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She then seduced and beheaded him.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#976a4b","weight",0.0788,"#b68b6d",0.1028,"#684b35",0.1266,"#48382a",0.1922,"#2f2c28",0.4996,"Jan Sanders van Hemessen","jan-sanders-van-hemessen","bio","Netherlandish","nationality","birth_year","death_year",1556,"birth_place","death_place","about_excerpt","farmhouse-on-the-slope-of-a-hill-cma-134951","Farmhouse on the Slope of a Hill",{"_42":401,"_221":402,"_327":403,"_329":404,"_330":405,"_331":406,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1508","italy","drawing","Drawing","pen and brown ink","Sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)",29.4,22.3,1.2786761940579165,[386,387,388,389,390],{"_220":382,"_221":383,"_42":384,"_306":385},"Courtesy of the Cleveland Museum of Art","1957.498","Fra Bartolommeo drew this in about 1508, aged about 31. 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At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_313":460,"_315":461},{"_313":458,"_315":459},{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","oil on canvas","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[503,504,505,506,507],{"_220":382,"_221":383,"_42":384,"_306":385},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":502,"_301":381},"Portrait of Roberto Castiglione, early 1600s",{"_294":499,"_296":500,"_298":501},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_290":291,"_292":293},{"_224":494,"_125":495,"_284":496},{"_275":491,"_277":492,"_279":493,"_281":476},113.02941176470588,136.2,98.02941176470588,{"_286":224,"_123":497,"_154":498,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"a-naval-battle-aic-273340","A Naval Battle",{"_42":570,"_221":571,"_327":404,"_329":404,"_330":-5,"_331":572,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1550","print","Print","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[555,556,557,558,559],{"_220":303,"_221":304,"_42":305,"_306":307},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_294":552,"_296":553,"_298":554},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_290":375,"_292":376},{"_224":544,"_125":545,"_284":546},{"_275":541,"_277":542,"_279":526,"_281":543},60,50.36024844720497,26.360248447204967,{"_286":224,"_123":550,"_154":551,"_140":89},{"_286":125,"_123":547,"_154":548,"_140":549},{"_286":284,"_123":368,"_154":369,"_140":370},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_313":568,"_315":569},{"_313":566,"_315":567},{"_313":564,"_315":565},{"_313":562,"_315":563},{"_313":560,"_315":561},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":622,"_221":623,"_327":624,"_329":404,"_330":625,"_331":626,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[607,608,609,610,611],{"_220":382,"_221":383,"_42":384,"_306":385},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":606,"_301":381},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_294":603,"_296":604,"_298":605},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_290":291,"_292":293},{"_224":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_281":580},91.61647058823529,112.2,76.61647058823529,{"_286":224,"_123":601,"_154":602,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"portrait-of-a-couple-cma-97155","Portrait of a Couple","c. 1580–88","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[657,658,659,660,661],{"_220":382,"_221":383,"_42":384,"_306":385},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":656,"_301":381},"Portrait of a Couple, c. 1580–88",{"_294":653,"_296":654,"_298":655},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_290":291,"_292":293},{"_224":650,"_125":651,"_284":652},{"_275":647,"_277":648,"_279":631,"_281":649},155.5,114.79632352941177,99.79632352941177,{"_286":224,"_123":497,"_154":498,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_313":670,"_315":671},{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},{"_313":662,"_315":663},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":722,"_221":723,"_327":724,"_329":404,"_330":725,"_331":726,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[707,708,709,710,711],{"_220":303,"_221":304,"_42":305,"_306":307},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_294":704,"_296":705,"_298":706},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_290":375,"_292":376},{"_224":697,"_125":698,"_284":699},{"_275":693,"_277":694,"_279":695,"_281":696},49,46.831191300049426,25,22.83119130004943,{"_286":224,"_123":702,"_154":703,"_140":89},{"_286":125,"_123":700,"_154":701,"_140":89},{"_286":284,"_123":368,"_154":369,"_140":370},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_313":720,"_315":721},{"_313":718,"_315":719},{"_313":716,"_315":717},{"_313":714,"_315":715},{"_313":712,"_315":713},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":775,"_221":776,"_327":777,"_329":404,"_330":466,"_331":778,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1508–9","engraving","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[760,761,762,763,764],{"_220":382,"_221":383,"_42":384,"_306":385},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":759,"_301":381},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_294":756,"_296":757,"_298":758},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_290":375,"_292":376},{"_224":751,"_125":752,"_284":753},{"_275":693,"_277":749,"_279":695,"_281":750},40.80882352941177,16.808823529411764,{"_286":224,"_123":754,"_154":755,"_140":89},{"_286":125,"_123":547,"_154":548,"_140":549},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_313":773,"_315":774},{"_313":771,"_315":772},{"_313":769,"_315":770},{"_313":767,"_315":768},{"_313":765,"_315":766},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1515,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":822,"_221":823,"_327":824,"_329":404,"_330":825,"_331":572,"_333":-5,"_334":-5,"_335":-5,"_140":103},"Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[808,809,810,811,812],{"_220":303,"_221":304,"_42":305,"_306":307},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_294":805,"_296":806,"_298":807},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_290":375,"_292":376},{"_224":800,"_125":801,"_284":802},{"_275":693,"_277":798,"_279":695,"_281":799},42.92736654098036,18.927366540980355,{"_286":224,"_123":803,"_154":804,"_140":89},{"_286":125,"_123":700,"_154":701,"_140":89},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_313":820,"_315":821},{"_313":819,"_315":719},{"_313":817,"_315":818},{"_313":815,"_315":816},{"_313":813,"_315":814},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c","#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":873,"_221":874,"_327":875,"_329":404,"_330":876,"_331":877,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[859,860,861,862,863],{"_220":382,"_221":383,"_42":384,"_306":385},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":858,"_301":381},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_294":855,"_296":856,"_298":857},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_290":291,"_292":293},{"_224":850,"_125":851,"_284":852},{"_275":847,"_277":848,"_279":831,"_281":849},74.7,61.267500000000005,46.267500000000005,{"_286":224,"_123":853,"_154":854,"_140":89},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.",{"_313":871,"_315":872},{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":866,"_315":453},{"_313":864,"_315":865},"#948776",0.0872,"#635141","#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","Mock Joust of War with Flying Shields and Without Bevors","Unrecorded German maker","c.1512-1515","germany","pen and black ink with watercolor over black chalk on laid paper","sheet: 33.5 × 26.4 cm (13 3/16 × 10 3/8 in.)",26.4,33.5,0.7900390625,[919,920,921,922,923],{"_220":915,"_221":916,"_42":917,"_306":918},"Courtesy National Gallery of Art, Washington","1943.3.4486","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.",{"_294":912,"_296":913,"_298":914},"https://img.ochreeditions.com/m/1699.jpg?dl=1","/art/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","/galleries/style/renaissance/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042",{"_290":375,"_292":376},{"_224":904,"_125":905,"_284":906},{"_275":901,"_277":902,"_279":903,"_281":886},50.46630859375,57.5,26.46630859375,{"_286":224,"_123":910,"_154":911,"_140":97},{"_286":125,"_123":371,"_154":372,"_140":169},{"_286":284,"_123":907,"_154":908,"_140":909},"era/16-germany","16th-century Germany",28,"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1699/480.jpg","https://img.ochreeditions.com/a/1699/960.jpg","https://img.ochreeditions.com/a/1699/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":932,"_315":933},{"_313":930,"_315":931},{"_313":928,"_315":929},{"_313":926,"_315":927},{"_313":924,"_315":925},"#856750",0.042,"#a9916d",0.0558,"#a39783",0.0561,"#cfba9e",0.1195,"#e6d3bc",0.7266,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":984,"_221":985,"_327":986,"_329":404,"_330":987,"_331":988,"_333":989,"_334":990,"_335":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[969,970,971,972,973],{"_220":382,"_221":383,"_42":384,"_306":385},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":968,"_301":381},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_294":965,"_296":966,"_298":967},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_290":375,"_292":376},{"_224":960,"_125":961,"_284":962},{"_275":956,"_277":957,"_279":958,"_281":959},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_286":224,"_123":963,"_154":964,"_140":89},{"_286":125,"_123":547,"_154":548,"_140":549},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_313":982,"_315":983},{"_313":980,"_315":981},{"_313":978,"_315":979},{"_313":976,"_315":977},{"_313":974,"_315":975},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":1040,"_221":1041,"_327":1042,"_329":1043,"_330":1044,"_331":1045,"_333":1046,"_334":1047,"_335":1048,"_140":97},"c. 1480",0.7132352941176471,[1025,1026,1027,1028,1029],{"_220":382,"_221":383,"_42":384,"_306":385},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":1024,"_301":381},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_294":1021,"_296":1022,"_298":1023},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_290":375,"_292":376},{"_224":1012,"_125":1013,"_284":1014},{"_275":1009,"_277":1010,"_279":1011,"_281":541},66.79411764705883,84,42.794117647058826,{"_286":224,"_123":1019,"_154":1020,"_140":97},{"_286":125,"_123":1017,"_154":1018,"_140":53},{"_286":284,"_123":1015,"_154":1016,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},{"_313":1030,"_315":1031},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":1099,"_221":1100,"_327":1101,"_329":404,"_330":1102,"_331":572,"_333":1103,"_334":1104,"_335":-5,"_140":101},"1510–11","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[1084,1085,1086,1087,1088],{"_220":382,"_221":383,"_42":384,"_306":385},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":1083,"_301":381},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_294":1080,"_296":1081,"_298":1082},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_290":375,"_292":376},{"_224":1075,"_125":1076,"_284":1077},{"_275":1071,"_277":1072,"_279":1073,"_281":1074},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_286":224,"_123":1078,"_154":1079,"_140":89},{"_286":125,"_123":371,"_154":372,"_140":169},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_313":1097,"_315":1098},{"_313":1095,"_315":1096},{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,"Caprese","Rome","virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":1153,"_221":1154,"_327":1155,"_329":1156,"_330":1157,"_331":1158,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",50,64,0.7786499215070644,[1138,1139,1140,1141,1142],{"_220":303,"_221":304,"_42":305,"_306":307},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":1137,"_301":302},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_294":1134,"_296":1135,"_298":1136},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_290":291,"_292":293},{"_224":1129,"_125":1130,"_284":1131},{"_275":1126,"_277":1127,"_279":1128,"_281":1111},64.83359497645212,79,49.83359497645212,{"_286":224,"_123":1132,"_154":1133,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.",{"_313":1151,"_315":1152},{"_313":1149,"_315":1150},{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","825312214f27d42e73b243d6221991ddc6b71ece","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]