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It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_291":428,"_293":429,"_295":430},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_287":288,"_289":290},{"_222":417,"_125":418,"_281":419},{"_272":414,"_274":415,"_276":200,"_278":416},61,42.169621411414845,27.169621411414845,{"_283":222,"_123":426,"_154":427,"_140":95},{"_283":125,"_123":423,"_154":424,"_140":425},{"_283":281,"_123":420,"_154":421,"_140":422},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_307":444,"_309":445},{"_307":442,"_309":443},{"_307":440,"_309":441},{"_307":438,"_309":439},{"_307":436,"_309":437},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523","Italian",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":500,"_219":501,"_321":502,"_323":502,"_325":-5,"_327":503,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1544","germany","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,1.206162990771156,[485,486,487,488,489],{"_218":297,"_219":298,"_42":299,"_300":301},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.",{"_291":482,"_293":483,"_295":484},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_287":288,"_289":290},{"_222":474,"_125":475,"_281":476},{"_272":425,"_274":472,"_276":459,"_278":473},63.08637012060692,48.08637012060692,{"_283":222,"_123":480,"_154":481,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":477,"_154":478,"_140":479},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_307":498,"_309":499},{"_307":496,"_309":497},{"_307":494,"_309":495},{"_307":492,"_309":493},{"_307":490,"_309":491},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus","German",1553,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":563,"_219":564,"_321":565,"_323":502,"_325":450,"_327":566,"_329":567,"_330":568,"_331":569,"_140":97},"c. 1480","Print","engraving",0.7132352941176471,[548,549,550,551,552],{"_218":544,"_219":545,"_42":546,"_300":547},"Courtesy of the Cleveland Museum of Art","1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":541,"_542":543},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_291":538,"_293":539,"_295":540},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_287":370,"_289":371},{"_222":529,"_125":530,"_281":531},{"_272":525,"_274":526,"_276":527,"_278":528},66.79411764705883,84,42.794117647058826,60,{"_283":222,"_123":536,"_154":537,"_140":97},{"_283":125,"_123":534,"_154":535,"_140":53},{"_283":281,"_123":532,"_154":533,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":561,"_309":562},{"_307":559,"_309":560},{"_307":557,"_309":558},{"_307":555,"_309":556},{"_307":553,"_309":554},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":446,"_219":447,"_321":448,"_323":449,"_325":450,"_327":451,"_329":-5,"_330":-5,"_331":452,"_140":95},1.7202205158495767,[592,593,594,595,596],{"_218":297,"_219":298,"_42":299,"_300":301},"1933.1026",{"_291":589,"_293":590,"_295":591},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_287":288,"_289":290},{"_222":586,"_125":587,"_281":588},{"_272":414,"_274":584,"_276":200,"_278":585},41.74075769715005,26.740757697150052,{"_283":222,"_123":426,"_154":427,"_140":95},{"_283":125,"_123":423,"_154":424,"_140":425},{"_283":281,"_123":420,"_154":421,"_140":422},"https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_307":605,"_309":606},{"_307":603,"_309":604},{"_307":601,"_309":602},{"_307":599,"_309":600},{"_307":597,"_309":598},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":656,"_219":657,"_321":658,"_323":449,"_325":659,"_327":660,"_329":661,"_330":662,"_331":663,"_140":99},"1533–34","oil on canvas","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[641,642,643,644,645],{"_218":544,"_219":545,"_42":546,"_300":547},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":640,"_542":543},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_291":637,"_293":638,"_295":639},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_287":288,"_289":290},{"_222":632,"_125":633,"_281":634},{"_272":629,"_274":630,"_276":631,"_278":614},114.8940588235294,123.2,99.8940588235294,{"_283":222,"_123":635,"_154":636,"_140":99},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_307":654,"_309":655},{"_307":652,"_309":653},{"_307":650,"_309":651},{"_307":648,"_309":649},{"_307":646,"_309":647},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":711,"_219":712,"_321":713,"_323":449,"_325":714,"_327":715,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1572","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[696,697,698,699,700],{"_218":544,"_219":545,"_42":546,"_300":547},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":695,"_542":543},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_291":692,"_293":693,"_295":694},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_287":288,"_289":290},{"_222":687,"_125":688,"_281":689},{"_272":685,"_274":138,"_276":686,"_278":670},66.3820588235294,51.38205882352941,{"_283":222,"_123":690,"_154":691,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_307":709,"_309":710},{"_307":707,"_309":708},{"_307":705,"_309":706},{"_307":703,"_309":704},{"_307":701,"_309":702},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":764,"_219":765,"_321":766,"_323":767,"_325":768,"_327":769,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",64,0.7786499215070644,[749,750,751,752,753],{"_218":297,"_219":298,"_42":299,"_300":301},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":747,"_542":748},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_291":744,"_293":745,"_295":746},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_287":288,"_289":290},{"_222":739,"_125":740,"_281":741},{"_272":736,"_274":737,"_276":738,"_278":721},64.83359497645212,79,49.83359497645212,{"_283":222,"_123":742,"_154":743,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.","Text from the Art Institute of Chicago.",{"_307":762,"_309":763},{"_307":760,"_309":761},{"_307":758,"_309":759},{"_307":756,"_309":757},{"_307":754,"_309":755},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":820,"_219":821,"_321":822,"_323":449,"_325":823,"_327":824,"_329":825,"_330":661,"_331":-5,"_140":101},"1514–15, printed 1549","woodcut","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[805,806,807,808,809],{"_218":544,"_219":545,"_42":546,"_300":547},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":804,"_542":543},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_291":801,"_293":802,"_295":803},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_287":370,"_289":371},{"_222":796,"_125":797,"_281":798},{"_272":792,"_274":793,"_276":794,"_278":795},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_283":222,"_123":799,"_154":800,"_140":89},{"_283":125,"_123":365,"_154":366,"_140":367},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_307":818,"_309":819},{"_307":816,"_309":817},{"_307":814,"_309":815},{"_307":812,"_309":813},{"_307":810,"_309":811},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","virgin-and-child-aic-16295","Virgin and Child",{"_42":874,"_219":875,"_321":876,"_323":877,"_325":878,"_327":326,"_329":-5,"_330":879,"_331":880,"_140":97},"c. 1485","netherlands","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[859,860,861,862,863],{"_218":297,"_219":298,"_42":299,"_300":301},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.",{"_291":856,"_293":857,"_295":858},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_287":288,"_289":290},{"_222":849,"_125":850,"_281":851},{"_272":846,"_274":847,"_276":848,"_278":833},46.7589431844751,56,31.7589431844751,{"_283":222,"_123":854,"_154":855,"_140":97},{"_283":125,"_123":423,"_154":424,"_140":425},{"_283":281,"_123":852,"_154":853,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_307":872,"_309":873},{"_307":870,"_309":871},{"_307":868,"_309":869},{"_307":866,"_309":867},{"_307":864,"_309":865},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","sinan-reis-and-hayreddin-barbarossa-aic-90060","Sinan Reis and Hayreddin Barbarossa",{"_42":449,"_219":926,"_321":-5,"_323":-5,"_325":-5,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1535","Tempera on canvas","66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)",0.9557105163965323,[911,912,913,914,915],{"_218":297,"_219":298,"_42":299,"_300":301},"1947.53","Italian painted this in about 1535. It is now at the Art Institute of Chicago.","A work made of tempera on canvas.",{"_291":908,"_293":909,"_295":910},"https://img.ochreeditions.com/m/247.jpg?dl=1","/art/sinan-reis-and-hayreddin-barbarossa-aic-90060","/galleries/style/renaissance/sinan-reis-and-hayreddin-barbarossa-aic-90060",{"_287":288,"_289":290},{"_222":903,"_125":904,"_281":905},{"_272":900,"_274":901,"_276":902,"_278":169},78.07689408217112,81,63.07689408217113,{"_283":222,"_123":906,"_154":907,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-italian","Italian's contemporaries","https://img.ochreeditions.com/a/247/480.jpg","https://img.ochreeditions.com/a/247/960.jpg","https://img.ochreeditions.com/a/247/1920.jpg",{"_307":924,"_309":925},{"_307":922,"_309":923},{"_307":920,"_309":921},{"_307":918,"_309":919},{"_307":916,"_309":917},"#baa581",0.1565,"#82643f",0.1862,"#887c60",0.1973,"#a07c4c",0.22,"#5c513d",0.24,"italian","saint-sebastian-cma-135407","Saint Sebastian",{"_42":446,"_219":447,"_321":448,"_323":449,"_325":450,"_327":451,"_329":-5,"_330":-5,"_331":452,"_140":95},"c. 1493","drawing","Drawing","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[963,964,965,966,967],{"_218":544,"_219":545,"_42":546,"_300":547},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":962,"_542":543},"Saint Sebastian, by Perugino, c. 1493",{"_291":959,"_293":960,"_295":961},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_287":370,"_289":371},{"_222":954,"_125":955,"_281":956},{"_272":951,"_274":952,"_276":953,"_278":936},38.70494117647059,49.6,14.70494117647059,{"_283":222,"_123":426,"_154":427,"_140":95},{"_283":125,"_123":957,"_154":958,"_140":91},{"_283":281,"_123":420,"_154":421,"_140":422},"style/drawing-15","More drawings of the 15th century","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_307":976,"_309":977},{"_307":974,"_309":975},{"_307":972,"_309":973},{"_307":970,"_309":971},{"_307":968,"_309":969},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"the-nativity-aic-16205","The Nativity",{"_42":446,"_219":447,"_321":448,"_323":449,"_325":450,"_327":451,"_329":-5,"_330":-5,"_331":452,"_140":95},"26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[1003,1004,1005,1006,1007],{"_218":297,"_219":298,"_42":299,"_300":301},"1933.1025","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.",{"_291":1000,"_293":1001,"_295":1002},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_287":288,"_289":290},{"_222":997,"_125":998,"_281":999},{"_272":414,"_274":995,"_276":200,"_278":996},41.94811428571428,26.948114285714286,{"_283":222,"_123":426,"_154":427,"_140":95},{"_283":125,"_123":423,"_154":424,"_140":425},{"_283":281,"_123":420,"_154":421,"_140":422},"https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_307":1016,"_309":1017},{"_307":1014,"_309":1015},{"_307":1012,"_309":1013},{"_307":1010,"_309":1011},{"_307":1008,"_309":1009},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":1064,"_219":1065,"_321":1066,"_323":449,"_325":1067,"_327":1068,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1515–17","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[1049,1050,1051,1052,1053],{"_218":297,"_219":298,"_42":299,"_300":301},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":1048,"_542":748},{"_291":1045,"_293":1046,"_295":1047},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_287":288,"_289":290},{"_222":1040,"_125":1041,"_281":1042},{"_272":1038,"_274":180,"_276":1039,"_278":1024},106.7108843537415,91.7108843537415,{"_283":222,"_123":1043,"_154":1044,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.",{"_307":1062,"_309":1063},{"_307":1060,"_309":1061},{"_307":1058,"_309":1059},{"_307":1056,"_309":1057},{"_307":1054,"_309":1055},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":1116,"_219":1117,"_321":1118,"_323":449,"_325":1119,"_327":1120,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[1102,1103,1104,1105,1106],{"_218":544,"_219":545,"_42":546,"_300":547},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":1101,"_542":543},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_291":1098,"_293":1099,"_295":1100},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_287":370,"_289":371},{"_222":1093,"_125":1094,"_281":1095},{"_272":1090,"_274":1091,"_276":240,"_278":1092},49,44.26470588235294,20.264705882352942,{"_283":222,"_123":1096,"_154":1097,"_140":89},{"_283":125,"_123":534,"_154":535,"_140":53},{"_283":281,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_307":1114,"_309":1115},{"_307":1112,"_309":1113},{"_307":1111,"_309":923},{"_307":1109,"_309":1110},{"_307":1107,"_309":1108},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e","#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,{"_1122":-5,"_1123":1124,"_1125":1126,"_1127":8,"_1128":1129,"_1130":8},"user","csrf","c41d8bcf4687864d386315b6dd874aa91ce04607","cartCount",0,"dropLive","legal",[1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142],"uploadsEnabled",{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},{"_219":1157,"_20":1158},{"_219":1155,"_20":1156},{"_219":1153,"_20":1154},{"_219":1151,"_20":1152},{"_219":1149,"_20":1150},{"_219":1147,"_20":1148},{"_219":1145,"_20":1146},{"_219":1143,"_20":1144},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]