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Here Armida has abducted Rinaldo and carried him away to her magical garden. She looks into a magic mirror while the knight sits enthralled, gazing into her eyes.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#b27547","weight",0.0621,"#a4a2a7",0.1871,"#323126",0.1914,"#64563f",0.2635,"#967e69",0.2959,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","bio","Italian, 1696–1770","nationality","Italian","birth_year",1696,"death_year",1770,"birth_place","Venice","death_place","Madrid","about_excerpt","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","tobias-and-the-angel-cma-129803","Tobias and the Angel",{"_42":397,"_220":398,"_328":399,"_330":331,"_332":400,"_334":401,"_336":337,"_338":337,"_340":402,"_140":97},"1750s","oil on canvas","Framed: 70.5 x 90.5 x 6.5 cm (27 3/4 x 35 5/8 x 2 9/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",75.5,56.5,1.3486711622372074,[382,383,384,385,386],{"_219":378,"_220":379,"_42":380,"_307":381},"Courtesy of the Cleveland Museum of Art","1952.235.2","Francesco Guardi painted this in the 1750s, aged about 38. 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However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},{"_314":387,"_316":388},"#a69271",0.0396,"#7a6a50",0.0509,"#4a483b",0.1057,"#36322a",0.3062,"#2a2620",0.4976,"Francesco Guardi","francesco-guardi","Italian, 1712–1793",1712,1793,"Guardi worked for years in the family studio in Venice led by his elder brother Gianantonio, producing altarpieces and figure paintings, and became chiefly a painter of city views, especially after his brother’s death in 1760.","nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423512","Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma",{"_42":458,"_220":459,"_328":460,"_330":331,"_332":461,"_334":462,"_336":-5,"_338":-5,"_340":463,"_140":99},"1748","print","Print","etching and engraving","Sheet: 43.8 x 68.7 cm (17 1/4 x 27 1/16 in.)",68.7,43.8,1.5567765567765568,[443,444,445,446,447],{"_219":378,"_220":379,"_42":380,"_307":381},"2020.276.4","Giovanni Battista Nolli made this in 1748, aged 47. 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He spent more than a decade surveying the city for the great map published in 1748, the Pianta Grande di Roma, engraved on twelve plates.","old-woman-with-a-muff-nga-32688","Old Woman with a Muff","Unrecorded French maker","second half 18th century","france","overall: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.) framed: 106.7 x 89.5 x 10.2 cm (42 x 35 1/4 x 4 in.)",64.5,80.5,0.7998046875,[504,505,506,507,508],{"_219":500,"_220":501,"_42":502,"_307":503},"Courtesy National Gallery of Art, Washington","1946.7.10","An unrecorded French artist painted this in the second half 18th century. It is now at the National Gallery of Art in Washington, DC.","This painting shows a seated elderly woman from the waist up. She faces us with a neutral expression. She has a fair complexion with visible wrinkles, rosy cheeks, and pink lips. Her hair is mostly covered by a white lace cap and a black headscarf. She wears a patterned reddish-brown garment with lace around the collar and sleeves, and her hands rest on a brown fur muff. The background is a dark gray-brown color with visible brushstrokes.",{"_295":497,"_297":498,"_299":499},"https://img.ochreeditions.com/m/1482.jpg?dl=1","/art/old-woman-with-a-muff-nga-32688","/galleries/style/rococo/old-woman-with-a-muff-nga-32688",{"_291":292,"_293":294},{"_223":489,"_125":490,"_285":491},{"_275":486,"_277":487,"_279":488,"_281":471},79.38427734375,95.5,64.38427734375,{"_287":223,"_123":495,"_154":496,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":492,"_154":493,"_140":494},"era/18-france","18th-century France",75,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1482/480.jpg","https://img.ochreeditions.com/a/1482/960.jpg","https://img.ochreeditions.com/a/1482/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":517,"_316":518},{"_314":515,"_316":516},{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},"#ad7738",0.019,"#806e42",0.1075,"#593516",0.1173,"#1f120a",0.276,"#39270e",0.4802,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_42":458,"_220":459,"_328":460,"_330":331,"_332":461,"_334":462,"_336":-5,"_338":-5,"_340":463,"_140":99},"Sheet: 43 x 69.4 cm (16 15/16 x 27 5/16 in.)",69.4,43,1.6045304388862671,[545,546,547,548,549],{"_219":378,"_220":379,"_42":380,"_307":381},"2020.276.1",{"_118":442,"_302":377},{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/790.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423509",{"_291":437,"_293":438},{"_223":539,"_125":540,"_285":541},{"_275":536,"_277":537,"_279":522,"_281":538},93.4,67.25252941176471,43.25252941176471,{"_287":223,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":433,"_154":434,"_140":202},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/790/480.jpg","https://img.ochreeditions.com/a/790/960.jpg","https://img.ochreeditions.com/a/790/1920.jpg",{"_314":558,"_316":559},{"_314":556,"_316":557},{"_314":554,"_316":555},{"_314":552,"_316":553},{"_314":550,"_316":551},"#6a645d",0.0352,"#8b8379",0.0953,"#a1988d",0.2617,"#c1b6aa",0.2973,"#b1a79b",0.3105,"the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","The Lion Bas-Reliefs, plate 5 from Imaginary Prisons",{"_42":608,"_220":609,"_328":610,"_330":331,"_332":611,"_334":612,"_336":613,"_338":614,"_340":615,"_140":97},"1761","Etching and engraving on heavy ivory laid paper","Image: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Plate: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Sheet: 78.9 × 58.5 cm (31 1/8 × 23 1/16 in.)",41,56,0.7473263275365014,[593,594,595,596,597],{"_219":304,"_220":305,"_42":306,"_307":308},"1922.5595","Giovanni Battista Piranesi made this in 1761, aged 41. It is now at the Art Institute of Chicago.","Vast stairways, arches and bridges recede into the gloom of an imaginary prison, while in the foreground stand massive relief panels carved with lions.","A work made of etching and engraving on heavy ivory laid paper.",{"_295":590,"_297":591,"_299":592},"https://img.ochreeditions.com/m/12.jpg?dl=1","/art/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","/galleries/style/rococo/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353",{"_291":437,"_293":438},{"_223":585,"_125":586,"_285":587},{"_275":582,"_277":583,"_279":584,"_281":567},65.85027434204409,80,41.85027434204408,{"_287":223,"_123":588,"_154":589,"_140":97},{"_287":125,"_123":433,"_154":434,"_140":202},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/12/480.jpg","https://img.ochreeditions.com/a/12/960.jpg","https://img.ochreeditions.com/a/12/1920.jpg",{"_314":606,"_316":607},{"_314":604,"_316":605},{"_314":602,"_316":603},{"_314":600,"_316":601},{"_314":598,"_316":599},"#786f64",0.125,"#5a534b",0.1276,"#988d80",0.1432,"#b7ada3",0.1549,"#f5e7d9",0.4493,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)",{"_42":397,"_220":398,"_328":399,"_330":331,"_332":400,"_334":401,"_336":337,"_338":337,"_340":402,"_140":97},"Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",1.3508144616607072,[642,643,644,645,646],{"_219":378,"_220":379,"_42":380,"_307":381},"1952.235",{"_118":641,"_302":377},"The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series), by Francesco Guardi, 1750s",{"_295":638,"_297":639,"_299":640},"https://img.ochreeditions.com/m/595.jpg?dl=1","/art/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","/galleries/style/rococo/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801",{"_291":292,"_293":294},{"_223":635,"_125":636,"_285":637},{"_275":365,"_277":633,"_279":348,"_281":634},70.89220588235294,55.89220588235294,{"_287":223,"_123":371,"_154":372,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/595/480.jpg","https://img.ochreeditions.com/a/595/960.jpg","https://img.ochreeditions.com/a/595/1920.jpg","This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham and, in one particularly dramatic canvas, an angel intercepts Abraham before he sacrifices his own son.",{"_314":655,"_316":656},{"_314":653,"_316":654},{"_314":651,"_316":652},{"_314":649,"_316":650},{"_314":647,"_316":648},"#ad9778",0.0858,"#526066",0.0921,"#888a7f",0.134,"#6a5443",0.1975,"#372e27",0.4906,"armida-encounters-the-sleeping-rinaldo-aic-16488","Armida Encounters the Sleeping Rinaldo",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":85},"187.5 × 216.8 cm (73 13/16 × 85 3/8 in.); Framed: 194.8 × 223.5 × 8.3 cm (76 1/2 × 88 × 3 1/4 in.)",216,187,1.1553569923290905,[686,687,688,689,690],{"_219":304,"_220":305,"_42":306,"_307":308},"1925.700",{"_118":685,"_302":303},"Large painting of soldier asleep outdoors surrounded by two women and a cupid.",{"_295":682,"_297":683,"_299":684},"https://img.ochreeditions.com/m/55.jpg?dl=1","/art/armida-encounters-the-sleeping-rinaldo-aic-16488","/galleries/style/rococo/armida-encounters-the-sleeping-rinaldo-aic-16488",{"_291":292,"_293":294},{"_223":679,"_125":680,"_285":681},{"_275":676,"_277":677,"_279":661,"_281":678},231,201.95520210126952,186.95520210126952,{"_287":223,"_123":170,"_154":169,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/55/480.jpg","https://img.ochreeditions.com/a/55/960.jpg","https://img.ochreeditions.com/a/55/1920.jpg","Giovanni Battista Tiepolo’s work epitomizes the brilliant exuberance of the Late Baroque style. Internationally renowned, Tiepolo was often commissioned to transform palaces and monasteries in Venice and elsewhere in Italy, as well as in Germany and Spain.",{"_314":699,"_316":700},{"_314":697,"_316":698},{"_314":695,"_316":696},{"_314":693,"_316":694},{"_314":691,"_316":692},"#a66244",0.1045,"#847461",0.1864,"#44352b",0.2173,"#c2aa90",0.2185,"#abbdc1",0.2733,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518",{"_42":458,"_220":459,"_328":460,"_330":331,"_332":461,"_334":462,"_336":-5,"_338":-5,"_340":463,"_140":99},"Sheet: 43.4 x 68.9 cm (17 1/16 x 27 1/8 in.)",68.9,43.4,1.5813953488372092,[727,728,729,730,731],{"_219":378,"_220":379,"_42":380,"_307":381},"2020.276.10",{"_118":442,"_302":377},{"_295":724,"_297":725,"_299":726},"https://img.ochreeditions.com/m/792.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518",{"_291":437,"_293":438},{"_223":721,"_125":722,"_285":723},{"_275":718,"_277":719,"_279":704,"_281":720},92.9,67.56911764705883,43.56911764705883,{"_287":223,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":433,"_154":434,"_140":202},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/792/480.jpg","https://img.ochreeditions.com/a/792/960.jpg","https://img.ochreeditions.com/a/792/1920.jpg",{"_314":740,"_316":741},{"_314":738,"_316":739},{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},"#8c847b",0.0979,"#a0978c",0.1528,"#cac0b4",0.1536,"#afa69a",0.2584,"#bcb3a6",0.3373,"study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany)",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":85},"1739","Framed: 67.5 x 45.5 x 6 cm (26 9/16 x 17 15/16 x 2 3/8 in.); Unframed: 51.7 x 31.7 cm (20 3/8 x 12 1/2 in.)",31.7,51.7,0.5805882352941176,[773,774,775,776,777],{"_219":378,"_220":379,"_42":380,"_307":381},"1946.277","Giovanni Battista Tiepolo painted this in 1739, aged 43. It is now at the Cleveland Museum of Art.",{"_118":772,"_302":377},"Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany), by Giovanni Battista Tiepolo, 1739",{"_295":769,"_297":770,"_299":771},"https://img.ochreeditions.com/m/576.jpg?dl=1","/art/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","/galleries/style/rococo/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796",{"_291":292,"_293":294},{"_223":766,"_125":767,"_285":768},{"_275":763,"_277":764,"_279":765,"_281":748},45.01641176470588,66.7,30.016411764705882,{"_287":223,"_123":170,"_154":169,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/576/480.jpg","https://img.ochreeditions.com/a/576/960.jpg","https://img.ochreeditions.com/a/576/1920.jpg","In 1739 a pair of monumental altarpieces by two Venetian painters (Giovanni Battista Tiepolo and Giambattista Pittoni) were installed in a church in southern Germany, part of a carefully orchestrated decorative program that included architecture, painting, sculpture, and decorative stuccowork.",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#a28663",0.128,"#2e261d",0.1617,"#77563b",0.2234,"#543e2b",0.2373,"#716e64",0.2496,"sketch-for-a-ceiling-cma-97141","Sketch for a Ceiling",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":85},"Framed: 51.5 x 43 x 6.5 cm (20 1/4 x 16 15/16 x 2 9/16 in.); Unframed: 41 x 34 cm (16 1/8 x 13 3/8 in.)",34,0.805,[816,817,818,819,820],{"_219":378,"_220":379,"_42":380,"_307":381},"1916.780","Giovanni Battista Tiepolo painted this in the 1750s, aged about 54. It is now at the Cleveland Museum of Art.",{"_118":815,"_302":377},"Sketch for a Ceiling, by Giovanni Battista Tiepolo, 1750s",{"_295":812,"_297":813,"_299":814},"https://img.ochreeditions.com/m/471.jpg?dl=1","/art/sketch-for-a-ceiling-cma-97141","/galleries/style/rococo/sketch-for-a-ceiling-cma-97141",{"_291":292,"_293":294},{"_223":809,"_125":810,"_285":811},{"_275":807,"_277":567,"_279":808,"_281":566},48.005,33.005,{"_287":223,"_123":170,"_154":169,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/471/480.jpg","https://img.ochreeditions.com/a/471/960.jpg","https://img.ochreeditions.com/a/471/1920.jpg","This small, quickly painted picture is typical of the sketches Tiepolo made as studies for larger compositions. When completed full-scale on a ceiling, works like these give the impression of a massive window, through which one can see angels or mythological beings floating among the clouds.",{"_314":829,"_316":830},{"_314":827,"_316":828},{"_314":825,"_316":826},{"_314":823,"_316":824},{"_314":821,"_316":822},"#7c3b29",0.1051,"#8b6a51",0.1222,"#928878",0.1608,"#514133",0.2135,"#9da6a1",0.3984,"the-sacrifice-of-isaac-cma-129802","The Sacrifice of Isaac",{"_42":397,"_220":398,"_328":399,"_330":331,"_332":400,"_334":401,"_336":337,"_338":337,"_340":402,"_140":97},1.3545816733067728,[856,857,858,859,860],{"_219":378,"_220":379,"_42":380,"_307":381},"1952.235.1",{"_118":855,"_302":377},"The Sacrifice of Isaac, by Francesco Guardi, 1750s",{"_295":852,"_297":853,"_299":854},"https://img.ochreeditions.com/m/596.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-129802","/galleries/style/rococo/the-sacrifice-of-isaac-cma-129802",{"_291":292,"_293":294},{"_223":849,"_125":850,"_285":851},{"_275":365,"_277":847,"_279":348,"_281":848},70.73676470588236,55.73676470588236,{"_287":223,"_123":371,"_154":372,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/596/480.jpg","https://img.ochreeditions.com/a/596/960.jpg","https://img.ochreeditions.com/a/596/1920.jpg","This series of paintings primarily tells the Hebrew Bible (Christian Old Testament) story of Abraham and Isaac, and each of the canvases depicts the interaction of humans and angels.",{"_314":869,"_316":870},{"_314":867,"_316":868},{"_314":865,"_316":866},{"_314":863,"_316":864},{"_314":861,"_316":862},"#b5a17f",0.1067,"#7c6750",0.1187,"#4d392c",0.2427,"#2e2720",0.247,"#868e83",0.2849,"three-angels-appearing-to-abraham-aic-33084","Three Angels Appearing to Abraham",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":85},"c. 1726","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper","43.1 × 28.5 cm (17 × 11 1/4 in.)",28,0.6691008018327605,[905,906,907,908,909],{"_219":304,"_220":305,"_42":306,"_307":308},"1970.41","Giovanni Battista Tiepolo painted this in about 1726, aged about 27. It is now at the Art Institute of Chicago.","Three angels appear to Abraham at Mamre to announce that his aged wife Sarah will bear a son, as told in Genesis.","A work made of pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper.",{"_295":902,"_297":903,"_299":904},"https://img.ochreeditions.com/m/129.jpg?dl=1","/art/three-angels-appearing-to-abraham-aic-33084","/galleries/style/rococo/three-angels-appearing-to-abraham-aic-33084",{"_291":437,"_293":438},{"_223":897,"_125":898,"_285":899},{"_275":894,"_277":895,"_279":896,"_281":523},52.771334478808704,67,28.771334478808704,{"_287":223,"_123":170,"_154":169,"_140":85},{"_287":125,"_123":900,"_154":901,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/129/480.jpg","https://img.ochreeditions.com/a/129/960.jpg","https://img.ochreeditions.com/a/129/1920.jpg",{"_314":918,"_316":919},{"_314":916,"_316":917},{"_314":914,"_316":915},{"_314":912,"_316":913},{"_314":910,"_316":911},"#806d59",0.056,"#9d8973",0.145,"#b4a088",0.2093,"#c8b49b",0.2478,"#decab0",0.3419,"a-young-woman-buying-a-pink-from-a-young-man-cma-117766","A Young Woman Buying a Pink from a Young Man",{"_42":974,"_220":975,"_328":976,"_330":331,"_332":977,"_334":978,"_336":-5,"_338":-5,"_340":-5,"_140":101},"c. 1740","drawing","Drawing","black crayon (wetted and rubbed) heightened with white chalk on faded blue paper","Sheet: 42.7 x 54.9 cm (16 13/16 x 21 5/8 in.)",54.9,42.7,1.2740885416666667,[959,960,961,962,963],{"_219":378,"_220":379,"_42":380,"_307":381},"1938.387","Giovanni Battista Piazzetta drew this in about 1740, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":958,"_302":377},"A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740",{"_295":955,"_297":956,"_299":957},"https://img.ochreeditions.com/m/535.jpg?dl=1","/art/a-young-woman-buying-a-pink-from-a-young-man-cma-117766","/galleries/style/rococo/a-young-woman-buying-a-pink-from-a-young-man-cma-117766",{"_291":437,"_293":438},{"_223":947,"_125":948,"_285":949},{"_275":944,"_277":945,"_279":928,"_281":946},78.9,67.08962698007153,43.089626980071536,{"_287":223,"_123":953,"_154":954,"_140":89},{"_287":125,"_123":950,"_154":951,"_140":952},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/535/480.jpg","https://img.ochreeditions.com/a/535/960.jpg","https://img.ochreeditions.com/a/535/1920.jpg","Giovanni Battista Piazzetta was celebrated for his finished drawings of saints, portraits, and teste di carattere (character heads). Cleveland’s sheet belongs to the latter genre, which describes portraits embellished with props to suggest a character type or types.",{"_314":972,"_316":973},{"_314":970,"_316":971},{"_314":968,"_316":969},{"_314":966,"_316":967},{"_314":964,"_316":965},"#3a3d3c",0.1291,"#5d5c57",0.1744,"#182125",0.1913,"#968e84",0.2434,"#7c776f",0.2618,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"the-dance-aic-10550","The Dance",{"_42":1023,"_220":1024,"_328":1025,"_330":331,"_332":1026,"_334":1027,"_336":337,"_338":337,"_340":1028,"_140":97},"c. 1750","61.6 × 49.6 cm (24 1/4 × 19 1/2 in.); Framed: 74.3 × 59.1 × 6.4 cm (29 1/4 × 23 1/4 × 2 1/2 in.)",61,0.8214397988054071,[1008,1009,1010,1011,1012],{"_219":304,"_220":305,"_42":306,"_307":308},"1932.52","Pietro Longhi painted this in about 1750, aged about 43. It is now at the Art Institute of Chicago.",{"_295":1005,"_297":1006,"_299":1007},"https://img.ochreeditions.com/m/19.jpg?dl=1","/art/the-dance-aic-10550","/galleries/style/rococo/the-dance-aic-10550",{"_291":292,"_293":294},{"_223":1000,"_125":1001,"_285":1002},{"_275":997,"_277":998,"_279":999,"_281":984},65.10782772712983,76,50.10782772712983,{"_287":223,"_123":1003,"_154":1004,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/pietro-longhi","More by Pietro Longhi","https://img.ochreeditions.com/a/19/480.jpg","https://img.ochreeditions.com/a/19/960.jpg","https://img.ochreeditions.com/a/19/1920.jpg",{"_314":1021,"_316":1022},{"_314":1019,"_316":1020},{"_314":1017,"_316":1018},{"_314":1015,"_316":1016},{"_314":1013,"_316":1014},"#a6a982",0.0367,"#796f48",0.0625,"#514226",0.1734,"#231711",0.2776,"#342417",0.4498,"Pietro Longhi","pietro-longhi","Italian, 1702–1785",1702,1785,"Pietro Longhi, born Pietro Falca, trained with Antonio Balestra and then in Bologna with Giuseppe Maria Crespi, who encouraged his turn from history painting to genre.","view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of Rome",{"_42":608,"_220":609,"_328":610,"_330":331,"_332":611,"_334":612,"_336":613,"_338":614,"_340":615,"_140":97},"1770","Etching on heavy ivory laid paper","Image: 36.6 × 64.9 cm (14 7/16 × 25 9/16 in.); Plate: 37.3 × 65.6 cm (14 11/16 × 25 7/8 in.); Sheet: 56 × 72.4 cm (22 1/16 × 28 9/16 in.)",64,36,1.2820436211532715,[1061,1062,1063,1064,1065],{"_219":304,"_220":305,"_42":306,"_307":308},"1927.4799","Giovanni Battista Piranesi made this in 1770, aged 50. It is now at the Art Institute of Chicago.","The towering walls of a great enclosure at Hadrian’s Villa near Tivoli, known in Piranesi’s day as the Praetorian Fort or the Poecile, stand in ruins.","A work made of etching on heavy ivory laid paper.",{"_295":1058,"_297":1059,"_299":1060},"https://img.ochreeditions.com/m/155.jpg?dl=1","/art/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","/galleries/style/rococo/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121",{"_291":437,"_293":438},{"_223":1055,"_125":1056,"_285":1057},{"_275":1051,"_277":1052,"_279":1053,"_281":1054},78.34913525657181,66.39257881699973,54.34913525657181,42.39257881699974,{"_287":223,"_123":588,"_154":589,"_140":97},{"_287":125,"_123":433,"_154":434,"_140":202},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/155/480.jpg","https://img.ochreeditions.com/a/155/960.jpg","https://img.ochreeditions.com/a/155/1920.jpg",{"_314":1074,"_316":1075},{"_314":1072,"_316":1073},{"_314":1070,"_316":1071},{"_314":1068,"_316":1069},{"_314":1066,"_316":1067},"#756a5c",0.1031,"#51483c",0.1116,"#a09487",0.1553,"#c6bcab",0.1881,"#e9e2d5",0.4419,{"_1077":-5,"_1078":1079,"_1080":1081,"_1082":8,"_1083":1084,"_1085":8},"user","csrf","534942339b6a0b7357be564d824d97803e858fd7","cartCount",0,"dropLive","legal",[1086,1087,1088,1089,1090,1091,1092,1093,1094,1095,1096,1097],"uploadsEnabled",{"_220":1120,"_20":1121},{"_220":1118,"_20":1119},{"_220":1116,"_20":1117},{"_220":1114,"_20":1115},{"_220":1112,"_20":1113},{"_220":1110,"_20":1111},{"_220":1108,"_20":1109},{"_220":1106,"_20":1107},{"_220":1104,"_20":1105},{"_220":1102,"_20":1103},{"_220":1100,"_20":1101},{"_220":1098,"_20":1099},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]