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This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.","source","Text from the Cleveland Museum of Art.",{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":502,"_222":503,"_324":504,"_326":505,"_327":506,"_328":507,"_329":508,"_330":509,"_331":510,"_140":97},"c. 1480","germany","engraving",0.7132352941176471,[487,488,489,490,491],{"_221":300,"_222":301,"_42":302,"_303":304},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":486,"_435":436},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_294":483,"_296":484,"_298":485},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_290":429,"_292":430},{"_225":476,"_125":477,"_284":478},{"_275":474,"_277":418,"_279":475,"_281":420},66.79411764705883,42.794117647058826,{"_286":225,"_123":481,"_154":482,"_140":97},{"_286":125,"_123":425,"_154":426,"_140":53},{"_286":284,"_123":479,"_154":480,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},{"_310":494,"_312":495},{"_310":492,"_312":493},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","arm-of-eve-cma-141931","Arm of Eve",{"_42":568,"_222":569,"_324":570,"_326":505,"_327":571,"_328":572,"_329":573,"_330":573,"_331":574,"_140":89},"1507","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[553,554,555,556,557],{"_221":300,"_222":301,"_42":302,"_303":304},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":552,"_435":436},"Arm of Eve, by Albrecht Dürer, 1507",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_290":429,"_292":430},{"_225":538,"_125":539,"_284":540},{"_275":535,"_277":536,"_279":537,"_281":520},51.509882352941176,58.4,27.509882352941176,{"_286":225,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","madonna-and-child-in-a-niche-cma-97178","Madonna and Child in a Niche",{"_42":623,"_222":624,"_324":325,"_326":325,"_327":-5,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1520s","Framed: 87 x 72 x 5.5 cm (34 1/4 x 28 3/8 x 2 3/16 in.); Unframed: 59.5 x 43.9 cm (23 7/16 x 17 5/16 in.)",43.9,59.5,0.7326470588235294,[608,609,610,611,612],{"_221":300,"_222":301,"_42":302,"_303":304},"1916.813","Antonio del Ceraiolo painted this in about 1520s. It is now at the Cleveland Museum of Art.",{"_118":607,"_435":436},"Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s",{"_294":604,"_296":605,"_298":606},"https://img.ochreeditions.com/m/487.jpg?dl=1","/art/madonna-and-child-in-a-niche-cma-97178","/galleries/style/renaissance/madonna-and-child-in-a-niche-cma-97178",{"_290":291,"_292":293},{"_225":599,"_125":600,"_284":601},{"_275":596,"_277":597,"_279":598,"_281":581},58.5925,74.5,43.5925,{"_286":225,"_123":602,"_154":603,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-antonio-del-ceraiolo","Antonio del Ceraiolo's contemporaries","https://img.ochreeditions.com/a/487/480.jpg","https://img.ochreeditions.com/a/487/960.jpg","https://img.ochreeditions.com/a/487/1920.jpg","This image of Madonna with the Christ Child on her lap has been extensively altered by restoration.",{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},"#364e43",0.0525,"#874c3e",0.0745,"#b28c6c",0.1971,"#655b4d",0.2666,"#373733",0.4093,"Antonio del Ceraiolo","antonio-del-ceraiolo","study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":676,"_222":677,"_324":678,"_326":325,"_327":679,"_328":680,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1595/96","watercolour","Drawing and Watercolor","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,43,0.46583344654258935,[661,662,663,664,665],{"_221":371,"_222":372,"_42":373,"_303":374},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_294":658,"_296":659,"_298":660},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_290":429,"_292":430},{"_225":651,"_125":652,"_284":653},{"_275":648,"_277":649,"_279":650,"_281":634},44.03083820133134,67,20.030838201331342,{"_286":225,"_123":656,"_154":657,"_140":89},{"_286":125,"_123":654,"_154":655,"_140":89},{"_286":284,"_123":360,"_154":361,"_140":362},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":452,"_222":453,"_324":325,"_326":325,"_327":-5,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_140":99},2.6275115919629055,[705,706,707,708,709],{"_221":300,"_222":301,"_42":302,"_303":304},"1940.473",{"_118":434,"_435":436},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_294":702,"_296":703,"_298":704},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_290":429,"_292":430},{"_225":699,"_125":700,"_284":701},{"_275":418,"_277":697,"_279":420,"_281":698},46.83529411764706,22.83529411764706,{"_286":225,"_123":427,"_154":428,"_140":99},{"_286":125,"_123":425,"_154":426,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg",{"_310":717,"_312":718},{"_310":715,"_312":716},{"_310":713,"_312":714},{"_310":711,"_312":712},{"_310":710,"_312":563},"#d1c2ac","#ad9d86",0.1406,"#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":769,"_222":770,"_324":771,"_326":325,"_327":772,"_328":773,"_329":-5,"_330":-5,"_331":774,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[754,755,756,757,758],{"_221":371,"_222":372,"_42":373,"_303":374},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_294":751,"_296":752,"_298":753},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_290":429,"_292":430},{"_225":743,"_125":744,"_284":745},{"_275":740,"_277":741,"_279":742,"_281":726},44.00355555555556,53,20.003555555555558,{"_286":225,"_123":749,"_154":750,"_140":99},{"_286":125,"_123":746,"_154":747,"_140":748},{"_286":284,"_123":360,"_154":361,"_140":362},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_310":767,"_312":768},{"_310":765,"_312":766},{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","scenes-from-the-life-of-saint-john-the-baptist-aic-25740","Scenes from the Life of Saint John the Baptist",{"_42":822,"_222":823,"_324":325,"_326":325,"_327":-5,"_328":824,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1490/95","Tempera on panel (poplar)","74 × 150.4 cm (29 3/16 × 59 3/16 in.); Framed: 88 × 164 cm (34 5/8 × 64 9/16 in.)",150,74,2.0355891572930114,[807,808,809,810,811],{"_221":371,"_222":372,"_42":373,"_303":374},"1937.996","Bartolomeo di Giovanni painted this in 1490/95. It is now at the Art Institute of Chicago.","Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.",{"_294":804,"_296":805,"_298":806},"https://img.ochreeditions.com/m/107.jpg?dl=1","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740",{"_290":291,"_292":293},{"_225":799,"_125":800,"_284":801},{"_275":796,"_277":797,"_279":781,"_281":798},165,88.68873992209438,73.68873992209438,{"_286":225,"_123":802,"_154":803,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-bartolomeo-di-giovanni","Bartolomeo di Giovanni's contemporaries","https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/107/960.jpg","https://img.ochreeditions.com/a/107/1920.jpg",{"_310":820,"_312":821},{"_310":818,"_312":819},{"_310":816,"_312":817},{"_310":814,"_312":815},{"_310":812,"_312":813},"#1c1916",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni",1501,"portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":873,"_222":874,"_324":875,"_326":325,"_327":876,"_328":877,"_329":-5,"_330":-5,"_331":-5,"_140":103},"mid-1500s","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[858,859,860,861,862],{"_221":300,"_222":301,"_42":302,"_303":304},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":857,"_435":436},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_294":854,"_296":855,"_298":856},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_290":291,"_292":293},{"_225":849,"_125":850,"_284":851},{"_275":846,"_277":847,"_279":848,"_281":831},78.02223529411765,107.4,63.02223529411765,{"_286":225,"_123":852,"_154":853,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_310":871,"_312":872},{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":924,"_222":925,"_324":926,"_326":325,"_327":876,"_328":927,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1540","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",18,1.3208387942332895,[909,910,911,912,913],{"_221":371,"_222":372,"_42":373,"_303":374},"2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_294":906,"_296":907,"_298":908},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_290":429,"_292":430},{"_225":901,"_125":902,"_284":903},{"_275":898,"_277":899,"_279":355,"_281":900},49,42.92736654098036,18.927366540980355,{"_286":225,"_123":904,"_154":905,"_140":89},{"_286":125,"_123":654,"_154":655,"_140":89},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg",{"_310":922,"_312":923},{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1564,"portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":976,"_222":977,"_324":978,"_326":325,"_327":979,"_328":980,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1572","oil on canvas","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[961,962,963,964,965],{"_221":300,"_222":301,"_42":302,"_303":304},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":960,"_435":436},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_294":957,"_296":958,"_298":959},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_290":291,"_292":293},{"_225":952,"_125":953,"_284":954},{"_275":950,"_277":138,"_279":951,"_281":935},66.3820588235294,51.38205882352941,{"_286":225,"_123":955,"_154":956,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_310":974,"_312":975},{"_310":972,"_312":973},{"_310":970,"_312":971},{"_310":968,"_312":969},{"_310":966,"_312":967},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"farmhouse-on-the-slope-of-a-hill-cma-134951","Farmhouse on the Slope of a Hill",{"_42":1030,"_222":1031,"_324":1032,"_326":325,"_327":1033,"_328":1034,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1508","pen and brown ink","Sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)",29.4,22.3,1.2786761940579165,[1015,1016,1017,1018,1019],{"_221":300,"_222":301,"_42":302,"_303":304},"1957.498","Fra Bartolommeo drew this in about 1508, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":1014,"_435":436},"Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/617.jpg?dl=1","/art/farmhouse-on-the-slope-of-a-hill-cma-134951","/galleries/style/renaissance/farmhouse-on-the-slope-of-a-hill-cma-134951",{"_290":429,"_292":430},{"_225":1006,"_125":1007,"_284":1008},{"_275":1003,"_277":1004,"_279":987,"_281":1005},53.4,46.99252941176471,22.992529411764703,{"_286":225,"_123":1009,"_154":1010,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-fra-bartolommeo","Fra Bartolommeo's contemporaries","https://img.ochreeditions.com/a/617/480.jpg","https://img.ochreeditions.com/a/617/960.jpg","https://img.ochreeditions.com/a/617/1920.jpg","This is a significant early example of pure landscape drawing in Europe, as it is dedicated completely to the depiction of nature for its own sake, without suggestion of a biblical or historical narrative.",{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},{"_310":1022,"_312":1023},{"_310":1020,"_312":1021},"#9d8163",0.0897,"#b89c7b",0.1328,"#cdb596",0.1622,"#dec8aa",0.2434,"#ead9bc",0.3719,"Fra Bartolommeo","fra-bartolommeo","Italian, 1472–1517",1472,1517,"the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":1083,"_222":1084,"_324":1085,"_326":325,"_327":1086,"_328":1087,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[1068,1069,1070,1071,1072],{"_221":300,"_222":301,"_42":302,"_303":304},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":1067,"_435":436},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_294":1064,"_296":1065,"_298":1066},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_290":291,"_292":293},{"_225":1059,"_125":1060,"_284":1061},{"_275":1056,"_277":1057,"_279":1058,"_281":1041},111.35532352941176,138.3,96.35532352941176,{"_286":225,"_123":1062,"_154":1063,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":1132,"_222":1133,"_324":505,"_326":505,"_327":-5,"_328":1134,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[1117,1118,1119,1120,1121],{"_221":371,"_222":372,"_42":373,"_303":374},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.",{"_294":1114,"_296":1115,"_298":1116},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_290":291,"_292":293},{"_225":1109,"_125":1110,"_284":1111},{"_275":289,"_277":1107,"_279":1093,"_281":1108},63.08637012060692,48.08637012060692,{"_286":225,"_123":1112,"_154":1113,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus",1553,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","954cdde63f95e819cc3bdd47cd0d498df75d79f6","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]