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It is now at the Cleveland Museum of Art.",{"_118":376,"_377":378},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_294":373,"_296":374,"_298":375},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_290":291,"_292":293},{"_225":362,"_125":363,"_284":364},{"_275":359,"_277":360,"_279":361,"_280":343},48.97252941176471,55.7,33.97252941176471,{"_286":225,"_123":371,"_154":372,"_140":93},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":396,"_312":397},{"_310":394,"_312":395},{"_310":392,"_312":393},{"_310":390,"_312":391},{"_310":388,"_312":389},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":453,"_222":454,"_324":455,"_326":327,"_328":456,"_330":457,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1580","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[438,439,440,441,442],{"_221":379,"_222":380,"_42":381,"_303":382},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. 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The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[491,492,493,494,495],{"_221":379,"_222":380,"_42":381,"_303":382},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":490,"_377":378},"Portrait of Roberto Castiglione, early 1600s",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_290":291,"_292":293},{"_225":482,"_125":483,"_284":484},{"_275":479,"_277":480,"_279":481,"_280":464},113.02941176470588,136.2,98.02941176470588,{"_286":225,"_123":485,"_154":486,"_140":77},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"the-last-supper-cma-119622","The Last Supper",{"_42":559,"_222":560,"_324":327,"_326":327,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":99},"c. 1500","print","Print","engraving on two sheets printed from two plates",1.3137557959814528,[544,545,546,547,548],{"_221":379,"_222":380,"_42":381,"_303":382},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":543,"_377":378},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_294":540,"_296":541,"_298":542},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_290":538,"_292":539},{"_225":531,"_125":532,"_284":533},{"_275":527,"_277":528,"_279":529,"_280":530},84,69.67058823529412,60,45.67058823529412,{"_286":225,"_123":536,"_154":537,"_140":99},{"_286":125,"_123":534,"_154":535,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","white","snow","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},{"_310":551,"_312":552},{"_310":549,"_312":550},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","the-sacrifice-of-isaac-cma-117032","The Sacrifice of Isaac",{"_42":610,"_222":611,"_324":612,"_326":327,"_328":613,"_330":614,"_332":615,"_333":615,"_334":616,"_140":97},"c. 1527","oil on wood","Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)",138,178,0.7744117647058824,[595,596,597,598,599],{"_221":379,"_222":380,"_42":381,"_303":382},"1937.577","Andrea del Sarto painted this in about 1527, aged about 36. It is now at the Cleveland Museum of Art.",{"_118":594,"_377":378},"The Sacrifice of Isaac, by Andrea del Sarto, c. 1527",{"_294":591,"_296":592,"_298":593},"https://img.ochreeditions.com/m/533.jpg?dl=1","/art/the-sacrifice-of-isaac-cma-117032","/galleries/style/renaissance/the-sacrifice-of-isaac-cma-117032",{"_290":291,"_292":293},{"_225":586,"_125":587,"_284":588},{"_275":583,"_277":584,"_279":585,"_280":568},152.84529411764706,193,137.84529411764706,{"_286":225,"_123":589,"_154":590,"_140":97},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/533/480.jpg","https://img.ochreeditions.com/a/533/960.jpg","https://img.ochreeditions.com/a/533/1920.jpg","In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God’s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice.",{"_310":608,"_312":609},{"_310":606,"_312":607},{"_310":604,"_312":605},{"_310":602,"_312":603},{"_310":600,"_312":601},"#702f18",0.0603,"#927255",0.1684,"#565747",0.1747,"#654628",0.2888,"#402f1e",0.3078,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[661,662,663,664,665],{"_221":657,"_222":658,"_42":659,"_303":660},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_294":654,"_296":655,"_298":656},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_290":538,"_292":539},{"_225":644,"_125":645,"_284":646},{"_275":641,"_277":642,"_279":625,"_280":643},73.5,62.11885576148267,38.11885576148267,{"_286":225,"_123":652,"_154":653,"_140":87},{"_286":125,"_123":649,"_154":650,"_140":651},{"_286":284,"_123":647,"_154":648,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":726,"_222":727,"_324":728,"_326":327,"_328":729,"_330":730,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1515–17","Oil on panel","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[711,712,713,714,715],{"_221":300,"_222":301,"_42":302,"_303":304},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":709,"_377":710},"A work made of oil on panel.",{"_294":706,"_296":707,"_298":708},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_290":291,"_292":293},{"_225":701,"_125":702,"_284":703},{"_275":698,"_277":699,"_279":700,"_280":683},106.7108843537415,133,91.7108843537415,{"_286":225,"_123":704,"_154":705,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.","Text from the Art Institute of Chicago.",{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","germany","drawing","Drawing","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[776,777,778,779,780],{"_221":772,"_222":773,"_42":774,"_303":775},"Courtesy National Gallery of Art, Washington","1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_294":769,"_296":770,"_298":771},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_290":538,"_292":539},{"_225":758,"_125":759,"_284":760},{"_275":756,"_277":169,"_279":757,"_280":741},50.490234375,26.490234375,{"_286":225,"_123":767,"_154":768,"_140":97},{"_286":125,"_123":764,"_154":765,"_140":766},{"_286":284,"_123":761,"_154":762,"_140":763},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":789,"_312":790},{"_310":787,"_312":788},{"_310":785,"_312":786},{"_310":783,"_312":784},{"_310":781,"_312":782},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":838,"_222":839,"_324":840,"_326":841,"_328":329,"_330":842,"_332":843,"_333":844,"_334":845,"_140":97},"c. 1480","engraving",0.7132352941176471,[823,824,825,826,827],{"_221":379,"_222":380,"_42":381,"_303":382},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":822,"_377":378},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_294":819,"_296":820,"_298":821},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_290":538,"_292":539},{"_225":812,"_125":813,"_284":814},{"_275":810,"_277":527,"_279":811,"_280":529},66.79411764705883,42.794117647058826,{"_286":225,"_123":817,"_154":818,"_140":97},{"_286":125,"_123":534,"_154":535,"_140":53},{"_286":284,"_123":815,"_154":816,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_310":836,"_312":837},{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":897,"_222":898,"_324":899,"_326":327,"_328":900,"_330":901,"_332":-5,"_333":-5,"_334":-5,"_140":103},"late 1460s–early 1470s","watercolour","Drawing and Watercolor","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",18,0.6784424379232505,[882,883,884,885,886],{"_221":300,"_222":301,"_42":302,"_303":304},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_294":879,"_296":880,"_298":881},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_290":538,"_292":539},{"_225":871,"_125":872,"_284":873},{"_275":868,"_277":869,"_279":870,"_280":763},42.99638826185102,52,18.996388261851017,{"_286":225,"_123":877,"_154":878,"_140":89},{"_286":125,"_123":874,"_154":875,"_140":876},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_310":895,"_312":896},{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},{"_310":887,"_312":888},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":322,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":95},"27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",1.70421710269426,[926,927,928,929,930],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1023","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.",{"_294":923,"_296":924,"_298":925},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_290":291,"_292":293},{"_225":920,"_125":921,"_284":922},{"_275":276,"_277":918,"_279":243,"_280":919},41.99186619314927,26.99186619314927,{"_286":225,"_123":171,"_154":170,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},{"_310":931,"_312":932},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"virgin-and-child-aic-16295","Virgin and Child",{"_42":988,"_222":989,"_324":990,"_326":991,"_328":992,"_330":993,"_332":-5,"_333":994,"_334":995,"_140":97},"c. 1485","netherlands","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",41,0.7746083703530512,[973,974,975,976,977],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.",{"_294":970,"_296":971,"_298":972},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_290":291,"_292":293},{"_225":963,"_125":964,"_284":965},{"_275":960,"_277":961,"_279":962,"_280":947},46.7589431844751,56,31.7589431844751,{"_286":225,"_123":968,"_154":969,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":966,"_154":967,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":1044,"_222":1045,"_324":1046,"_326":327,"_328":1047,"_330":1048,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1520/30","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[1029,1030,1031,1032,1033],{"_221":300,"_222":301,"_42":302,"_303":304},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_294":1026,"_296":1027,"_298":1028},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_290":538,"_292":539},{"_225":1019,"_125":1020,"_284":1021},{"_275":1015,"_277":1016,"_279":1017,"_280":1018},49,46.831191300049426,25,22.83119130004943,{"_286":225,"_123":1024,"_154":1025,"_140":89},{"_286":125,"_123":1022,"_154":1023,"_140":89},{"_286":284,"_123":365,"_154":366,"_140":367},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"the-annunciation-aic-16327","The Annunciation",{"_42":1095,"_222":1096,"_324":1097,"_326":991,"_328":1098,"_330":1099,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1490–95","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[1080,1081,1082,1083,1084],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":1079,"_377":710},"Painting of the Annunciation, dove flying above Mary with angel.",{"_294":1076,"_296":1077,"_298":1078},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_290":291,"_292":293},{"_225":1071,"_125":1072,"_284":1073},{"_275":1069,"_277":135,"_279":1070,"_280":1054},64.25914598282554,49.25914598282555,{"_286":225,"_123":1074,"_154":1075,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":966,"_154":967,"_140":81},"artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.",{"_310":1093,"_312":1094},{"_310":1091,"_312":1092},{"_310":1089,"_312":1090},{"_310":1087,"_312":1088},{"_310":1085,"_312":1086},"#792423",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","Netherlandish, active fourth quarter 15th century",1475,1499,"madonna-and-child-in-a-niche-cma-97178","Madonna and Child in a Niche",{"_42":1148,"_222":1149,"_324":327,"_326":327,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1520s","Framed: 87 x 72 x 5.5 cm (34 1/4 x 28 3/8 x 2 3/16 in.); Unframed: 59.5 x 43.9 cm (23 7/16 x 17 5/16 in.)",43.9,59.5,0.7326470588235294,[1133,1134,1135,1136,1137],{"_221":379,"_222":380,"_42":381,"_303":382},"1916.813","Antonio del Ceraiolo painted this in about 1520s. It is now at the Cleveland Museum of Art.",{"_118":1132,"_377":378},"Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s",{"_294":1129,"_296":1130,"_298":1131},"https://img.ochreeditions.com/m/487.jpg?dl=1","/art/madonna-and-child-in-a-niche-cma-97178","/galleries/style/renaissance/madonna-and-child-in-a-niche-cma-97178",{"_290":291,"_292":293},{"_225":1124,"_125":1125,"_284":1126},{"_275":1121,"_277":1122,"_279":1123,"_280":1106},58.5925,74.5,43.5925,{"_286":225,"_123":1127,"_154":1128,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-antonio-del-ceraiolo","Antonio del Ceraiolo's contemporaries","https://img.ochreeditions.com/a/487/480.jpg","https://img.ochreeditions.com/a/487/960.jpg","https://img.ochreeditions.com/a/487/1920.jpg","This image of Madonna with the Christ Child on her lap has been extensively altered by restoration.",{"_310":1146,"_312":1147},{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},"#364e43",0.0525,"#874c3e",0.0745,"#b28c6c",0.1971,"#655b4d",0.2666,"#373733",0.4093,"Antonio del Ceraiolo","antonio-del-ceraiolo",{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","666ca8e3e8cadac233fd93c58df2e3486f705b09","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]