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Joust of Peace","artist","unrecorded","Unrecorded German maker","date","c.1512-1515","century","place","germany","movement","renaissance","drawing","classification","Drawing","medium","pen and brown ink with watercolor over leadpoint on laid paper","dimensions","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)","width_cm",26.3,"height_cm",33,"aspect",0.802734375,"palette",[305,306,307,308,309],"museum",{"_221":300,"_222":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","1943.3.4502","licence","CC0","story","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","note","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1700.jpg?dl=1","page_url","/art/italian-joust-of-peace-nga-216058","walk_url","/galleries/style/renaissance/italian-joust-of-peace-nga-216058","frame",{"_290":291,"_292":293},{"_225":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":245},"w",50.490234375,"h",57,"image_w",26.490234375,"image_h",{"_286":225,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/drawing-16","More drawings of the 16th century",35,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1700/480.jpg","960","https://img.ochreeditions.com/a/1700/960.jpg","1920","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#a2846e","weight",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":384,"_222":385,"_386":387,"_388":389,"_390":391,"_392":393,"_394":-5,"_395":-5,"_396":-5,"_140":101},"c. 1512","netherlands","print","Print","woodcut",0.6988235294117647,[369,370,371,372,373],{"_221":365,"_222":366,"_42":367,"_303":368},"Courtesy of the Cleveland Museum of Art","1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":362,"_363":364},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_294":359,"_296":360,"_298":361},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_290":291,"_292":293},{"_225":349,"_125":350,"_284":351},{"_275":345,"_277":346,"_279":347,"_281":348},65.92941176470589,84,41.92941176470588,60,{"_286":225,"_123":357,"_154":358,"_140":89},{"_286":125,"_123":354,"_154":355,"_140":356},{"_286":284,"_123":352,"_154":353,"_140":289},"era/16-netherlands","16th-century Netherlands","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":382,"_312":383},{"_310":380,"_312":381},{"_310":378,"_312":379},{"_310":376,"_312":377},{"_310":374,"_312":375},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486",0.2673,"Lucas van Leyden","lucas-van-leyden","bio","Netherlandish, 1494–about 1533","nationality","Netherlandish","birth_year",1494,"death_year",1533,"birth_place","death_place","about_excerpt","portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":457,"_222":458,"_386":459,"_388":460,"_390":461,"_392":462,"_394":-5,"_395":-5,"_396":-5,"_140":103},"c. 1530","italy","painting","Painting","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[442,443,444,445,446],{"_221":365,"_222":366,"_42":367,"_303":368},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":441,"_363":364},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_294":438,"_296":439,"_298":440},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_290":436,"_292":437},{"_225":425,"_125":426,"_284":427},{"_275":422,"_277":423,"_279":424,"_281":407},91.61647058823529,112.2,76.61647058823529,{"_286":225,"_123":434,"_154":435,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","natural","ivory","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541","Italian",1490,1541,"the-flight-into-egypt-aic-248304","The Flight into Egypt",{"_42":519,"_222":520,"_386":521,"_388":460,"_390":522,"_392":523,"_394":-5,"_395":-5,"_396":-5,"_140":103},"c. 1540","watercolour","Drawing and Watercolor","Pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines","Primary support: 18.7 × 25 cm (7 3/8 × 9 7/8 in.); Secondary support: 24.1 × 30.2 cm (9 1/2 × 11 15/16 in.)",25,18,1.3208387942332895,[504,505,506,507,508],{"_221":500,"_222":501,"_42":502,"_303":503},"Courtesy of the Art Institute of Chicago","2019.874","Domenico Campagnola painted this in about 1540, aged 40. It is now at the Art Institute of Chicago.","A work made of pen and brown ink on dark cream laid paper, laid down on laid paper, with pen and ink and gold ruled lines.",{"_294":497,"_296":498,"_298":499},"https://img.ochreeditions.com/m/372.jpg?dl=1","/art/the-flight-into-egypt-aic-248304","/galleries/style/renaissance/the-flight-into-egypt-aic-248304",{"_290":291,"_292":293},{"_225":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":471,"_281":489},49,42.92736654098036,18.927366540980355,{"_286":225,"_123":495,"_154":496,"_140":89},{"_286":125,"_123":493,"_154":494,"_140":89},{"_286":284,"_123":428,"_154":429,"_140":430},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-domenico-campagnola","Domenico Campagnola's contemporaries","https://img.ochreeditions.com/a/372/480.jpg","https://img.ochreeditions.com/a/372/960.jpg","https://img.ochreeditions.com/a/372/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":517,"_312":518},{"_310":515,"_312":516},{"_310":513,"_312":514},{"_310":511,"_312":512},{"_310":509,"_312":510},"#cf9e5a",0.0606,"#a77c5a",0.1024,"#dfb995",0.2357,"#bd916c",0.2449,"#cfa57f",0.3564,"Domenico Campagnola","domenico-campagnola","Italian, c. 1500–1564",1500,1564,"portrait-of-a-woman-as-saint-catherine-cma-97191","Portrait of a Woman as Saint Catherine",{"_42":572,"_222":573,"_386":574,"_388":460,"_390":575,"_392":576,"_394":-5,"_395":-5,"_396":-5,"_140":103},"c. 1560","oil on wood","Framed: 116 x 93 x 11 cm (45 11/16 x 36 5/8 x 4 5/16 in.); Unframed: 95 x 71.3 cm (37 3/8 x 28 1/16 in.)",71.3,0.7479411764705882,[557,558,559,560,561],{"_221":365,"_222":366,"_42":367,"_303":368},"1916.825","Pier Francesco Foschi painted this in about 1560, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":556,"_363":364},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_294":553,"_296":554,"_298":555},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_290":436,"_292":437},{"_225":548,"_125":549,"_284":550},{"_275":545,"_277":546,"_279":547,"_281":433},86.05441176470588,110,71.05441176470588,{"_286":225,"_123":551,"_154":552,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,1567,"portrait-of-a-couple-cma-97155","Portrait of a Couple","Unrecorded Italian maker","c. 1580–88","oil on canvas","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[611,612,613,614,615],{"_221":365,"_222":366,"_42":367,"_303":368},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":610,"_363":364},"Portrait of a Couple, c. 1580–88",{"_294":607,"_296":608,"_298":609},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_290":436,"_292":437},{"_225":602,"_125":603,"_284":604},{"_275":599,"_277":600,"_279":583,"_281":601},155.5,114.79632352941177,99.79632352941177,{"_286":225,"_123":605,"_154":606,"_140":77},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":672,"_222":673,"_386":674,"_388":674,"_390":-5,"_392":675,"_394":-5,"_395":-5,"_396":-5,"_140":103},"1544","Oil on panel","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,1.206162990771156,[657,658,659,660,661],{"_221":500,"_222":501,"_42":502,"_303":503},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":654,"_296":655,"_298":656},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_290":436,"_292":437},{"_225":649,"_125":650,"_284":651},{"_275":646,"_277":647,"_279":632,"_281":648},73,63.08637012060692,48.08637012060692,{"_286":225,"_123":652,"_154":653,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":662,"_312":663},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus","German",1553,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":723,"_222":724,"_386":725,"_388":460,"_390":726,"_392":727,"_394":728,"_395":728,"_396":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[708,709,710,711,712],{"_221":500,"_222":501,"_42":502,"_303":503},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":705,"_296":706,"_298":707},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_290":436,"_292":437},{"_225":700,"_125":701,"_284":702},{"_275":697,"_277":698,"_279":682,"_281":699},105,92.11700844390833,77.11700844390833,{"_286":225,"_123":703,"_154":704,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_310":721,"_312":722},{"_310":719,"_312":720},{"_310":717,"_312":718},{"_310":715,"_312":716},{"_310":713,"_312":714},"#937d6a",0.1351,"#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","The Submersion of Pharaoh's Army in the Red Sea",{"_42":778,"_222":779,"_386":780,"_388":460,"_390":781,"_392":782,"_394":783,"_395":784,"_396":-5,"_140":101},"1514–15, printed 1549","Unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.)",55,40,1.7580144777662874,[763,764,765,766,767],{"_221":365,"_222":366,"_42":367,"_303":368},"1952.296","Titian made this in 1514–15, printed 1549, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":762,"_363":364},"The Submersion of Pharaoh's Army in the Red Sea, by Titian, 1514–15, printed 1549",{"_294":759,"_296":760,"_298":761},"https://img.ochreeditions.com/m/598.jpg?dl=1","/art/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875","/galleries/style/renaissance/the-submersion-of-pharaoh-s-army-in-the-red-sea-cma-129875",{"_290":291,"_292":293},{"_225":754,"_125":755,"_284":756},{"_275":750,"_277":751,"_279":752,"_281":753},86.19028743369685,59.375298793167566,62.19028743369685,35.375298793167566,{"_286":225,"_123":757,"_154":758,"_140":89},{"_286":125,"_123":354,"_154":355,"_140":356},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/598/480.jpg","https://img.ochreeditions.com/a/598/960.jpg","https://img.ochreeditions.com/a/598/1920.jpg","This composition is made up of 12 separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall.",{"_310":776,"_312":777},{"_310":774,"_312":775},{"_310":772,"_312":773},{"_310":770,"_312":771},{"_310":768,"_312":769},"#ddcfc5",0.0916,"#7b6c60",0.128,"#bcaa9a",0.2183,"#928274",0.2327,"#a79586",0.3294,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","saint-sebastian-cma-135407","Saint Sebastian",{"_42":838,"_222":839,"_386":840,"_388":460,"_390":841,"_392":842,"_394":-5,"_395":-5,"_396":843,"_140":95},"c. 1493","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[823,824,825,826,827],{"_221":365,"_222":366,"_42":367,"_303":368},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":822,"_363":364},"Saint Sebastian, by Perugino, c. 1493",{"_294":819,"_296":820,"_298":821},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_290":291,"_292":293},{"_225":810,"_125":811,"_284":812},{"_275":807,"_277":808,"_279":809,"_281":792},38.70494117647059,49.6,14.70494117647059,{"_286":225,"_123":817,"_154":818,"_140":95},{"_286":125,"_123":815,"_154":816,"_140":91},{"_286":284,"_123":813,"_154":814,"_140":278},"era/15-italy","15th-century Italy","style/drawing-15","More drawings of the 15th century","artist/perugino","More by Perugino","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_310":836,"_312":837},{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","virgin-and-child-aic-16295","Virgin and Child",{"_42":892,"_222":893,"_386":894,"_388":389,"_390":895,"_392":391,"_394":-5,"_395":896,"_396":897,"_140":97},"c. 1485","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",41,0.7746083703530512,[877,878,879,880,881],{"_221":500,"_222":501,"_42":502,"_303":503},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.",{"_294":874,"_296":875,"_298":876},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_290":436,"_292":437},{"_225":865,"_125":866,"_284":867},{"_275":862,"_277":863,"_279":864,"_281":849},46.7589431844751,56,31.7589431844751,{"_286":225,"_123":872,"_154":873,"_140":97},{"_286":125,"_123":870,"_154":871,"_140":646},{"_286":284,"_123":868,"_154":869,"_140":81},"era/15-netherlands","15th-century Netherlands","style/painting-15","More paintings of the 15th century","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":882,"_312":883},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494",1430,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":948,"_222":949,"_386":950,"_388":460,"_390":951,"_392":523,"_394":952,"_395":953,"_396":-5,"_140":101},"1510–11","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[933,934,935,936,937],{"_221":365,"_222":366,"_42":367,"_303":368},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":932,"_363":364},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_294":929,"_296":930,"_298":931},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_290":291,"_292":293},{"_225":924,"_125":925,"_284":926},{"_275":920,"_277":921,"_279":922,"_281":923},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_286":225,"_123":927,"_154":928,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_310":946,"_312":947},{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,"Caprese","Rome","drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":1002,"_222":1003,"_386":1004,"_388":460,"_390":1005,"_392":781,"_394":-5,"_395":-5,"_396":-5,"_140":103},"late 1460s–early 1470s","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",0.6784424379232505,[987,988,989,990,991],{"_221":500,"_222":501,"_42":502,"_303":503},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_294":984,"_296":985,"_298":986},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_290":291,"_292":293},{"_225":976,"_125":977,"_284":978},{"_275":973,"_277":974,"_279":975,"_281":169},42.99638826185102,52,18.996388261851017,{"_286":225,"_123":982,"_154":983,"_140":89},{"_286":125,"_123":979,"_154":980,"_140":981},{"_286":284,"_123":813,"_154":814,"_140":278},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_310":1000,"_312":1001},{"_310":998,"_312":999},{"_310":996,"_312":997},{"_310":994,"_312":995},{"_310":992,"_312":993},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,"the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":1054,"_222":1055,"_386":1056,"_388":460,"_390":1057,"_392":1058,"_394":1059,"_395":1059,"_396":1060,"_140":97},"c. 1527","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[1039,1040,1041,1042,1043],{"_221":365,"_222":366,"_42":367,"_303":368},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. It is now at the Cleveland Museum of Art.",{"_118":1038,"_363":364},"The Sacrifice of Isaac, by Andrea del Sarto, c. 1527",{"_294":1035,"_296":1036,"_298":1037},"https://img.ochreeditions.com/m/533.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-117032","/galleries/style/renaissance/the-sacrifice-of-isaac-cma-117032",{"_290":436,"_292":437},{"_225":1030,"_125":1031,"_284":1032},{"_275":1027,"_277":1028,"_279":1029,"_281":1012},152.84529411764706,193,137.84529411764706,{"_286":225,"_123":1033,"_154":1034,"_140":97},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/533/480.jpg","https://img.ochreeditions.com/a/533/960.jpg","https://img.ochreeditions.com/a/533/1920.jpg","In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice.",{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},"#702f18",0.0603,"#927255",0.1684,"#565747",0.1747,"#654628",0.2888,"#402f1e",0.3078,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","a-naval-battle-aic-273340","A Naval Battle",{"_42":1107,"_222":1108,"_386":460,"_388":460,"_390":-5,"_392":523,"_394":-5,"_395":-5,"_396":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[1092,1093,1094,1095,1096],{"_221":500,"_222":501,"_42":502,"_303":503},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_294":1089,"_296":1090,"_298":1091},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_290":291,"_292":293},{"_225":1084,"_125":1085,"_284":1086},{"_275":348,"_277":1082,"_279":1067,"_281":1083},50.36024844720497,26.360248447204967,{"_286":225,"_123":1087,"_154":1088,"_140":89},{"_286":125,"_123":354,"_154":355,"_140":356},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_310":1105,"_312":1106},{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},{"_310":1097,"_312":1098},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese","the-crucifixion-cma-97147","The Crucifixion",{"_42":1155,"_222":1156,"_386":1157,"_388":460,"_390":1158,"_392":1159,"_394":-5,"_395":-5,"_396":-5,"_140":103},"1500s","Framed: 72 x 59 x 4 cm (28 3/8 x 23 1/4 x 1 9/16 in.); Unframed: 59 x 47 cm (23 1/4 x 18 1/2 in.)",47,59,0.7861764705882353,[1140,1141,1142,1143,1144],{"_221":365,"_222":366,"_42":367,"_303":368},"1916.786","Sodoma painted this in the 1500s, aged about 23. It is now at the Cleveland Museum of Art.","The Crucifixion, by Sodoma, 1500s",{"_294":1137,"_296":1138,"_298":1139},"https://img.ochreeditions.com/m/475.jpg?dl=1","/art/the-crucifixion-cma-97147","/galleries/style/renaissance/the-crucifixion-cma-97147",{"_290":436,"_292":437},{"_225":1132,"_125":1133,"_284":1134},{"_275":1129,"_277":1130,"_279":1131,"_281":1115},61.38441176470588,74,46.38441176470588,{"_286":225,"_123":1135,"_154":1136,"_140":89},{"_286":125,"_123":870,"_154":871,"_140":646},{"_286":284,"_123":813,"_154":814,"_140":278},"artist/contemporaries-of-sodoma","Sodoma's contemporaries","https://img.ochreeditions.com/a/475/480.jpg","https://img.ochreeditions.com/a/475/960.jpg","https://img.ochreeditions.com/a/475/1920.jpg",{"_310":1153,"_312":1154},{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},{"_310":1147,"_312":1148},{"_310":1145,"_312":1146},"#603124",0.1238,"#534a30",0.1984,"#85774f",0.2034,"#2e3a30",0.2047,"#7d8f74",0.2697,"Sodoma","sodoma","Italian, 1477–1549",1477,1549,{"_1161":-5,"_1162":1163,"_1164":1165,"_1166":8,"_1167":1168,"_1169":8},"user","csrf","daaa4ab4f27598928fb879a4c81d235b12321a32","cartCount",0,"dropLive","legal",[1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181],"uploadsEnabled",{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]