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A bearded man sits near the bed.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/107.jpg?dl=1","page_url","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","walk_url","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","frame",{"_290":291,"_292":293},{"_225":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":243,"_280":281},"w",165,"h",88.68873992209438,"image_w","image_h",73.68873992209438,{"_286":225,"_123":171,"_154":170,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/painting-15","More paintings of the 15th century",73,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/107/480.jpg","960","https://img.ochreeditions.com/a/107/960.jpg","1920","https://img.ochreeditions.com/a/107/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#1c1916","weight",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni","bio","Italian","nationality","birth_year","death_year",1501,"birth_place","death_place","about_excerpt","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":390,"_222":391,"_324":392,"_326":325,"_327":393,"_328":394,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1544/50, printed c. 1560s","print","Print","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[375,376,377,378,379],{"_221":300,"_222":301,"_42":302,"_303":304},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. 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This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":505,"_222":506,"_324":507,"_326":325,"_327":508,"_328":509,"_330":510,"_331":510,"_332":511,"_140":93},"1600s","oil on canvas","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[490,491,492,493,494],{"_221":432,"_222":433,"_42":434,"_303":435},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":489,"_430":431},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_294":486,"_296":487,"_298":488},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_290":291,"_292":293},{"_225":478,"_125":479,"_284":480},{"_275":475,"_277":476,"_279":477,"_280":460},48.97252941176471,55.7,33.97252941176471,{"_286":225,"_123":484,"_154":485,"_140":93},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":362,"_154":363,"_140":364},"style/painting-16","More paintings of the 16th century",95,"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":562,"_222":563,"_324":564,"_326":325,"_327":565,"_328":566,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1503","engraving","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[547,548,549,550,551],{"_221":432,"_222":433,"_42":434,"_303":435},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":546,"_430":431},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_294":543,"_296":544,"_298":545},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_290":370,"_292":371},{"_225":538,"_125":539,"_284":540},{"_275":534,"_277":535,"_279":536,"_280":537},49,44.26470588235294,25,20.264705882352942,{"_286":225,"_123":541,"_154":542,"_140":89},{"_286":125,"_123":422,"_154":423,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_310":560,"_312":561},{"_310":558,"_312":559},{"_310":556,"_312":557},{"_310":554,"_312":555},{"_310":552,"_312":553},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":614,"_222":615,"_324":616,"_326":325,"_327":617,"_328":618,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1508–9","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[599,600,601,602,603],{"_221":432,"_222":433,"_42":434,"_303":435},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":598,"_430":431},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_294":595,"_296":596,"_298":597},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_290":370,"_292":371},{"_225":590,"_125":591,"_284":592},{"_275":534,"_277":588,"_279":536,"_280":589},40.80882352941177,16.808823529411764,{"_286":225,"_123":593,"_154":594,"_140":89},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},{"_310":606,"_312":607},{"_310":604,"_312":605},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,"view-of-venice-cma-127250","View of Venice",{"_42":562,"_222":563,"_324":564,"_326":325,"_327":565,"_328":566,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[652,653,654,655,656],{"_221":432,"_222":433,"_42":434,"_303":435},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":651,"_430":431},"View of Venice, by Jacopo de' Barbari, 1500",{"_294":648,"_296":649,"_298":650},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_290":370,"_292":371},{"_225":645,"_125":646,"_284":647},{"_275":641,"_277":642,"_279":643,"_280":644},264,139.5529411764706,240,115.5529411764706,{"_286":225,"_123":541,"_154":542,"_140":89},{"_286":125,"_123":422,"_154":423,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_310":665,"_312":666},{"_310":663,"_312":664},{"_310":661,"_312":662},{"_310":659,"_312":660},{"_310":657,"_312":658},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":711,"_222":712,"_324":713,"_326":325,"_327":714,"_328":715,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[696,697,698,699,700],{"_221":300,"_222":301,"_42":302,"_303":304},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_294":693,"_296":694,"_298":695},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_290":370,"_292":371},{"_225":688,"_125":689,"_284":690},{"_275":686,"_277":534,"_279":687,"_280":536},40.62885994438753,16.628859944387532,{"_286":225,"_123":691,"_154":692,"_140":89},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_310":709,"_312":710},{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":765,"_222":766,"_324":767,"_326":325,"_327":768,"_328":769,"_330":-5,"_331":-5,"_332":-5,"_140":103},"mid-1500s","oil on wood","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[750,751,752,753,754],{"_221":432,"_222":433,"_42":434,"_303":435},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":749,"_430":431},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_294":746,"_296":747,"_298":748},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_290":291,"_292":293},{"_225":741,"_125":742,"_284":743},{"_275":738,"_277":739,"_279":740,"_280":723},78.02223529411765,107.4,63.02223529411765,{"_286":225,"_123":744,"_154":745,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"st-catherine-of-siena-and-the-beggar-cma-142559","St. Catherine of Siena and the Beggar",{"_42":819,"_222":820,"_324":821,"_326":325,"_327":822,"_328":617,"_330":823,"_331":823,"_332":824,"_140":97},"1460s","tempera and gold on wood","Framed: 35.6 x 35.7 x 4.5 cm (14 x 14 1/16 x 1 3/4 in.); Unframed: 28.7 x 28.9 cm (11 5/16 x 11 3/8 in.)",28.9,28.7,1.0083036773428233,[804,805,806,807,808],{"_221":432,"_222":433,"_42":434,"_303":435},"1966.3","Giovanni di Paolo painted this in the 1460s, aged about 62. It is now at the Cleveland Museum of Art.",{"_118":803,"_430":431},"St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s",{"_294":800,"_296":801,"_298":802},"https://img.ochreeditions.com/m/661.jpg?dl=1","/art/st-catherine-of-siena-and-the-beggar-cma-142559","/galleries/style/renaissance/st-catherine-of-siena-and-the-beggar-cma-142559",{"_290":291,"_292":293},{"_225":795,"_125":796,"_284":797},{"_275":792,"_277":793,"_279":776,"_280":794},43.9,43.66199999999999,28.661999999999995,{"_286":225,"_123":798,"_154":799,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/661/480.jpg","https://img.ochreeditions.com/a/661/960.jpg","https://img.ochreeditions.com/a/661/1920.jpg","Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_310":817,"_312":818},{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":875,"_222":876,"_324":877,"_326":325,"_327":878,"_328":879,"_330":880,"_331":881,"_332":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[860,861,862,863,864],{"_221":432,"_222":433,"_42":434,"_303":435},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":859,"_430":431},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_294":856,"_296":857,"_298":858},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_290":370,"_292":371},{"_225":851,"_125":852,"_284":853},{"_275":847,"_277":848,"_279":849,"_280":850},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_286":225,"_123":854,"_154":855,"_140":89},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":362,"_154":363,"_140":364},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_310":873,"_312":874},{"_310":871,"_312":872},{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[923,924,925,926,927],{"_221":919,"_222":920,"_42":921,"_303":922},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_294":916,"_296":917,"_298":918},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_290":370,"_292":371},{"_225":909,"_125":910,"_284":911},{"_275":906,"_277":907,"_279":890,"_280":908},73.5,62.11885576148267,38.11885576148267,{"_286":225,"_123":914,"_154":915,"_140":87},{"_286":125,"_123":365,"_154":366,"_140":367},{"_286":284,"_123":912,"_154":913,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":936,"_312":937},{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":993,"_222":994,"_324":995,"_326":325,"_327":996,"_328":997,"_330":998,"_331":999,"_332":-5,"_140":101},"1510–11","drawing","Drawing","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[978,979,980,981,982],{"_221":432,"_222":433,"_42":434,"_303":435},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":977,"_430":431},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_294":974,"_296":975,"_298":976},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_290":370,"_292":371},{"_225":966,"_125":967,"_284":968},{"_275":962,"_277":963,"_279":964,"_280":965},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_286":225,"_123":972,"_154":973,"_140":89},{"_286":125,"_123":969,"_154":970,"_140":971},{"_286":284,"_123":362,"_154":363,"_140":364},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_310":991,"_312":992},{"_310":989,"_312":990},{"_310":987,"_312":988},{"_310":985,"_312":986},{"_310":983,"_312":984},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,1564,"Caprese","Rome","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":1048,"_222":1049,"_324":1050,"_326":325,"_327":1051,"_328":393,"_330":-5,"_331":-5,"_332":1052,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",46,27,1.70421710269426,[1033,1034,1035,1036,1037],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1023","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.","A work made of tempera on panel, transferred to canvas.",{"_294":1030,"_296":1031,"_298":1032},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_290":291,"_292":293},{"_225":1025,"_125":1026,"_284":1027},{"_275":1022,"_277":1023,"_279":1006,"_280":1024},61,41.99186619314927,26.99186619314927,{"_286":225,"_123":1028,"_154":1029,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"Perugino","perugino","Italian, c. 1450/55–1523",1450,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","Unrecorded Italian maker","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[1088,1089,1090,1091,1092],{"_221":1084,"_222":1085,"_42":1086,"_303":1087},"Courtesy National Gallery of Art, Washington","1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_294":1081,"_296":1082,"_298":1083},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_290":370,"_292":371},{"_225":1076,"_125":1077,"_284":1078},{"_275":534,"_277":1074,"_279":536,"_280":1075},35.83025664115263,11.830256641152634,{"_286":225,"_123":1079,"_154":1080,"_140":77},{"_286":125,"_123":422,"_154":423,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},{"_310":1097,"_312":1098},{"_310":1095,"_312":1096},{"_310":1093,"_312":1094},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[1130,1131,1132,1133,1134],{"_221":432,"_222":433,"_42":434,"_303":435},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_294":1127,"_296":1128,"_298":1129},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_290":291,"_292":293},{"_225":1124,"_125":1125,"_284":1126},{"_275":1121,"_277":1122,"_279":1123,"_280":1107},44.41617647058824,56.5,29.416176470588237,{"_286":225,"_123":1079,"_154":1080,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_310":1143,"_312":1144},{"_310":1141,"_312":1142},{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},{"_310":1135,"_312":1136},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","ed15b825524ff8bc1fb5ed43968bc7850f2fe3dc","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]