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The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":397,"_313":398},{"_311":395,"_313":396},{"_311":393,"_313":394},{"_311":391,"_313":392},{"_311":389,"_313":390},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"the-nativity-cma-153271","The Nativity",{"_42":460,"_222":461,"_325":462,"_327":328,"_329":463,"_331":464,"_333":-5,"_334":-5,"_335":465,"_140":99},"1553","print","Print","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[445,446,447,448,449],{"_221":380,"_222":381,"_42":382,"_304":383},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":444,"_378":379},"The Nativity, by Giorgio Ghisi, 1553",{"_295":441,"_297":442,"_299":443},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_291":439,"_293":440},{"_225":431,"_125":432,"_285":433},{"_276":428,"_278":429,"_280":430,"_281":413},71.21029411764707,91.5,47.21029411764706,{"_287":225,"_123":437,"_154":438,"_140":99},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":366,"_154":367,"_140":368},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","white","snow","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_311":458,"_313":459},{"_311":456,"_313":457},{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":95},"27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",1.6930673896204493,[489,490,491,492,493],{"_221":301,"_222":302,"_42":303,"_304":305},"1933.1024",{"_295":486,"_297":487,"_299":488},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_291":292,"_293":294},{"_225":483,"_125":484,"_285":485},{"_276":277,"_278":481,"_280":243,"_281":482},42.169621411414845,27.169621411414845,{"_287":225,"_123":171,"_154":170,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},{"_311":494,"_313":495},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"scenes-from-the-life-of-saint-john-the-baptist-aic-25740","Scenes from the Life of Saint John the Baptist",{"_42":551,"_222":552,"_325":328,"_327":328,"_329":-5,"_331":553,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1490/95","Tempera on panel (poplar)","74 × 150.4 cm (29 3/16 × 59 3/16 in.); Framed: 88 × 164 cm (34 5/8 × 64 9/16 in.)",150,74,2.0355891572930114,[536,537,538,539,540],{"_221":301,"_222":302,"_42":303,"_304":305},"1937.996","Bartolomeo di Giovanni painted this in 1490/95. It is now at the Art Institute of Chicago.","Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.",{"_295":533,"_297":534,"_299":535},"https://img.ochreeditions.com/m/107.jpg?dl=1","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740",{"_291":292,"_293":294},{"_225":528,"_125":529,"_285":530},{"_276":525,"_278":526,"_280":510,"_281":527},165,88.68873992209438,73.68873992209438,{"_287":225,"_123":531,"_154":532,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-bartolomeo-di-giovanni","Bartolomeo di Giovanni's contemporaries","https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/107/960.jpg","https://img.ochreeditions.com/a/107/1920.jpg",{"_311":549,"_313":550},{"_311":547,"_313":548},{"_311":545,"_313":546},{"_311":543,"_313":544},{"_311":541,"_313":542},"#1c1916",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni",1501,"portrait-of-a-couple-cma-97155","Portrait of a Couple","Unrecorded Italian maker","c. 1580–88","oil on canvas","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[588,589,590,591,592],{"_221":380,"_222":381,"_42":382,"_304":383},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":587,"_378":379},"Portrait of a Couple, c. 1580–88",{"_295":584,"_297":585,"_299":586},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_291":292,"_293":294},{"_225":579,"_125":580,"_285":581},{"_276":576,"_278":577,"_280":560,"_281":578},155.5,114.79632352941177,99.79632352941177,{"_287":225,"_123":582,"_154":583,"_140":77},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_311":601,"_313":602},{"_311":599,"_313":600},{"_311":597,"_313":598},{"_311":595,"_313":596},{"_311":593,"_313":594},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[633,634,635,636,637],{"_221":380,"_222":381,"_42":382,"_304":383},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":632,"_378":379},"Portrait of Roberto Castiglione, early 1600s",{"_295":629,"_297":630,"_299":631},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_291":292,"_293":294},{"_225":626,"_125":627,"_285":628},{"_276":623,"_278":624,"_280":625,"_281":608},113.02941176470588,136.2,98.02941176470588,{"_287":225,"_123":582,"_154":583,"_140":77},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_311":646,"_313":647},{"_311":644,"_313":645},{"_311":642,"_313":643},{"_311":640,"_313":641},{"_311":638,"_313":639},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":699,"_222":700,"_325":701,"_327":702,"_329":703,"_331":704,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1512","netherlands","woodcut",0.6988235294117647,[684,685,686,687,688],{"_221":380,"_222":381,"_42":382,"_304":383},"1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":683,"_378":379},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_295":680,"_297":681,"_299":682},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_291":439,"_293":440},{"_225":672,"_125":673,"_285":674},{"_276":668,"_278":669,"_280":670,"_281":671},65.92941176470589,84,41.92941176470588,60,{"_287":225,"_123":678,"_154":679,"_140":89},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":675,"_154":676,"_140":677},"era/16-netherlands","16th-century Netherlands",35,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.",{"_311":697,"_313":698},{"_311":695,"_313":696},{"_311":693,"_313":694},{"_311":691,"_313":692},{"_311":689,"_313":690},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486",0.2673,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":751,"_222":752,"_325":753,"_327":328,"_329":754,"_331":755,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[736,737,738,739,740],{"_221":301,"_222":302,"_42":303,"_304":305},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":733,"_297":734,"_299":735},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_291":439,"_293":440},{"_225":728,"_125":729,"_285":730},{"_276":724,"_278":725,"_280":726,"_281":727},40.62885994438753,49,16.628859944387532,25,{"_287":225,"_123":731,"_154":732,"_140":89},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_311":749,"_313":750},{"_311":747,"_313":748},{"_311":745,"_313":746},{"_311":743,"_313":744},{"_311":741,"_313":742},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":806,"_222":807,"_325":808,"_327":328,"_329":809,"_331":810,"_333":811,"_334":812,"_335":-5,"_140":101},"1470s–80s","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[791,792,793,794,795],{"_221":380,"_222":381,"_42":382,"_304":383},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":790,"_378":379},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_295":787,"_297":788,"_299":789},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_291":439,"_293":440},{"_225":780,"_125":781,"_285":782},{"_276":777,"_278":778,"_280":761,"_281":779},84.4,66.06682352941176,42.066823529411764,{"_287":225,"_123":785,"_154":786,"_140":89},{"_287":125,"_123":783,"_154":784,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-15","More prints of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_311":804,"_313":805},{"_311":802,"_313":803},{"_311":800,"_313":801},{"_311":798,"_313":799},{"_311":796,"_313":797},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Florence","Rome","saint-sebastian-cma-135407","Saint Sebastian",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":95},"c. 1493","drawing","Drawing","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[849,850,851,852,853],{"_221":380,"_222":381,"_42":382,"_304":383},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":848,"_378":379},"Saint Sebastian, by Perugino, c. 1493",{"_295":845,"_297":846,"_299":847},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_291":439,"_293":440},{"_225":840,"_125":841,"_285":842},{"_276":837,"_278":838,"_280":839,"_281":822},38.70494117647059,49.6,14.70494117647059,{"_287":225,"_123":171,"_154":170,"_140":95},{"_287":125,"_123":843,"_154":844,"_140":91},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-15","More drawings of the 15th century","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_311":862,"_313":863},{"_311":860,"_313":861},{"_311":858,"_313":859},{"_311":856,"_313":857},{"_311":854,"_313":855},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":914,"_222":915,"_325":916,"_327":917,"_329":918,"_331":919,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1515","Oil on panel","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",50,64,0.7786499215070644,[899,900,901,902,903],{"_221":301,"_222":302,"_42":303,"_304":305},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":897,"_378":898},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_295":894,"_297":895,"_299":896},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_291":292,"_293":294},{"_225":889,"_125":890,"_285":891},{"_276":886,"_278":887,"_280":888,"_281":871},64.83359497645212,79,49.83359497645212,{"_287":225,"_123":892,"_154":893,"_140":89},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.","Text from the Art Institute of Chicago.",{"_311":912,"_313":913},{"_311":910,"_313":911},{"_311":908,"_313":909},{"_311":906,"_313":907},{"_311":904,"_313":905},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":967,"_222":968,"_325":969,"_327":970,"_329":330,"_331":971,"_333":972,"_334":973,"_335":974,"_140":97},"c. 1480","germany",0.7132352941176471,[952,953,954,955,956],{"_221":380,"_222":381,"_42":382,"_304":383},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":951,"_378":379},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_295":948,"_297":949,"_299":950},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_291":439,"_293":440},{"_225":941,"_125":942,"_285":943},{"_276":939,"_278":669,"_280":940,"_281":671},66.79411764705883,42.794117647058826,{"_287":225,"_123":946,"_154":947,"_140":97},{"_287":125,"_123":783,"_154":784,"_140":53},{"_287":285,"_123":944,"_154":945,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_311":965,"_313":966},{"_311":963,"_313":964},{"_311":961,"_313":962},{"_311":959,"_313":960},{"_311":957,"_313":958},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":1023,"_222":1024,"_325":1025,"_327":328,"_329":1026,"_331":1027,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[1008,1009,1010,1011,1012],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_295":1005,"_297":1006,"_299":1007},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_291":439,"_293":440},{"_225":998,"_125":999,"_285":1000},{"_276":725,"_278":996,"_280":727,"_281":997},46.831191300049426,22.83119130004943,{"_287":225,"_123":1003,"_154":1004,"_140":89},{"_287":125,"_123":1001,"_154":1002,"_140":89},{"_287":285,"_123":366,"_154":367,"_140":368},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","c. 1500","oil on wood","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[1057,1058,1059,1060,1061],{"_221":380,"_222":381,"_42":382,"_304":383},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_295":1054,"_297":1055,"_299":1056},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_291":292,"_293":294},{"_225":1051,"_125":1052,"_285":1053},{"_276":1048,"_278":1049,"_280":1050,"_281":1034},44.41617647058824,56.5,29.416176470588237,{"_287":225,"_123":582,"_154":583,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":1121,"_222":1122,"_325":1123,"_327":328,"_329":1124,"_331":1125,"_333":1126,"_334":1127,"_335":-5,"_140":101},"1514–15, printed 1549","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[1106,1107,1108,1109,1110],{"_221":380,"_222":381,"_42":382,"_304":383},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":1105,"_378":379},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_295":1102,"_297":1103,"_299":1104},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_291":439,"_293":440},{"_225":1097,"_125":1098,"_285":1099},{"_276":1093,"_278":1094,"_280":1095,"_281":1096},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_287":225,"_123":1100,"_154":1101,"_140":89},{"_287":125,"_123":434,"_154":435,"_140":436},{"_287":285,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_311":1119,"_313":1120},{"_311":1117,"_313":1118},{"_311":1115,"_313":1116},{"_311":1113,"_313":1114},{"_311":1111,"_313":1112},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice",{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","87493760da46d7b2092ead0bbb1b851d5abe51eb","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]