968e84",0.2434,"#7c776f",0.2618,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma",{"_42":764,"_223":765,"_329":766,"_331":332,"_333":767,"_335":768,"_337":-5,"_339":-5,"_340":769,"_140":99},"1748","etching and engraving","Sheet: 43 x 69.4 cm (16 15/16 x 27 5/16 in.)",69.4,43,1.6045304388862671,[749,750,751,752,753],{"_222":305,"_223":306,"_42":307,"_308":309},"2020.276.1","Giovanni Battista Nolli made this in 1748, aged 47. It is now at the Cleveland Museum of Art.",{"_118":748,"_303":304},"Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma, by Giovanni Battista Nolli, 1748",{"_296":745,"_298":746,"_300":747},"https://img.ochreeditions.com/m/790.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_292":379,"_294":380},{"_226":740,"_125":741,"_287":742},{"_278":737,"_280":738,"_282":721,"_283":739},93.4,67.25252941176471,43.25252941176471,{"_289":226,"_123":743,"_154":744,"_140":99},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-nolli","More by Giovanni Battista Nolli","https://img.ochreeditions.com/a/790/480.jpg","https://img.ochreeditions.com/a/790/960.jpg","https://img.ochreeditions.com/a/790/1920.jpg","The monumental Pianta Grande di Roma, or Large Plan of Rome, which measures about 5 x 7 feet when its twelve plates are assembled, is a landmark in both cartography and printmaking.",{"_315":762,"_317":763},{"_315":760,"_317":761},{"_315":758,"_317":759},{"_315":756,"_317":757},{"_315":754,"_317":755},"#6a645d",0.0352,"#8b8379",0.0953,"#a1988d",0.2617,"#c1b6aa",0.2973,"#b1a79b",0.3105,"Giovanni Battista Nolli","giovanni-battista-nolli","Italian, 1701–1756",1701,1756,"Nolli was an architect and surveyor from the region around Como who worked in Rome. He spent more than a decade surveying the city for the great map published in 1748, the Pianta Grande di Roma, engraved on twelve plates.","antiochus-yearning-for-stratonice-aic-53064","Antiochus Yearning for Stratonice",{"_42":814,"_223":815,"_329":816,"_331":332,"_333":817,"_335":818,"_337":-5,"_339":-5,"_340":-5,"_140":103},"98.2 × 136 cm (38 9/16 × 53 9/16 in.); Framed: 129.6 × 169 × 9.6 cm (51 × 66 1/2 × 3 3/4 in.)",136,98,1.3988315759475634,[799,800,801,802,803],{"_222":384,"_223":385,"_42":386,"_308":387},"1978.424","Stefano Pozzi painted this in about 1740, aged about 36. It is now at the Art Institute of Chicago.",{"_296":796,"_298":797,"_300":798},"https://img.ochreeditions.com/m/166.jpg?dl=1","/art/antiochus-yearning-for-stratonice-aic-53064","/galleries/style/rococo/antiochus-yearning-for-stratonice-aic-53064",{"_292":293,"_294":295},{"_226":791,"_125":792,"_287":793},{"_278":788,"_280":789,"_282":774,"_283":790},151,112.2239991850871,97.2239991850871,{"_289":226,"_123":794,"_154":795,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stefano-pozzi","Stefano Pozzi's contemporaries","https://img.ochreeditions.com/a/166/480.jpg","https://img.ochreeditions.com/a/166/960.jpg","https://img.ochreeditions.com/a/166/1920.jpg",{"_315":812,"_317":813},{"_315":810,"_317":811},{"_315":808,"_317":809},{"_315":806,"_317":807},{"_315":804,"_317":805},"#9d8766",0.0438,"#7b4220",0.0674,"#615139",0.1149,"#422c18",0.3132,"#291f14",0.4607,"Stefano Pozzi","stefano-pozzi","Italian, 1699–1768",1699,1768,"the-sacrifice-of-isaac-cma-129802","The Sacrifice of Isaac",{"_42":327,"_223":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":97},1.3545816733067728,[844,845,846,847,848],{"_222":305,"_223":306,"_42":307,"_308":309},"1952.235.1",{"_118":843,"_303":304},"The Sacrifice of Isaac, by Francesco Guardi, 1750s",{"_296":840,"_298":841,"_300":842},"https://img.ochreeditions.com/m/596.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-129802","/galleries/style/rococo/the-sacrifice-of-isaac-cma-129802",{"_292":293,"_294":295},{"_226":837,"_125":838,"_287":839},{"_278":279,"_280":835,"_282":245,"_283":836},70.73676470588236,55.73676470588236,{"_289":226,"_123":170,"_154":169,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/596/480.jpg","https://img.ochreeditions.com/a/596/960.jpg","https://img.ochreeditions.com/a/596/1920.jpg","This series of paintings primarily tells the Hebrew Bible (Christian Old Testament) story of Abraham and Isaac, and each of the canvases depicts the interaction of humans and angels.",{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},"#b5a17f",0.1067,"#7c6750",0.1187,"#4d392c",0.2427,"#2e2720",0.247,"#868e83",0.2849,"armida-encounters-the-sleeping-rinaldo-aic-16488","Armida Encounters the Sleeping Rinaldo",{"_42":508,"_223":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":338,"_339":513,"_340":514,"_140":85},"187.5 × 216.8 cm (73 13/16 × 85 3/8 in.); Framed: 194.8 × 223.5 × 8.3 cm (76 1/2 × 88 × 3 1/4 in.)",216,187,1.1553569923290905,[888,889,890,891,892],{"_222":384,"_223":385,"_42":386,"_308":387},"1925.700",{"_118":887,"_303":492},"Large painting of soldier asleep outdoors surrounded by two women and a cupid.",{"_296":884,"_298":885,"_300":886},"https://img.ochreeditions.com/m/55.jpg?dl=1","/art/armida-encounters-the-sleeping-rinaldo-aic-16488","/galleries/style/rococo/armida-encounters-the-sleeping-rinaldo-aic-16488",{"_292":293,"_294":295},{"_226":881,"_125":882,"_287":883},{"_278":878,"_280":879,"_282":863,"_283":880},231,201.95520210126952,186.95520210126952,{"_289":226,"_123":486,"_154":487,"_140":85},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/55/480.jpg","https://img.ochreeditions.com/a/55/960.jpg","https://img.ochreeditions.com/a/55/1920.jpg","Giovanni Battista Tiepolo’s work epitomizes the brilliant exuberance of the Late Baroque style. Internationally renowned, Tiepolo was often commissioned to transform palaces and monasteries in Venice and elsewhere in Italy, as well as in Germany and Spain.",{"_315":901,"_317":902},{"_315":899,"_317":900},{"_315":897,"_317":898},{"_315":895,"_317":896},{"_315":893,"_317":894},"#a66244",0.1045,"#847461",0.1864,"#44352b",0.2173,"#c2aa90",0.2185,"#abbdc1",0.2733,"the-dance-aic-10550","The Dance",{"_42":947,"_223":948,"_329":949,"_331":332,"_333":950,"_335":951,"_337":338,"_339":338,"_340":952,"_140":97},"c. 1750","61.6 × 49.6 cm (24 1/4 × 19 1/2 in.); Framed: 74.3 × 59.1 × 6.4 cm (29 1/4 × 23 1/4 × 2 1/2 in.)",61,0.8214397988054071,[932,933,934,935,936],{"_222":384,"_223":385,"_42":386,"_308":387},"1932.52","Pietro Longhi painted this in about 1750, aged about 43. It is now at the Art Institute of Chicago.",{"_296":929,"_298":930,"_300":931},"https://img.ochreeditions.com/m/19.jpg?dl=1","/art/the-dance-aic-10550","/galleries/style/rococo/the-dance-aic-10550",{"_292":293,"_294":295},{"_226":924,"_125":925,"_287":926},{"_278":921,"_280":922,"_282":923,"_283":908},65.10782772712983,76,50.10782772712983,{"_289":226,"_123":927,"_154":928,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/pietro-longhi","More by Pietro Longhi","https://img.ochreeditions.com/a/19/480.jpg","https://img.ochreeditions.com/a/19/960.jpg","https://img.ochreeditions.com/a/19/1920.jpg",{"_315":945,"_317":946},{"_315":943,"_317":944},{"_315":941,"_317":942},{"_315":939,"_317":940},{"_315":937,"_317":938},"#a6a982",0.0367,"#796f48",0.0625,"#514226",0.1734,"#231711",0.2776,"#342417",0.4498,"Pietro Longhi","pietro-longhi","Italian, 1702–1785",1702,1785,"Pietro Longhi, born Pietro Falca, trained with Antonio Balestra and then in Bologna with Giuseppe Maria Crespi, who encouraged his turn from history painting to genre.","tobias-and-the-angel-cma-129803","Tobias and the Angel",{"_42":327,"_223":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":97},"Framed: 70.5 x 90.5 x 6.5 cm (27 3/4 x 35 5/8 x 2 9/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",1.3486711622372074,[979,980,981,982,983],{"_222":305,"_223":306,"_42":307,"_308":309},"1952.235.2",{"_118":978,"_303":304},"Tobias and the Angel, by Francesco Guardi, 1750s",{"_296":975,"_298":976,"_300":977},"https://img.ochreeditions.com/m/597.jpg?dl=1","/art/tobias-and-the-angel-cma-129803","/galleries/style/rococo/tobias-and-the-angel-cma-129803",{"_292":293,"_294":295},{"_226":972,"_125":973,"_287":974},{"_278":279,"_280":970,"_282":245,"_283":971},70.98102941176471,55.98102941176471,{"_289":226,"_123":170,"_154":169,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/597/480.jpg","https://img.ochreeditions.com/a/597/960.jpg","https://img.ochreeditions.com/a/597/1920.jpg","This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham. However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible.",{"_315":992,"_317":993},{"_315":990,"_317":991},{"_315":988,"_317":989},{"_315":986,"_317":987},{"_315":984,"_317":985},"#a69271",0.0396,"#7a6a50",0.0509,"#4a483b",0.1057,"#36322a",0.3062,"#2a2620",0.4976,"old-woman-with-a-muff-nga-32688","Old Woman with a Muff","Unrecorded French maker","second half 18th century","france","overall: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.) framed: 106.7 x 89.5 x 10.2 cm (42 x 35 1/4 x 4 in.)",64.5,80.5,0.7998046875,[1034,1035,1036,1037,1038],{"_222":1030,"_223":1031,"_42":1032,"_308":1033},"Courtesy National Gallery of Art, Washington","1946.7.10","An unrecorded French artist painted this in the second half 18th century. It is now at the National Gallery of Art in Washington, DC.","This painting shows a seated elderly woman from the waist up. She faces us with a neutral expression. She has a fair complexion with visible wrinkles, rosy cheeks, and pink lips. Her hair is mostly covered by a white lace cap and a black headscarf. She wears a patterned reddish-brown garment with lace around the collar and sleeves, and her hands rest on a brown fur muff. The background is a dark gray-brown color with visible brushstrokes.",{"_296":1027,"_298":1028,"_300":1029},"https://img.ochreeditions.com/m/1482.jpg?dl=1","/art/old-woman-with-a-muff-nga-32688","/galleries/style/rococo/old-woman-with-a-muff-nga-32688",{"_292":293,"_294":295},{"_226":1019,"_125":1020,"_287":1021},{"_278":1016,"_280":1017,"_282":1018,"_283":1001},79.38427734375,95.5,64.38427734375,{"_289":226,"_123":1025,"_154":1026,"_140":87},{"_289":125,"_123":290,"_154":291,"_140":202},{"_289":287,"_123":1022,"_154":1023,"_140":1024},"era/18-france","18th-century France",75,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1482/480.jpg","https://img.ochreeditions.com/a/1482/960.jpg","https://img.ochreeditions.com/a/1482/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":1047,"_317":1048},{"_315":1045,"_317":1046},{"_315":1043,"_317":1044},{"_315":1041,"_317":1042},{"_315":1039,"_317":1040},"#ad7738",0.019,"#806e42",0.1075,"#593516",0.1173,"#1f120a",0.276,"#39270e",0.4802,"the-old-shepherd-aic-55557","The Old Shepherd",{"_42":1095,"_223":1096,"_329":1097,"_331":332,"_333":1098,"_335":1099,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1722","Chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper","Image: 17 × 11.3 cm (6 3/4 × 4 1/2 in.); Sheet: 17.3 × 11.6 cm (6 13/16 × 4 5/8 in.)",17,0.6735376645801856,[1080,1081,1082,1083,1084],{"_222":384,"_223":385,"_42":386,"_308":387},"1946.359","Conte Antonio Maria Zanetti, the Elder made this in 1722, aged 42. It is now at the Art Institute of Chicago.","A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.",{"_296":1077,"_298":1078,"_300":1079},"https://img.ochreeditions.com/m/168.jpg?dl=1","/art/the-old-shepherd-aic-55557","/galleries/style/rococo/the-old-shepherd-aic-55557",{"_292":379,"_294":380},{"_226":1072,"_125":1073,"_287":1074},{"_278":1069,"_280":168,"_282":1070,"_283":1071},40.83844161450464,16.83844161450464,25,{"_289":226,"_123":1075,"_154":1076,"_140":89},{"_289":125,"_123":374,"_154":375,"_140":376},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-conte-antonio-maria-zanetti-the-elder","Conte Antonio Maria Zanetti, the Elder's contemporaries","https://img.ochreeditions.com/a/168/480.jpg","https://img.ochreeditions.com/a/168/960.jpg","https://img.ochreeditions.com/a/168/1920.jpg",{"_315":1093,"_317":1094},{"_315":1091,"_317":1092},{"_315":1089,"_317":1090},{"_315":1087,"_317":1088},{"_315":1085,"_317":1086},"#5b767f",0.0763,"#808e8c",0.1639,"#bcae9d",0.1693,"#9f9f96",0.2336,"#ddbea6",0.3569,"Conte Antonio Maria Zanetti, the Elder","conte-antonio-maria-zanetti-the-elder","Italian, 1680–1767",1680,1767,{"_1101":-5,"_1102":1103,"_1104":1105,"_1106":8,"_1107":1108,"_1109":8},"user","csrf","64a3703de3f146c6d172b94b00717fb3812ebd77","cartCount",0,"dropLive","legal",[1110,1111,1112,1113,1114,1115,1116,1117,1118,1119,1120,1121],"uploadsEnabled",{"_223":1144,"_20":1145},{"_223":1142,"_20":1143},{"_223":1140,"_20":1141},{"_223":1138,"_20":1139},{"_223":1136,"_20":1137},{"_223":1134,"_20":1135},{"_223":1132,"_20":1133},{"_223":1130,"_20":1131},{"_223":1128,"_20":1129},{"_223":1126,"_20":1127},{"_223":1124,"_20":1125},{"_223":1122,"_20":1123},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]