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It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_293":426,"_295":427,"_297":428},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_289":290,"_291":292},{"_225":421,"_125":422,"_284":423},{"_275":418,"_277":419,"_279":420,"_280":404},44.03083820133134,67,20.030838201331342,{"_286":225,"_123":424,"_154":425,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":89},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},{"_309":434,"_311":435},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":498,"_222":499,"_323":500,"_325":326,"_327":501,"_329":502,"_331":503,"_332":504,"_333":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[483,484,485,486,487],{"_221":376,"_222":377,"_42":378,"_302":379},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":482,"_374":375},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_293":479,"_295":480,"_297":481},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_289":290,"_291":292},{"_225":474,"_125":475,"_284":476},{"_275":471,"_277":472,"_279":455,"_280":473},84.4,66.06682352941176,42.066823529411764,{"_286":225,"_123":477,"_154":478,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":53},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_309":496,"_311":497},{"_309":494,"_311":495},{"_309":492,"_311":493},{"_309":490,"_311":491},{"_309":488,"_311":489},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","Rome","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":555,"_222":556,"_323":557,"_325":326,"_327":558,"_329":559,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[540,541,542,543,544],{"_221":299,"_222":300,"_42":301,"_302":303},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":537,"_295":538,"_297":539},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_289":290,"_291":292},{"_225":529,"_125":530,"_284":531},{"_275":526,"_277":527,"_279":511,"_280":528},135,96.43541685901579,72.43541685901579,{"_286":225,"_123":535,"_154":536,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},{"_309":545,"_311":546},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1523,1567,"the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":616,"_222":617,"_323":618,"_325":326,"_327":619,"_329":620,"_331":503,"_332":503,"_333":621,"_140":97},"c. 1527","painting","Painting","oil on wood","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[601,602,603,604,605],{"_221":376,"_222":377,"_42":378,"_302":379},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. It is now at the Cleveland Museum of Art.",{"_118":600,"_374":375},"The Sacrifice of Isaac, by Andrea del Sarto, c. 1527",{"_293":597,"_295":598,"_297":599},"https://img.ochreeditions.com/m/533.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-117032","/galleries/style/renaissance/the-sacrifice-of-isaac-cma-117032",{"_289":595,"_291":596},{"_225":587,"_125":588,"_284":589},{"_275":584,"_277":585,"_279":586,"_280":569},152.84529411764706,193,137.84529411764706,{"_286":225,"_123":593,"_154":594,"_140":97},{"_286":125,"_123":590,"_154":591,"_140":592},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/andrea-del-sarto","More by Andrea del Sarto","natural","ivory","https://img.ochreeditions.com/a/533/480.jpg","https://img.ochreeditions.com/a/533/960.jpg","https://img.ochreeditions.com/a/533/1920.jpg","In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice.",{"_309":614,"_311":615},{"_309":612,"_311":613},{"_309":610,"_311":611},{"_309":608,"_311":609},{"_309":606,"_311":607},"#702f18",0.0603,"#927255",0.1684,"#565747",0.1747,"#654628",0.2888,"#402f1e",0.3078,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","the-last-supper-cma-119622","The Last Supper",{"_42":395,"_222":396,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_332":-5,"_333":-5,"_140":99},1.3137557959814528,[646,647,648,649,650],{"_221":376,"_222":377,"_42":378,"_302":379},"1940.473.a",{"_118":373,"_374":375},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_293":643,"_295":644,"_297":645},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_289":290,"_291":292},{"_225":640,"_125":641,"_284":642},{"_275":356,"_277":638,"_279":358,"_280":639},69.67058823529412,45.67058823529412,{"_286":225,"_123":368,"_154":369,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":53},{"_286":284,"_123":363,"_154":364,"_140":365},"https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg",{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},{"_309":653,"_311":654},{"_309":651,"_311":652},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":708,"_222":709,"_323":710,"_325":326,"_327":711,"_329":712,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1508–9","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[693,694,695,696,697],{"_221":376,"_222":377,"_42":378,"_302":379},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":692,"_374":375},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_293":689,"_295":690,"_297":691},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_289":290,"_291":292},{"_225":684,"_125":685,"_284":686},{"_275":276,"_277":682,"_279":243,"_280":683},40.80882352941177,16.808823529411764,{"_286":225,"_123":687,"_154":688,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_309":706,"_311":707},{"_309":704,"_311":705},{"_309":702,"_311":703},{"_309":700,"_311":701},{"_309":698,"_311":699},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,"arm-of-eve-cma-141931","Arm of Eve",{"_42":770,"_222":771,"_323":772,"_325":773,"_327":774,"_329":775,"_331":776,"_332":776,"_333":777,"_140":89},"1507","germany","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[756,757,758,759,760],{"_221":376,"_222":377,"_42":378,"_302":379},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":755,"_374":375},"Arm of Eve, by Albrecht Dürer, 1507",{"_293":752,"_295":753,"_297":754},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_289":290,"_291":292},{"_225":741,"_125":742,"_284":743},{"_275":738,"_277":739,"_279":740,"_280":723},51.509882352941176,58.4,27.509882352941176,{"_286":225,"_123":750,"_154":751,"_140":89},{"_286":125,"_123":747,"_154":748,"_140":749},{"_286":284,"_123":744,"_154":745,"_140":746},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":765,"_311":386},{"_309":763,"_311":764},{"_309":761,"_311":762},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5","#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":825,"_222":826,"_323":773,"_325":773,"_327":-5,"_329":827,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1544","Oil on panel","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[810,811,812,813,814],{"_221":299,"_222":300,"_42":301,"_302":303},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":807,"_295":808,"_297":809},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_289":595,"_291":596},{"_225":802,"_125":803,"_284":804},{"_275":799,"_277":800,"_279":784,"_280":801},73,63.08637012060692,48.08637012060692,{"_286":225,"_123":805,"_154":806,"_140":89},{"_286":125,"_123":590,"_154":591,"_140":592},{"_286":284,"_123":744,"_154":745,"_140":746},"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_309":823,"_311":824},{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},{"_309":815,"_311":816},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus",1553,"the-farnese-hercules-aic-264799","The Farnese Hercules",{"_42":872,"_222":873,"_323":874,"_325":326,"_327":875,"_329":876,"_331":-5,"_332":-5,"_333":877,"_140":99},"c. 1577","Plate: 36.4 × 22 cm (14 3/8 × 8 11/16 in.); Sheet: 50 × 35.8 cm (19 11/16 × 14 1/8 in.)",22,36,0.711064993868503,[857,858,859,860,861],{"_221":299,"_222":300,"_42":301,"_302":303},"2022.150","Giorgio Ghisi made this in about 1577, aged about 52. It is now at the Art Institute of Chicago.",{"_293":854,"_295":855,"_297":856},"https://img.ochreeditions.com/m/420.jpg?dl=1","/art/the-farnese-hercules-aic-264799","/galleries/style/renaissance/the-farnese-hercules-aic-264799",{"_289":290,"_291":292},{"_225":849,"_125":850,"_284":851},{"_275":847,"_277":358,"_279":848,"_280":834},49.598339779266105,25.598339779266105,{"_286":225,"_123":852,"_154":853,"_140":99},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/420/480.jpg","https://img.ochreeditions.com/a/420/960.jpg","https://img.ochreeditions.com/a/420/1920.jpg",{"_309":870,"_311":871},{"_309":868,"_311":869},{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},"#f2e3d8",0.0679,"#b2a193",0.0839,"#83786d",0.0907,"#5e574f",0.0971,"#e1ccbb",0.6604,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":927,"_222":928,"_323":929,"_325":326,"_327":930,"_329":558,"_331":-5,"_332":-5,"_333":931,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[912,913,914,915,916],{"_221":299,"_222":300,"_42":301,"_302":303},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_293":909,"_295":910,"_297":911},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_289":595,"_291":596},{"_225":902,"_125":903,"_284":904},{"_275":899,"_277":900,"_279":884,"_280":901},61,42.169621411414845,27.169621411414845,{"_286":225,"_123":907,"_154":908,"_140":95},{"_286":125,"_123":905,"_154":906,"_140":799},{"_286":284,"_123":363,"_154":364,"_140":365},"style/painting-15","More paintings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_309":925,"_311":926},{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1450,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","virgin-and-child-cma-97177","Virgin and Child",{"_42":978,"_222":979,"_323":980,"_325":326,"_327":981,"_329":982,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1500s","Framed: 86 x 74 x 8 cm (33 7/8 x 29 1/8 x 3 1/8 in.); Unframed: 55.5 x 42.7 cm (21 7/8 x 16 13/16 in.)",42.7,55.5,0.7470588235294118,[963,964,965,966,967],{"_221":376,"_222":377,"_42":378,"_302":379},"1916.812","Bernardino Luini painted this in the 1500s, aged about 20. It is now at the Cleveland Museum of Art.","Virgin and Child, by Bernardino Luini, 1500s",{"_293":960,"_295":961,"_297":962},"https://img.ochreeditions.com/m/486.jpg?dl=1","/art/virgin-and-child-cma-97177","/galleries/style/renaissance/virgin-and-child-cma-97177",{"_289":595,"_291":596},{"_225":955,"_125":956,"_284":957},{"_275":952,"_277":953,"_279":954,"_280":938},56.46176470588235,70.5,41.46176470588235,{"_286":225,"_123":958,"_154":959,"_140":89},{"_286":125,"_123":905,"_154":906,"_140":799},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/486/480.jpg","https://img.ochreeditions.com/a/486/960.jpg","https://img.ochreeditions.com/a/486/1920.jpg",{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},"#571b1d",0.0462,"#674937",0.1302,"#93715c",0.1322,"#3a2b25",0.2256,"#1c1d17",0.4658,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":1026,"_222":1027,"_323":1028,"_325":326,"_327":1029,"_329":1030,"_331":-5,"_332":-5,"_333":-5,"_140":103},"Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[1011,1012,1013,1014,1015],{"_221":376,"_222":377,"_42":378,"_302":379},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_293":1008,"_295":1009,"_297":1010},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_289":595,"_291":596},{"_225":1003,"_125":1004,"_284":1005},{"_275":1001,"_277":526,"_279":1002,"_280":987},130.87058823529412,115.87058823529412,{"_286":225,"_123":1006,"_154":1007,"_140":89},{"_286":125,"_123":905,"_154":906,"_140":799},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_309":1024,"_311":1025},{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"group-of-nine-standing-figures-aic-52668","Group of Nine Standing Figures",{"_42":1075,"_222":1076,"_323":1077,"_325":326,"_327":1078,"_329":1079,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1524/27","Pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card","12.4 × 13.1 cm (4 15/16 × 5 3/16 in.)",1.0559045226130652,[1060,1061,1062,1063,1064],{"_221":299,"_222":300,"_42":301,"_302":303},"1978.275","Parmigianino painted this in 1524/27, aged about 21. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.",{"_293":1057,"_295":1058,"_297":1059},"https://img.ochreeditions.com/m/164.jpg?dl=1","/art/group-of-nine-standing-figures-aic-52668","/galleries/style/renaissance/group-of-nine-standing-figures-aic-52668",{"_289":290,"_291":292},{"_225":1052,"_125":1053,"_284":1054},{"_275":276,"_277":1050,"_279":243,"_280":1051},47.67638310529447,23.67638310529447,{"_286":225,"_123":1055,"_154":1056,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":89},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-parmigianino","Parmigianino's contemporaries","https://img.ochreeditions.com/a/164/480.jpg","https://img.ochreeditions.com/a/164/960.jpg","https://img.ochreeditions.com/a/164/1920.jpg",{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},{"_309":1067,"_311":1068},{"_309":1065,"_311":1066},"#a29b92",0.0635,"#b08969",0.1815,"#9d7758",0.1862,"#c19c7d",0.2742,"#cead8e",0.2946,"Parmigianino","parmigianino","Italian, 1503–1540",1503,1540,"holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":1129,"_222":1130,"_323":1131,"_325":326,"_327":1132,"_329":1133,"_331":-5,"_332":-5,"_333":-5,"_140":103},"early 1520s","oil on canvas","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[1114,1115,1116,1117,1118],{"_221":376,"_222":377,"_42":378,"_302":379},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":1113,"_374":375},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_293":1110,"_295":1111,"_297":1112},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_289":595,"_291":596},{"_225":1105,"_125":1106,"_284":1107},{"_275":1102,"_277":1103,"_279":1104,"_280":1087},47.45108823529412,53.7,32.45108823529412,{"_286":225,"_123":1108,"_154":1109,"_140":89},{"_286":125,"_123":590,"_154":591,"_140":592},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},{"_309":1123,"_311":1124},{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","d29b7dcfecf28f9f29c89771e6a4879a1e074630","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
