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It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_289":436,"_291":437,"_293":438},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_285":434,"_287":435},{"_220":426,"_125":427,"_279":428},{"_270":423,"_272":424,"_274":408,"_276":425},60,50.36024844720497,26.360248447204967,{"_281":220,"_123":432,"_154":433,"_140":89},{"_281":125,"_123":429,"_154":430,"_140":431},{"_281":279,"_123":362,"_154":363,"_140":364},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","white","snow","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},{"_308":446,"_310":447},{"_308":444,"_310":445},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":512,"_217":513,"_322":514,"_324":397,"_326":515,"_328":516,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1503","engraving","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[497,498,499,500,501],{"_216":375,"_217":376,"_42":377,"_301":378},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":496,"_296":374},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_289":493,"_291":494,"_293":495},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_285":434,"_287":435},{"_220":483,"_125":484,"_279":485},{"_270":479,"_272":480,"_274":481,"_276":482},49,44.26470588235294,25,20.264705882352942,{"_281":220,"_123":491,"_154":492,"_140":89},{"_281":125,"_123":489,"_154":490,"_140":53},{"_281":279,"_123":486,"_154":487,"_140":488},"era/15-italy","15th-century Italy",57,"style/print-15","More prints of the 15th century","artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_308":510,"_310":511},{"_308":508,"_310":509},{"_308":506,"_310":507},{"_308":504,"_310":505},{"_308":502,"_310":503},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":564,"_217":565,"_322":566,"_324":397,"_326":567,"_328":568,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1515–17","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",118,0.7772108843537415,[549,550,551,552,553],{"_216":298,"_217":299,"_42":300,"_301":302},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":548,"_296":297},"A work made of oil on panel.",{"_289":545,"_291":546,"_293":547},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_285":286,"_287":288},{"_220":540,"_125":541,"_279":542},{"_270":537,"_272":538,"_274":539,"_276":522},106.7108843537415,133,91.7108843537415,{"_281":220,"_123":543,"_154":544,"_140":89},{"_281":125,"_123":365,"_154":366,"_140":367},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.",{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},{"_308":554,"_310":555},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":622,"_217":623,"_322":624,"_324":625,"_326":626,"_328":627,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1508","germany","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[607,608,609,610,611],{"_216":375,"_217":376,"_42":377,"_301":378},"1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":606,"_296":374},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_289":603,"_291":604,"_293":605},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_285":434,"_287":435},{"_220":595,"_125":596,"_279":597},{"_270":592,"_272":593,"_274":594,"_276":577},46.837999999999994,56.3,22.837999999999997,{"_281":220,"_123":601,"_154":602,"_140":89},{"_281":125,"_123":429,"_154":430,"_140":431},{"_281":279,"_123":598,"_154":599,"_140":600},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.",{"_308":620,"_310":621},{"_308":618,"_310":619},{"_308":616,"_310":617},{"_308":614,"_310":615},{"_308":612,"_310":613},"#798687",0.0993,"#606f71",0.1747,"#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531","German",1473,1531,"francesco-sforza-nga-1141","Francesco Sforza","Unrecorded Italian maker","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[665,666,667,668,669],{"_216":661,"_217":662,"_42":663,"_301":664},"Courtesy National Gallery of Art, Washington","1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_289":658,"_291":659,"_293":660},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_285":286,"_287":288},{"_220":653,"_125":654,"_279":655},{"_270":650,"_272":651,"_274":652,"_276":635},73.70849609375,84.5,58.70849609375,{"_281":220,"_123":656,"_154":657,"_140":77},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":486,"_154":487,"_140":488},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},{"_308":670,"_310":671},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":732,"_217":733,"_322":734,"_324":325,"_326":735,"_328":736,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1512","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[717,718,719,720,721],{"_216":375,"_217":376,"_42":377,"_301":378},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":716,"_296":374},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_289":713,"_291":714,"_293":715},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_285":434,"_287":435},{"_220":705,"_125":706,"_279":707},{"_270":702,"_272":703,"_274":704,"_276":687},53.205176470588235,65.1,29.205176470588235,{"_281":220,"_123":711,"_154":712,"_140":89},{"_281":125,"_123":429,"_154":430,"_140":431},{"_281":279,"_123":708,"_154":709,"_140":710},"era/16-netherlands","16th-century Netherlands",35,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_308":730,"_310":731},{"_308":728,"_310":729},{"_308":726,"_310":727},{"_308":724,"_310":725},{"_308":722,"_310":723},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533",1494,1533,"the-nativity-aic-16205","The Nativity",{"_42":784,"_217":785,"_322":786,"_324":397,"_326":787,"_328":788,"_330":-5,"_331":-5,"_332":789,"_140":95},"1500–05","Tempera on panel, transferred to canvas","26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[769,770,771,772,773],{"_216":298,"_217":299,"_42":300,"_301":302},"1933.1025","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.","A work made of tempera on panel, transferred to canvas.",{"_289":766,"_291":767,"_293":768},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_285":286,"_287":288},{"_220":761,"_125":762,"_279":763},{"_270":758,"_272":759,"_274":193,"_276":760},61,41.94811428571428,26.948114285714286,{"_281":220,"_123":764,"_154":765,"_140":95},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":486,"_154":487,"_140":488},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_308":782,"_310":783},{"_308":780,"_310":781},{"_308":778,"_310":779},{"_308":776,"_310":777},{"_308":774,"_310":775},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-farnese-hercules-aic-264799","The Farnese Hercules",{"_42":834,"_217":835,"_322":836,"_324":397,"_326":516,"_328":837,"_330":-5,"_331":-5,"_332":838,"_140":99},"c. 1577","Engraving in black on cream laid paper","Plate: 36.4 × 22 cm (14 3/8 × 8 11/16 in.); Sheet: 50 × 35.8 cm (19 11/16 × 14 1/8 in.)",0.711064993868503,[819,820,821,822,823],{"_216":298,"_217":299,"_42":300,"_301":302},"2022.150","Giorgio Ghisi made this in about 1577, aged about 52. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_289":816,"_291":817,"_293":818},"https://img.ochreeditions.com/m/420.jpg?dl=1","/art/the-farnese-hercules-aic-264799","/galleries/style/renaissance/the-farnese-hercules-aic-264799",{"_285":434,"_287":435},{"_220":811,"_125":812,"_279":813},{"_270":809,"_272":423,"_274":810,"_276":408},49.598339779266105,25.598339779266105,{"_281":220,"_123":814,"_154":815,"_140":99},{"_281":125,"_123":429,"_154":430,"_140":431},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/420/480.jpg","https://img.ochreeditions.com/a/420/960.jpg","https://img.ochreeditions.com/a/420/1920.jpg",{"_308":832,"_310":833},{"_308":830,"_310":831},{"_308":828,"_310":829},{"_308":826,"_310":827},{"_308":824,"_310":825},"#f2e3d8",0.0679,"#b2a193",0.0839,"#83786d",0.0907,"#5e574f",0.0971,"#e1ccbb",0.6604,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","portrait-of-a-woman-as-saint-catherine-cma-97191","Portrait of a Woman as Saint Catherine",{"_42":887,"_217":888,"_322":889,"_324":397,"_326":890,"_328":891,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1560","oil on wood","Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)",71.3,0.7479411764705882,[872,873,874,875,876],{"_216":375,"_217":376,"_42":377,"_301":378},"1916.825","Pier Francesco Foschi painted this in about 1560, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":871,"_296":374},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_289":868,"_291":869,"_293":870},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_285":286,"_287":288},{"_220":863,"_125":864,"_279":865},{"_270":860,"_272":861,"_274":862,"_276":367},86.05441176470588,110,71.05441176470588,{"_281":220,"_123":866,"_154":867,"_140":89},{"_281":125,"_123":365,"_154":366,"_140":367},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_308":885,"_310":886},{"_308":883,"_310":884},{"_308":881,"_310":882},{"_308":879,"_310":880},{"_308":877,"_310":878},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,1567,"virgin-and-child-cma-97177","Virgin and Child",{"_42":938,"_217":939,"_322":940,"_324":397,"_326":941,"_328":942,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1500s","Framed: 86 x 74 x 8 cm (33 7/8 x 29 1/8 x 3 1/8 in.); Unframed: 55.5 x 42.7 cm (21 7/8 x 16 13/16 in.)",42.7,55.5,0.7470588235294118,[923,924,925,926,927],{"_216":375,"_217":376,"_42":377,"_301":378},"1916.812","Bernardino Luini painted this in the 1500s, aged about 20. It is now at the Cleveland Museum of Art.","Virgin and Child, by Bernardino Luini, 1500s",{"_289":920,"_291":921,"_293":922},"https://img.ochreeditions.com/m/486.jpg?dl=1","/art/virgin-and-child-cma-97177","/galleries/style/renaissance/virgin-and-child-cma-97177",{"_285":286,"_287":288},{"_220":915,"_125":916,"_279":917},{"_270":912,"_272":913,"_274":914,"_276":898},56.46176470588235,70.5,41.46176470588235,{"_281":220,"_123":918,"_154":919,"_140":89},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/486/480.jpg","https://img.ochreeditions.com/a/486/960.jpg","https://img.ochreeditions.com/a/486/1920.jpg",{"_308":936,"_310":937},{"_308":934,"_310":935},{"_308":932,"_310":933},{"_308":930,"_310":931},{"_308":928,"_310":929},"#571b1d",0.0462,"#674937",0.1302,"#93715c",0.1322,"#3a2b25",0.2256,"#1c1d17",0.4658,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":986,"_217":987,"_322":988,"_324":397,"_326":989,"_328":990,"_330":991,"_331":991,"_332":992,"_140":97},"1525–28","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",1.2782629218786878,[971,972,973,974,975],{"_216":298,"_217":299,"_42":300,"_301":302},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.",{"_289":968,"_291":969,"_293":970},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_285":286,"_287":288},{"_220":963,"_125":964,"_279":965},{"_270":960,"_272":961,"_274":481,"_276":962},40,34.557791728212706,19.557791728212703,{"_281":220,"_123":966,"_154":967,"_140":97},{"_281":125,"_123":365,"_154":366,"_140":367},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_308":984,"_310":985},{"_308":982,"_310":983},{"_308":980,"_310":981},{"_308":978,"_310":979},{"_308":976,"_310":977},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":1041,"_217":1042,"_322":1043,"_324":397,"_326":1044,"_328":1045,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[1026,1027,1028,1029,1030],{"_216":298,"_217":299,"_42":300,"_301":302},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_289":1023,"_291":1024,"_293":1025},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_285":434,"_287":435},{"_220":1016,"_125":1017,"_279":1018},{"_270":479,"_272":1014,"_274":481,"_276":1015},46.831191300049426,22.83119130004943,{"_281":220,"_123":1021,"_154":1022,"_140":89},{"_281":125,"_123":1019,"_154":1020,"_140":89},{"_281":279,"_123":362,"_154":363,"_140":364},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_308":1039,"_310":1040},{"_308":1037,"_310":1038},{"_308":1035,"_310":1036},{"_308":1033,"_310":1034},{"_308":1031,"_310":1032},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"st-catherine-of-siena-and-the-beggar-cma-142559","St. Catherine of Siena and the Beggar",{"_42":1094,"_217":1095,"_322":1096,"_324":397,"_326":1097,"_328":1098,"_330":1099,"_331":1099,"_332":1100,"_140":97},"1460s","tempera and gold on wood","Framed: 35.6 x 35.7 x 4.5 cm (14 x 14 1/16 x 1 3/4 in.); Unframed: 28.7 x 28.9 cm (11 5/16 x 11 3/8 in.)",28.9,1.0083036773428233,[1079,1080,1081,1082,1083],{"_216":375,"_217":376,"_42":377,"_301":378},"1966.3","Giovanni di Paolo painted this in the 1460s, aged about 62. It is now at the Cleveland Museum of Art.",{"_118":1078,"_296":374},"St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s",{"_289":1075,"_291":1076,"_293":1077},"https://img.ochreeditions.com/m/661.jpg?dl=1","/art/st-catherine-of-siena-and-the-beggar-cma-142559","/galleries/style/renaissance/st-catherine-of-siena-and-the-beggar-cma-142559",{"_285":286,"_287":288},{"_220":1070,"_125":1071,"_279":1072},{"_270":1067,"_272":1068,"_274":1052,"_276":1069},43.9,43.66199999999999,28.661999999999995,{"_281":220,"_123":1073,"_154":1074,"_140":97},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":486,"_154":487,"_140":488},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/661/480.jpg","https://img.ochreeditions.com/a/661/960.jpg","https://img.ochreeditions.com/a/661/1920.jpg","Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_308":1092,"_310":1093},{"_308":1090,"_310":1091},{"_308":1088,"_310":1089},{"_308":1086,"_310":1087},{"_308":1084,"_310":1085},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","dead-christ-held-by-angels-aic-262509","Dead Christ Held by Angels",{"_42":1146,"_217":1147,"_322":397,"_324":397,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1580/1620","Etching in black on cream laid paper","Plate: 26.6 × 21.4 cm (10 1/2 × 8 7/16 in.); Sheet: 29 × 23.6 cm (11 7/16 × 9 5/16 in.)",21,0.8459386767079075,[1131,1132,1133,1134,1135],{"_216":298,"_217":299,"_42":300,"_301":302},"2022.51","Orazio Samacchini made this in 1580/1620. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_289":1128,"_291":1129,"_293":1130},"https://img.ochreeditions.com/m/409.jpg?dl=1","/art/dead-christ-held-by-angels-aic-262509","/galleries/style/renaissance/dead-christ-held-by-angels-aic-262509",{"_285":434,"_287":435},{"_220":1123,"_125":1124,"_279":1125},{"_270":1121,"_272":181,"_274":1122,"_276":743},45.99440559440559,21.994405594405595,{"_281":220,"_123":1126,"_154":1127,"_140":89},{"_281":125,"_123":429,"_154":430,"_140":431},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-orazio-samacchini","Orazio Samacchini's contemporaries","https://img.ochreeditions.com/a/409/480.jpg","https://img.ochreeditions.com/a/409/960.jpg","https://img.ochreeditions.com/a/409/1920.jpg",{"_308":1144,"_310":1145},{"_308":1142,"_310":1143},{"_308":1140,"_310":1141},{"_308":1138,"_310":1139},{"_308":1136,"_310":1137},"#695e53",0.1577,"#958473",0.1739,"#dbc3ad",0.1762,"#f5eae0",0.2358,"#b7a593",0.2564,"Orazio Samacchini","orazio-samacchini",{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","d02470153c79efbb4c75a930bfe94c913e5459f8","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_217":1192,"_20":1193},{"_217":1190,"_20":1191},{"_217":1188,"_20":1189},{"_217":1186,"_20":1187},{"_217":1184,"_20":1185},{"_217":1182,"_20":1183},{"_217":1180,"_20":1181},{"_217":1178,"_20":1179},{"_217":1176,"_20":1177},{"_217":1174,"_20":1175},{"_217":1172,"_20":1173},{"_217":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]