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He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.","source","Text from the Cleveland Museum of Art.",{"_306":429,"_308":430},{"_306":427,"_308":428},{"_306":425,"_308":426},{"_306":423,"_308":424},{"_306":421,"_308":422},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"arm-of-eve-cma-141931","Arm of Eve",{"_42":496,"_218":497,"_366":498,"_368":499,"_369":500,"_370":501,"_371":502,"_372":502,"_373":503,"_140":89},"1507","germany","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[481,482,483,484,485],{"_217":296,"_218":297,"_42":298,"_299":300},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":480,"_414":415},"Arm of Eve, by Albrecht Dürer, 1507",{"_290":477,"_292":478,"_294":479},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_286":475,"_288":476},{"_221":464,"_125":465,"_280":466},{"_271":461,"_273":462,"_275":463,"_277":446},51.509882352941176,58.4,27.509882352941176,{"_282":221,"_123":473,"_154":474,"_140":89},{"_282":125,"_123":470,"_154":471,"_140":472},{"_282":280,"_123":467,"_154":468,"_140":469},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","white","snow","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_306":494,"_308":495},{"_306":492,"_308":493},{"_306":490,"_308":491},{"_306":488,"_308":489},{"_306":486,"_308":487},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377","Studies of a Seated Female, Child's Head, and Three Studies of a Baby",{"_42":553,"_218":554,"_366":555,"_368":367,"_369":556,"_370":557,"_371":558,"_372":559,"_373":560,"_140":99},"c. 1507–8","metalpoint","Sheet: 12 x 15.3 cm (4 3/4 x 6 in.)",15.3,1.2587930396149574,[538,539,540,541,542],{"_217":296,"_218":297,"_42":298,"_299":300},"1978.37","Raphael drew this in about 1507–8, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":537,"_414":415},"Studies of a Seated Female, Child's Head, and Three Studies of a Baby, by Raphael, c. 1507–8",{"_290":534,"_292":535,"_294":536},"https://img.ochreeditions.com/m/707.jpg?dl=1","/art/studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377","/galleries/style/renaissance/studies-of-a-seated-female-child-s-head-and-three-studies-of-cma-149377",{"_286":475,"_288":476},{"_221":529,"_125":530,"_280":531},{"_271":525,"_273":526,"_275":527,"_277":528},49,43.86029411764706,25,19.860294117647058,{"_282":221,"_123":532,"_154":533,"_140":99},{"_282":125,"_123":470,"_154":471,"_140":472},{"_282":280,"_123":402,"_154":403,"_140":404},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/707/480.jpg","https://img.ochreeditions.com/a/707/960.jpg","https://img.ochreeditions.com/a/707/1920.jpg","This drawing is from Raphael’s \"pink sketchbook,\" comprised of ten sheets of roughly equal size that each portray variations of a mother and child. Today, six of the drawings at the Palais des Beaux-Arts, Lille; two are at the British Museum; one is in a private collection; and one is in Cleveland.",{"_306":551,"_308":552},{"_306":549,"_308":550},{"_306":547,"_308":548},{"_306":545,"_308":546},{"_306":543,"_308":544},"#b19a89",0.0392,"#f7ebde",0.1032,"#cbad9a",0.1844,"#d6b8a8",0.3358,"#dec2b3",0.3374,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":614,"_218":615,"_366":616,"_368":367,"_369":617,"_370":618,"_371":-5,"_372":-5,"_373":619,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",46,27,1.70421710269426,[599,600,601,602,603],{"_217":595,"_218":596,"_42":597,"_299":598},"Courtesy of the Art Institute of Chicago","1933.1023","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.","A work made of tempera on panel, transferred to canvas.",{"_290":592,"_292":593,"_294":594},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_286":287,"_288":289},{"_221":587,"_125":588,"_280":589},{"_271":584,"_273":585,"_275":567,"_277":586},61,41.99186619314927,26.99186619314927,{"_282":221,"_123":590,"_154":591,"_140":95},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_306":612,"_308":613},{"_306":610,"_308":611},{"_306":608,"_308":609},{"_306":606,"_308":607},{"_306":604,"_308":605},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","print","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[665,666,667,668,669],{"_217":661,"_218":662,"_42":663,"_299":664},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_290":658,"_292":659,"_294":660},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_286":475,"_288":476},{"_221":648,"_125":649,"_280":650},{"_271":645,"_273":646,"_275":629,"_277":647},73.5,62.11885576148267,38.11885576148267,{"_282":221,"_123":656,"_154":657,"_140":87},{"_282":125,"_123":653,"_154":654,"_140":655},{"_282":280,"_123":651,"_154":652,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_306":678,"_308":679},{"_306":676,"_308":677},{"_306":674,"_308":675},{"_306":672,"_308":673},{"_306":670,"_308":671},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"martyrdom-of-saint-andrew-cma-97145","Martyrdom of Saint Andrew",{"_42":729,"_218":730,"_366":731,"_368":367,"_369":732,"_370":733,"_371":734,"_372":734,"_373":735,"_140":93},"1600s","oil on canvas","Framed: 55.3 x 47 x 7.7 cm (21 3/4 x 18 1/2 x 3 1/16 in.); Unframed: 40.7 x 34.6 cm (16 x 13 5/8 in.)",34.6,40.7,0.8347058823529412,[714,715,716,717,718],{"_217":296,"_218":297,"_42":298,"_299":300},"1916.784","Guido Reni painted this in the 1600s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":713,"_414":415},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_290":710,"_292":711,"_294":712},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_286":287,"_288":289},{"_221":705,"_125":706,"_280":707},{"_271":702,"_273":703,"_275":704,"_277":687},48.97252941176471,55.7,33.97252941176471,{"_282":221,"_123":708,"_154":709,"_140":93},{"_282":125,"_123":405,"_154":406,"_140":407},{"_282":280,"_123":402,"_154":403,"_140":404},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_306":727,"_308":728},{"_306":725,"_308":726},{"_306":723,"_308":724},{"_306":721,"_308":722},{"_306":719,"_308":720},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","death-of-the-virgin-cma-97159","Death of the Virgin","mid-1500s","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[766,767,768,769,770],{"_217":296,"_218":297,"_42":298,"_299":300},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":765,"_414":415},"Death of the Virgin, mid-1500s",{"_290":762,"_292":763,"_294":764},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_286":287,"_288":289},{"_221":759,"_125":760,"_280":761},{"_271":755,"_273":756,"_275":757,"_277":758},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_282":221,"_123":170,"_154":169,"_140":77},{"_282":125,"_123":405,"_154":406,"_140":407},{"_282":280,"_123":402,"_154":403,"_140":404},"https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_306":779,"_308":780},{"_306":777,"_308":778},{"_306":775,"_308":776},{"_306":773,"_308":774},{"_306":771,"_308":772},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"saint-anthony-abbot-aic-129756","Saint Anthony Abbot",{"_42":829,"_218":830,"_366":831,"_368":832,"_369":833,"_370":834,"_371":-5,"_372":-5,"_373":-5,"_140":103},"1440–41","Tempera on panel","39.4 × 14 cm (15 1/2 × 5 1/2 in.); Framed: 70.5 × 42.6 × 7 cm (27 3/4 × 16 3/4 × 2 3/4 in.)",39,0.389749585891065,[814,815,816,817,818],{"_217":595,"_218":596,"_42":597,"_299":598},"2001.329","Fra Angelico painted this in 1440–41, aged about 40. It is now at the Art Institute of Chicago.",{"_118":812,"_414":813},"A work made of tempera on panel.",{"_290":809,"_292":810,"_294":811},"https://img.ochreeditions.com/m/311.jpg?dl=1","/art/saint-anthony-abbot-aic-129756","/galleries/style/renaissance/saint-anthony-abbot-aic-129756",{"_286":287,"_288":289},{"_221":804,"_125":805,"_280":806},{"_271":802,"_273":655,"_275":803,"_277":787},30.200233849751534,15.200233849751536,{"_282":221,"_123":807,"_154":808,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fra-angelico","Fra Angelico's contemporaries","https://img.ochreeditions.com/a/311/480.jpg","https://img.ochreeditions.com/a/311/960.jpg","https://img.ochreeditions.com/a/311/1920.jpg","Fra Angelico became a Dominican friar early in his painting career.","Text from the Art Institute of Chicago.",{"_306":827,"_308":828},{"_306":825,"_308":826},{"_306":823,"_308":824},{"_306":821,"_308":822},{"_306":819,"_308":820},"#724d2b",0.1119,"#847a74",0.1363,"#25211c",0.2006,"#4e341e",0.2306,"#9a7242",0.3206,"Fra Angelico","fra-angelico","Guido di Pietro; Italian, c. 1395/1400–1455","Guido di Pietro; Italian",1400,1455,"saint-sebastian-cma-135407","Saint Sebastian",{"_42":614,"_218":615,"_366":616,"_368":367,"_369":617,"_370":618,"_371":-5,"_372":-5,"_373":619,"_140":95},"c. 1493","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[868,869,870,871,872],{"_217":296,"_218":297,"_42":298,"_299":300},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":867,"_414":415},"Saint Sebastian, by Perugino, c. 1493",{"_290":864,"_292":865,"_294":866},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_286":475,"_288":476},{"_221":859,"_125":860,"_280":861},{"_271":856,"_273":857,"_275":858,"_277":841},38.70494117647059,49.6,14.70494117647059,{"_282":221,"_123":590,"_154":591,"_140":95},{"_282":125,"_123":862,"_154":863,"_140":91},{"_282":280,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_306":880,"_308":881},{"_306":878,"_308":879},{"_306":877,"_308":820},{"_306":875,"_308":876},{"_306":873,"_308":874},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e","#a08c72",0.3041,"#958066",0.4172,"a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":930,"_218":931,"_366":932,"_368":367,"_369":933,"_370":934,"_371":-5,"_372":-5,"_373":-5,"_140":103},"1520/30","watercolour","Drawing and Watercolor","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[915,916,917,918,919],{"_217":595,"_218":596,"_42":597,"_299":598},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_290":912,"_292":913,"_294":914},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_286":475,"_288":476},{"_221":905,"_125":906,"_280":907},{"_271":525,"_273":903,"_275":527,"_277":904},46.831191300049426,22.83119130004943,{"_282":221,"_123":910,"_154":911,"_140":89},{"_282":125,"_123":908,"_154":909,"_140":89},{"_282":280,"_123":402,"_154":403,"_140":404},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_306":928,"_308":929},{"_306":926,"_308":927},{"_306":924,"_308":925},{"_306":922,"_308":923},{"_306":920,"_308":921},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":981,"_218":982,"_366":983,"_368":367,"_369":984,"_370":985,"_371":986,"_372":986,"_373":987,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[966,967,968,969,970],{"_217":595,"_218":596,"_42":597,"_299":598},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_290":963,"_292":964,"_294":965},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_286":287,"_288":289},{"_221":958,"_125":959,"_280":960},{"_271":955,"_273":956,"_275":527,"_277":957},40,34.557791728212706,19.557791728212703,{"_282":221,"_123":961,"_154":962,"_140":97},{"_282":125,"_123":405,"_154":406,"_140":407},{"_282":280,"_123":402,"_154":403,"_140":404},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_306":979,"_308":980},{"_306":977,"_308":978},{"_306":975,"_308":976},{"_306":973,"_308":974},{"_306":971,"_308":972},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","farmhouse-on-the-slope-of-a-hill-cma-134951","Farmhouse on the Slope of a Hill",{"_42":1037,"_218":1038,"_366":1039,"_368":367,"_369":1040,"_370":1041,"_371":-5,"_372":-5,"_373":-5,"_140":103},"c. 1508","pen and brown ink","Sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)",29.4,22.3,1.2786761940579165,[1022,1023,1024,1025,1026],{"_217":296,"_218":297,"_42":298,"_299":300},"1957.498","Fra Bartolommeo drew this in about 1508, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":1021,"_414":415},"Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508",{"_290":1018,"_292":1019,"_294":1020},"https://img.ochreeditions.com/m/617.jpg?dl=1","/art/farmhouse-on-the-slope-of-a-hill-cma-134951","/galleries/style/renaissance/farmhouse-on-the-slope-of-a-hill-cma-134951",{"_286":475,"_288":476},{"_221":1013,"_125":1014,"_280":1015},{"_271":1010,"_273":1011,"_275":994,"_277":1012},53.4,46.99252941176471,22.992529411764703,{"_282":221,"_123":1016,"_154":1017,"_140":89},{"_282":125,"_123":470,"_154":471,"_140":472},{"_282":280,"_123":402,"_154":403,"_140":404},"artist/contemporaries-of-fra-bartolommeo","Fra Bartolommeo's contemporaries","https://img.ochreeditions.com/a/617/480.jpg","https://img.ochreeditions.com/a/617/960.jpg","https://img.ochreeditions.com/a/617/1920.jpg","This is a significant early example of pure landscape drawing in Europe, as it is dedicated completely to the depiction of nature for its own sake, without suggestion of a biblical or historical narrative.",{"_306":1035,"_308":1036},{"_306":1033,"_308":1034},{"_306":1031,"_308":1032},{"_306":1029,"_308":1030},{"_306":1027,"_308":1028},"#9d8163",0.0897,"#b89c7b",0.1328,"#cdb596",0.1622,"#dec8aa",0.2434,"#ead9bc",0.3719,"Fra Bartolommeo","fra-bartolommeo","Italian, 1472–1517",1472,1517,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":1094,"_218":1095,"_366":1096,"_368":367,"_369":1097,"_370":1098,"_371":986,"_372":559,"_373":-5,"_140":101},"1470s–80s","Print","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[1079,1080,1081,1082,1083],{"_217":296,"_218":297,"_42":298,"_299":300},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1078,"_414":415},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_290":1075,"_292":1076,"_294":1077},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_286":475,"_288":476},{"_221":1068,"_125":1069,"_280":1070},{"_271":1065,"_273":1066,"_275":1049,"_277":1067},84.4,66.06682352941176,42.066823529411764,{"_282":221,"_123":1073,"_154":1074,"_140":89},{"_282":125,"_123":1071,"_154":1072,"_140":53},{"_282":280,"_123":166,"_154":165,"_140":168},"style/print-15","More prints of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_306":1092,"_308":1093},{"_306":1090,"_308":1091},{"_306":1088,"_308":1089},{"_306":1086,"_308":1087},{"_306":1084,"_308":1085},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"virgin-and-child-aic-16295","Virgin and Child",{"_42":1147,"_218":1148,"_366":1149,"_368":1150,"_369":1151,"_370":1152,"_371":-5,"_372":1153,"_373":1154,"_140":97},"c. 1485","netherlands","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[1132,1133,1134,1135,1136],{"_217":595,"_218":596,"_42":597,"_299":598},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.",{"_290":1129,"_292":1130,"_294":1131},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_286":287,"_288":289},{"_221":1122,"_125":1123,"_280":1124},{"_271":1119,"_273":1120,"_275":1121,"_277":1106},46.7589431844751,56,31.7589431844751,{"_282":221,"_123":1127,"_154":1128,"_140":97},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":1125,"_154":1126,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_306":1145,"_308":1146},{"_306":1143,"_308":1144},{"_306":1141,"_308":1142},{"_306":1139,"_308":1140},{"_306":1137,"_308":1138},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.",{"_1156":-5,"_1157":1158,"_1159":1160,"_1161":8,"_1162":1163,"_1164":8},"user","csrf","61f69e45055bba26454f57fe50da0de3cd5413da","cartCount",0,"dropLive","legal",[1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176],"uploadsEnabled",{"_218":1199,"_20":1200},{"_218":1197,"_20":1198},{"_218":1195,"_20":1196},{"_218":1193,"_20":1194},{"_218":1191,"_20":1192},{"_218":1189,"_20":1190},{"_218":1187,"_20":1188},{"_218":1185,"_20":1186},{"_218":1183,"_20":1184},{"_218":1181,"_20":1182},{"_218":1179,"_20":1180},{"_218":1177,"_20":1178},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]