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The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_314":397,"_316":398},{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"farmhouse-on-the-slope-of-a-hill-cma-134951","Farmhouse on the Slope of a Hill",{"_42":448,"_222":449,"_328":450,"_330":451,"_332":452,"_334":453,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1508","pen and brown ink","Sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)",29.4,22.3,1.2786761940579165,[433,434,435,436,437],{"_221":304,"_222":305,"_42":306,"_307":308},"1957.498","Fra Bartolommeo drew this in about 1508, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":432,"_302":303},"Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508",{"_295":429,"_297":430,"_299":431},"https://img.ochreeditions.com/m/617.jpg?dl=1","/art/farmhouse-on-the-slope-of-a-hill-cma-134951","/galleries/style/renaissance/farmhouse-on-the-slope-of-a-hill-cma-134951",{"_291":292,"_293":294},{"_225":424,"_125":425,"_285":426},{"_276":421,"_278":422,"_280":405,"_282":423},53.4,46.99252941176471,22.992529411764703,{"_287":225,"_123":427,"_154":428,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-fra-bartolommeo","Fra Bartolommeo's contemporaries","https://img.ochreeditions.com/a/617/480.jpg","https://img.ochreeditions.com/a/617/960.jpg","https://img.ochreeditions.com/a/617/1920.jpg","This is a significant early example of pure landscape drawing in Europe, as it is dedicated completely to the depiction of nature for its own sake, without suggestion of a biblical or historical narrative.",{"_314":446,"_316":447},{"_314":444,"_316":445},{"_314":442,"_316":443},{"_314":440,"_316":441},{"_314":438,"_316":439},"#9d8163",0.0897,"#b89c7b",0.1328,"#cdb596",0.1622,"#dec8aa",0.2434,"#ead9bc",0.3719,"Fra Bartolommeo","fra-bartolommeo","Italian, 1472–1517","Italian",1472,1517,"virgin-and-child-with-john-the-baptist-and-angels-cma-97154","Virgin and Child with John the Baptist and Angels",{"_42":506,"_222":507,"_328":508,"_330":451,"_332":509,"_334":510,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1500","oil on wood","Framed: 120 x 120 x 7 cm (47 1/4 x 47 1/4 x 2 3/4 in.); Diameter: 95.2 x 92.8 cm (37 1/2 x 36 9/16 in.)",120,0.9655882352941176,[491,492,493,494,495],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.792","Pietro del Donzello painted this in about 1500, aged about 43. It is now at the Cleveland Museum of Art.","Virgin and Child with John the Baptist and Angels, by Pietro del Donzello, c. 1500",{"_295":488,"_297":489,"_299":490},"https://img.ochreeditions.com/m/477.jpg?dl=1","/art/virgin-and-child-with-john-the-baptist-and-angels-cma-97154","/galleries/style/renaissance/virgin-and-child-with-john-the-baptist-and-angels-cma-97154",{"_291":378,"_293":379},{"_225":477,"_125":478,"_285":479},{"_276":474,"_278":475,"_280":476,"_282":460},130.87058823529412,135,115.87058823529412,{"_287":225,"_123":486,"_154":487,"_140":89},{"_287":125,"_123":483,"_154":484,"_140":485},{"_287":285,"_123":480,"_154":481,"_140":482},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-pietro-del-donzello","Pietro del Donzello's contemporaries","https://img.ochreeditions.com/a/477/480.jpg","https://img.ochreeditions.com/a/477/960.jpg","https://img.ochreeditions.com/a/477/1920.jpg",{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},{"_314":498,"_316":499},{"_314":496,"_316":497},"#785939",0.1447,"#b79666",0.1494,"#61755d",0.1681,"#3c382b",0.2553,"#949494",0.2825,"Pietro del Donzello","pietro-del-donzello","Italian, 1452–1509",1452,1509,"the-last-supper-cma-119622","The Last Supper",{"_42":561,"_222":562,"_328":451,"_330":451,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":99},"print","Print","engraving on two sheets printed from two plates",1.3137557959814528,[546,547,548,549,550],{"_221":304,"_222":305,"_42":306,"_307":308},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":545,"_302":303},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_291":292,"_293":294},{"_225":535,"_125":536,"_285":537},{"_276":531,"_278":532,"_280":533,"_282":534},84,69.67058823529412,60,45.67058823529412,{"_287":225,"_123":540,"_154":541,"_140":99},{"_287":125,"_123":538,"_154":539,"_140":53},{"_287":285,"_123":480,"_154":481,"_140":482},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},{"_314":553,"_316":554},{"_314":551,"_316":552},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","virgin-and-child-aic-16295","Virgin and Child",{"_42":618,"_222":619,"_328":620,"_330":621,"_332":622,"_334":623,"_336":-5,"_337":624,"_338":625,"_140":97},"c. 1485","netherlands","Oil on panel","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[603,604,605,606,607],{"_221":599,"_222":600,"_42":601,"_307":602},"Courtesy of the Art Institute of Chicago","1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":596,"_297":597,"_299":598},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_291":378,"_293":379},{"_225":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":588,"_282":571},46.7589431844751,56,31.7589431844751,{"_287":225,"_123":594,"_154":595,"_140":97},{"_287":125,"_123":483,"_154":484,"_140":485},{"_287":285,"_123":592,"_154":593,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":616,"_316":617},{"_314":614,"_316":615},{"_314":612,"_316":613},{"_314":610,"_316":611},{"_314":608,"_316":609},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","the-passion-christ-before-annas-cma-104608","The Passion: Christ Before Annas",{"_42":673,"_222":674,"_328":675,"_330":331,"_332":676,"_334":677,"_336":678,"_337":679,"_338":680,"_140":97},"c. 1480","engraving",0.7288235294117648,[658,659,660,661,662],{"_221":304,"_222":305,"_42":306,"_307":308},"1922.87","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":657,"_302":303},"The Passion: Christ Before Annas, by Martin Schongauer, c. 1480",{"_295":654,"_297":655,"_299":656},"https://img.ochreeditions.com/m/508.jpg?dl=1","/art/the-passion-christ-before-annas-cma-104608","/galleries/style/renaissance/the-passion-christ-before-annas-cma-104608",{"_291":292,"_293":294},{"_225":647,"_125":648,"_285":649},{"_276":645,"_278":531,"_280":646,"_282":533},67.72941176470589,43.72941176470589,{"_287":225,"_123":652,"_154":653,"_140":97},{"_287":125,"_123":538,"_154":539,"_140":53},{"_287":285,"_123":650,"_154":651,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/508/480.jpg","https://img.ochreeditions.com/a/508/960.jpg","https://img.ochreeditions.com/a/508/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},{"_314":663,"_316":664},"#524e48",0.1213,"#9d968d",0.1832,"#78726a",0.2064,"#c8bfb5",0.239,"#ede4d8",0.2501,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":729,"_222":730,"_328":731,"_330":451,"_332":732,"_334":733,"_336":734,"_337":735,"_338":736,"_140":99},"1533–34","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[714,715,716,717,718],{"_221":304,"_222":305,"_42":306,"_307":308},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":713,"_302":303},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_295":710,"_297":711,"_299":712},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_291":378,"_293":379},{"_225":705,"_125":706,"_285":707},{"_276":702,"_278":703,"_280":704,"_282":687},114.8940588235294,123.2,99.8940588235294,{"_287":225,"_123":708,"_154":709,"_140":99},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_314":727,"_316":728},{"_314":725,"_316":726},{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","Mock Joust of War with Flying Shields and Without Bevors","Unrecorded German maker","c.1512-1515","pen and black ink with watercolor over black chalk on laid paper","sheet: 33.5 × 26.4 cm (13 3/16 × 10 3/8 in.)",26.4,33.5,0.7900390625,[774,775,776,777,778],{"_221":770,"_222":771,"_42":772,"_307":773},"Courtesy National Gallery of Art, Washington","1943.3.4486","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.",{"_295":767,"_297":768,"_299":769},"https://img.ochreeditions.com/m/1699.jpg?dl=1","/art/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","/galleries/style/renaissance/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042",{"_291":292,"_293":294},{"_225":762,"_125":763,"_285":764},{"_276":759,"_278":760,"_280":761,"_282":744},50.46630859375,57.5,26.46630859375,{"_287":225,"_123":765,"_154":766,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1699/480.jpg","https://img.ochreeditions.com/a/1699/960.jpg","https://img.ochreeditions.com/a/1699/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":787,"_316":788},{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},"#856750",0.042,"#a9916d",0.0558,"#a39783",0.0561,"#cfba9e",0.1195,"#e6d3bc",0.7266,"virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[819,820,821,822,823],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":818,"_302":303},"Virgin and Child with Saints, c. 1510",{"_295":815,"_297":816,"_299":817},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_291":378,"_293":379},{"_225":812,"_125":813,"_285":814},{"_276":809,"_278":810,"_280":793,"_282":811},133.7,91.77097058823529,76.77097058823529,{"_287":225,"_123":376,"_154":377,"_140":77},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_314":832,"_316":833},{"_314":830,"_316":831},{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"a-naval-battle-aic-273340","A Naval Battle",{"_42":883,"_222":884,"_328":451,"_330":451,"_332":-5,"_334":885,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[868,869,870,871,872],{"_221":599,"_222":600,"_42":601,"_307":602},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_295":865,"_297":866,"_299":867},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_291":292,"_293":294},{"_225":857,"_125":858,"_285":859},{"_276":533,"_278":855,"_280":840,"_282":856},50.36024844720497,26.360248447204967,{"_287":225,"_123":863,"_154":864,"_140":89},{"_287":125,"_123":860,"_154":861,"_140":862},{"_287":285,"_123":370,"_154":371,"_140":372},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_314":881,"_316":882},{"_314":879,"_316":880},{"_314":877,"_316":878},{"_314":875,"_316":876},{"_314":873,"_316":874},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":937,"_222":938,"_328":939,"_330":621,"_332":623,"_334":940,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1512","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[922,923,924,925,926],{"_221":304,"_222":305,"_42":306,"_307":308},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":921,"_302":303},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_295":918,"_297":919,"_299":920},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_291":292,"_293":294},{"_225":911,"_125":912,"_285":913},{"_276":908,"_278":909,"_280":910,"_282":893},53.205176470588235,65.1,29.205176470588235,{"_287":225,"_123":916,"_154":917,"_140":89},{"_287":125,"_123":860,"_154":861,"_140":862},{"_287":285,"_123":914,"_154":915,"_140":290},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":931,"_316":932},{"_314":929,"_316":930},{"_314":927,"_316":928},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533",1533,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":989,"_222":990,"_328":991,"_330":331,"_332":992,"_334":993,"_336":994,"_337":994,"_338":995,"_140":89},"c. 1505, published 1511","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",20,29,0.7032694690687256,[974,975,976,977,978],{"_221":599,"_222":600,"_42":601,"_307":602},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_295":971,"_297":972,"_299":973},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_291":292,"_293":294},{"_225":966,"_125":967,"_285":968},{"_276":963,"_278":964,"_280":965,"_282":948},44.39481460299304,53,20.39481460299304,{"_287":225,"_123":969,"_154":970,"_140":89},{"_287":125,"_123":860,"_154":861,"_140":862},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_314":987,"_316":988},{"_314":985,"_316":986},{"_314":983,"_316":984},{"_314":981,"_316":982},{"_314":979,"_316":980},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":1047,"_222":1048,"_328":1049,"_330":451,"_332":1050,"_334":1051,"_336":-5,"_337":-5,"_338":-5,"_140":103},"late 1460s–early 1470s","watercolour","Drawing and Watercolor","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",18,0.6784424379232505,[1032,1033,1034,1035,1036],{"_221":599,"_222":600,"_42":601,"_307":602},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_295":1029,"_297":1030,"_299":1031},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_291":292,"_293":294},{"_225":1021,"_125":1022,"_285":1023},{"_276":1018,"_278":1019,"_280":1020,"_282":169},42.99638826185102,52,18.996388261851017,{"_287":225,"_123":1027,"_154":1028,"_140":89},{"_287":125,"_123":1024,"_154":1025,"_140":1026},{"_287":285,"_123":480,"_154":481,"_140":482},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},{"_314":1041,"_316":1042},{"_314":1039,"_316":1040},{"_314":1037,"_316":1038},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"the-nativity-aic-16205","The Nativity",{"_42":1099,"_222":1100,"_328":1101,"_330":451,"_332":676,"_334":1102,"_336":-5,"_337":-5,"_338":1103,"_140":95},"1500–05","Tempera on panel, transferred to canvas","26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[1084,1085,1086,1087,1088],{"_221":599,"_222":600,"_42":601,"_307":602},"1933.1025","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.","A work made of tempera on panel, transferred to canvas.",{"_295":1081,"_297":1082,"_299":1083},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_291":378,"_293":379},{"_225":1076,"_125":1077,"_285":1078},{"_276":1073,"_278":1074,"_280":202,"_282":1075},61,41.94811428571428,26.948114285714286,{"_287":225,"_123":1079,"_154":1080,"_140":95},{"_287":125,"_123":483,"_154":484,"_140":485},{"_287":285,"_123":480,"_154":481,"_140":482},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},{"_314":1091,"_316":1092},{"_314":1089,"_316":1090},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"Perugino","perugino","Italian, c. 1450/55–1523",1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":1153,"_222":1154,"_328":1155,"_330":451,"_332":1156,"_334":1157,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[1138,1139,1140,1141,1142],{"_221":304,"_222":305,"_42":306,"_307":308},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":1137,"_302":303},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_295":1134,"_297":1135,"_299":1136},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_291":292,"_293":294},{"_225":1129,"_125":1130,"_285":1131},{"_276":1125,"_278":1126,"_280":1127,"_282":1128},49,44.26470588235294,25,20.264705882352942,{"_287":225,"_123":1132,"_154":1133,"_140":89},{"_287":125,"_123":538,"_154":539,"_140":53},{"_287":285,"_123":480,"_154":481,"_140":482},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_314":1151,"_316":1152},{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","3837fe1eb0f9835a17b781ceb39d0f7d0640cfab","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
