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He spent more than a decade surveying the city for the great map published in 1748, the Pianta Grande di Roma, engraved on twelve plates.","sketch-for-a-ceiling-cma-97141","Sketch for a Ceiling",{"_42":506,"_223":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":334,"_335":511,"_336":512,"_140":85},"1750s","oil on canvas","Framed: 51.5 x 43 x 6.5 cm (20 1/4 x 16 15/16 x 2 9/16 in.); Unframed: 41 x 34 cm (16 1/8 x 13 3/8 in.)",34,41,0.805,[491,492,493,494,495],{"_222":432,"_223":433,"_42":434,"_304":435},"1916.780","Giovanni Battista Tiepolo painted this in the 1750s, aged about 54. It is now at the Cleveland Museum of Art.",{"_118":490,"_430":431},"Sketch for a Ceiling, by Giovanni Battista Tiepolo, 1750s",{"_295":487,"_297":488,"_299":489},"https://img.ochreeditions.com/m/471.jpg?dl=1","/art/sketch-for-a-ceiling-cma-97141","/galleries/style/rococo/sketch-for-a-ceiling-cma-97141",{"_291":292,"_293":294},{"_226":482,"_125":483,"_285":484},{"_276":479,"_278":480,"_280":481,"_282":464},48.005,56,33.005,{"_287":226,"_123":485,"_154":486,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/471/480.jpg","https://img.ochreeditions.com/a/471/960.jpg","https://img.ochreeditions.com/a/471/1920.jpg","This small, quickly painted picture is typical of the sketches Tiepolo made as studies for larger compositions. When completed full-scale on a ceiling, works like these give the impression of a massive window, through which one can see angels or mythological beings floating among the clouds.",{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},"#7c3b29",0.1051,"#8b6a51",0.1222,"#928878",0.1608,"#514133",0.2135,"#9da6a1",0.3984,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","christ-and-the-woman-taken-in-adultery-cma-97146","Christ and the Woman Taken in Adultery",{"_42":561,"_223":562,"_325":563,"_327":328,"_329":564,"_331":565,"_333":-5,"_335":-5,"_336":-5,"_140":103},"mid-1700s","Framed: 54.6 x 64.8 x 8.9 cm (21 1/2 x 25 1/2 x 3 1/2 in.); Unframed: 34.6 x 43.5 cm (13 5/8 x 17 1/8 in.)",43.5,34.6,1.261127596439169,[546,547,548,549,550],{"_222":432,"_223":433,"_42":434,"_304":435},"1916.785","Sebastiano Ricci painted this in the mid-1700s, aged about 66. It is now at the Cleveland Museum of Art.",{"_118":545,"_430":431},"Christ and the Woman Taken in Adultery, by Sebastiano Ricci, mid-1700s",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/474.jpg?dl=1","/art/christ-and-the-woman-taken-in-adultery-cma-97146","/galleries/style/rococo/christ-and-the-woman-taken-in-adultery-cma-97146",{"_291":292,"_293":294},{"_226":537,"_125":538,"_285":539},{"_276":534,"_278":535,"_280":518,"_282":536},58.5,49.49294117647059,34.49294117647059,{"_287":226,"_123":540,"_154":541,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-ricci","Sebastiano Ricci's contemporaries","https://img.ochreeditions.com/a/474/480.jpg","https://img.ochreeditions.com/a/474/960.jpg","https://img.ochreeditions.com/a/474/1920.jpg","The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned.",{"_311":559,"_313":560},{"_311":557,"_313":558},{"_311":555,"_313":556},{"_311":553,"_313":554},{"_311":551,"_313":552},"#643f2d",0.0668,"#655f45",0.0695,"#3f4238",0.1728,"#423225",0.2561,"#2f2c23",0.4348,"Sebastiano Ricci","sebastiano-ricci","Italian, 1659–1734",1659,1734,"the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","The Lion Bas-Reliefs, plate 5 from Imaginary Prisons",{"_42":612,"_223":613,"_325":614,"_327":328,"_329":615,"_331":616,"_333":617,"_335":618,"_336":619,"_140":97},"1761","Etching and engraving on heavy ivory laid paper","Image: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Plate: 56.6 × 41.4 cm (22 5/16 × 16 5/16 in.); Sheet: 78.9 × 58.5 cm (31 1/8 × 23 1/16 in.)",0.7473263275365014,[597,598,599,600,601],{"_222":301,"_223":302,"_42":303,"_304":305},"1922.5595","Giovanni Battista Piranesi made this in 1761, aged 41. It is now at the Art Institute of Chicago.","Vast stairways, arches and bridges recede into the gloom of an imaginary prison, while in the foreground stand massive relief panels carved with lions.","A work made of etching and engraving on heavy ivory laid paper.",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/12.jpg?dl=1","/art/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353","/galleries/style/rococo/the-lion-bas-reliefs-plate-5-from-imaginary-prisons-aic-7353",{"_291":424,"_293":425},{"_226":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":588,"_282":480},65.85027434204409,80,41.85027434204408,{"_287":226,"_123":592,"_154":593,"_140":97},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/12/480.jpg","https://img.ochreeditions.com/a/12/960.jpg","https://img.ochreeditions.com/a/12/1920.jpg",{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},{"_311":604,"_313":605},{"_311":602,"_313":603},"#786f64",0.125,"#5a534b",0.1276,"#988d80",0.1432,"#b7ada3",0.1549,"#f5e7d9",0.4493,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","the-triumph-of-truth-over-envy-aic-273410","The Triumph of Truth over Envy",{"_42":669,"_223":670,"_325":671,"_327":672,"_329":673,"_331":674,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1781","germany","Etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper","Sheet: 30.1 × 22.9 cm (11 7/8 × 9 1/16 in.)",22,30,0.7930864197530865,[655,656,657,658,659],{"_222":301,"_223":302,"_42":303,"_304":305},"2024.155","Maria Katharina Prestel made this in 1781, aged 34. It is now at the Art Institute of Chicago.","A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.",{"_295":652,"_297":653,"_299":654},"https://img.ochreeditions.com/m/450.jpg?dl=1","/art/the-triumph-of-truth-over-envy-aic-273410","/galleries/style/rococo/the-triumph-of-truth-over-envy-aic-273410",{"_291":424,"_293":425},{"_226":645,"_125":646,"_285":647},{"_276":642,"_278":643,"_280":644,"_282":628},47.7925925925926,54,23.792592592592595,{"_287":226,"_123":650,"_154":651,"_140":89},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":648,"_154":649,"_140":85},"era/18-germany","18th-century Germany","artist/contemporaries-of-maria-katharina-prestel","Maria Katharina Prestel's contemporaries","https://img.ochreeditions.com/a/450/480.jpg","https://img.ochreeditions.com/a/450/960.jpg","https://img.ochreeditions.com/a/450/1920.jpg",{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},{"_311":661,"_313":662},{"_311":660,"_313":442},"#d6c5b4","#d8b997",0.1425,"#7b553a",0.2004,"#a3744a",0.2178,"#ead3ba",0.4041,"Maria Katharina Prestel","maria-katharina-prestel","German, 1747–1794","German",1747,1794,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423512",{"_42":451,"_223":452,"_325":453,"_327":328,"_329":454,"_331":455,"_333":-5,"_335":-5,"_336":456,"_140":99},"Sheet: 43.8 x 68.7 cm (17 1/4 x 27 1/16 in.)",68.7,43.8,1.5567765567765568,[701,702,703,704,705],{"_222":432,"_223":433,"_42":434,"_304":435},"2020.276.4",{"_118":429,"_430":431},{"_295":698,"_297":699,"_299":700},"https://img.ochreeditions.com/m/791.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423512","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423512",{"_291":424,"_293":425},{"_226":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":678,"_282":694},92.7,68.12964705882354,44.12964705882353,{"_287":226,"_123":422,"_154":423,"_140":99},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/791/480.jpg","https://img.ochreeditions.com/a/791/960.jpg","https://img.ochreeditions.com/a/791/1920.jpg",{"_311":714,"_313":715},{"_311":712,"_313":713},{"_311":710,"_313":711},{"_311":708,"_313":709},{"_311":706,"_313":707},"#7a7167",0.0835,"#91877c",0.1018,"#c6baac",0.2104,"#a99e91",0.2252,"#b9ae9f",0.3791,"rinaldo-and-armida-in-her-garden-aic-16485","Rinaldo and Armida in Her Garden",{"_42":506,"_223":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":334,"_335":511,"_336":512,"_140":85},"c. 1742–45","186.7 × 259.4 cm (73 1/2 × 102 1/8 in.); Framed: 194.3 × 270.5 × 7.9 cm (76 1/2 × 106 1/2 × 3 1/8 in.)",259,186,1.4387932396145948,[748,749,750,751,752],{"_222":301,"_223":302,"_42":303,"_304":305},"1925.699","Giovanni Battista Tiepolo painted this in about 1742–45, aged about 46. It is now at the Art Institute of Chicago.",{"_118":746,"_430":747},{"_295":743,"_297":744,"_299":745},"https://img.ochreeditions.com/m/53.jpg?dl=1","/art/rinaldo-and-armida-in-her-garden-aic-16485","/galleries/style/rococo/rinaldo-and-armida-in-her-garden-aic-16485",{"_291":292,"_293":294},{"_226":740,"_125":741,"_285":742},{"_276":736,"_278":737,"_280":738,"_282":739},255,181.80645515424305,240,166.80645515424305,{"_287":226,"_123":485,"_154":486,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/53/480.jpg","https://img.ochreeditions.com/a/53/960.jpg","https://img.ochreeditions.com/a/53/1920.jpg","This is the second of four large paintings in a sequence by Giovanni Battista Tiepolo depicting the crusader Rinaldo and the sorceress Armida. Here Armida has abducted Rinaldo and carried him away to her magical garden. She looks into a magic mirror while the knight sits enthralled, gazing into her eyes.","Text from the Art Institute of Chicago.",{"_311":761,"_313":762},{"_311":759,"_313":760},{"_311":757,"_313":758},{"_311":755,"_313":756},{"_311":753,"_313":754},"#b27547",0.0621,"#a4a2a7",0.1871,"#323126",0.1914,"#64563f",0.2635,"#967e69",0.2959,"study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany)",{"_42":506,"_223":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":334,"_335":511,"_336":512,"_140":85},"1739","Framed: 67.5 x 45.5 x 6 cm (26 9/16 x 17 15/16 x 2 3/8 in.); Unframed: 51.7 x 31.7 cm (20 3/8 x 12 1/2 in.)",31.7,51.7,0.5805882352941176,[794,795,796,797,798],{"_222":432,"_223":433,"_42":434,"_304":435},"1946.277","Giovanni Battista Tiepolo painted this in 1739, aged 43. It is now at the Cleveland Museum of Art.",{"_118":793,"_430":431},"Study for \"The Martyrdom of Saint Sebastian\" (for the Augustinian monastery at Diessen, Germany), by Giovanni Battista Tiepolo, 1739",{"_295":790,"_297":791,"_299":792},"https://img.ochreeditions.com/m/576.jpg?dl=1","/art/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796","/galleries/style/rococo/study-for-the-martyrdom-of-saint-sebastian-for-the-augustini-cma-124796",{"_291":292,"_293":294},{"_226":787,"_125":788,"_285":789},{"_276":784,"_278":785,"_280":786,"_282":769},45.01641176470588,66.7,30.016411764705882,{"_287":226,"_123":485,"_154":486,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/576/480.jpg","https://img.ochreeditions.com/a/576/960.jpg","https://img.ochreeditions.com/a/576/1920.jpg","In 1739 a pair of monumental altarpieces by two Venetian painters (Giovanni Battista Tiepolo and Giambattista Pittoni) were installed in a church in southern Germany, part of a carefully orchestrated decorative program that included architecture, painting, sculpture, and decorative stuccowork.",{"_311":807,"_313":808},{"_311":805,"_313":806},{"_311":803,"_313":804},{"_311":801,"_313":802},{"_311":799,"_313":800},"#a28663",0.128,"#2e261d",0.1617,"#77563b",0.2234,"#543e2b",0.2373,"#716e64",0.2496,"view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of Rome",{"_42":612,"_223":613,"_325":614,"_327":328,"_329":615,"_331":616,"_333":617,"_335":618,"_336":619,"_140":97},"1770","Etching on heavy ivory laid paper","Image: 36.6 × 64.9 cm (14 7/16 × 25 9/16 in.); Plate: 37.3 × 65.6 cm (14 11/16 × 25 7/8 in.); Sheet: 56 × 72.4 cm (22 1/16 × 28 9/16 in.)",64,36,1.2820436211532715,[841,842,843,844,845],{"_222":301,"_223":302,"_42":303,"_304":305},"1927.4799","Giovanni Battista Piranesi made this in 1770, aged 50. It is now at the Art Institute of Chicago.","The towering walls of a great enclosure at Hadrian’s Villa near Tivoli, known in Piranesi’s day as the Praetorian Fort or the Poecile, stand in ruins.","A work made of etching on heavy ivory laid paper.",{"_295":838,"_297":839,"_299":840},"https://img.ochreeditions.com/m/155.jpg?dl=1","/art/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121","/galleries/style/rococo/view-of-the-remains-of-the-praetorian-fort-the-poecile-hadri-aic-48121",{"_291":424,"_293":425},{"_226":835,"_125":836,"_285":837},{"_276":831,"_278":832,"_280":833,"_282":834},78.34913525657181,66.39257881699973,54.34913525657181,42.39257881699974,{"_287":226,"_123":592,"_154":593,"_140":97},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/155/480.jpg","https://img.ochreeditions.com/a/155/960.jpg","https://img.ochreeditions.com/a/155/1920.jpg",{"_311":854,"_313":855},{"_311":852,"_313":853},{"_311":850,"_313":851},{"_311":848,"_313":849},{"_311":846,"_313":847},"#756a5c",0.1031,"#51483c",0.1116,"#a09487",0.1553,"#c6bcab",0.1881,"#e9e2d5",0.4419,"nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518",{"_42":451,"_223":452,"_325":453,"_327":328,"_329":454,"_331":455,"_333":-5,"_335":-5,"_336":456,"_140":99},"Sheet: 43.4 x 68.9 cm (17 1/16 x 27 1/8 in.)",68.9,43.4,1.5813953488372092,[882,883,884,885,886],{"_222":432,"_223":433,"_42":434,"_304":435},"2020.276.10",{"_118":429,"_430":431},{"_295":879,"_297":880,"_299":881},"https://img.ochreeditions.com/m/792.jpg?dl=1","/art/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518","/galleries/style/rococo/nuova-pianta-di-roma-data-in-luce-da-giambattista-nolli-l-an-cma-423518",{"_291":424,"_293":425},{"_226":876,"_125":877,"_285":878},{"_276":873,"_278":874,"_280":859,"_282":875},92.9,67.56911764705883,43.56911764705883,{"_287":226,"_123":422,"_154":423,"_140":99},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/792/480.jpg","https://img.ochreeditions.com/a/792/960.jpg","https://img.ochreeditions.com/a/792/1920.jpg",{"_311":895,"_313":896},{"_311":893,"_313":894},{"_311":891,"_313":892},{"_311":889,"_313":890},{"_311":887,"_313":888},"#8c847b",0.0979,"#a0978c",0.1528,"#cac0b4",0.1536,"#afa69a",0.2584,"#bcb3a6",0.3373,"the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)",{"_42":944,"_223":945,"_325":946,"_327":328,"_329":947,"_331":948,"_333":334,"_335":334,"_336":949,"_140":97},"Framed: 71 x 90.5 x 5.5 cm (27 15/16 x 35 5/8 x 2 3/16 in.); Unframed: 56.5 x 75.5 cm (22 1/4 x 29 3/4 in.)",75.5,56.5,1.3508144616607072,[929,930,931,932,933],{"_222":432,"_223":433,"_42":434,"_304":435},"1952.235","Francesco Guardi painted this in the 1750s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":928,"_430":431},"The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series), by Francesco Guardi, 1750s",{"_295":925,"_297":926,"_299":927},"https://img.ochreeditions.com/m/595.jpg?dl=1","/art/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801","/galleries/style/rococo/the-sacrifice-of-isaac-tobias-and-the-angel-the-angels-appea-cma-129801",{"_291":292,"_293":294},{"_226":920,"_125":921,"_285":922},{"_276":917,"_278":918,"_280":901,"_282":919},90.5,70.89220588235294,55.89220588235294,{"_287":226,"_123":923,"_154":924,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francesco-guardi","More by Francesco Guardi","https://img.ochreeditions.com/a/595/480.jpg","https://img.ochreeditions.com/a/595/960.jpg","https://img.ochreeditions.com/a/595/1920.jpg","This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham and, in one particularly dramatic canvas, an angel intercepts Abraham before he sacrifices his own son.",{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},"#ad9778",0.0858,"#526066",0.0921,"#888a7f",0.134,"#6a5443",0.1975,"#372e27",0.4906,"Francesco Guardi","francesco-guardi","Italian, 1712–1793",1712,1793,"Guardi worked for years in the family studio in Venice led by his elder brother Gianantonio, producing altarpieces and figure paintings, and became chiefly a painter of city views, especially after his brother’s death in 1760.","armida-encounters-the-sleeping-rinaldo-aic-16488","Armida Encounters the Sleeping Rinaldo",{"_42":506,"_223":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":334,"_335":511,"_336":512,"_140":85},"187.5 × 216.8 cm (73 13/16 × 85 3/8 in.); Framed: 194.8 × 223.5 × 8.3 cm (76 1/2 × 88 × 3 1/4 in.)",216,187,1.1553569923290905,[979,980,981,982,983],{"_222":301,"_223":302,"_42":303,"_304":305},"1925.700",{"_118":978,"_430":747},"Large painting of soldier asleep outdoors surrounded by two women and a cupid.",{"_295":975,"_297":976,"_299":977},"https://img.ochreeditions.com/m/55.jpg?dl=1","/art/armida-encounters-the-sleeping-rinaldo-aic-16488","/galleries/style/rococo/armida-encounters-the-sleeping-rinaldo-aic-16488",{"_291":292,"_293":294},{"_226":972,"_125":973,"_285":974},{"_276":969,"_278":970,"_280":954,"_282":971},231,201.95520210126952,186.95520210126952,{"_287":226,"_123":485,"_154":486,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/55/480.jpg","https://img.ochreeditions.com/a/55/960.jpg","https://img.ochreeditions.com/a/55/1920.jpg","Giovanni Battista Tiepolo’s work epitomizes the brilliant exuberance of the Late Baroque style. Internationally renowned, Tiepolo was often commissioned to transform palaces and monasteries in Venice and elsewhere in Italy, as well as in Germany and Spain.",{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},{"_311":986,"_313":987},{"_311":984,"_313":985},"#a66244",0.1045,"#847461",0.1864,"#44352b",0.2173,"#c2aa90",0.2185,"#abbdc1",0.2733,"a-young-woman-buying-a-pink-from-a-young-man-cma-117766","A Young Woman Buying a Pink from a Young Man",{"_42":1047,"_223":1048,"_325":1049,"_327":328,"_329":1050,"_331":1051,"_333":-5,"_335":-5,"_336":-5,"_140":101},"drawing","Drawing","black crayon (wetted and rubbed) heightened with white chalk on faded blue paper","Sheet: 42.7 x 54.9 cm (16 13/16 x 21 5/8 in.)",54.9,42.7,1.2740885416666667,[1032,1033,1034,1035,1036],{"_222":432,"_223":433,"_42":434,"_304":435},"1938.387","Giovanni Battista Piazzetta drew this in about 1740, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":1031,"_430":431},"A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740",{"_295":1028,"_297":1029,"_299":1030},"https://img.ochreeditions.com/m/535.jpg?dl=1","/art/a-young-woman-buying-a-pink-from-a-young-man-cma-117766","/galleries/style/rococo/a-young-woman-buying-a-pink-from-a-young-man-cma-117766",{"_291":424,"_293":425},{"_226":1020,"_125":1021,"_285":1022},{"_276":1017,"_278":1018,"_280":1001,"_282":1019},78.9,67.08962698007153,43.089626980071536,{"_287":226,"_123":1026,"_154":1027,"_140":89},{"_287":125,"_123":1023,"_154":1024,"_140":1025},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/535/480.jpg","https://img.ochreeditions.com/a/535/960.jpg","https://img.ochreeditions.com/a/535/1920.jpg","Giovanni Battista Piazzetta was celebrated for his finished drawings of saints, portraits, and teste di carattere (character heads). Cleveland’s sheet belongs to the latter genre, which describes portraits embellished with props to suggest a character type or types.",{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},{"_311":1037,"_313":1038},"#3a3d3c",0.1291,"#5d5c57",0.1744,"#182125",0.1913,"#968e84",0.2434,"#7c776f",0.2618,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"the-sacrifice-of-isaac-cma-129802","The Sacrifice of Isaac",{"_42":944,"_223":945,"_325":946,"_327":328,"_329":947,"_331":948,"_333":334,"_335":334,"_336":949,"_140":97},1.3545816733067728,[1077,1078,1079,1080,1081],{"_222":432,"_223":433,"_42":434,"_304":435},"1952.235.1",{"_118":1076,"_430":431},"The Sacrifice of Isaac, by Francesco Guardi, 1750s",{"_295":1073,"_297":1074,"_299":1075},"https://img.ochreeditions.com/m/596.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-129802","/galleries/style/rococo/the-sacrifice-of-isaac-cma-129802",{"_291":292,"_293":294},{"_226":1070,"_125":1071,"_285":1072},{"_276":917,"_278":1068,"_280":901,"_282":1069},70.73676470588236,55.73676470588236,{"_287":226,"_123":923,"_154":924,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/596/480.jpg","https://img.ochreeditions.com/a/596/960.jpg","https://img.ochreeditions.com/a/596/1920.jpg","This series of paintings primarily tells the Hebrew Bible (Christian Old Testament) story of Abraham and Isaac, and each of the canvases depicts the interaction of humans and angels.",{"_311":1090,"_313":1091},{"_311":1088,"_313":1089},{"_311":1086,"_313":1087},{"_311":1084,"_313":1085},{"_311":1082,"_313":1083},"#b5a17f",0.1067,"#7c6750",0.1187,"#4d392c",0.2427,"#2e2720",0.247,"#868e83",0.2849,{"_1093":-5,"_1094":1095,"_1096":1097,"_1098":8,"_1099":1100,"_1101":8},"user","csrf","f734dbd2577a0a4f07f150de5ce221df3e642282","cartCount",0,"dropLive","legal",[1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113],"uploadsEnabled",{"_223":1136,"_20":1137},{"_223":1134,"_20":1135},{"_223":1132,"_20":1133},{"_223":1130,"_20":1131},{"_223":1128,"_20":1129},{"_223":1126,"_20":1127},{"_223":1124,"_20":1125},{"_223":1122,"_20":1123},{"_223":1120,"_20":1121},{"_223":1118,"_20":1119},{"_223":1116,"_20":1117},{"_223":1114,"_20":1115},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]