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This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_313":388,"_315":389},{"_313":386,"_315":387},{"_313":384,"_315":385},{"_313":382,"_315":383},{"_313":380,"_315":381},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":450,"_222":451,"_327":452,"_329":330,"_331":334,"_333":453,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[435,436,437,438,439],{"_221":431,"_222":432,"_42":433,"_306":434},"Courtesy of the Art Institute of Chicago","2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_294":428,"_296":429,"_298":430},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_290":291,"_292":293},{"_225":417,"_125":418,"_285":419},{"_276":414,"_278":415,"_280":398,"_282":416},135,96.43541685901579,72.43541685901579,{"_287":225,"_123":426,"_154":427,"_140":89},{"_287":125,"_123":423,"_154":424,"_140":425},{"_287":285,"_123":420,"_154":421,"_140":422},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":448,"_315":449},{"_313":446,"_315":447},{"_313":444,"_315":445},{"_313":442,"_315":443},{"_313":440,"_315":441},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1567,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":507,"_222":508,"_327":509,"_329":510,"_331":511,"_333":512,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1512","netherlands","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[492,493,494,495,496],{"_221":303,"_222":304,"_42":305,"_306":307},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":491,"_301":302},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_290":291,"_292":293},{"_225":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":479,"_282":462},53.205176470588235,65.1,29.205176470588235,{"_287":225,"_123":486,"_154":487,"_140":89},{"_287":125,"_123":423,"_154":424,"_140":425},{"_287":285,"_123":483,"_154":484,"_140":485},"era/16-netherlands","16th-century Netherlands",35,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},{"_313":499,"_315":500},{"_313":497,"_315":498},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":559,"_222":560,"_327":561,"_329":330,"_331":562,"_333":563,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[544,545,546,547,548],{"_221":431,"_222":432,"_42":433,"_306":434},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_294":541,"_296":542,"_298":543},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_290":291,"_292":293},{"_225":536,"_125":537,"_285":538},{"_276":532,"_278":533,"_280":534,"_282":535},40.62885994438753,49,16.628859944387532,25,{"_287":225,"_123":539,"_154":540,"_140":89},{"_287":125,"_123":423,"_154":424,"_140":425},{"_287":285,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","Unrecorded Italian maker","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[599,600,601,602,603],{"_221":595,"_222":596,"_42":597,"_306":598},"Courtesy National Gallery of Art, Washington","1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_294":592,"_296":593,"_298":594},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_290":291,"_292":293},{"_225":587,"_125":588,"_285":589},{"_276":533,"_278":585,"_280":535,"_282":586},35.83025664115263,11.830256641152634,{"_287":225,"_123":590,"_154":591,"_140":77},{"_287":125,"_123":367,"_154":368,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":612,"_315":613},{"_313":610,"_315":611},{"_313":608,"_315":609},{"_313":606,"_315":607},{"_313":604,"_315":605},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":666,"_222":667,"_327":668,"_329":330,"_331":669,"_333":670,"_335":671,"_336":672,"_337":-5,"_140":101},"1510–11","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[651,652,653,654,655],{"_221":303,"_222":304,"_42":305,"_306":307},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":650,"_301":302},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_294":647,"_296":648,"_298":649},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_290":291,"_292":293},{"_225":640,"_125":641,"_285":642},{"_276":636,"_278":637,"_280":638,"_282":639},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_287":225,"_123":645,"_154":646,"_140":89},{"_287":125,"_123":643,"_154":644,"_140":485},{"_287":285,"_123":420,"_154":421,"_140":422},"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_313":664,"_315":665},{"_313":662,"_315":663},{"_313":660,"_315":661},{"_313":658,"_315":659},{"_313":656,"_315":657},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,1564,"Caprese","Rome","virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","c. 1510","painting","Painting","oil on wood","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[711,712,713,714,715],{"_221":303,"_222":304,"_42":305,"_306":307},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":710,"_301":302},"Virgin and Child with Saints, c. 1510",{"_294":707,"_296":708,"_298":709},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_290":705,"_292":706},{"_225":699,"_125":700,"_285":701},{"_276":696,"_278":697,"_280":680,"_282":698},133.7,91.77097058823529,76.77097058823529,{"_287":225,"_123":590,"_154":591,"_140":77},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"style/painting-16","More paintings of the 16th century",95,"natural","ivory","https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_313":724,"_315":725},{"_313":722,"_315":723},{"_313":720,"_315":721},{"_313":718,"_315":719},{"_313":716,"_315":717},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"francesco-sforza-nga-1141","Francesco Sforza","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[758,759,760,761,762],{"_221":595,"_222":596,"_42":597,"_306":598},"1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_294":755,"_296":756,"_298":757},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_290":705,"_292":706},{"_225":749,"_125":750,"_285":751},{"_276":746,"_278":747,"_280":748,"_282":732},73.70849609375,84.5,58.70849609375,{"_287":225,"_123":590,"_154":591,"_140":77},{"_287":125,"_123":752,"_154":753,"_140":754},{"_287":285,"_123":167,"_154":166,"_140":169},"style/painting-15","More paintings of the 15th century",73,"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg",{"_313":771,"_315":772},{"_313":769,"_315":770},{"_313":767,"_315":768},{"_313":765,"_315":766},{"_313":763,"_315":764},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":822,"_222":823,"_327":824,"_329":330,"_331":669,"_333":825,"_335":826,"_336":827,"_337":828,"_140":99},"1533–34","oil on canvas","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[807,808,809,810,811],{"_221":303,"_222":304,"_42":305,"_306":307},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":806,"_301":302},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_294":803,"_296":804,"_298":805},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_290":705,"_292":706},{"_225":798,"_125":799,"_285":800},{"_276":795,"_278":796,"_280":797,"_282":780},114.8940588235294,123.2,99.8940588235294,{"_287":225,"_123":801,"_154":802,"_140":99},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_313":820,"_315":821},{"_313":818,"_315":819},{"_313":816,"_315":817},{"_313":814,"_315":815},{"_313":812,"_315":813},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":875,"_222":876,"_327":877,"_329":330,"_331":878,"_333":879,"_335":880,"_336":880,"_337":881,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[860,861,862,863,864],{"_221":431,"_222":432,"_42":433,"_306":434},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":857,"_296":858,"_298":859},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_290":705,"_292":706},{"_225":852,"_125":853,"_285":854},{"_276":849,"_278":850,"_280":535,"_282":851},40,34.557791728212706,19.557791728212703,{"_287":225,"_123":855,"_154":856,"_140":97},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_313":873,"_315":874},{"_313":871,"_315":872},{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":865,"_315":866},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":928,"_222":929,"_327":330,"_329":330,"_331":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":103},"early 1500s","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[913,914,915,916,917],{"_221":303,"_222":304,"_42":305,"_306":307},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_294":910,"_296":911,"_298":912},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_290":705,"_292":706},{"_225":905,"_125":906,"_285":907},{"_276":902,"_278":903,"_280":904,"_282":888},99.20411764705882,101,84.20411764705882,{"_287":225,"_123":908,"_154":909,"_140":89},{"_287":125,"_123":752,"_154":753,"_140":754},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_313":926,"_315":927},{"_313":924,"_315":925},{"_313":922,"_315":923},{"_313":920,"_315":921},{"_313":918,"_315":919},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo","saint-anthony-abbot-aic-129756","Saint Anthony Abbot",{"_42":977,"_222":978,"_327":979,"_329":980,"_331":981,"_333":982,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1440–41","Tempera on panel","39.4 × 14 cm (15 1/2 × 5 1/2 in.); Framed: 70.5 × 42.6 × 7 cm (27 3/4 × 16 3/4 × 2 3/4 in.)",39,0.389749585891065,[963,964,965,966,967],{"_221":431,"_222":432,"_42":433,"_306":434},"2001.329","Fra Angelico painted this in 1440–41, aged about 40. It is now at the Art Institute of Chicago.",{"_118":961,"_301":962},"A work made of tempera on panel.",{"_294":958,"_296":959,"_298":960},"https://img.ochreeditions.com/m/311.jpg?dl=1","/art/saint-anthony-abbot-aic-129756","/galleries/style/renaissance/saint-anthony-abbot-aic-129756",{"_290":705,"_292":706},{"_225":953,"_125":954,"_285":955},{"_276":951,"_278":425,"_280":952,"_282":936},30.200233849751534,15.200233849751536,{"_287":225,"_123":956,"_154":957,"_140":89},{"_287":125,"_123":752,"_154":753,"_140":754},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fra-angelico","Fra Angelico's contemporaries","https://img.ochreeditions.com/a/311/480.jpg","https://img.ochreeditions.com/a/311/960.jpg","https://img.ochreeditions.com/a/311/1920.jpg","Fra Angelico became a Dominican friar early in his painting career.","Text from the Art Institute of Chicago.",{"_313":975,"_315":976},{"_313":973,"_315":974},{"_313":971,"_315":972},{"_313":969,"_315":970},{"_313":968,"_315":320},"#724d2b","#847a74",0.1363,"#25211c",0.2006,"#4e341e",0.2306,"#9a7242",0.3206,"Fra Angelico","fra-angelico","Guido di Pietro; Italian, c. 1395/1400–1455","Guido di Pietro; Italian",1400,1455,"portrait-of-a-woman-as-saint-catherine-cma-97191","Portrait of a Woman as Saint Catherine",{"_42":1030,"_222":1031,"_327":1032,"_329":330,"_331":1033,"_333":453,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1560","Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)",71.3,0.7479411764705882,[1015,1016,1017,1018,1019],{"_221":303,"_222":304,"_42":305,"_306":307},"1916.825","Pier Francesco Foschi painted this in about 1560, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":1014,"_301":302},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_290":705,"_292":706},{"_225":1006,"_125":1007,"_285":1008},{"_276":1003,"_278":1004,"_280":1005,"_282":704},86.05441176470588,110,71.05441176470588,{"_287":225,"_123":1009,"_154":1010,"_140":89},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_313":1028,"_315":1029},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},{"_313":1020,"_315":1021},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,"death-of-the-virgin-cma-97159","Death of the Virgin","mid-1500s","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[1064,1065,1066,1067,1068],{"_221":303,"_222":304,"_42":305,"_306":307},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":1063,"_301":302},"Death of the Virgin, mid-1500s",{"_294":1060,"_296":1061,"_298":1062},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_290":705,"_292":706},{"_225":1057,"_125":1058,"_285":1059},{"_276":1053,"_278":1054,"_280":1055,"_282":1056},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_287":225,"_123":590,"_154":591,"_140":77},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_313":1077,"_315":1078},{"_313":1075,"_315":1076},{"_313":1073,"_315":1074},{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":1127,"_222":1128,"_327":1129,"_329":330,"_331":1130,"_333":1131,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[1112,1113,1114,1115,1116],{"_221":303,"_222":304,"_42":305,"_306":307},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":1111,"_301":302},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_294":1108,"_296":1109,"_298":1110},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_290":705,"_292":706},{"_225":1103,"_125":1104,"_285":1105},{"_276":1100,"_278":1101,"_280":1102,"_282":1085},111.35532352941176,138.3,96.35532352941176,{"_287":225,"_123":1106,"_154":1107,"_140":89},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_313":1125,"_315":1126},{"_313":1123,"_315":1124},{"_313":1121,"_315":1122},{"_313":1119,"_315":1120},{"_313":1117,"_315":1118},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","b70adba9f631b6aee1f33a67f2e91b29649b8648","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]